Manhattan - Abstract Paintings

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Multicolor and silver background with thick use o...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited compositions are both dramatic and invigorating, capturing the fleeting moment of innocence swept up in bold color and seemingly controlled movement. "Dior in Paris...

Artist: Valverde, Francisco Title: Alembic Date: 2025 Medium: Pigmented resin on panel Unframed Dimensions: 36" x 72" x 2" Signature: Signed Edition: Unique

Ben Wilson Rock Candy Mountain, ca. 1970 Oil on masonite board (Hand Signed, titled and dated) Hand signed, titled and dated by Ben Wilson on the back Frame Included: held in artist'...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with red accents with ...

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

In contrasting colors that pop Live Composition II, 2024 by African American artist Bai is a 30” x 22” abstract acrylic, oil pastel, and ballpoint pen work on paper, presented in an ...

David Humphrey Trophy (Museum of Contemporary Art, Chicago), 1983 Oil on Canvas painting Signed Twice: Hand signed and dated verso, also artist has signed his name and written his ho...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Hunt Slonem "Blue Daiseys" Textured Metallic Flowers A group of five daisy flowers gestured in white, yellow and green on a blue and silver background in a vintage frame Unframed: 2...

Oil on canvas on board.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

An impressionistic depiction of a blue porcelain vase with a burst of white, pink, and light red flowers exploding with color and bold marks. Alfaro bridges the Baroque cultural move...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French Blue background with thick use of paint. I...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and hand embellished piece...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french rose background with thick use of paint. I...

Title: Forest VII Medium: Oil on canvas Size: 23.5 x 35 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2000 Circa Ar...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

Hunt Slonem "Randy" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed...

A large pop piece depicting Andy Warhols iconic Campbell's tomato soup holding a colorful bouquet of tulips. Bursting with impasto painting, and quick brushwork we are drawn to the m...

Hunt Slonem "Untitled" Metallic Butterflies A pair of butterflies on a gold and silver background in a vintage frame Unframed: 6 x 4 inches Framed: 8 x 6 inches *Painting is framed ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural red Tulip on a silver background with thick use of paint. It is housed in a wonderful ...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Hunt Slonem "Chinensis Travel Plan" Multicolor Bunnies A family of six rabbits gestured in black on a colorful metallic background in a vintage frame Unframed: 38 x 19.5 inches Fram...

Hunt Slonem "Purple Haze" Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is framed -...

Hunt Slonem "Stanford" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is fra...

Hunt Slonem "Silver Ascension Travel Tomorrow" Blue and Silver Butterflies Multiple butterflies on a textured, reflective metallic background Unframed Hunt Slonem is a well-renowned...

An abstract piece with vivid use of color and mixed media on canvas. Like splashes of a raindrop or flickering lights through the busy city remind us of these colorful canvases. The ...

Effloresce (Abstract painting) Oil on paper - Unframed Framed on request Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at ...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Hunt Slonem "Ofelia" Black and White Bunny A rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 17 x 15 inches *Painting is framed - P...

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

Anthony Falcetta niké, 2025 acrylic, gypsum compound & spray paint on canvas 40 x 30 in. (fal013)

Originally from North London, Cotton received his art education at the prestigious Central St. Martins School of Art in Holborn, London. Being a teenager in North London during the g...

Ky Anderson Seedling 25.8, 2025 acrylic on watercolor paper 30 x 22 in. (and484) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Hunt Slonem "Hutch Scored" Family of Four Bunnies on Red and Gold 4 bunnies gestured in black on a gold and red background in a vintage frame. Unframed: 30 x 20 inches Framed: 41.5 ...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate butterflies in ascension placed in a wonderful silver tone landscape. Slonem...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic display of love encapsulated in these miniature hearts, leaving us with impressions of color and impasto paint effortlessly. This piece features oil paint on wood encased in a white contemporary floater frame. An ideal gift to spoil yourself or someone you love, this stunning original oil painting brings style and grace to any small or medium-sized space. Create an installation to fill any space, they are perfect as a big group or just single. This painting is signed by the artist verso and it comes comes housed in a contemporary white floater frame and ready to be displayed with hanging wire on verso. Art measures 10 x 8 inches Framed measures 11.5 x 9.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art studio and has been painting ever since. Shaoul later traveled to Israel and Hungary, and studied abroad for 2 years at the Budai Art Institute, which created lifelong experiences that still influence her art today. Upon her return to New York City, she continued her artistic education at the Art Students League, working under the tutelage of Joseph Peller, Gregg...

Hunt Slonem "Pink All Over" Single Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is fram...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Hunt Slonem "Looking Glass" Black Outline Bunny on Blue A single rabbit gestured in black on a light blue background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches ...

Ashes of Roses is Rene Ricard's mauve-colored map of Rivington Street between Suffolk and Clinton Street, with a white arrow pointing to the word mofongo, indicating a Puerto Rican r...

Hunt Slonem "Red Rover" Single Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Plea...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Hunt Slonem "Manor" Pink Diamond Dust Bunny A single rabbit gestured in pink and white on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Pa...

Hunt Slonem "Score Field of Dreams" Blue and Gold Butterflies A pair of butterflies gestured in white on a gold and blue scored background in a vintage frame Unframed: 10 x 8 inches...

WIth a passion for restoring historic houses, one of Slonem's properties is in Lousiana, where he now spends a lot of his time painting and picking up inspiration for his pallet. Thi...

Hunt Slonem "Chinensis" Multicolor Bunnies Multiple black outline rabbits on a metallic background. Unframed Hunt Slonem is a well-renowned American artist known for his neo-express...

A wonderful composition of one of Slonem's most iconic subjects of Cockatoos. The thick use of paint is greatly recognizable as he slathers on layer after layer of multicolor oil pai...

Hunt Slonem "Lady Gouldians (Australia)" Multicolor Birds on White Background A group of finches in red, yellow and green with branches on a white background Canvas 50 x 70 inches Un...

Hunt Slonem "Awaiting Flutter" Multicolor Butterflies A group of seven butterflies on a scored gold metallic background in a vintage frame Unframed: 22 x 30 inches Framed: 26.5 x 34...

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver background with thick use of paint. Inspir...

Peter Stephens Quadrivium 83, 2025 acrylic and collage on paper 30 x 22 in image size: 13 ½ x 17½ in (ste031)

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on Teal Turquoise background with thick use of paint. ...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...