Paintings

VENICE oil painting, featuring the Doges Palacio, Italian School, circa 1940s in its original 1940s frame. Signed M. Coloman, 20th century.  

"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...

1950 Albert Eugene Gallatin Signed Abstract Oil Painting on Board Offered for sale is a nice Albert Gallatin (1882 - 1952) oil painting on board signed on verso September 1950. ...

A brilliant and lively depiction of a crowded cafe scene in 1945, this painting by Adalie Margules Brent depicts a slice of Black America at the end of World War II, probably in New Orleans, complete with a waiter, fashionably dressed men and women and wafts of cigarette smoke...

Helga Kai-Larsen, Swedish artist. Oil on canvas. Still life with bowl and fruits. Modernist style. Signed and dated 1949. In excellent condition. Dimensions: W 39.5 cm x H 31.5 cm. O...

Oil Painting, Dutch School (20th Century) Oil on Board. A coastal scene with boat, windmill and figure, initialed at the lower right. The signature, illegible, framed in a beautiful...

A set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...

Original 1940s Pink Hibiscus Watercolor Painting on Paper Signed by Shirrell Graves. The painting features its original white wood frame with a white mat. Shirrell Graves is an Impr...

Outstanding 1940's oil on board painting in original custom shadowbox wood frame with distressed finish. The figural painting depicts an indigenous people...

Mid-Century French Peonies Oil Painting Still Life. Signed A. Bonquet dated 1948. Lavender colors. 30 inches W by 24 inches H

Japanese two panel screen: Nara Deer in Gentle Yoshino Landscape. Yoshino is in the Nara Prefecture, an area famous for these small and tame deer native to J...

Original 1940s White/Pink Magnolia Watercolor Painting on Paper Signed by Shirrell Graves. The painting features its original white wood frame with a white mat. Shirrell Graves (188...

Montague Dawson: Gliding Along, The Deb, circa 1949 This is a framed oil painting on canvas and shows the first 5.5 metre day boat built by George Nicholson sailing past Newtown Cre...

Mario Carreño "Serenade" Oil Painting on Canvas, Cuba 1941, Signed Offered for sale is an important oil on canvas painting by Cuban artist Mario Carreño (1913-1999) signed and date...

Large-scale Folk Art Carnival game board, American, circa 1940s. This painted carnival game board came from Texas and combines wonderfully patinate...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...

Pär Lindblad (1907-1981), Sweden. Oil on canvas. Modernist landscape. Man on a bicycle along the coast. 1940s. The canvas measures: 64 x 31 cm. The fr...

A framed watercolor and gouache on paper depicting sliced watermelon on a color block background, signed Tamayo and dated 1945 as shown. The work was in keeping with the style of Rufino Tamayo and it retains a paper label from Salon de la Plastica Mexicana, listing the detail info. SPM was formed in 1949 to promote contemporary Mexican artists...

Japanese Two Panel Screen: Hibiscus in Bloom, Meiji period (1868 - 1912) painting of hibiscus flowers reaching for the sun in full bloom. Mineral pigments on silk with a silk brocad...

Absolutely winning and full of charm, this book illustration depicts a bunny rabbit running across the land, the hilly landscape rich with browns and greens, and the sky a perfect blue. Painted in gouache on illustration board, the Sphinx mark -- one of the brands of the Weber company -- is visible on the reverse. This would make a perfect addition to the walls of a children's room, or a collection of American illustration art.

This pale, almost ghostly painting by John Winters depicts a tall, lithe young man with a yellow swimsuit and towel on the beach along Lake Michigan in...

Large and arresting, this stylized depiction of the great hunter in Greek mythology, Actaeon, resting on a slab of marble with his bow and quiver of arrows, was painted by Leon Dusso...

Émile François Jacques Compard (1900-1977), French artist. Oil on woodwork. Abstract composition. Dated 1949. Measures: 46 x 32 cm. In very good condition. Signed and dated. Ém...

This brilliant Surrealist composition, with the stylization and exaggerated plant forms of Art Deco, was painted by Jan Matulka in 1944. Both Surrealism and "Moderne" decorative arts thrived in the 1940s, and here the artist draws from both styles. Matulka was born in Prague and came to America as a young man, and trained here and in Paris, where he became exposed to Cubism. He exhibited in New York, created illustrations for New Masses which advanced the interest of American workers...

An academic oil painting depicting a young man in profile holding a spear, seated. Some flaking in the background, consistent throughout. Framed in a vintage giltwood frame. Circa 1900.

Painting of a Gypsy, Bohemian woman drawing the cards. Representation of a Cartomancer and Fortune Teller. Oil on canvas. Very well represented. fine and pleasant features. Delicate work. Signed lower right by M. Callewaert circa 1940 Maurice CALLEWAERT is a Belgian artist born in Belgium in 1900 and died in France in Paris in 1986. Belgian painter from West Flanders...

Framed watercolor by Albert Andre signed lower right. Measures 17" x 15" including frame and 12" x 9" sight. Provenance: Sothebys Andre came to Paris in 1889 as an industrial designer. At the age of 23 he enrolled at the studio of William Bouguereau at the Académie Julian, where he met Ranson, Louis Valtat and the young poet and dramatist Henry Bataille, who at the time was training as a painter. He illustrated L'étang de Berre by Charles Maurras and Les Petites Alliées by Claude Farrère. He produced cartoons for tapestries for the Beauvais factory. In his youth he worked in Paris and Loudun, but later settled in the Midi, where he became curator of the museum in Bagnols-sur-Cèze, building up a major collection of contemporary art, including works by Monet, Renoir, Bonnard, Vuillard, Matisse and Despiau. In 1923, as a friend of Renoir, he compiled his recollections of the painter in a preface to an album of collotypes of his works. He was initially influenced in his painting by Delacroix, and it was Cézanne's paintings that helped him discover how to give the impression of volume using colour: warm tones for illuminated surfaces and cool colours for shadow. But it was undoubtedly Renoir who had the most profound influence on him, especially as it was Renoir who noticed his paintings in 1894 and introduced him to Paul Durand...

Still life oil painting ca. 1940s depicting a 'duck' figurine amid vessels by Elaine Plishker Auchmoody (b. NYC 1910 - d. Massachusetts 1976). Auchmoody was a highly-regarded lecture...

Very fine impressionist painting, signed, oil on canvas, circa 1880-1910. Good condition, and original frame. Measures: H. 83 W. 65 cm. H...

A large painting by Italian artist Giuseppe Mazzei, depicts muses Melpomene and Thalia with their classic attributes. Seated Melpomene holds a dagger kn...

Antique framed oil painting on canvas by Walthere Jamar (1866-1950) is a panoramic landscape that captures the glory of nature in all her splendor! Jamar has used varying brush techn...

Oil on Canvas, Abbott Fuller Graves, Spring Garden, Kennebunkport, Christies NYC An original oil on canvas by this wonderful American painter and Illustrator. This finely framed oi...

A rare and magnificent example of a mural influenced by both the Arts & Crafts and Art Nouveau movements, this painting of a plumed knight on horseback...

Vintage Nantucket Watercolor of "Old North Slip" on Nantucket, by Doris and Richard Beer, circa 1940, a watercolor on paper view of mooring slips along the end of Old North Wharf, signed in pencil lower right, titled on the reverse. Doris and Richard Beer (1898-1967 and 1893-1959 respectively) produced a well-known series of watercolor miniatures featuring popular Nantucket scenes. Working at their Wharf Head Studio on Old North Wharf for 18 years, the couple worked together on these copyrighted creations, photo-duplicating Doris's line sketch and Doris and Richard completing the watercolor. A native New Yorker, Doris studied at the Art Students League, Cooper Union, and with Arthur Dow at Columbia University. She developed a successful career designing theatrical scenery and costumes in New York, Newport, and later for the Straight Wharf Theater on Nantucket. Richard spent the summers of his childhood in ’Sconset. A graduate of Hamilton College, he served for ten years as American consul in posts in Budapest, England, Havana, and Canada. A self taught painter, he also was a talented writer who contributed to the Saturday Evening Post, Yankee Magazine, and Art News...

One of a kind painting by ROGER CHAPELAIN-MIDY (Paris, 1904-1992). "Still life" , Oil on canvas. Signed in the lower left corner. Size: 97 x 76 cm; 122 x 105 cm (framed) R. Chapelai...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete wit...

Original Post War Framed Paintings with red hibiscus, by Tip Freema Featuring a red floral Hibiscus against a light background in its original wood frame. Tip Freeman...

Karl Viktor Mayr (Austrian, 1882-1974) a very fine Austrian oil on canvas "An Exotic Nude Girl" depicting a young semi-nude woman, revealing her breast...

Henri-Gaston-Jules-Louis Bouy, known as Gaston Bouy, was a French artist who studied under Amédée Bourson and exhibited at the Salon des Artistes Francais....

Rare Mid-Century Modern signed 1949 cubist gouache painting of skyscrapers, rooftops and skyline of the City of New York including The Chrysler building by painter Theodore "Theo" Ha...

Colorful and impressionist depiction of a woman with hat and scarf. A friend of the artist in Paris. Unframed.

"Ce qu'évoquent les Livres" Allegory of the Literature Oil on canvas Signed on the lower part beside parchment 111 x 133 x 2 cm Framed 125 x 146 x 7 cm Provenance: Collection Georges AUBRY, brother of the artist Bibliography: Illustrated in catalogue «Regards de peintre» , Suzanne AUBRY-CASANOVA, 1997, p.104 After trying years of forced confinement due to the war, he composed this allegorical fresco on the theme of Literature, Science and Arts was painted by Émile Aubry for his younger brother Georges Aubry, who had intended it for his library. This work, composed on the theme of the book it symbolizes, in its diversity by allegorical characters, he cannot help ordering the painting around Art, which he places at the top of the scale of human...

Maj Hemberg, Swedish artist. Oil on board. Abstract composition. Painted with thick brushstrokes. ”Bombning av Dresden” - ("Bombing of Dresden"). 1945-1952. Signed on the back. In ex...

A very interesting and unusual Lancaster Covered Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist and is dated 1936 on the rear. Overall frame Size approximately 28″ wide x 2″ deep x 22″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Aurelio Arteta Errasti (2 December 1879, Bilbao - 10 November 1940, Mexico City) was a Basque painter who worked in several styles; including Symbolism, Cubism and Social Realism. ...

Falcucci Robert (1900-1989). A large oil on board depicting a nude bathing female figure, circa 1940s, signed lower left Falcucci.

Painted in vivid, glowing colors by Robin Artine Smith, this depiction of a 1940-era blonde in a tangerine-hued swimsuit striding into the surf is a...

Clearly influenced by Raoul Dufy, Marie Laurencin and Hollywood set designs, this striking depiction of two nude female figures around a table with a bowl of fruit was painted in 194...

Great Italian painting dated 1940. Oil on board framework depicting a woodland landscape in impressionist style with good pictorial quality. Frame in wood and plaster, adapted to the...

Beautifully painted by Giovanni Colacicchi in rich, verdant colors, this depiction of a nude, youthful Adam figure in the midst of the Garden of Eden, accompanied by God in a hooded,...

Craigmillar Park Golf Club Watercolour, John Blair. An atmospheric original watercolour of Craigmillar Park Golf Links in Edinburgh by the Scottish artist John Blair (1849-1934). Craigmillar Castle from which the club derives its name from is clearly seen in the background and the painting is signed to the lower left corner. Craigmillar Castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception equality of the sexes was the rule at Craigmillar Park. John Blair was a Scottish painter, predominantly of watercolour landscapes. Of humble beginnings in Berwickshire, he moved to Edinburgh to study and spent the rest of his life there. His paintings mainly reflect the landscapes around him, both of urban settings and also of the castles, sea and lochs of the Borders. As well as his original work, his paintings were viewed by a wide audience in the form of picture postcards, book endpapers and illustrations. Taken from Craigmillar Park Golf Club website:- Craigmillar Park Golf Club was constituted in 1895 and moved to its present location in 1907. It was extended to 18 holes (designed by James Braid) in 1927. On 12th of January 1895 the Scotsman newspaper carried the following "birth" announcement : "NEW GOLF COURSE IN THE SOUTH SIDE OF EDINBURGH. A nine-hole golf course is being formed at Craigmillar Park and is expected to be ready for play in February. A lease of the ground which extends from Crawfurd Road to Lady Road has been obtained from Captain Gordon Gilmour of Liberton and Craigmillar. The principal entrance will be from Crawfurd Road within three minutes' walk of the Craigmillar Park car terminus and Newington Suburban Station. The course is about a mile in length and has been laid out by Mr. Day of Musselburgh, who has given a very favourable report of the suitability of the ground for the purpose. Already about 150 ladies and gentlemen have been admitted as members of the club." Many, perhaps most, of the new clubs created about the same time as Craigmillar Park were (and some continue) as male preserves. It is clear that from the outset equality of the sexes was the rule at Craigmillar Park, although it was not until 1914 that the subscriptions were equalised. The course was situated in an area of land close to Newington Railway Station and the Newington Bus and Tram Terminus and was thus, easily accessible. In those days there was very little building development between the course and the iconic Craigmillar Castle from which the club derives its name. The castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception, ladies have had equal status with men and there was no gender barrier to any office. This was in an age when golf clubs were regarded as male preserves. In 1914, ladies started paying exactly the same subscription as their male counterparts and this has remained right up to the present day. When you consider that all women did not get the vote until 1928, Craigmillar Park Golf Club were indeed trendsetters! Despite the club's early success, with 400 members and a waiting list, they were dealt a blow when their course at Newington was taken over for housing development. They decided, rather than to disband, to relocate the golf course to the eastern slopes of the Blackford Hill in 1907. Once again the close proximity of Blackford Railway Station and Bus Terminus were factors in their decision making. Another factor in choosing Blackford Hill was the potential for increasing the length of the 9 holes that had been played for in the course at Newington and possibly even converting the new course to 18 holes at some future date. This is in fact what happened and James Braid designed a splendid 18 hole course which officially opened in 1927. The new course was a real test of golf with no two holes being the same. The course boasts marvellous views over Edinburgh and Fife and down the coast to the Berwick Law, Bass Rock...

The American public was fascinated with all things exotic in the 1930s and 1940s, including aquatic and seaside themes and Art Deco hotels and residential interiors often featured pa...

Japanese two-panel screen: Peony, Wisteria, cherry and bamboo on soft silver, Meiji period (1868-1912) painting of a garden in spring. Painted in mineral pigments on oxidized silver ...

Still life of flowers. Oil on canvas. GARCÍA-OCHOA IBÁÑEZ, Luis (San Sebastián, 1920-Madrid, 2019). 1949. Signed and dated towards the lower left corner. Label on the back. Still life that shows a round table covered...

With a nicely carved pine frame. The canvas featuring a view of Chateau de Savinac in Bordeaux, France.

Fresh as a crisp fall day, this painting of a woman taking down laundry at the base of a hill dominated by her home above is a reassuring depiction of wholesome rural life in 1941, p...

French vintage painted shooting targets made of wood. This unique set from the turn of the century brings character and authenticity to a space!

Moon and bamboo in ink on gold paper with red and black lacquered negoro frame. (Meiji period) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in par...