Marie Laurencin Original Etching

Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of one of the greatest artists of the European a...

Beautiful and affecting, this gentle depiction of a young woman holding a rose, her hair embellished with clusters of pearls and her dress evincing a fashionable patchwork of colors à la Paul Poiret, is by Marie Laurencin, and was painted as the basis for a print she issued. Laurencin -- whose paintings are being celebrated in a major exhibition at the Barnes Foundation in Philadelphia now -- is known for her focus on lovely women painted in delicate shades of blue, pink and gray, with dark eyes and blushing lips, as here. This painting, executed in gouache and watercolor, may have served as a study for a larger painting in oil...

Original David Hockney etching of Celia Birtwell, iconic British textile designer and fashion designer, signed, numbered 13 of an edition of 75, dated 1...

Artists proof of an Opart inspired multi plate colour aquatint etching by the French artist Jacqueline de Butler, also know just as "Debutler" This proof ca...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This is No. 84 From The Complete Works of Edgar Allen...

Artists proof of an Geometric Opart inspired multi plate colour aquatint etching by the French artist Jacqueline de Butler, also know just as "Debutler" Thi...

Louis Icart "Seville" Colored artwork Etching in original frame circa 1982 Using the drypoint process, Icart could sketch an idea onto a blank copper or zinc plate. For this, he use...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

A real etching after Rembrandt's masterpiece By Amand Durand Published circa 1900 On good quality wove type paper Unframed.

Title: "Regal Elegance of Marie de Hainaut: An Illustrative Plate from 'Costume du Moyen Âge'" Description: This captivating lithograph is a distinguished illustration from the 1847...