Florida - Abstract Prints

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

PABLO PICASSO (1881-1973) Yan petites têtes (A. R. 515) Terre de faïence pitcher, 1963, numbered 142/300, inscribed 'Edition Picasso' and 'Madoura', painted, with the Madoura stamp.

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Work of the Spanish artist SALVADOR DALI. Engraving of the series LA DIVIDA COMEDIA 4/100 SIGNED IN PENCIL DALÍ, Salvador (Figueras, Gerona, 1904-1989). During its early years, Dal...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

PABLO PICASSO (1881-1973) Profil de taureau (A. R. 317) Terre de faïence plaque, painted and partially glazed, 1956, from the edition of 450, with the Empreinte Originale de Picass...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

Beautiful lithograph by Mercedes Pardo, excellent condition. From the limited edition of 25 signed copies Mercedes Pardo was born July 29, 1921 in Caracas, Venezuela. By age 13 she ...

FRANK STELLA (1936-Present) Lithograph in black on J. Barcham Green wove paper, conceived in 1967, from the portfolio of 9 lithographs 'Black Series I'. Signed, dated and numbered 7...

Victor Vasarely "Nordex" 1985 Lithograph Editions Denise Rene. Ed of 200 31 x 31 in Signed and numbered with publisher blind stamp. Framed and ready to hang.

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Sheroanawë Hakihiiwë (1971) Untitled, 2022 Etching, 16” H x 16” W (41 x 41 cm), signed, dated and numbered in pencil - Artist’s Proof "IV/IV" Born in a small Yanomami Indigenous c...

ARTIST: Salvador Dali TITLE: Faust Sator MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 9/95 MEASUREMENTS: 11" x 15.4" YEAR: 1969 FR...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Kehinde Wiley's 'Sharrod Hosten Study III, 2020' is part of a limited edition print of only 30 copies. This piece was printed using archival ink on paper, signed and dated 'Kehinde W...

Artist: Salvador Dali Title: Divine Comedy Purgatory Canto 15 Decomposition (3 pieces) Medium: Woodcut Measurements: 10.5" x 13" each piece Note: Piece is sold unframed Conditio...

Artist: Salvador Dali Title: Divine Comedy Purgatory Canto 18 Decomposition (2 pieces) Medium: Woodcut Measurements: 10.5" x 13" each piece Note: Piece is sold unframed Conditio...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Victor Vasarely "Okta-2" 1985 Lithograph 31 x 25 1/2 in Ed 192 of 250 Perfect Condition Frame included

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Woodcut woodblock (small possibility it is a Silkscreen Serigraph) print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an a...

Donald Robertson's new book!! The Jennifer Balcos Gallery in Palm Beach Gallery is hosting a book signing March23rd from 2 til 5 so if you can...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

PABLO PICASSO (1881-1973) Personnages et cavalier' (A. R. 540) Terre de faïence plaque, 1968, numbered 178/500, with the workshop numbering, partially painted, with the Empreinte ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Artist: Salvador Dali Title: Divine Comedy Heaven Canto 14 Decomposition (2 pieces) Medium: Woodcut Measurements: 10.5" x 13" each piece Note: Piece is sold unframed Condition: ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Artist: Joan Miro Title: L'Illetre Aux Carreaux Rouges Medium: Color lithograph on red & white cloth on Mandeure Chiffon mounted on board Size: 24.37 x 32.25 Inches Signed: Hand S...

Artist: Salvador Dali Title: Divine Comedy Hell Canto 31 Decomposition 2 pieces Medium: Woodcut Measurements: 10.5" x 13" each piece Framed : Not Framed Condition: Excellent. Th...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Artist: Salvador Dali Title: Divine Comedy Hell Canto 20 Decomposition (3 pieces) Medium: Woodcut Measurements: 10.5" x 13" each piece Frame: Not Fra...

"Iran" abstract lithograph from "Escultor" suite of seven by Joan Miró. Plate-signed Miró on front. Unframed/never framed. Miro Escultor Iran 1975 hand-written in pencil on back.

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

La melodie acide. original lithograph painting. signed on the stone and numbered 1 to 1500

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

FRANK STELLA (1936-Present) Lithograph in black on J. Barcham Green wove paper, conceived in 1967, from the portfolio of 9 lithographs 'Black Series I'. Signed, dated and numbered 7...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

Artist: Roberto Matta Title: La Dulce Aqua Vita Medium: Carborundum etching on handmade paper Signed: Hand Signed Size: 41 x 48 Inches Edition: 116/125 Year: 2002 Notes: Publisher: ...

La melodie acide. original lithograph painting. signed on the stone and numbered 384/1500

Color Abstract Expressionism aquatint etching. hand pencil signed limited edition. Don Fink (1923-2010) was a well known and well listed Abstract Expressionist who studied at the Art Students League and the Academie Julian. He was born in Duluth , Minnesota, but later moved to Europe where he established himself as an artist. He was first based in Paris where he was a member of the "Jeune École de Paris" (with Karel Appel, Debre, Friedensreich Hundertwasser, Antoni Tapies, Dumitresco, Messagier, Zanartu , etc.) and later moved to Barcelona. A large retrospective of his earlier works was held in Madrid in 1998 with the following promotion: Don Fink Returns to Madrid: American "action" painter Don Fink (b. Duluth, Minnesota, 1923) has a show at Galería Rayuela through September 25. The artist divides his time between Barcelona, Paris, and New York. This is his second exhibition in Madrid in four years. The works on view date from 1952 to 1970. Their "active" surfaces meld the arts of tattooing, calligraphy and three-dimensional terrain mapping, resulting in a meditative and rewarding experience for the viewer. The show was organized by Sebastià Janè of Barcelona and Carmen Muro of Madrid. Galería Rayuela is at Calle Claudio Coello...

Artist/Designer; Manufacturer: John Lennon (British, 1940-1980), Yoko Ono (Japanese, b. 1933) Marking(s); notes: Original Gallery Art / Lennon-Ono 1970-1976 seal Materials: lithograp...

Artist: Takesada Matsutani Title: Fly Medium: Screenprint Signed: Hand Signed Edition: 68/175 Measurements: 23" x 28.5" Year: 1971 Note: This piece is sold UNFRAMED Condition:...

Artist: (after) Lee Krasner (American, 1908-1984) Title: "City Art Gallery (Bird Talk)" *Signed and dated by Krasner in the plate (printed signature) lower left Year: 1966 Medium: Or...

Artist/Designer; Manufacturer: Marilyn Minter (American, b. 1948) Marking(s); notes: signed, Landfall Press, Inc. inkstamp, MM-89-19; ed. 26/35; 1989 Materials: screenprint in enamel...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

Bernhard Leitner, (Austrian, 1938) From a portfolio "Sound : Space" "Ton : Raum" Self published by artist in 1975/1976, Limited edition of 50 Hand signed in pencil by artist. Acc...

" CENTENARI CENTRE EXCURSIONISTA " Lithography CATALOGADO .MIRO LITOGRAFICO 6, PAG 10,REF 1085. 1976 82X63 CM Edition 100 Copies + HC on paper Guarro Numbered 50/100 Printed and edit...

Immerse yourself in the enchanting world of Joakim Ojanen with this captivating "Charcoal Drawings" book, spanning the years 2018 to 2020. This limited edition publication offers a rare glimpse into Ojanen's creative process and evolution as an artist. Each book is hand-signed in pencil by Joakim Ojanen himself, with a unique doodle adorning the loose leaf paper, adding a personal touch to this exclusive edition. Featuring a collection of charcoal...