Antique French Pair of large Oils on Canvas Painting of Cherubs 18eme Century

Platter in Copper and Brass 2 Handle Gold and cooper Color Deutch 18eme Century

French Provincial Painting of a Cow on Wooden Panel, Rustic Chalet Decor Description: This charming French Provincial painting depicts a beautifully detailed cow on a light brown wooden panel, surrounded by a delicate floral border. Its rectangular wooden support and rustic floral embellishments give it an authentic, countryside charm, making it an ideal decorative piece for mountain chalets or rustic-inspired interiors. Key features include: Traditional Subject and Style: The painting showcases a realistically rendered cow in earthy brown tones, capturing the tranquil beauty of rural life. Its simple yet elegant composition is a nod to traditional French Provincial art. Wooden Panel Support: Painted on a light brown wooden panel, the natural wood grain adds warmth and authenticity, enhancing the rustic appeal of the piece. Floral Decoration: Surrounding the main image is a delicate floral border, hand-painted with small, charming flowers, further emphasizing its French countryside style. Rustic Charm: The vintage-inspired design and pastoral subject make this painting perfect for mountain chalets, country homes, or rustic interiors, creating a cozy and inviting atmosphere. Versatile Display: Its small size allows for versatile display options, whether hung as a single focal point or as part of a curated gallery wall. Cultural Appeal: The French Provincial style evokes the timeless elegance of rural France, making it a delightful addition to both traditional and eclectic decor settings. This French Provincial cow painting is more than just rustic decor—it is an artistic tribute to pastoral life, bringing warmth, charm, and a touch of the French countryside to any space. Perfect for those who appreciate vintage-inspired art or wish to create a cozy, chalet-style ambiance. Keywords: French Provincial cow painting, rustic wooden panel art, vintage farm animal painting, chalet decor, country-style wall art, French countryside painting...

Graffiti street art painting. Acrylic on canvas.

Early 20th-Century French Watercolor of a Bird, Signed, in a Bamboo Frame This elegant early 20th-century French watercolor features a beautifully detailed bird perched on a branch ...

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

A beautiful and most charming pair of French 18th century oil on canvas paintings. Each most decorative and colorful cloud shaped painting disp...

Lovely pastoral oil paintings. They will want you to visit France.

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...