Prints

This engraving by C. Dupuis, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," features two contrasting profiles. On the left is a serene and contempla...

The image is an original antique handcolored plate from "A Natural History of English Insects" published in 1749 by Eleazar Albin. Albin, likely of German origin and known initially ...

This hand-colored print is labeled "Habit of Rubens Wife, in 1620." It depicts a woman dressed in the style that would have been fashionable among the upper echelons of society in th...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage features two pages from the 18th-century publication just mentioned, displaying a series of intricately detailed engravings of ancient lamps...

Original antique hand-colored engraving of the Norway Lemming, originating from "Die Säugethiere in Abbildungen nach der Natur mit Beschreibungen," which translates to "The Mammals...

The engraving presented here exhibits two male figures, each bearing a unique expression and hairstyle, likely echoing the artistic style of Raphael's Renaissance works. On the left,...

This engraving depicts two contrasting profiles. On the left is a male figure adorned with a detailed, patterned cap, his features marked by a hooked nose and a small, tightly curled...

This engraving is part of the ambitious project overseen by Sir Nicolas Dorigny, "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," which translates to "Collection ...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image is an antique plate il...

These antique engravings are illustrations from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. These plates are particularly v...

The illustration is indicative of the works that emerged from the collaborations and influences of the 18th-century naturalists like George Edwards and Johann Michael Seligmann. Geor...

Title: "Canis Cruciger: The Cross-Bearing Canine" The text on the print refers to the creators of the image: - "D. Hermann Fil. pinx Argent" likely indicates "D. Hermann Fil. (Fili...

This engraving a compelling piece featuring two distinct profiles: one of a youthful figure with soft, flowing hair and the other of an older, bearded individual whose face is marked...

This original antique engraving is part of the collection "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," and showcases two male profiles in a classical style. ...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793, specifically from the section 'Rec...

This 1722 engraving portrays an ancient lamp, intricately designed with the scene of tauroctony, which is a depiction of Mithras slaying a bull, a central...

The prints depict two different bat species, both intricately illustrated with a level of detail that suggests they come from Johann Christian Daniel von Schreber's "Die Säugthiere i...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image depicts a plate from t...

This rather large original antique engraving on strong paper depicts two images: one of a weasel in its natural habitat and another of its skeletal structure. The German title "Das...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage showcases three pages from Bernard de Montfaucon's seminal work "L'Antiquité expliquée et représentée en figures." Each page features detailed engravings of ancient lamps...

Hippocrepis. Upper Right: Pl. CCLXXVII. Lower Left: R. Lancake delin. Lower Center: Publish'd according to Act of Parliament by P. Miller January 26, 1759. Lower Right: I. Miller scu...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. This engraving is part of the "...

The collage of original antique engravings a compilation of three prints from the "Encyclopédie" by Diderot and d'Alembert. Each print showcases various furnishings and decorative elements relating to beds and upholstery from the 18th century. The collection presents a visual guide to the design and craftsmanship of the period. In the first print, we see two types of beds with canopies, known as "Lit à colonnes" and "Lit à la Duchesse," accompanied by different fabric patterns that might be used for the bed drapery or other upholstery within a room. The second print continues with illustrations of beds, including "Lit à double tombeau" and "Lit à tombeau simple," a camp bed or "Lit de camp à l'Angloise," as well as a folding screen ("Paravent"), a fire screen ("Ecran"), and a type of swing door ("Porte-Batante"). The third print features a more elaborate "Lit à la Polonaise...

Title: "Elegance in Black and White: Viverra Mephitis Linn." Description: This hand-colored print, meticulously drawn by J. Hle and engraved by J. Beck, features 'Viverra Mephitis L...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

The engravings are a stunning representation of Baroque ironwork designs, a testament to the intricate artistry of the 18th century. Created in 1767, the works of Charpentier and Huq...

The image features an 18th-century engraving from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures." It depicts a classical lamp in the form of a mounted ride...

This illustration is from Eleazar Albin's work, as indicated by the signature "E. Albin del.", meaning "drawn by Eleazar Albin". It is a plate from his series on natural history, spe...

Introducing an exquisite François Gilot original lithograph from the pages of André Verdet's poetic masterpiece, "Pages d'Amour," published by editions Raison d'être in 1951 and prin...

A sentimental lithograph on paper titled “Boy & Girl” by American artist Raphael Soyer. Hand signed in pencil on the bottom right. Published by Associated American Artists, New York in 1954. Raphael Soyer (1899-1987) was a painter, draughtsman, and printmaker who believed that art is to survive, it must describe and express people, their lives and times. It must communicate. From an early age Soyer and his brothers Moses and Isaac were encouraged to draw by their father, a teacher of Hebrew literature and history. Forced to leave Russia in 1912, they immigrated to the United States and settled in Brooklyn. In the mid 1920s, having studied at Cooper Union, the National Academy of Design, and the Art Students League, Soyer painted scenes of life on New York's east side. His portrayals of derelicts, working people, and the unemployed around Union Square during the Depression reveal more of a poignant vision of the human condition than the art of social protest popular with many of his contemporaries. Throughout his life Soyer painted people his friends, himself, studio models with an unerring eye...

Engraving on laid paper of the Piazza Navona in Rome. The view is expansive, with the Fontana del Moro in the foreground, the Fiumi Fountain in the center of the piazza, and the dome...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

An original and finely hand-colored print of a Cardinal bird, signed by William Hayes with a reference to the year 1780 (or 1786). This particular print is titled 'Cardinals', whic...

This is an original antique architectural design for a pulpit in baroque style with archway and balustrade dating approximately between 1740 and 1760. The artist responsible for th...

This is an original antique architectural design for a pulpit in baroque style dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Hab...

This is an original antique architectural design for a rococo pulpit dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, an...

Vintage Lithograph Roger Bezombes: 1913-1994, French pencil signed and numbered circa 1950's Frame Size: 25 1/2" x 31 1/2" Visible Image Size: 20" x 26 1/2" " Painter, printmaker,...

Page 8 from Issac Ware's book "A Complete Body Of Architecture, Adorned With Plans and Elevations, From Original Designs, By Isaac Ware, Esq. Of His Majesty's B...

Given the engraver's name, G. Vogel, and the visual style and content of the print, it is quite likely that this engraving is from Johann Christian Daniel von Schreber's "Die Säugeth...

Echinops. Upper Right: Pl. CXXX. Lower Left: R. Lancake delin. Lower Center: Publish'd according to Act of Parliament by P. Miller Novem. the 30th 1756. Lower Right: I. S. Miller Scu...

A pensive lithograph on paper titled “Dancers” by American artist Raphael Soyer. Hand signed in pencil on the bottom right. Published by Associated American Artists, New York in 1954. Raphael Soyer (1899-1987) was a painter, draughtsman, and printmaker who believed that art is to survive, it must describe and express people, their lives and times. It must communicate. From an early age Soyer and his brothers Moses and Isaac were encouraged to draw by their father, a teacher of Hebrew literature and history. Forced to leave Russia in 1912, they immigrated to the United States and settled in Brooklyn. In the mid 1920s, having studied at Cooper Union, the National Academy of Design, and the Art Students League, Soyer painted scenes of life on New York's east side. His portrayals of derelicts, working people, and the unemployed around Union Square during the Depression reveal more of a poignant vision of the human condition than the art of social protest popular with many of his contemporaries. Throughout his life Soyer painted people his friends, himself, studio models with an unerring eye...

This image is a botanical illustration by Eleazar Albin, from "A Natural History of English Insects." The dedication at the bottom reads: "To the most Noble Mary Preston Dutchess of...

A New and Accurate Map of that District of Great Britain called England & Wales &c. from the latest & most Correct Surveys. By T Kitchen, Geographer & Hydrographer to His Majesty. Up...

Title: "Rosersberg Palace: Dual Perspectives by Willem Swidde" Description: The featured antique engravings portray Rosersberg Palace in Sweden, captured from two distinct vantage p...

Salvia. Upper Right: Pl. CCXXV. Lower Left: I. Miller delin et Sculp. Lower Center: Publish'd according to Act of Parliament by P Miller April 21. 1758. Author: Philip Miller Source ...

Signed M. Ogier (Fecit:by), this set of four hand colored engravings is part of a larger edition of plates. These plates are numbered PL 16, 347, 365 and 386. The subject is probably...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian...

This image is an antique colored etching from a botanical work by J.W. Weinmann, titled "Duidelyke vertoning eeniger duizend in alle vier waerelds deelen wassende bomen, stammen, kru...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian. This plate is part of a comprehensive collection comprising 17 plates. Check out other listings to view the entire series. 1964 Hoffman and Campe Verlag, Hamburg Complete production Mladinska Knjiga, Ljubljana/Yugoslavia. This 1964 official reproduction table come from the editions: Dissertation sur la génération et les transformations des insectes de Surinam, The Hague, Pierre Gosse, 1726, and Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche insects, Amsterdam, Jean Frederic Bernard, 1730. CORAL TREE AND SILK MOTH The plant is Erythrina glanca, the blue-green coral tree, easily recognized as a legume by its fruits, called Koffiemama by the Surinamese Dutch because it is used as a shade tree in coffee and cocoa plantations. Both crops do not tolerate the direct rays of the tropical sun well. Erythrina is also called pallisade booms because the Indians split the logs and build huts and walls from the boards. The inflorescences are so heavy that the branches are pulled against the ground and only stand up again when the petals fall off. The ripe fruit cluster has pods like a broom and also serves this purpose among the natives. If the sheet with the pomegranate (original plate no. 9) lived in the tension of red and blue, one can speak less of tension here, one must speak of a moving fullness of life, which is expressed in green, yellow and brown along the two diagonals is formed by the branch, the other by the opposition of the two butterflies, the upper female and the lower male. The butterfly is Arsenura cassandra from the family Syssphingidae, from the family group of silk moths. This species creates interest through the molting of the caterpillars. Those that have just hatched from the egg are striped black and yellow and have thorns on the front and back. Over the course of five molts, the animals turn orange with a black spot on each limb, the thorns wither and finally disappear completely before pupation. Here, too, the author of the composition has made a sacrifice of accuracy: the caterpillar pupates in the ground or on the surface in leaves and mulch, but not at the top of the tree. (Original plate no. 11) ____________________________________ Maria Sibylla...

Set of Three Hand Colored Copper Wheel Engraved Floral Prints by John Hill c1756. One print signed in the plate, "I Hill." Published in England and hand colored. From an edition of 6...

HMS Grafton was a British Royal Navy ship active during the 18th century. The ship’s history is part of the broader narrative of British naval operations during a period marked by co...

Introducing an exquisite François Gilot original lithograph from the pages of André Verdet's poetic masterpiece, "Pages d'Amour," published by editions Raison d'être in 1951 and prin...

An antique engraving depicting a dance scene titled "An Exact Representation of a Dance in Otaheite," Otaheite being an archaic name for Tahiti in French Polynesia. This engraving would have been created as a part of a series to document the culture and life of the Tahitian people, likely observed by European explorers during one of the many voyages to the South Pacific in the 18th century. In the foreground, there are central figures engaged in a dance, wearing traditional Polynesian attire, which includes wraps around their waists and adornments that seem to represent status or a part of the dance costume. They are holding what appear to be fans, which may be part of the traditional dance. The dancers' poses suggest movement and a performance aspect to the scene. Behind the dancers, we can see a group of musicians providing the accompaniment, playing drums, which indicates the importance of music and rhythm in the dance. To the right, there is an audience of seated individuals, likely members of the community, watching the performance. The background of the scene includes thatched huts and a lush landscape with palm trees, depicting a typical village setting in Tahiti. The checkerboard pattern on the ground where the dance takes place is notable, as it adds a sense of structure to the scene. This image would have been intended for a European audience unfamiliar with Tahitian culture and would have served as a visual record of the encounters between European explorers and the peoples of the Pacific Islands. The engraving you've uploaded, titled "An Exact Representation of a Dance in Otaheite," is likely from a work documenting the voyages of Captain James Cook, given the style and subject matter. Captain Cook made three voyages to the Pacific Ocean during the 18th century, and his encounters with the peoples of the Pacific, including those of Tahiti (Otaheite), were extensively recorded and published. The engravings from Cook's voyages were made by artists who accompanied him, such as John Webber on his third voyage, or were based on sketches made by other crew members. These images were then published in the official accounts of the voyages. The most notable of these accounts is "A Voyage to the Pacific Ocean" undertaken during Cook's third voyage from 1776 to 1780, which was published in the years following his death in 1779. Another possible source for this engraving could be from the accounts of Joseph Banks. Banks was a naturalist who joined Cook on his first voyage (1768-1771) aboard the HMS Endeavour and was responsible for extensive collections and descriptions of Pacific cultures. His collections and later works also included illustrations and engravings of the scenes and peoples encountered. Given that the engraving is labeled as "London Published as the Act directs by Alexr. Hogg at the Kings Arms...

Bethune. A Strong Town in the Earldom of Artois in the Low Countries, Subject to the French. J. Basire Sculp. Lower Center: Plan of Bethune. For Mr. Tindal's Continuation of Mr. Rapi...

From Metamorphosis Insectorum Surinamensium, first published 1705 Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian. This plate is part of ...

Fantastic set of nine 18th Century botanical engravings by George Eberhard. Presented in hand-painted and lacquered red reeded frames with hessian mounts and AR70 art glass for opti...

This is an antique hand-colored print depicting the manor known as Schelenora, showing the building's facade and garden. The engraving is part of the collection "Suecia Antiqua et Hodierna" ("Ancient and Modern Sweden") by Erik Dahlbergh, a monumental work illustrating the grandeur of Sweden during its period as a great power. Sköldnora Manor, previously known as Skällnora, is located in Fresta parish, Upplands Väsby municipality, Stockholm County, on the eastern shore of Lake Norrviken. The estate dates back to 1276 and has a rich history including ownership by Birger Persson, the father of Saint Bridget, in 1296. The original main building depicted in "Suecia antiqua et hodierna" was demolished in 1718. The current main building, completed in 1741, showcases Rococo...

Map reproducing the map of the Academy and its contours near Athens for use in the journey of Anacarsi the Younger, by Mr. Barbie of Bocage; the map, made by cartographer D'Anville, ...