Continental US - Abstract Paintings

Spooning Daubs 3 16.0 x 20.0 x 1.5 Oil on canvas Hand signed by artist Please note this piece is available as a commission. The artist will create a one of a kind original based on ...

With a contemporary perspective on still-life painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captu...

A pop-art depiction of Marilyn Monroe done in a very urban style. The drips and fast brushwork make for a unique display of the artists more abstract technique. With bright pinks and...

Vintage American school signed modernist cubist still life oil painting and collage. Oil and mixed media on board. Signed. Framed. I...

Damien Hirst Spin Painting, 2009 (Damien Hirst Skull): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless,...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Jodi Fuchs' mid-century modern inspired artworks showcase distinct fields of vibrant colors, often taking on organic and soft shapes. Her pieces emanate a s...

Interior design paintings. The work was done with alcohol ink in ultramarine blue and grey color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a sty...

Hunt Slonem "Dazzling Conjures" Multicolor Parrots on Orange Background A group of three birds gestured in yellow, green, red, blue and black on a light orange background in a vintag...

Jennifer Bricker-Pugh Forest and the Great Bear Acrylic on Canvas Year: 202s Size: 44x32x1.5in Signed, dated and inscribed by hand COA provided Ready to...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in the 1980s, shaped by Minimalism and Abstract Expressionism. In ...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...

The artist Richard Hennessy creates pictorial space as a complex and contradictory entity. The colorful ground uses alternately concave and convex forms and negative space to indicate overlapping geometric shapes. Signed and titled on verso by the artist. Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries...

A creation story of sorts. The artist explores memory, history and the things that make one who they are. This piece asks the question, "What things have formed us and shaped our liv...

Vertical, abstract expressionist oil painting on canvas in stone blue, dusty peach, green and black, against an off-white grey background 'What Do I know of This Place (5)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, midnight blue, dusty peach, and green. The contrasting patches of dark yellow and forest green pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Peter Stephens Quadrivium 78, 2024 acrylic and collage on paper 30 x 22 in image size:16 x 16 in (ste028)

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This artwork was crafted using acrylic paint on a wood panel, featuring a mix of overlapping geometric and organic shapes in a contrasting palette of pinks and greens. The textured l...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Hunt Slonem "Red Tanagers" Birds on Striped Background A group of eight birds gestured in red and black on a scored, multicolor background. Unframed: 10 x 8 inches Framed: 15 x 13 i...

Sarah Johnson infuses passion, heart, and a lifetime of creative experience into each original painting. Her radial series exhibits both uninhibited freedom and methodical technique. Through colors, textures, and movement, Johnson’s acrylic paintings on canvas radiate joy with pleasing repetition and form. This 48-inch high by 30-inch wide one-of-a-kind painting is stretched, wired, and ready to hang. The sides of this original artwork are painted and it does not require framing. It is signed by the artist on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the Los Angeles art gallery is included. Johnson says about her work: "I believe things that you bring into your home make a difference in the way you live and feel. My artwork is inspired by joy, purpose, and freedom. I hope my paintings are a source of inspiration for you and everyone who enters your home." Each series has a meaningful message, adding both truth and beauty to your walls. Johnson is based in Dallas, Texas, and has been a professional artist since 2012. Her abstract artworks are collected internationally. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EDUCATION 2010 The University of Texas at Austin EXHIBITIONS 2022 Artspace Warehouse, Los Angeles, CA 2022 The Collective, Dallas, TX 2022 Mecox Gardens, Houston, TX 2022 The Arbors, Round Top, TX 2022 The Walking Man, Whitefish, MT 2022 BayHill Design Studio, Austin, TX 2022 Septemberfest Art Fair, Midland TX - Honorable Mention 2021 Olive & Home, Tyler TX...

"Unbreakable Thread" 2025, 60" H x 84" W. Abstract, mixed media painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (feature...

Beautiful ca. 1960 portrait by American artist, Vito Tomasello. Oil on line canvas, 20 x 24 inches, 28 x 32 inches in period frame. Signed lower right. A lifetime NYC resident, T...

Patterson. boat. ocher. vertical. abstract acrylic painting Licenciado en Bellas Artes por ISPEJV, en la Habana en 2002, especialización en Restauración y Conservación de pintura ...

Josep Guinovart (1927 –2007) was a Spanish Catalan painter most famous for his informalist or abstract expressionist work. In 1941, he began to work as a decorator. Three years later, he started his studies at the Escuela de Artes y Oficios de la Llotja (Art School of La Llotja) where he stayed until 1946. He first exhibited his work in 1948 in Galerías Syla in Barcelona. In 1951, he produced his first engravings entitled 'Homage to Federico García Lorca'. Two years later, he was awarded a grant from the French Institute to study in Paris for nine months. Here he discovered the cubist works of Henri Matisse and Pablo Picasso and travelled to Belgium, Holland and Germany. On his return to Barcelona and after a period working as an illustrator and set designer, around 1957 he began moving towards abstract art. His work is highly unconventional and usually on a large scale, using a wide range of materials, three-dimensional objects and organic substances such as eggshell, earth and straw. In 1962, he illustrated a book of poetry entitled Posies by Joan Salvat-Papasseit for the Ariel Editorial. He won many accolades for his work throughout the 1970s and 80s, including Spain's National Award for Plastic Arts in 1982. In 1994, a museum foundation dedicated to his art was inaugurated in Agramunt, his mother's birthplace to which he always felt a special attachment. In 2006 he designed the winery Mas Blanch i Jové in La Pobla de Cérvoles (Lleida) and created The Artists' Vineyard, a project intended to mix sculptures and other art works from different artists in the middle of a vineyard. The Artists' Vineyard was inaugurated after his death in 2010 with the unveiling of his sculpture The Countryside Organ: a music instrument, 6 meters height, for the wind to sing the vines. This winery also displays the 10.5 meters work In Vino Veritas...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Part of a series inspired adventures in Phuket, Thailand.

Claude Vermette R.C.A. is a Canadian ceramist and painter who was born in Montreal, Quebec, August 10, 1930 and who died in Sainte-Agathe-des-Monts, April 21, 2006. Artist of international reputation, he made important contributions to the ceramic arts in Canada As a ceramist who worked in the architecture field, Claude Vermette is a pioneer in Québec and in Canada with regards to this type of artistic expression. The bursts of colours of his ceramics, the warmth of their hues and the play of their textures brought a human dimension in architectural spaces that were often grey and frigid. In his abstract paintings as well as in his prints and watercolours, Claude Vermette pursued this bold approach while constantly renewing and expanding the possibilities of colour and light. His work works with gradations of color field and shifting light. A native of Montreal, Quebec, Claude Vermette studied art under the guidance of Brother Jerome, c.s.c. at Notre-Dame College while also attending the Collège Saint-Laurent and the college of the Clercs de Saint-Viateur for his academic studies. Through his contact with Brother Jerome, he met Paul-Emile Borduas and joined the Automatiste group of emerging artists. They were influenced by Surrealism and its theory of automatism. Members included Marcel Barbeau, Roger Fauteux, Claude Gauvreau, Jean-Paul Riopelle, Pierre Gauvreau, Fernand Leduc, Jean-Paul Mousseau, Marcelle Ferron and Françoise Sullivan...

Shape 16 (2019) by Ryan Park of Shapes Only Abstract geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Bright oran...

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Clean and precise hand-painted stripes and blocks of color in yellow, orange, light blue and dark gray are warm and vibrant against the soft beige background. Signed, dated and title...

"The dream that came true" is the first painting born in my new studio in the Colorado mountains... A song to the craggy spires and valleys of the mind. To the water that runs throu...

Peter Stephens Quadrivium 65, 2024 acrylic and collage on paper 30 x 22 in image size: 12 x 16½ in (ste025)

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Image size, 30H by 26L.

Kathleen Keifer is a California-based, internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to her color...

Original watercolor on paper. Hand signed on front; signed, titled and dated on verso by the artist. Additional images are available upon request. Certificate of Authenticity is inc...

Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Unknown artist, signed Payton 1970 Hawaii (Lower, Right) Untitled, 1970 Oil on Canvas 50" x 34" A wonderfully curious painting, whose untold history is something to marvel a...

An extra-large contemporary abstract that takes center stage! Inspired by natural rain drops I wrote this descriptive poem to share my inspiration: Its raining diamonds from above ...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

Still Life, ca. 1950's. Tempera on paper. Image measures 14 x 17 inches. Black paper sheet measures 18 x 24 inches. Unframed. Signed lower left. Discreet tears in upper right corn...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Hunt Slonem "Cloud 9" White and Blue Mottled Bunny A single rabbit gestured in black on a mottled white and blue background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x...

Rites of Passage by Parris Jaru is a commanding composition that captures the essence of transformation and resilience. The figure, painted in deep brown against a vibrant yellow bac...

In this contemporary oil painting in linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in bright teal, light green, robin's egg blue and pale pe...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils to add a very contemporary...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Set of 6 Liquid Life, 2024 by Rosario Briones From the series “Liquid Life” 1. Liquid Life N6 2. Liquid Life N1 3. Liquid Life N4 4. Liquid Life N2 5. Liquid Life N3 6. Liquid Life N...

This contemporary, abstract oil painting is composed of carefully combined sections of various textures and areas of pattern, circles, dots and undulations, in exuberant, cheerful co...

This large abstract fine art mirror by Alina B is made with dichroic film on mirror, and is framed in a champagne-toned frame. The film on the mirror allows for it, and the space it ...