Florida - Abstract Prints

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper Guarro Super Alpha 250g. 29.6 x 41.4 in. (75 x 105 cm.) ID: HER-159-1"

Namiko Prado Arai (Mexico, 1963) 'Untitled 8 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-310 Hand-signed by author Unframed

Leonardo Gotleyb (Argentina, 1958) 'Sinfonia urbana III', 2005 woodcut on paper Rives BFK 300 g. 30 x 22.1 in. (76 x 56 cm.) ID: GOT-309 Hand-signed by author

Leonardo Gotleyb (Argentina, 1958) 'Sinfonia urbana IV', 2005 woodcut on paper Rives BFK 300 g. 30 x 22.1 in. (76 x 56 cm.) ID: GOT-310 Hand-signed by author

Leonardo Gotleyb (Argentina, 1958) 'Sinfonia urbana II', 2005 woodcut on paper Rives BFK 300 g. 30 x 22.1 in. (76 x 56 cm.) ID: GOT-308 Hand-signed by author

Justo Barboza (Argentina, 1938) '17 nombres', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 20 Unframed ID: BAR1437-008-025 Hand-signed by author

Justo Barboza (Argentina, 1938) 'Triangular', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-001-030 Hand-signed by author

Jose Ignacio Cervantes (Mexico, 1969) 'Cirugia III', 2007 woodcut on paper Guarro Super Alpha 250g. 22.5 x 18.9 in. (57 x 48 cm.) ID: CEJ-101 Unframed

Josep Guinovart (Spain, 1927-2007) 'Sin título', 2000 engraving on paper 10.7 x 15 in. (27 x 38 cm.) ID: GUI1205-013-000_3 Hand-signed by author ______________________________ Born o...

Brian Nissen (England, 1939) 'Mariposa obsidiana 8', 1981 engraving on paper 27.6 x 21.3 in. (70 x 54 cm.) Unframed ID: NIS1331-007-000 Hand-signed by author ________________________...

Albert Rafols Casamada (Spain, 1923-2009) 'Ritual de signos', 2008 Print set of 5 works in silkscreen on paper Velin Arches 300 g. 11.3 x 15 in. (28.5 x 38 cm.) Edition of 60 Unframe...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego V', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-122 Unframed

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

Brian Nissen (England, 1939) 'Mariposa obsidiana 6', 1981 engraving on paper 27.6 x 21.3 in. (70 x 54 cm.) Unframed ID: NIS1331-003-000 Hand-signed by author ________________________...

Victor Guadalajara (Mexico, 1965) 'Islote', 2012 silkscreen on paper 17 x 14.8 in. (43 x 37.5 cm.) ID: GUA-362 Hand-signed by author

Namiko Prado Arai (Mexico, 1963) 'Untitled 11', 1998 engraving on paper Guarro Biblos 250g. 22.7 x 24.5 in. (57.5 x 62 cm.) ID: PRA-313 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 10 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-312 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 6 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-308 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 12', 1998 engraving on paper Guarro Biblos 250g. 22.3 x 29.6 in. (56.5 x 75 cm.) ID: PRA-314 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 5 (Buril)', 1998 engraving on paper Guarro Biblos 250g. 20.9 x 24.5 in. (53 x 62 cm.) ID: PRA-307 Hand-signed by author Unframed

Vicente Rojo (Mexico, 1932-2021) 'Volcán azul', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-157

Carlos Garcia De La Nuez (Cuba, 1959) 'No hay color', 1991 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 50 Unframed ID: GAR1649-000-050 ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

José Niebla (Spain, 1945) Untitled, 1996 silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: NIE1205-005-150_5 Hand-signed by author

Hand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...

Josep Guinovart (Spain, 1927-2007) 'Siete artistas mediterráneos', 1996 engraving, silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GUI1205-005-150_4 Hand-signed ...

"Alberto Castro Leñero (Mexico, 1951) 'Untitled I', 2019 woodcut, silkscreen on paper Velin Arches 300 g. 53.6 x 29 in. (136 x 73.5 cm.) Edition ...

Flavio Garciandia (Cuba, 1954) 'Sin título VI', 2004 silkscreen on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 106 ID: GAR1570-006-106

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Adan Paredes (Mexico, 1961) 'Untitled 5', 2020 collagraph on paper 42.6 x 29.2 in. (108 x 74 cm.) Edition of 40 ID: PAD-105 Unframed

Wifredo Lam (19123) Pleni Luna Lithograph in pearl japan paper 1974 25 x 19 in

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodprint and collagraph 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

This print depicts a non-objective composition of organic shapes rendered in vibrant hues of color upon a field of a cool grey. This relief print is hand signed and titled to the low...

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Ricardo Sanabria (Mexico, 1983) 'La resilencia', 2017 etching, sugar aquatint on paper Guarro Biblos 250g. 21.3 x 29.8 in. (54 x 75.5 cm.) Edition of 20 ID: SAB-101 Unframed

Carlos Rios (Cuba, 1958) 'El Salto', 2010 dry point, engraving on paper Guarro Super Alpha 250g. 27.8 x 19.1 in. (70.5 x 48.5 cm.) Edition of 10 ID: RIO-10...

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 Chine colle, engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Victor Guadalajara (Mexico, 1965) 'Untitled', 2011 silkscreen on paper Velin Arches 300 g. 17 x 14.6 in. (43 x 36.9 cm.) Edition of 10 ID: GUA-108 Unframed

Carlos Garcia de la Nuez (Cuba, 1959) 'Amor ', (Love) 2003 Engraving on paper 15 x 19.5 in. (38 x 49.5 cm.) Edition of 20 ID: GAC-101

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego III', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-120 Unfra...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego VI', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-123 Unframed

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x 48.75 inches (sight). 82.25 x 55.5 inches (frame). This work is number 20 from the edition of 27. Provenance: T. Kreuzer Gallery, Cologne, Friedman Benda Gallery, New York City Jörg Immendorff (1945–2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde. He worked as a painter, sculpture and print maker in steel, bronze, oil painting, lithography etching and serigraphy. Immendorff was born in Bleckede, Lower Saxony, near Lüneburg on the west bank of the Elbe. He attended the boarding School Ernst-Kalkuhl Gymnasium as a student. At the age of sixteen he had his first exhibition in a jazz hall cellar in Bonn. Beginning in 1963, Immendorff studied at the Art Academy in Düsseldorf (Kunstakademie Düsseldorf). Initially he studied for three terms with the theater designer Teo Otto. After Otto threw him out of his class for refusing to let one of his paintings serve as stage-set decoration, Immendorff was accepted as a student by Joseph Beuys. The academy expelled him because of some of his (left-wing) political activities and neo-dada actions. From 1969 to 1980, Immendorff worked as an art teacher at a public school, and then as a free artist, holding visiting professorships all over Europe. In 1989, he became professor at the Städelschule in Frankfurt am Main and in 1996 he became professor at the Art Academy in Düsseldorf—the same school that had dismissed him decades earlier as a student. Jörg Immendorff often worked in "grand cycles of paintings" that often lasted years at a time and were political in nature. Notable cycles include LIDL, Maoist Paintings, Cafè Deutschland , and The Rake's Progress. The first body of work that Immendorff gave a name to were his LIDL paintings, sculptures, performances, and documents, that he executed during 1968-1970. The name, "LIDL" was inspired by the sound of a child's rattle makes and much of his work from this period included the iconography of new beginnings and innocence. LIDL is comparable to Dadaist but unlike the Dada movement it never became an established group but rather consisted of a variety of artists (including James Lee Byars, Marcel Broodthaers, Nam June Paik, and Joseph Beuys) participating in actions and activities. In January 1968 he appeared in front of the West German Parliament in Bonn with a wood block labeled “Lidl” tethered to his ankle and painted in the colors of the German flag; he was subsequently arrested for defaming the flag. Best known is his Cafe Deutschland series of sixteen large paintings (1977–1984) that were inspired by Renato Guttuso Caffè Greco; in these crowded colorful pictures, Immendorff had disco-goers symbolize the conflict between East and West Germany. Since the 1970s, he worked closely with the painter A. R. Penck from Dresden (in East Germany). Immendorff created several stage designs, including two for the Salzburg Theater Festival. He designed sets for the operas Elektra and The Rake's Progress. The latter also inspired a series of paintings in which he cast himself as the rake. In 1984, Immendorff opened the bar La Paloma near the Reeperbahn in Hamburg St. Pauli and created a large bronze sculpture of Hans Albers there. He also contributed to the design of Andre Heller's avant-garde amusement park "Luna, Luna" in 1987. Immendorff created various sculptures; one spectacular example is a 25 m tall iron sculpture in the form of an oak tree trunk, erected in Riesa in 1999. In 2006, Immendorff selected 25 of his paintings for an illustrated Bible. In the foreword he described his belief in God. A major 2019 survey began at the Haus der Kunst in Munich and later traveled later to the Museo Reina Sofía in Madrid and the Fondazione Querini Stampalia in Venice, curated by Francesco Bonami. In 2000, Immendorff married his former student Oda Jaune. The have one daughter Ida Immendorff. He was a member of the Junge Wilde (German for "young wild ones") In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Ballet Shoe" *Signed and dated by Yamazaki in pencil lower right Year: 1981 Medium: Original Monotype on Arches paper...

Fine lithograph on deckle edged French Arches paper. Pencil signed and numbered from edition of 150. A Surrealist Judaica scene of a bearded man (Rabbi) in a boat with Shabbat candlesticks. with blindstamp from Editions Empreinte in Paris, France. (They published, Jean Michel Folon, Sempe, Raoul Ubac, Raymond Savignac, Cesar, Bengt Lindstrom , Paul Aizpiri and many other modern masters. Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent under Nazi oppression, in constant fear for the safety of his parents, who perished in the Holocaust in the Polish Auschwitz concentration camp. Naftali emigrated to Mandate Palestine in 1939, at the age of fourteen with a Youth Aliyah group. From 1943 to 1946, he studied art at the Bezalel Academy of Art and Design in Jerusalem with Israeli painter Mordecai Ardon. He then spent three years studying in Paris.His most famous public works include a wall relief at Yad Vashem in Jerusalem and the ceiling mural in the main reception room at the President's Residence, Jerusalem.In 1957, Bezem was a co-recipient of the Dizengoff Prize for Painting. Group Exhibitions Orit Art Gallery, Tel Aviv Artists: Yosef Zaritsky, Marcel Janco, Lea Nikel, Robert Baser, Bezem, Michael Druks, Israeli Painting (Watercolors and Gouache) Artists: Pinchas Abramovich, Bezem, Naftali Nachum Gutman, Haim Gliksberg, Mordechai Levanon, Avigdor Stematsky, Avshalom Okashi, Yehiel Krize...

Artist: Sam Francis (American, 1923-1994) Title: "Generated (SF-275)" *Signed by Francis in pencil (on second sheet) lower right Year: 1983 Medium: Original Lithograph on two sheets ...

Beat Zoderer (b. 1955): Untitled Screenprint (silkscreen serigraph or lithograph) in colors on wove paper 2000 Hand signed with initials, dated and numb...

Etching on Rives paper with the artist's watermark. Hand signed lower right by Henry Moore. Hand numbered 26/50 lower left (there were also 13 artist's proofs). Sheet size 20 x 14...

This is from the suite by Jean Paul Sartre and Andre Masson, Limited edition of 175. published by Fernand Mourlot, 1961. The portfolio is numbered #29/175 and hand signed by Andre Ma...

David Welker – Anthropomorphized Anomalies 4-Print Set Limb Factory / New Neighbors / Lithosphere / Recycle Bin Signed & Numbered – Mint Condition – Edition of 120 Each From the bri...

Carlos Garcia de la Nuez (Cuban, 1959) 'El juego', 2005 Engraving 71 x 101 cm. (28 x 39.8 in.) Edition of 99

It depicts a musical score or music notes. Offset Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. TAPIES Antoni Tapies...

Pol Bury (Belgian, 1922-2005) screen print of a train Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Le...

Carlos Cruz-Diez (1923-2019) Original silkscreen print, signed and numbered Title: Untitled, 1959/84 From: Exacta. Dal Costruttivismo all'arte sistematica 1918-1985 Media: Silksc...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of sea blue, black and gree...

Artist: (after) Jasper Johns (American, 1930-) Title: "Painting with Two Balls I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsign...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

Shipping will be a bit longer as this piece is located in Israel Michail Grobman, Israeli, born in Soviet Union, 1939. Michail Grobman was born in Moscow. He grew up writing poetry, essays and literary prose. In the 1960s, he was active in the Second Russian Avant-garde movement in the Soviet Union. In 1971, he immigrated to Israel. In 1975, he established the Leviathan school together with Avraham Ofek and Shmuel Ackerman, seeking to combine symbolism, metaphysics and Judaism in an all-inclusive “national style.” Grobman’s work employs images and symbols from Jewish mysticism and Kabbalah. His paintings incorporate texts in Russian and Hebrew. In addition to his artistic endeavors, he writes about art and aesthetics. The group combined conceptual art and "land art" with Jewish symbolism. Of the three of them Avraham Ofek had the deepest interest in sculpture and its relationship to religious symbolism and images. In one series of his works Ofek used mirrors to project Hebrew letters, words with religious or cabbalistic significance, and other images onto soil or man-made structures. In his work "Letters of Light" (1979), for example, the letters were projected onto people and fabrics and the soil of the Judean Desert. In another work Ofek screened the words "America", "Africa", and "Green card" on the walls of the Tel Hai courtyard during a symposium on sculpture Date of Birth: 1939, Moscow 1960s Active member of The Second Russian Avantgarde 1967 Member of the Moscow Painters Association 1971 Immigrated to Israel and settled in Jerusalem 1975 Founded the Leviathan group and art periodical (in Russian) Since 1983 Lives and works in Tel Aviv . Selected Solo Exhibitions: 2002 Pavilion Zveta Zuzovich, "The Last Sky", Belgrad (cat: Irena Subotitch) 1999 The State Russian Museum, ST. Petersburg 1998 "Picture = Symbol + Concept", Herzliya Museum of Art, Herzliya 1995 "Password and Image", University Gallery, Haifa University 1990 Tova Osman Gallery, Tel Aviv 1989 "The Beautiful Sixties in Moscow", The Genia Schreiber University Art Gallery, Tel Aviv University (with llya Kabakov; cat. text: Mordechai Omer] Spertus Museum, Chicago Beit Rami and Uri Nechushtan, Ashdot Yaacov (leaflet) 1972 Nora Gallery, Jerusalem 1973 - Negev Museum, Beer Sheva 1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu) 1966 Mos-lng-Projekt, Moscow 1965 Artist's House, Moscow Energy Institute, Moscow History Institute, Moscow Usti-nad-Orlicy Theatre,Czechoslovakia (leaflet text: Dushan Konetchni) 1959 Mukhina Art Institute, Leningrad . Selected Group Exhibitions: 2003 "Yes do yourself...", Regeneration of Judaism in Israeli art, Zman Omanut Tel Aviv (cat: Gideon Ofrat) 1999 "Russian post-war avantgarde", The Trajsman Collection in the State Russian Museum, St. Petersburg Tretjakov National Gallery, Moscow (cat. text: Yevgenij Barabanov, John Bolt...