Illinois - Prints and Multiples

An etching is an intaglio printmaking process in which lines or areas are incised using acid into a metal plate in order to hold the ink. In etching, the plate can be made of iron, copper, or zinc. Once etched, the plate is then printed onto paper. David Becker Light Rail...

Stone lithograph of Albert Morrow’s Illustrated Bits, printed by Imprimerie Chaix (Ateliers Chéret), Paris in 1897. This world-class example of lithography captures superior resoluti...

Original German Expressionist advertisement lithograph by Otto Arpke and Erich Stahl for E.A. Dupont’s lost 1920 silent film Whitechapel. While no known copie...

Color lithograph with relief printing from polymer plates on Rives BFK. Pencil signed and dated and numbered 274/400 on lower margin in pencil. Printed by Staib & Maye, Stuttgart. Pu...

Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...

A superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil. This etch...

Degas, Edgar (after) (1834 -1917) "Ludovic Halevy Backstage" Monod 5797, Adhemar 71, Skira 58, Stern 25 Soft-Ground Etching created from a Monotype, 1938-9 First State. # 251 from ...

Oliver Hazard Benson The Blue Knight giclee 35h x 23w in 88.90h x 58.42w cm 1/11 AP OB0032 Oliver Hazard’s paintings are produced directly from his i...

Uzarski’s expressionist lithograph advertises a stage production of Tristram and Ysoli (Tristan and Isolde) at the Düsseldorf city-theatre in 1919. This example was published c. 1919...

Archival Ink on Museum Quality Rag Paper Available in the following sizes: 16 x 20 inches 24 x 30 inches 30 x 40 inches Edition size: 25 Please inquire regarding framing Rick Garcia's RAG13 Collection is inspired by the observation that there has been a significant and permanent change in our public and private lives. These artworks use symbolism to illustrate how the ubiquitous presence of suspicion and the act of being a suspect have both become a way of life. Adults and children are shown as generic solid shapes with parts missing to indicate loss of identity and the relinquishing of certain rights. The watchful eye of authority is always present as a figure dressed in black with three white stripes. All of the figures have a red dot to symbolize the human heart; how we are all connected. This red dot also represents being a target or a person of interest. Overall, this latest series creates a surreal flow of images, colors, and shapes blending into a beautiful and poignant work of art. About the Artist: "Photography has been part of my creativity throughout my life and more recently has become influential in my abstract work on canvas. The magical shapes of water gracefully floating or scattering in mid-air reveals the true god-like essence of nature. I am fascinated studying these images of bright tiny mercury-like globes, silky trails, dancing droplets and crystal clear languid sheets. " Rick Garcia was born in Havana, Cuba, and very soon after, his parents relocated to Miami, Florida. He was always encouraged to follow his dream of pursuing and developing his talent in art. In later years he found a deep-rooted connection to surrealism, especially the work of Salvador Dali. Garcia had become obsessed with the unique images and amazing technique of the Spanish painter and he eventually traveled to Port Lligat, Spain to visit the home and surroundings of his mentor. After years of attending the Art Institute of Miami, where he refined his artistic vision in drawing and painting, he was soon earning an income from published illustrations. Garcia has enjoyed a rich and diverse career starting with the hit TV show "Miami Vice" commissioning him to create a mural on the side of a three story building, and used his paintings for interior shots. Apart from a growing number of private commissions, his distinctive images were commissioned by The United Nations Postal Administration in 1998 and 2003. His stamps brought awareness to the growing extinction of the rainforest and its inhabitants, and followed with the 50th Anniversary of the World Health Organization, bringing awareness to the vanishing supply of freshwater, where it earned him the prestige of the most beautiful stamp series of 2003. Garcia was chosen as an "Absolut Artist of the 90s" in the popular vodka ad campaign and with his second piece Absolut Electric, this further drew worldwide attention. 1998, 1999, and 2001 garnered him the distinction of official artist to The Grammy Awards where his creations influenced the look of the live broadcast and graced the covers of the official program book, CDs, posters, apparel, and other various items. His work included portraits of stars such as Destiny's Child, Ricky Martin, Coldplay, Santana, Celia Cruz...

Archival Ink on Museum Quality Rag Paper Available in the following sizes: 16 x 20 inches 24 x 30 inches 30 x 40 inches Edition size: 25 Please inquire regarding framing Rick Garcia's RAG13 Collection is inspired by the observation that there has been a significant and permanent change in our public and private lives. These artworks use symbolism to illustrate how the ubiquitous presence of suspicion and the act of being a suspect have both become a way of life. Adults and children are shown as generic solid shapes with parts missing to indicate loss of identity and the relinquishing of certain rights. The watchful eye of authority is always present as a figure dressed in black with three white stripes. All of the figures have a red dot to symbolize the human heart; how we are all connected. This red dot also represents being a target or a person of interest. Overall, this latest series creates a surreal flow of images, colors, and shapes blending into a beautiful and poignant work of art. About the Artist: "Photography has been part of my creativity throughout my life and more recently has become influential in my abstract work on canvas. The magical shapes of water gracefully floating or scattering in mid-air reveals the true god-like essence of nature. I am fascinated studying these images of bright tiny mercury-like globes, silky trails, dancing droplets and crystal clear languid sheets. " Rick Garcia was born in Havana, Cuba, and very soon after, his parents relocated to Miami, Florida. He was always encouraged to follow his dream of pursuing and developing his talent in art. In later years he found a deep-rooted connection to surrealism, especially the work of Salvador Dali. Garcia had become obsessed with the unique images and amazing technique of the Spanish painter and he eventually traveled to Port Lligat, Spain to visit the home and surroundings of his mentor. After years of attending the Art Institute of Miami, where he refined his artistic vision in drawing and painting, he was soon earning an income from published illustrations. Garcia has enjoyed a rich and diverse career starting with the hit TV show "Miami Vice" commissioning him to create a mural on the side of a three story building, and used his paintings for interior shots. Apart from a growing number of private commissions, his distinctive images were commissioned by The United Nations Postal Administration in 1998 and 2003. His stamps brought awareness to the growing extinction of the rainforest and its inhabitants, and followed with the 50th Anniversary of the World Health Organization, bringing awareness to the vanishing supply of freshwater, where it earned him the prestige of the most beautiful stamp series of 2003. Garcia was chosen as an "Absolut Artist of the 90s" in the popular vodka ad campaign and with his second piece Absolut Electric, this further drew worldwide attention. 1998, 1999, and 2001 garnered him the distinction of official artist to The Grammy Awards where his creations influenced the look of the live broadcast and graced the covers of the official program book, CDs, posters, apparel, and other various items. His work included portraits of stars such as Destiny's Child, Ricky Martin, Coldplay, Santana, Celia Cruz, Black Eyed Peas, Imogen Heap and Kanye West. His life long passion of thoroughbred racing tapped him in 2008 to be the official artist of the 2008 Kentucky Derby Festival. Founder of Benihana, Rocky Aoki, gave Rick complete creative control to design a sushi restaurant on Miami Beach. Along with sculptor Bruce Hanners, they built and installed an 1800 sq. ft octopus designed by Rick to be the massive ceiling light...

A TIME TO HEAL - 20 x 16 inches Limited edition broadside (a poetry & art letterpress/archival pigment print) signed and numbered by the artist. Edition size: 100 + 10 ...

Hand painted mixed media on screen print. Edition size: 10 Painting based on a poem by 13th century Sufi mystic poet Rumi. "Tender words we spoke to one another Are sealed ...

Original 1922 collotype lithograph of a well-dressed woman in a hat and stockings, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vien...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in contrast to her Western-garbed...

Christopher Ganz La Salute, Venice 2015 intaglio on chine colle, ed. II/VI 11h x 7w in 27.94h x 17.78w cm Frame: 21.25h x 18.25w in CG0035 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

“America was quick to reveal strong Art Nouveau voices; it was Louis Comfort Tiffany who encouraged Bing to open his salon, and artists Will Bradley and Ethel Reed exhibited a Japonist simplicity that presented a strong, refined take on the Art Nouveau ideal. Louis Rhead was born in England but emigrated to the United States in 1883 at the age of 24, and quickly found himself celebrated both in the United States and in France, exhibiting his designs in the prestigious Salon des Cent in Paris in 1897.” -Quoted from Flowering Lines: Rare Art Nouveau Graphics 1883-1911 by Thomas Negovan (2017) Lithograph of Louis Rhead’s Prang’s Easter Publications, published in 1897 by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. This example was printed with a plate of shimmering gold ink. This piece is presented professionally framed using all archival materials, including a hand-wrapped silk mat and gold fillet. This work arrives accompanied by a certificate of authenticity. Notable museum collections containing this work include: Metropolitan Museum of Art, New York City (medium-format version) (1984.1202.146) Notable museum collections featuring works by John Louis...

"Galerie Maeght Theogonie" announces an exhibition of the drawings Georges Braque produced to illustrate "Theogony", the 7th century BCE work by Hesiod that narrates the birth of the...

Elegantly-dressed society women observe silhouettes of Commedia dell’Arte characters Pierrot, Columbine, and Harlequin at the shadow play theater Le Cénacle. In a manner reminiscent...

Vin Mariani was the world's first commercial cocaine-based product, pre-dating the notorious cocaine-based soda Coca Cola by over two decades. The stimulat...

Cirage Jacquot et Cie is an 1886 chromolithograph of Lucien Lefèvre's delightful poster, printed at Imprimerie Chaix under the direction Ernest Maindron...

A young woman wearing a floral dress examines photographic works in a gallery display. Auguste Donnay created this poster for the Second International Photographic Art Exhibition, he...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Black crayon on wove paper. Artist initials are ink stamped in lower right corner.

A very fine impression

signed in plate

“America was quick to reveal strong Art Nouveau voices; it was Louis Comfort Tiffany who encouraged Bing to open his salon, and artists Will Bradley and Ethel Reed exhibited a Japonist simplicity that presented a strong, refined take on the Art Nouveau ideal. Louis Rhead was born in England but emigrated to the United States in 1883 at the age of 24, and quickly found himself celebrated both in the United States and in France, exhibiting his designs in the prestigious Salon des Cent in Paris in 1897.” -Quoted from Flowering Lines: Rare Art Nouveau Graphics 1883-1911 by Thomas Negovan (2017) Lithograph of Louis Rhead’s Read The Sun, published in 1897 by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. While this poster was printed in multiple sizes and formats, this 1897 edition of 25 strikes on Japon paper is the most desirable and extremely scarce edition. Japon paper allows inks to rest upon its surface rather than being absorbed by a more permeable paper stock. The rare, small format poster lithographs created at this time were printed using rich, dense, lead inks. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. This piece is presented professionally framed using all archival materials, including a hand-wrapped silk mat. This work arrives accompanied by a certificate of authenticity. Notable museum collections featuring works by John Louis...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Monuments etching & engraving 21h x 31w in 53.34h x 78.74w cm A.P. DB0022 This etching is matted and framed behind plexiglass. The frame and Plexi may show signs of wear. Contact gallery for detail report. David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

A superb impression with vibrant colors. A superb impression of this color aquatint and etching on Zerkall paper. Edition of 119. Signed and dated in pencil by Doig. Proofed by the a...

An elegant woman in a blue Victorian dress toasts with a glass of “the coldest” and “most carbonated” sparkling water from Vichy, France. In early...

Provenance: Edouard Schultze (Lugt 906) References: Bartsch 34 Boorsch & Lewis 38 Notes: A fine impression of this engraving. Boorsch and Lewis state that this work dates from “the mid-1560s” and suggest that it was after a work by Giulio Romano...

Each country that approached the ideology of Art Nouveau clearly had their own unique contribution to the movement. The popularity of French Art Nouveau became globally recognized and produced in large numbers. While we recognize the rarity and extraordinary work of Italian Art Nouveau, or Stile Liberty, as it was known in that country, very little of this art survived and in very small quantities. What’s impossibly rare Scandinavian Art Nouveau...

Lithograph for Luigi Emilio Caldanzano’s Art Nouveau advertisement for Lenti Radio-Attive, which marketed “radioactive” eyeglass lenses claim...

HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...

Original collotype lithograph of Gustav Kilmt’s Seated nude, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild...

A magician billed as The Fakir Shah Rabey is pictured with his "astral" subject, The Aerial Woman, who levitates above in a hoop. Original lithographic magic poster...

Belle Epoque lithographic poster of Jules Chéret’s Théâtrophone, published in 1896 by Imprimerie Chaix (Ateliers Chéret). This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. “The fall of 1881 was a notable one in Paris: The City of Light was hosting the first International Exposition of Electricity off the Champs-Élysées. The expo created a buzz, with Europeans flocking to Paris to see the wonders of electricity, from Edison’s recently-invented light bulb to Alexander Graham Bell...

This is a digital artwork, printed by White Wall on an Ultra HD photo of Albon Dibond. This is one of the most professional and highest museum quality printing in the world. This ...

Gustav Mezey’s lithographic film poster for Hermann Wallbrück’s “social hygiene” film Schleichendes Gift (translated as Creeping Poison) shows a distressed woman encircled in the gri...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. A woman tilts her head towards the viewer, one eye peaking around the edge of the frame in this small etching by Juan Barragán...

Alice Russell Glenny’s Women's Edition Buffalo Courier, 1897 lithograph on Japon paper produced with a plate of metallic gold ink. While this poster w...

Lithograph of Auguste Donnay’s Cercle des Beaux-Arts de Liege Exposition Annuelle, published by Imprimerie Chaix, the printing house known for publishing the ...

GERBAULT, H (1863-1930) "Chocolat Carpentier" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issu...

Lithographic propaganda poster “Acquire the people’s gas mask”, c. 1942. “Protection against possible attacks with chemical warfare agents played an important role in air defense f...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

Emil Huber’s mesmerizing and surrealist eyeball design for Stirnemann u. Co. Zürich promotes an organization of commercial, industrial and administrative operations in Switzerland. ...

This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.

ROBERT INDIANA Angel More (Mother of Us All) Screenprint in colors on Arches, 1977 Impression 14 of an edition of 150 Image Size: 18” x 14” Signed, dated, and numbered in lower margin Printed by Mourlot, Paris. Intended for publication by Amiel, New York. Sheehan 96-108. The Mother of Us All, is an opera which imaginatively chronicles the story of Susan B. Anthony and the women's suffrage movement, written by Gertrude Stein and composed by Virgil Thompson in 1945. In 1976 Robert Indiana was hired to create the costumes and set design for the Santa Fe Opera Company’s production of The Mother to Us All. This collection of lithographs illustrates Indiana's costume designs for the Virgil Thomson-Gertrude Stein same-titled opera. Robert Indiana is one of the most recognized names in Contemporary and Pop Art, his LOVE sculptures, paintings, and prints are by far his most iconic pieces. It all began in the summer of 1965, when The Museum of Modern Art commissioned Indiana to design its Christmas card. He submits LOVE in four color possibilities; the museum selects the red, blue, and green version. In 1967 he produces three serigraphs of LOVE, and two serigraphs of LOVE Wall. During the next two years, produces other serigraph variations on LOVE, with more following in 1972, 1973, 1975, 1982, and 1991. Indiana’s LOVE motif has since been translated into a US postage stamp...

Lithograph of Théo van Rysselberghe's La Libre Esthetique, published by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. While...

CHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...

PENFIELD, FERDINAND (1866 - 1922) Harper’s Magazine - March Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...

This work is a combination of 35 individual small works. Starting from the number 0 in the middle, other works were drawn sequentially through calculations according to the rules I d...

Complete set of 4 soft-ground etchings (2 with hand coloring in black gouache) on BFK Rives paper. Smallest - 29 1/2"x38 3/4" , Largest - 30 3/4"x40 1/4". Each artist's proofs, aside...

A very good impression of this color lithograph. Signed and numbered 125/175 in pencil, lower margin.

A very good impression of this scarce, early color lithograph on Johannot cream wove paper. Artist's proof, aside from the edition of 120. Signed and inscribed "epreuve d'artiste" in...

A superb impression of this color engraving, soft-ground etching, scorper and screenprint on Japan paper. Fifth state (of 5). Signed, titled, dated and numbered 1/50 in pencil, lower...

This 1930s advertisement for Victory Cigarettes melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risqué. Posters like this one, influenced by the Art Deco movement in the West, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Today, lithograph tobacco posters...