Continental US - Abstract Paintings

Coincidence, by Philadelphia based painter Matt Higgins combines chance and intention into one finished painting. Layers of paint are worked on the surface of the canvas in various s...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

3713 Acrylic on board Set in a vintage frame

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

Title: Untitled Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Antique American modernist abstract pastel and watercolor painting. Signed illegibly. Framed. Image size, 14L x 18H.

The Hana-Bi 5 — luminous oil on linen. Dimensions are 50 x 50 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and Californ...

An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...

Large white, pink, and green abstract mixed media painting by Memphis artist, Hank Gray. Unframed but framing options are available. Signed by artist at the bottom of the canvas. Titled and dated at the back. Artist Biography: Painting oils on canvas and working with brushes, rags, knives, and rulers, Gray says his abstract works reflect what he calls "perfectly balanced chaos." He's motivated by such conflicts as sex versus hypocrisy, nature versus industry. "It's all very visceral," says Gray, "and even if people don't like my style, I want them to find the balance in the work and feel the emotion." As he paints, Gray locks out the logical part of his brain and lets the creative side "go full speed ahead, guns blazing." Sometimes, though, what he later takes off the canvas is as important as what he applies. That's where the knives and rulers come in. "I put all that frenetic energy, or chaos, on the canvas and slowly scrape it off, pick it apart." You might say he also took that same approach to his life. A native of Fayetteville, Arkansas, Gray, earned a business degree and went to work for his father as an options trader. "My dad was verbose, outgoing, with a fiery temper. I would call him an angry, highly intelligent Peter Pan figure. He wanted to stay young forever. He worked hard and played hard, and I tried to protect him from himself. Many nights I'd be putting this 6-4, 200-pound man to bed," says Gray. Shortly before the fatal plane crash, father and son had an argument and the son left the company. After his father's death, Gray was devastated: "We hadn't spoken in a month. I had lots of anger, lots of guilt. At the end I felt like my will killed him, that I wanted him to be gone." With his father's estate in disarray, Gray found himself handling numerous lawsuits. Once the estate was settled, he took up commodities trading. He also started painting in earnest, but lacked the confidence to give up his job. Then, earlier this year, he experienced what he calls an epiphany. While playing with Vivian, one of his two young daughters by his first marriage, he painted a circus big top...

Signed on the lower right side. It has the original strip frame from the Museum exhibition at the Portland Museum of Art 1983. Illustrated in the catalog, page 35 illustration #40 ...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

For Jose Ignacio Suarez an abyss of time and space distances him from those who were the first inhabitants of the Brazilian coasts and of this vast American continent. His initial la...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

“Out of the Blue” 24 x 24 inches is a one-of-a-kind original, abstract expressionist painting by Juanita Bellavance. painting blue, yellow, gray, brown and white create an aura of space and shape. Statement: I begin my paintings with a certain amount of chaos. To create this I draw with colorful drawing...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Appropriately called the "Mosaic" period for important historical artist Carl Holty, this is a super example! His color use during this time frame was lively as he always used sky b...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, earth-toned palette an...

Jodi Fuchs' mid-century modern inspired artworks showcase distinct fields of vibrant colors, often taking on organic and soft shapes. Her pieces emanate a sense of balance and harmon...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Rocky Horton is a conceptually based multi-disciplinary artist whose work spans painting, sculpture, video, and performance. Horton received his undergr...

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

Symbolic figurative abstract of wispy figures surrounding a heart by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

Charles Evans (1907-1992) Mediterranean Costal Town, 1932. Gouache and watercolor on paper. Sheet measures 8.5 x 10 inches; mounted in frame measuring 8.5 x 10 inches. Signed and dated lower left. Charles Evans was a modernist known for his abstract style of painting. He studied at New York's Art Students League and Parsons School of Design, and later in Paris with Fernand Lger at the Acadmie Moderne. In 1930, Evans and his wife spent a year living in what was Paul Cezanne's studio in Aix-en-Provence, France. The following year, Evans purchased the old silk mill in New Hope and became involved in the area's modernist movement, joining the Independents in 1932. By 1935, he began to work collaboratively with Louis Stone, whom he had met in 1929 while studying with Hans Hofman in Saint Tropez, and with Charles F. Ramsey, teaching art classes and working on the Cooperative Painting Project. Every week, the three were joined by the abstract painter, Lee Gatch, in discussions at Ledger's Inn in Lambertville. In 1948 Evans co-founded the New Hope Gazette with Walter M. Teller. The same year he created set designs for St. John Terrell's Lambertville Music Circus. He also designed sets for the Bucks County Playhouse and Philadelphia's Playhouse in the Park. He later served as Set Designer for the Fred Miller...

Artist: Voskan Galstian Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2023 Style: Abstract Art, Title: Marathon 2 Size: 36" x 36" x 1.5...

Abstract painting featuring a rich geometric patchwork of reds, pinks, and golds, by artist Michael Keifers, circa 1980. Signed lower left. Original artwork on paper. Archival pla...

Framed in a white wood painted frame with white mat. Wired with all hanging hardware, ready to install. Nazanin Moghbeli is a Persian American artist with training in Persian calligr...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Mexican artist Heny Steinberg’s abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guidelines residing in the relat...

5-3551 Mixed media on paper Set in a custom wood frame

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Contemporary Art, Title: Adrift, Size: 44.5" x 64" x 1'...

This captivating 1944 abstract oil on canvas by renowned artist Werner Drewes exemplifies mid-century modern art at its finest. Featuring bold, vibrant hues of green, blue, and red, ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic displ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

This painting includes the impression of mountains, forests, grasses. It evokes a pleasant endorphin release that promotes health and well-being. Powerful in its simplicity.

Contemporary red, blue, and green toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in various jewel tones. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs and Polly Dixon. She received a Bachelor of Fine Arts from The University of Texas at Austin. During her studies at UT, she was encouraged and challenged by many talented art professors, including Michael Mogavero, John Yancey and David...

"Sentinel" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a hawk sitting in an abstracted tree.

Sheila Daube is an abstract artist based in Southern California, whose work blends rich color, organic forms, and experimental mediums. Drawing inspiration from the mid-century Ameri...

Antique Canadian modernist landscape oil painting. Oil on board. Framed. Measuring 15 by 17 inches overall and 10 by 12 painting alone.

"The Power (People)" 1970  Olaf Karlsen (b. 1947) Oil on canvas Signed front and back. 28 1/4 x 40 inches (frame) Olaf Karlsen  has managed to remain a m...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Amber Goldhammer’s "We Stick Together", a bold and expressive 24-inch square graffiti-inspired painting, radiates energy, positivity, and emotional depth. Known for her signature fus...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

El brote II- original abstract canvas acrylic painting , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the s...

Large nicely painted impressionist seascape oil painting. Framed. Oil on canvas. Signed. Image size, 32H by 26L.

'Meeting Again' is a sophisticated abstract painting in cream, yellow and indigo, that references landscape or water, with its quiet yet complex surface of layered oil paint over str...

Patricia Zippin Temescal 3 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pencil Patricia Jayne Zippin (1930-2015) She ...

Masri Hayssam (Lebanese, born 1965) "Tilted" 2024 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and back of the painting. "Tilted" ...

JIn Junjie (born 1989, Hunan, China) Hailed as one of the most promising young abstract artists of his generation. Contemporary Chinese painter Jin Junjie c...

Shoots And Ladders (Abstract painting) Oil and Acrylic on Canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work will be shipped ...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

The Antagonists 2024 David Stern (Germany, b. 1956) Acrylics on canvas 60 inches by 39 inches Hand signed by artist, certificate of authenticity available Colors: Black, Brown, Ochre...

Artist: Sally Kissinger Wilt (American, 1936-2004) Title: End of Street I Year: Circa 1963 Medium: oil on canvas Size: 48 x 53 inches unframed Signature: Signed “Wilt” reverse Condi...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspiratio...