Manhattan - Sculptures

Egyptian King Menthuphis, draped in a lion skin, and dripping in jewels, holds up a statue of two horses. Flanked by two birds and mounted on Rouge Mable and...

In Tazza 2, Leslie Fry transforms a single leaf into a luminous bronze vessel, crowned by a blossom whose center quietly reveals a female face. Balancing functionality with sculpture...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

Signed 'E. Picault' inscribed and titled ‘Reveil de la Nature’ on self-base Artist: Emile Louis Picault (1833–1915) Origin: French Date: Late 19th century Dimension: 34 1/2 x 17 inc...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

This image is from a mini fanzine created by the artist and spread through downtown New York. If pigeons could talk would they rat us all out. Instead of framing his work he prefers ...

Arnaldo Pomodoro Plaque (Placca), 1980 Bronze 3 4/5 × 3 4/5 inches Edition of 500 Incised signature on the front top left, and foundry mark on the bottom; Rotary Club of Palermo plaq...

Linda Stein, Spoon to Shell 877 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 877 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

KAWS Fellows (Blue): This standout KAWS art toy features KAWS' signature character COMPANION in a uniquely severed position. Published on occasion of KAWS’ 2026 exhibition at Space K...

Accompanied by a certificate of authenticity This work is offered by CLAMP in New York City

ADRIANA MARMOREK RENDEZVOUS LEAK, 2019 porcelain painted chrome 9.84 x 1.18 x 11.81 in. 25 x 3 x 30 cm.

Linda Stein, Warrior Waging Peace: Addressing Laughter 1280 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with v...

This unique wall-mounted ceramic sculpture by Christopher Adams exemplifies the artist’s ongoing exploration of biology, evolution, and organic abstraction. Measuring 6 × 3 × 1.5 inc...

This sculptural wall work by Christopher Adams explores surface, repetition, and quiet density through a restrained monochrome palette. Formed in black earthenware clay, the piece is...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

Knight of the Lock 554 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of wood, metal, stone ...

Linda Stein, Brush Swivel 64 - American Feminist Contemporary Chair Black Red Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five decades....

Linda Stein, Lower Manhattan 007 - Mixed Media Contemporary Collage Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on ...

A cold-painted cast bronze miniature statue depicting a north African woman picking dates from a palm tree. The incredibly crisp and detailed casti...

Linda Stein, Divining Scepter 153 - Wood, Stone, Leather, Mixed Media Wall Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an excav...

This unique ceramic wall sculpture by Christopher Adams features his signature organic forms inspired by botanicals and marine life. Measuring approximately 8 x 8 x 2 inches, the pie...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Linda Stein, Afterlife 164 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an exca...

Linda Stein, GenderBend 682 - Feminist Contemporary Black/Silver Leather Metal Torso Sculpture Starting in 2007, the artist Linda Stein began to...

Italian, 19th Century 32 in. x 15 in.

Two Spirals, 1971 Metal with marble base Height at rest: 7 inches Signed and dated "Rickey 1971" on base Unique

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Linda Stein, Honor Guard 688 - Feminist Contemporary Black Leather Metal Wall Sculpture Linda Stein started her Knights of Protection series after she was forced to evacuate her N...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic with metallic paints. Stein's ...

ANTON CHOTKA Austrian, (1881-1955) Cleopatra and Servants Austrian Cold-painted Bronze Figures Depicting Cleopatra and Servants 11 inches high

Linda Stein, Skeletal Format 67 - American Feminist Contemporary Chair Black Tan Sculpture Linda Stein has been addressing the theme of Power/Vulnerability for more than five deca...

Linda Stein, Three Bells 326 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that i...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

Linda Stein, Stories from Home 1287 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wund...

Mahogany

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Stein's works are in mor...

Linda Stein, One Dollar Ring 139 - Mixed Media Assemblage Contemporary Art Wall Sculpture One Dollar Ring 139 is from artist Linda Stein's Brush Assemblage series, where she combine...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Knight Embedded 534 was exhibited in 2006 at Longst...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...

Linda Stein, Two Women Standing 322 - Mixed Media Metal Wood Stone Contemporary Art Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works tha...

Jeanne Heifetz’s Geometry of Hope: Cobalt, Emerald is a delicate yet architecturally structured wall sculpture composed of acid-etched glass rods meticulously sewn onto stainless-ste...

Linda Stein, Growing Up Female 931 - Feminist Contemporary Fabric Leather Sculptural Tapestry Growing Up Female: Jewelry, Guns, Landmines 931 is from Linda Stein's Sexism series, w...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working in large scale with steel in...

Linda Stein, Hop and Skip 355 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...

EGG REDUX (Blue Patina), cast forton, bronze patina, glass beading,  14 x 9 x 9 inches. The ornate and sensual contours of Nora Chavooshian’s sculptures d...

EGG REDUX (Green Patina), 2019, cast forton, bronze patina, glass beading,  14 x 9 x 9  inches. The ornate and sensual contours of Nora Chavooshian’s scu...

FRANZ BERGMANN Austrian, (1838-1894) The Harem Revolving figures of a man holding a sword and a seated half nude woman. 13 1/4 inches high

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...

Linda Stein, Intimate Duo 134 - Mixed Media Assemblage Contemporary Art Wall Sculpture Intimate Duo 134 is from artist Linda Stein's Brush Assemblage series, where she combines foun...

Louise Bourgeois Limited Edition Ceramic Plate depicting Malloreddus alla Sarda, Dallas Texas, 1998 Ceramic Plate 10 in diameter Edition 457/1000 (read description; the edition was not completed) Unframed (Stand shown is not included) Makes a memorable gift! This striking, rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American artist Louise Bourgeois. From the late 1990s through the millenium, Buon Ricordo...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

2452 ACRYLIC PAINTED DOWELS IN ARCHITECTURAL PLYWOOD WITH BEVELED EDGES. Matt Bilfield is no stranger to process oriented art, as the Fox Sports Lead Animation Designer, he is build...

Jenny Holzer USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT, 2003 Hand Blown Glass Bowl 4 × 10 × 10 inches Edition 68/200 Signed and numbered 68/200 on the underside with Holzer's in...