Benelux

An engraving of Torquato Tasso, a prominent Italian poet of the 16th century, best known for his epic poem "Gerusalemme Liberata" ("Jerusalem Delivered"), which tells the story of th...

A fascinating piece of cartographic history! The map, titled "Carte du supplément pour les Isles Antilles," featuring inset maps of various islands in the Caribbean, is from the "Atl...

Handcarved baroque wooden sculpture depicting the two accomplises Bacchus and Amor. Bacchus is wearing a grapevine in his hair and holds up a bunch of grapes. A jaguar skin...

This original rare print depicts the siege and capture of Oudenaarde on July 5, 1582, during the Eighty Years' War. A notable incident during this event was the miraculous escape of ...

Very old and interesting engraving of the Eighty Years' War. The Battle of Jodoigne (or the Battle of the River Gete), which was a clash that occurred on October 20, 1568, during th...

Rare original engraving of the Pontoon Bridge Constructed by the Duke of Parma in 1585, depicting the famous pontoon bridge over the Scheldt River. This engineering feat was accomp...

This mini P&T pendant lamp was designed by Michael Bang for Holmegaard in the 1970s. This Danish lamp is made of opaline glass and is black/aubergine on the outside and white on the ...

Special antique bronze Burmese Shan Buddha Material : bronze 62 cm high 18,6 cm wide and 18,3 cm deep Shan (Tai Yai) style Vitarka mudra 18th century With inscriptions in the base, p...

Framed trompe l’oeil of silver medal celebrating Dr. Nicolaes Tulp’s fourth term as mayor of Amsterdam Pen and black ink with grey and yellow-brown wash, over black chalk, within black ink framing lines. Signed at the lower right of the fictive sheet of paper: Antonina houbraken. Inscribed, below medallion: Dr Nicolaas Tulp. Ao1672. / oudste Raad.Burgermeester van Amsterdam By Antonina Houbraken Paper watermarked with a fleur de lis 208 x 297 mm Bears stamp, verso, indicating the drawing was at one point a gift from Dr. B.W.Th. Nuyens (1866-1945), a medical doctor in Amsterdam, known, among many other things, for his efforts to fight tuberculosis and his promotion of post-natal care. Antonina Houbraken (1686 Dordrecht – 1736 Amsterdam) was a draughtswoman who is known for her many topographical drawings of Dutch sites. She also drew landscapes and is recorded as a skilled portraitist. Houbraken was the daughter of painter and writer Arnold Houbraken and sister of the printmaker Jacob Houbraken. It is assumed she learned to draw in her father’s workshop. In 1723 she married Jacobus Stellingwerff, a draughtsman who also made topographical drawings for the albums of Andries Schoemaker, a numismatist and medal specialist and collector of topographical prints and drawings. Schoemaker was also a contributor to the famous standard work on Dutch medals...

Small dish Porcelain with underglaze blue and underglaze red decor. Ming dynasty, Tianqi or Chongzhen period (1621-1644) Sharing with you this lovely little dish from the early 17...

The print depicts Stonehenge, an iconic prehistoric monument located in Wiltshire, England. The image is a south view of Stonehenge, featuring a detailed etching and engraving of t...

Chrome Hearts Louvin Cup Glasses Frame Beautiful Chrome Hearts Louvin Cup glasses frame. In new condition without flaws. Frame made in Japan.

Beautifully decorated antique fireback or "ofenplatte". This used to be one of the sides of an antique stove made from several decorated firebacks. B...

The Netherlands Circa 1620 – 1640 A polychrome Dutch tile with the decoration of an orange flamed tulip. This tile with a very large tulip was ...

Battle on the Kauwensteinse dike, 26 mai 1585, attack from the Staten army and ships from Sealand on the dike against the Spanish in the Eighty Years' War. An original historical ar...

The loop attached to an oval fitting with radiant decoration. The cameo made of agate, showing the profile of a female bust with hair pinned up. The portrait in the style of Faustina...

Round body with plain nozzle, the discus decorated with three theatre masks, air hole in centre, the base with work shop mark in the form of a foot print Loeschcke Typ VIII, Schulte...

This original engraving is referring depicting a detailed illustration of a fire ship, a type of naval vessel used as a weapon during the Eighty Years' War. Fire ships were essenti...

Antique bronze Lotus Buddha statue Material : bronze 21,3 cm high 18,4 cm wide and 11,3 cm deep Is also being called "Dakhina Sakkha Buddha" Shan (Tai Yai) style Bhumisparsha mudra 18th century With aquatic plants and animals at the bottom, referring that Buddhism in Burma came from across the sea...

The print is a historical depiction of the Siege of Bergen (also known as Mons) in Hainaut in 1572, during the Eighty Years' War. This event is significant as it involved Count Lou...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

With square fitting, hollow at the top for attachment to furniture, one large paw on round base sprouting into lion’s head with visible teeth. 9,5 cm (h) Ex German private property...

Title: "Sunlit Melody: The Yellow Finch" Description: Featured in this late 18th-century hand-colored copperplate engraving is the Yellow Finch, a charming depiction from the series...

18th century Dutch wall fountain from the hall of a canal house. Made of Carrara marble. Antique wall fountain, with a niche-shaped high back including tap hole, on a curled leg with...

The Netherlands Rotterdam Circa 1725 – 1775 A fine manganese Dutch tile with a New Testament biblical decoration of the Supper at Emmaus, Luke 24 v 30: ”When he was at the table wit...

Germany Ansbach 18th century A set of 16 blue and white, with manganese tint, tiles with decorations of animals and figures. Very fine painting and much detail in the animals and fi...

Title: "The Elegance of the White Stork" Description: This exquisite hand-colored copperplate engraving, hailing from the late 18th century, captures the serene grace of the White s...

Italian school, after Peter Paul Rubens Two portraits from the range of the ‘Twelve Caesars’. Three-quarter laureate portraits in oval. The name of the emperor below with Roman num...

The Netherlands Utrecht Circa 1775 – 1800 A fine manganese Dutch tile with a New Testament biblical decoration of the Carrying of the Cross, Luke 23 v 25: ”As the soldiers led him a...

Material : bronze 6,5 cm high 4,6 cm wide and 5 cm deep 18th century Weight: 305 grams Originating from Burma Nr: G-57

"Regal Display: The Great Crowned Pigeon" Description: This hand-colored copperplate engraving from the late 18th century is a splendid example from the oeuvre of William Hayes and ...

The Netherlands Circa 1700 A fine blue and white Dutch tile with a still life painting of a vase with leaves and grapes and an apple on the sides. The scene is painted without corn...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

This unique and special mirror is made from an Italian 18th century church niche. The wood-carved frame has a slightly concave shape, and has graceful decorations such as C-shaped cu...

The Netherlands Rotterdam Circa 1725 – 1775 A manganese tile panel of two tiles, probably the base of a pillar, with the decoration of a liquor seller, and by the look on his face h...

ONE OF THE MOST BEAUTIFUL TULIP ENGRAVINGS EVER PUBLISHED Four Tulips PL.V. (plate 5), copper engraving made by Em(m)anuel Sweert(s) and published by D...

Stunning Renaissance cupboard or so-called Zeeuwse Kast in the Netherlands. Striking Dutch design from the Late 17th century. Solid original oak two-piece cupboard with original ebon...

Original antique and hand-colored engraving of people of the Chippewa tribe in American. The upper part of the print says, "Engraved for BANKES's New System of GEOGRAPHY Published b...

The Netherlands Amsterdam Circa 1725 – 1775 A fine blue and white Dutch tile with a New Testament biblical decoration of Jesus healing a blind born man, John 9 v 1. These series of ...

Two beautiful bubble glass chandeliers or pendant lights designed by Helena Tynell for Glashütte Limburg. A design Classic, the hand blown glass gives a wonderful warm glow. The dim...

This original antique image is an historical map by Jacques Nicolas Bellin, depicting the Great Wall of China as it was understood in the mid-18th century. The map includes French ...

An original antique engraving of two Buddhist temples in Thailand, also known as Siam historically. The upper part of the engraving is labeled "COUVENT de Talapoins," which refers ...

This is an authentic engraved portrait of Mary, Queen of Scots. Mary was one of the most fascinating and tragic figures in Scottish and English history. She became queen consort in...

This pair of cherubs comes from a noble family in Milan (Italy). Wear consistent with age and use. They are sold as a pair, not separately.

Japan, blue and white porcelain Kakiemon-style dish, Edo period, painted with two birds in a landscape with flowers, the border with flowering branches, the base with a square Fuku m...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

A lovely antique bowl from Arita, Japan. The outside wall with an ongoing landscape scene and the inside also with a nice landscape scene in a circle. Additional information: Materi...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according ...

Antique map titled 'Supplément pour les Isles Antilles (..)'. Original old map of the Virgin Islands, with insets of Barbuda, St. Kits, Antigua, Dominica, St. Lucia, Barbados, St. Vi...

Given these specific names—Vusihyen, Hu Chew Fu, and Hou-Tcheou-Fou—it appears that the map depicts historical Chinese locations. These names are likely transliterations of Chinese names from the period. "Hu Chew Fu" might be an old Western spelling for what is known in modern pinyin as Huzhou, a city near Lake Tai in China. "Hou-Tcheou-Fou" could refer to a historical name for another city or region, also located in China. More research needed. More about the maker: Jacques-Nicolas Bellin's contributions to cartography and hydrography set a precedent in mapmaking during the 18th century. His role as Hydrographer to the French Navy and later as the Official Hydrographer to the French King placed him at the forefront of maritime charting...

Vienna Porcelain Coffee or Mokka Cup and Saucer with floral decoration. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique), a porcela...

A very large flemish 18th century oak linen chest This can be used for general storage. Beautifully aged wood and gorgeous carvings troughout Mid 18th century - Belgium ​ Height:...

Altarpiece group representing the flagellation Brabant, circa 1560-1580 Carved wood, polychrome, and gilded 50 x 38 x 7 cm At the center of the group, Christ stands upright, leaning...

The image is an original engraved portrait of William Cecil, Lord Burleigh. William Cecil, 1st Baron Burghley, was a prominent statesman of the Tudor period in England and one of Q...

[Authentic Artwork] ◆ Nagamachi Chikuseki ◆ Landscape ◆ Edo Period ◆ Mitsuishi Origin ◆ Kagawa Prefecture ◆ Handwritten ◆ Paperback ◆ Hanging Scroll ◆ k891 ◆ Nagamachi Chikuseki Explore the artistry of Chikuseki Nagamachi...

Vienna Porcelain Coffee or Mokka pot with floral decoration and Rococo ornaments on the lid and handle. Product of the Vienna Porcelain Manufactory (German: Kaiserlich privilegiert...

Imposing monumental Louis XVI temple mantel clock with osculating sunburst pendulum surrounded with Strass Chrystal topped with a female angel with trumpet. The beautiful skeletonize...

A very nicely decorated SET of 6 dishes in Blue and white, Kangxi/Yongzheng Period. Decorated with flowers. Additional information: Material: Porcelain & Pottery Color: Blue & White...

Dutch 18th Century Fob seal with coat of arms A Dutch 18th Century silver fob seal with coat of arms. A lacquer seal/signet to seal a letter or deed. Signets are wax stamps, also ca...

An antique map by Jacques Nicolas Bellin titled "Plan de la Ville de Peking Capitale de l'Empire de la Chine," published in Paris in 1754. This finely engraved plan shows the detai...