Continental US - Abstract Paintings

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

Pastel pigment on cork

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life Oil and graphite on paper Signed lower left 12.25 x 1...

An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...

Title: Little Goldfish II Medium: Oil on canvas Size: 11.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

"The Way Things Change" Abstract Composition in Oil on Linen Abstract geometric composition by "Tara" (20th Century). This piece has several rectilinear forms, punctuated by sporadi...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed on ...

Lesley Anne Spowart, an abstract artist hailing from Cape Cod, Massachusetts, is renowned for her transformative creations that blur the boundaries of mediums and styles. With a di...

Rufino Tamayo (Mexican, 1899-1991) 'The Red Horse of the Apocalypse' from the The Four Horsemen of the Apocalypse Series. Commissioned by Issac-Louis Lemaistre De Sacy as illustratio...

In acrylic on canvas, carefully ordered curving stripes of color in bright gradient hues transition through shades of coral red. Signed, dated and titled on verso. Audrey Stone has ...

Richard Andres American, 1927-2013 oil on canvas signed and titled verso 19.5 x 24 inches 20 x 25 inches, framed Richard Andres was born in Buff...

A painting by Alexander Calder. "Colonial Organisms" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellow...

Bettina Mauel, an internationally collected artist, effortlessly channels vitality and sensuality through her awe-inspiring collection of abstract and figurative paintings. With an u...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

Ted Hinrichs Celestial II Acrylic on Canvas Year: 2023 Size: 17.75x24in Framed: 19x25x1.75in Signed by hand COA provided Ref.: 924802-1785 *Framed in black Wood Tags: Abstract, Acry...

Sam Maitin (1928-2004). Seated Figure, ca. 1970. Charcoal, gouache and decorative paper collage. Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed. Signed lower left. Excellent condition. Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face. After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others. Maitin's work is museum collections in the United States and Europe, including (but not limited to): Philadelphia Museum of Art Library of Congress, Washington, D.C. National Gallery of Art, Washington, D.C. Museum of Modern Art, New York Tate Gallery, London Bauersche Geisserie, Germany Oakland Museum, California Pennsylvania Academy of the Fine Arts The Currier Gallery of Art...

Contemporary pastel toned abstract painting by Houston based artist Kristen Anton. The work features peach, blue, and white blocks of color accented with layers of brushwork. Signed,...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Abstract painting accented in bright hues of red, blue and a soft lavender by French artist AM Vivent, 1986. Signed and dated lower right. Original artwork on paper displayed on a ...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

This piece is an abstract composition done with mixed media, oil and acrylic paints on paper. The artist explores an incredible world filled with color and expressive brushstrokes. The lines and texture create a mature abstract composition as Suki Maguire has been painting in this field since the 1970s. Her joy is the expression and we can find these notes displayed vividly in this piece. This piece comes displayed in a modern light wood floating frame under glass and is signed lower right. Art measures 8 x 6 in Frame measures 17 x 12.25 in There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York, and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

Abstract Expressionist Composition in Acrylic on Paper A bold abstract composition by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A bold black character tak...

Artist: Jakob Gold Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Style: Abstract Unframed, Stretched on Wooden Bar, Gallery Wrapped, Ready to Hang Jakob is best known for his paintings but he also works with a wider range of media, including collages...

Bettina Mauel, an internationally collected artist, effortlessly channels vitality and sensuality through her awe-inspiring collection of abstract and figurative paintings. With an u...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.

Crows On The Field - Abstract Expressionist Composition in Oil on Canvas Compelling abstract expressionist painting "Crows on the Field" by Kristin Cohen (American, b. 1963). This p...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Christine Romanell’s TriVortex is a mesmerizing acrylic-on-laser-cut-wood construction that fuses sacred geometry, optical illusion, and vibrant color theory into a dynamic three-dim...

An English landscape painting of a riverside scene in sunlight with an abstracted river effect. Whilst painted mostly in the UK and America Hall also painted throughout Europe and o...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

"Untitled 160521" is an original acrylic on canvas painting by Ryan Beck measuring 16"h x 20"w. Ryan Beck works in an abstract style that aims to link contemporary art sensibility w...

Cascading Folds (Aqua Footer) by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer on Yupo paper create the depth and smooth,...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and abstraction are created as a series of pai...

Title: Rhythm Medium: Oil on canvas Size: 30 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Art...

Sky Blue Excess by Chloe Hedden captures the serene and infinite expanse of the sky in rich, sculptural texture. The swirling, fluid application of paint evokes the gentle movement o...

Abstract geometric three-dimensional wood wall sculpture in bright pastel hues of sage green, light grey, and beige "Turnabout", hand-carved wooden wall sculpture by Hudson Valley ar...

Bold Expressionist work in the Style of Richard Diebenkorn Original Oil Eclectic Neo-expressionist work by San Francisco area abstract artist Daniel David Fuentes (American, 1978-20...

Humans learned to make a home. Humans learned to survive. Humans learned to applaud martyrs.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Teresa Vallejos, passionate abstract expressionist painter from Southern California, has been an artist all of her life. She is the daughter of an LA artist and art collector who sou...

David Hare Cronus Elephant, 1975 Acrylic on linen 82 x 60 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afr...

Vivid and evocative feminist abstract expressionist figurative painting of woman and the many facets of her life, represented by multiple female figures engaged in various activities throughout the chaotic and colorful abstract expressionist canvas, by Audrey E. Gabrielson (American, 1932-2018), 1976. Verso has an abstract portrait with signature. Unframed. Image size: 29.75"H x 31.50"W Audrey Gabrielson was an artist, poetess, sculptor, whom lived in San Francisco. She was born in Canada in 1932 and drew, colored, modeled in clay when very young. She studied at Reed College, Portland, studying with famous West Coast artist, Louis Bunce. in San Francisco she painted with artists Cucaro, Alexander E. Anderson, and Raymond Howell. She had shown in North Beach, Modesto, Gualuala Hotel, Sausalito, Abbey Party Rents (S.F.) and many more. She had ongoing exhibits at Alberta Art, Red Deer and Uglies, Lacombe. Her art was collected by national and international collectors such as authors C.Y. Lee (“Flower Drum Song”), Alfred Coppel (“34 East”); musical promoter, Ilka Pardinas, FLY, Los Angeles. Additionally, she worked in bronze, studying under S.F. sculptor C.B. Johnson. Her art was influenced and inspired by German Expressionists, Van Gogh, Lautrec, Picasso, Klimpt, Schiele, Tamayo, Conners, Park – and many more. Obituary: Born in Alberta, Canada, Audrey passed away at her home in San Francisco's Bernal Heights neighborhood, surrounded by loved ones. Gabrielson was an artist, poet, sculptor, photographer, muse and an integral part of the San Francisco art scene of the late 1950s to late 1970s. She was a friend and contemporary of artists such as Benny Bufano...

Signed lower right, 'Max Gunther' (German, 1934-1974); additionally signed verso, dated 1958 and titled 'Cité Décomposée'. Provenance: Estate of David Rockefeller...

331 Sunset in Ravello, Original Abstract Painting 49 x 42 (HxW), Oil Paint Artist Commentary: Original abstract oil painting. This painting is inspired by the Italian countryside, s...

Ali Enache is an American abstract painter based in Los Angeles, California. A Washington D.C. native and a graduate of University of Wisconsin-Madison, Ali Enache worked as a design...

"Sycamores" Abstract Expressionist Composition in Acrylic on Paper Bold and expressive composition by Ellen Marie Jones (American, b. 1961). Several botanical shapes resembling tree...

Villa Nova - Villiage- Urbanscape by Marc Zimmerman A warm colored villiage climbs the hill coupled with large decorative leaves acting as trees. The whole scene is framed in with et...

David A. Dreyer earned his BFA and MFA at Southern Methodist University in Dallas. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has had solo exhibitions a...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

"Northern Sea" is an original, handmade ink painting, by Sara Melzer that depicts an abstract black and white scene.

Sveta Hessler (Russian, born 1973) "Gold Rush" 2024 Oil Paint, Glue, Gold Leaf, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Gold Rush" by Sveta ...

This is a unique original textured acrylic painting on canvas in a fantasy abstract style by Serg Graff Titled "Curly Curls". It comes signed, dated, and...

Artist: Ian Hornak (1944-2002) Title: Last Song: Im Abendrot (In Evening’s Glow) Year: 1985-2001 Medium: Acrylic on Canvas, with Artist Painted Frame Size: 47 x 59 inches Condition: ...

This painting by Lucien Durand is an original and part of my private collection since the 1970's.