Manhattan - Drawings and Watercolor Paintings

Signed and dated

Maeve D'Arcy Bells and Whistles, 2024 ink and colored pencil on paper 22 x 30 in. (dar148)

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

Maeve D'Arcy Birthday Season, 2024 ink and colored pencil on paper 22 x 30 in. (dar149)

William Glackens, 1870-1938 M. Durand... Arrived on the Scene, 1903 Ink, wash, charcoal and Chinese white on paper Signed (at lower left): W. Glackens...

Of her recent works, Urso states, "I make exploratory paintings, working in response to my immediate environment. My approach involves moment-to-moment extrapolation governed by intu...

Olivia Fraser Breath III, 2019 Stone pigments & Arabic gum on handmade paper 36 x 87 inches OF031 Olivia Fraser (b. 1965, London) is a Delhi-based artis...

This is a complicated drawing, even for Morris Graves (1910-2001), known as the Mystical Painter of Nature. Graves tried to be sensitive to the slightest tremor or breeze that a sma...

Tess Michalik Butterfly Altar, 2025 Oil on yupo 38 x 25 in. (mic033)

Tess Michalik Seafoam Honey, 2022 oil on canvas 20 in. tondo (mic038AP)

This exquisite graphite drawing by Mary Reilly captures the delicate beauty of cherry blossoms with striking realism and atmospheric depth. Known for her masterful pencil work, Reill...

This drawing by James Childs is offered by CLAMP in New York City.

Moody, expressive large scale black and white abstract interior scene with grey watercolor and gouache, depicting a bust, indian Mugal carpet, floral design...

Linda Stein, Studying Japanese 991 - Contemporary 3D Sculptural Drawing Collage In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as de...

For the Love and the Minotaur. Figurative Pencil Drawing on archival paper. Cuban Artist Jesus Nodarse 11 x 8 inches unframed THE MAN: Jesús Nodarse Valdés was born in Sagua la ...

Barbara Regina Dietzsch, 1706-1783 White Primrose, Japanese Quince, a Beetle, and a Butterfly, ca. 1730 Opaque watercolor painting inscribed on...

William Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges 40 × 60 in 101.6 × 152.4 cm Edition 8/30 (unique variant) Frame included Measurements: Sheet: 40 inches (vertical) by 60 inches (horizontal) Frame: 42 inches x 62 inches x 1 inch Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ". Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame. Accompanied by gallery issued Certificate of Guarantee Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Katie DeGroot YAY!, 2025 watercolor on paper 72 x 52 in. (groo119)

Of her recent works, Urso states, "I make exploratory paintings, working in response to my immediate environment. My approach involves moment-to-moment extrapolation governed by intu...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Meg Hitchcock The Nine Eyes Widely Opened, 2022 Text from The Tibetan Book of the Dead, acrylic graphite, ink, embroidery thread 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit005)

"Good Health Week" American Scene Modern Social Realism Mid- 20th Century WPA Era Jo Cain (1904 – 2003) Good Health Week – b/w 10 ½ x 15 1/2 inches I...

This drawing by James Childs is offered by CLAMP in New York City.

Tess Michalik Birdvine Tangles, 2025 oil on yupo 38 x 25 in. (mic034)

Seated Woman by Jules Pascin (1885-1930) Pen and ink on paper 6 ½ x 6 inches unframed (16.51 x 15.24 cm) 14 x 13 inches framed (35.56 x 33.02 cm) Inscribed (Pascin Estate 81C) on bot...

Watercolor and gouache on paper

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

This drawing by Mark Beard is already framed, price includes framing. Untitled (Nude Man with Raised Leg) 1990 Signed and dated, l.l. Charcoal with red and white conté crayon on R...

Santi Moix Seeing Don Quixote and Sancho ("the famous pair"), ca. 2008 Drypoint, etching and abrasion with hand coloring with watercolor, along with graphite annotations Hand signed ...

Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...

An early work by Charles Burchfield, likely a project for an illustration. A Landscape in pastel colors with a white tree and the text Love and xxx.

Jerome Witkin Proof that a Cat is a Snake with Fur, from the Patrick Eddington Cat Project, ca. 2004 Marker on paper drawing Boldly signed by Jerome Wit...

Billy Al Bengston Sweet Filthy Cheat, 2004 Watercolor and acrylic on paper Signed, dated and titled on the front Frame included Unique This unique work, with it's charmingly sly tit...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Tess Michalik Plush Petals, 2025 oil on yupo 38 x 25 in. (mic037)

Ceri Richards Lyre Bird (Design for the cover of Poetry London), 1943 Ink, gouache and pastel on paper Bears original Jonathan Clark & Co. label on the back of the frame Unique Frame...

A native New Yorker, Brosen has spent a lifetime wandering its streets, discovering its long history and witnessing its constant metamorphosis. The city is his muse and his primary s...

In Colin Hunt’s new paintings, myriad tiny rocks, grains of sand, and strands of rockweed form a coastal beach, while lush forests pierce a crystalline sky. Elsewhere, palpable mists...

Of her recent works, Urso states, "I make exploratory paintings, working in response to my immediate environment. My approach involves moment-to-moment extrapolation governed by intu...

Of her recent works, Urso states, "I make exploratory paintings, working in response to my immediate environment. My approach involves moment-to-moment extrapolation governed by intu...

Of her recent works, Urso states, "I make exploratory paintings, working in response to my immediate environment. My approach involves moment-to-moment extrapolation governed by intu...

Leonor Fini Face, ca. 1960 Ink on paper 9 x 11 cm 3 1/2 x 4 1/3 in. 28 x 30 cm 11 x 11 7/8 in. (Frame included) Unique work Exhibition History: Leonor Fini: Small Faces, April 7 -...

Woman With Red Poppies, 1905, by Philip Boileau (1863-1917) Pastel on paper 35 ½ × 22 ¾ inches unframed (90.17 x 57.785 cm) Signed, dated, and inscribed...

Josette Urso Lake and Sky, 2022 watercolor on paper 6 x 6 in.

Tess Michalik Count on me, 2025 oil on Yupo paper 38 x 25 in. (mic028)

This original watercolor painting on paper by Katie DeGroot features a multitude of tree trunks bedecked in blue, brown, and green mosses and fungi against a white background. The ar...

This ink drawing and writing by Mark Tobey also has writing in another hand, in pencil. The dimensions are for the sheet of paper. Provenance: Willard Gallery, New York, NY.

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-sig...

Gen Paul (1895-1955 Fr.) lived in Montmartre, Paris France. He is know for his action painting with quick brush strokes and this work of art was painted around 1955-1960. He was a mu...

Clearly an ironic title, 'Bedtime Story,' conjures up homey childhood experiences -- not over-sized, cigar-smoking, and alcohol-abusing, French soldiers. The artist who made Bedti...

An exquisite work of geometric abstraction by this celebrated artist Winston Roeth Untitled, ca. 1996 Pastel on handmade paper Hand signed on the front Frame included: Floated and fr...

Olive trees and olive groves are often the main subject of Tzannes paintings. An American painter of Greek origins, Tzannes visited the Greek island of K...

Lyman Kipp Untitled Minimalist painting on paper, 1980 Color oil painting on paper done with ink paint roller Signed and dated on the front Unique Frame included Signed and dated 19...

Pastel and conté crayon with partial foil star on Rives BFK paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in ...