Paintings

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

'The Edge of a Fairytale' by British artist Jessica Zoob is a spectacular diptych with each canvas measuring W270cm x H95cm. Each canvas is available as a separate purchase of £24,00...

This vibrant original painting by Miami based artist, Johanna Boccardo, was created with the meticulous signature style of the artist. The painting boldly displays her chromatic mastery, resulting in a fresh and colorful piece of contemporary art. Layers of color of various media are applied to get a multi-layered and dynamic effect, where cryptic stories and drawings are disguised in the background. "Green Calcite...

(1951-). Oil on board; 8" x 12". Thomas DeDecker was born in Appleton, Wisconsin, and studied at Brigham Young University in Provo, Utah. His paintings of western landscapes and of t...

Flock by The Tree clumps - new original work by Seren Bell. Mixed media on Fabriano paper, 21 inches x 21.5 inches. Sold unframed. Can be framed for loca...

Mayan Ruins is a set of five consecutive panels from a panoramic design depicting the jungles of Central America populated by Mayan ruins and tropical creatures of many kinds. The pa...

This pair of art pieces depicts the fantasy of two royal monkeys on horseback as is they were part of the sixteen century aristocracy. Each panel is hand painted on a non-woven pape...

Mary Segars grew up in Blacksburg, VA, and attended the College of William & Mary, where she majored in Biology. She had an interest in art from the age of 7, but didn’t pick up a br...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Limitless is Troy's interpretation of all the creativity that comes from life and emotions, from all the livings in a continuous and immutable way. A potent mix of colours gives birt...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

The pair of original paintings inspired by the 19th century Chinese export trade chinoiserie paintings of tree, flower & bird motif on wallp...

Modern abstract, mixed-media on White Aluminum painting; titled “The Island of Souls” by Maria Astadjov, a conceptual fine artist. Signed on front botto...

"Ultimate Pilgrimage" Sarah Dupré, 2023. Tar, oil, mixed media, and enamel. With black frame, behind glass. 25.5"H x 31.75 "W x 0.5" Using graphite, charcoal, tar, and influence f...

A pair of constructivist gouache paintings by Lana Sexton on white archival watercolor paper. Titled Traverse I & II, signed and dated 2023. The idea behind Lana's abstract geometry...

Picture, acrylic on canvas Silvino Lopeztovar Born in Tlahuelilpan, Hidalgo, Mexico in 1970, Silvino Lopeztovar finished his professional design studies at the Universidad Nuevo Mundo in 1994. After his bachelor’s degree, he received a diploma in automotive design from the Rigoletti house of design, where he met Maurizio Corbi (senior designer at Pininfarina), obtaining a recognition for being one of the top three automotive designers in a project for a French car by Zini. Among the teachers who have influenced his work during his academic stage, Javier Castelltort Javier and Alejandro Ramirez deserve special mention. Silvino Lopeztovar began his career working for advertising agencies. He was initially involved with the design of sets and scenarios —some of them for the television— and carried out his activities in Spain, Italy, Panama and Mexico City. In 1996, he founded Silvino Lopeztovar Design, a company focused mainly to interiors. Among his customers stand Nestle, FedEx, Novartis, Canon, Pozos International Festival of Independent Cinema, Channel 22 TV (Mexico), Ingram Micro...

“God of Panic”, created by the late immensely talented artist, Larry Roberts. This piece is one of the last in a series he created in 2009. Acrylic on canvas. His abstract, figur...

“Tudor Romance” Oil on canvas 2020 Size: 24 x 30 in. Unframed (custom framing is available upon request) The present painting transports the viewer to the imagined world of a Tudor estate, inclusive of a lovely water feature, monumental planter...

I have started working with the very talented Damian Willett who creates the most spectacular abstract original art works. His inspiration is natural form and wabi sabi. He uses a te...

This beautiful work is a creation of Jolijn de Dijkman – de Veer. An artist from the Netherlands who is known for surprising works and different styles. She consciously does not opt ...

An original water color painting of flowers in stunning colors on a white, open background. Finished in a simple mat and gold and silver frame, the painting has great flow and movement.

Title: Convergence of Dreams and Truth Size: 60"x60" Medium: acrylic and mixed media on canvas Caption: Convergence of dreams and truth unfolds in a mesmerizing display of ethereal b...

Maria Astadjov Modern Abstract Painting. Imagine If That Was True. Modern abstract, mixed-media on Aluminum; titled “Imagine If That Was True” by Maria ...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...

'Les Champs Fleurissent' is a unique oil painting by the Dutch artist, Maarten Vrolijk. Enthralled by flowers and the power of nature, Vrolijk’s vibrant and joyous paintings are app...

Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...

Large acrylic on canvas by Karl James Lubbering (b. 1969) features varying hues of violet and deep purple. Karl comes from a family of prominent Texas ...

Decorative wall panel handmade by the artist manufactured using the scagliola technique. Tha Coloured Abstract subject dictated by the imagination ( in relief) emerges from the backg...

Decorative wall panel handmade by the artist manufactured using the scagliola technique. Tha Coloured Abstract subject dictated by the imagination ( in relief) emerges from the backg...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

In PS series. PS series explores the effects of powdered charcoal with encaustic wax. Art Dimensions: 46 x 58 H inches Framed Dimensions: 47 W x 59 H inches. Maple float frame with gold leaf. Commission lead time is 12 weeks. John O'Hara (American, b. 1963) i s a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. O'Hara, co-founder of Forsyth, is known for his Vinyl series, Tar series, Brands series, Botanical series, Daisies series, Sardinia series, Square Dance series, and Get Your Shit Together series. His work is included in both public and private collections around the world. A few notables include: Michael Kors Collection store in London as well as the Michael Kors showrooms in Milan, Paris, and New York Maison de la Luz, the luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...

King Salmon in the Salcha River, Alaska by Grant Nixon Item Number: AG0096_GN Watercolor on paper; 20" x 30". Well framed and matted. Grant is North Idaho artist specializing in watercolors. Very well done, nice colors. Arrives framed. Period: Contemporary Origin: Idaho, United States Sizr: 20" x 30" Frame 30" x 40" Family Owned & Operated Cisco’s Gallery...

Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....

Eve, 34” X 56”, Oil on Canvas Painting MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from compani...

The 'Where Angels Dance' triptych is a monumental work by British artist Jessica Zoob (three canvases each W150cm x H120cm). It offers a tranquil place of...

Adam and Eves, 54” X 52”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...

Adam and Eve II, 50” X 48”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral. Each plate is related to a scene and some lines from the book. Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called A Fecund Moment showing the tie of Marcus Garvey...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...

These beautiful abstract paintings are by York based artist Philip Wiseman. Originals don't come on the market very often so I am pleased to have been able to get hold of some. T...

About the painting “Itinerary” 2014 Shows your walk in your life. About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron. “Art Studio Bv5”, together with 4 other artists, she continued to work until moving to Dubai in 2015. Several part exhibitions in Neuchatel, Lausanne, Geneva, Brussels, London, New York, Hong Kong and Sweden. In the United Arab Emirates she has exhibited both acrylic paintings and hand- made carpets at Downtown Design...

New original work by Seren bell. Mixed media on Fabriano paper, 17.5 inches x 14.5 inches. Sold unframed. Can be framed for local buyers. Seren's work...

About the painting “Winter Flower” 2008 "Three season colorful flowers faded to winter mood" About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron...

Roving Rooster - New original work by Seren Bell. Mixed media on Fabriano paper, 17 inches x 21 inches. Sold unframed. Can be framed for local buyers. ...

Mixed media on paper by Karl James Lubbering (b. 1969). Karl comes from a family of prominent Texas artists spanning several decades, embracing many st...

Oil on canvas. 48" x 36". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence of what he sees and experiences in an exceptional artistic capacity. Greg’s ability to bring to canvas the moments seen through the human eye in such exceptional craftsmanship is one to be recognized. Early in his youth, he found himself especially interested in nature and read all he could about naturalists like John Muir who captured young Greg’s imagination. Being an outdoorsman himself, Greg’s studio in the beautiful Northwest part of the United States provides a setting in which often overlooked beauty Greg successfully captures and shares on canvas. Period: Contemporary Origin: Idaho Size: 48" x 36" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Moose...

A silver wired basket holds several large seashells as well as various architectural tools. The varied textures, shapes and colors of the objects ar...

Introspective Canvas is one of the unique pieces of Sergio Prieto, a multidisciplinary Spanish artist and World Recognized Furniture Designer with Prizes like 2020 Young Talent by Interiores Design Magazine and Best of Spain 2020 by AD Magazine...

Framed oil on canvas "Foggy Coastline" coast ocean scene by Laurel Daniel. Unframed 9" x 12" Laurel Daniel was born in 1956 in Racine, Wisconsin, and graduated with a studio art degree in 1979 from Wheaton College in Illinois. After almost 20 years in the graphic design business, she returned to oil painting in 1999 and has never stopped. Laurel lives and paints full time in Austin, Texas. Daniel shares her joy of painting with budding artists of all ages through workshops in Austin, Texas and St. Simons Island...

Acrylic, oil, collage on canvas.   

Oil on canvas. 30" x 48". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence ...

About the painting Searching 2014 Shows your walk in life. About the artist: Cecilia’s is working with all geometrical forms, lines and shadows. Her style developed to be clean and sharp forms in different combinations. Often they are in juxtaposition to create a three dimensional effect. Since two decades she has only painted in acrylic on canvas. Her art characteristics are uniform geometrical shapes with pristine borders, often in bold colours. Born in Sweden in 1954, Cecilia Setterdahl has always been painting from Swedish inspiration. Studied ascetics in High School and then went on to the Technical University of Lulea and graduated as a teacher. Moved to Stockholm and studied at the “Konstskolan” First exhibition 1988. Through a move to Neuchatel, Switzerland Cecilia continued her studies at the M-Art and Accademie Maximilien de Meuron...

Framed oil on canvas "Transitions" abstract scene by Dino Savio. Unframed 50.25" x 42" Dino Savio earned a Bachelor of Fine Arts from Carnegie Mellon University in Pittsburgh, Penns...