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Item Ships From: Montreal
Leave It Be
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Exquisite Resting Place
By Adam Gunn
Located in Montreal, Quebec
y painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from l...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Moth Excursion
By Judith Berry
Located in Montreal, Quebec
Worlds Unseen Natasha Chaykowski It’s strange to look at a high definition photograph of red blood cells. They appear otherworldly and supple, formal and punctuated: so different...
Category

21st Century and Contemporary Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Dusk Air
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Mixed Media, Acrylic, Oil, Wood Panel

System IV
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Mixed Media, Oil, Acrylic, Wood Panel

System II
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Mixed Media, Oil, Acrylic, Wood Panel

System I
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Mixed Media, Oil, Acrylic, Wood Panel

The Other
By Judith Berry
Located in Montreal, Quebec
The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Scream
By Judith Berry
Located in Montreal, Quebec
The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

The Talking Hills
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Straining to Hear
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Curtain
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Venus&Venus
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...
Category

2010s Contemporary Montreal - Abstract Paintings

Materials

Oil, Archival Paper

Venus&Venus
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...
Category

2010s Contemporary Montreal - Abstract Paintings

Materials

Oil, Archival Paper

Outskirts
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Vomiting Figure
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Ropes, Fire and Trees
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Mesmerized
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Talking to Ourselves
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

La Renne
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devic...
Category

2010s Contemporary Montreal - Abstract Paintings

Materials

Canvas, Oil

New notes
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Soft Break
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

As listening I
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

As listening II
By Christine Nobel
Located in Montreal, Quebec
Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Breaks in the light
By Christine Nobel
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Night vision
By Christine Nobel
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Swaying notes
By Christine Nobel
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Post
By Gary Evans
Located in Montreal, Quebec
Gary Evans is widely recognized for his distinctive painting practice that spans two decades. Evans’ vibrant paintings challenge traditional notions of perception and our experience ...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Study for Island
By Gary Evans
Located in Montreal, Quebec
Gary Evans is widely recognized for his distinctive painting practice that spans two decades. Evans’ vibrant paintings challenge traditional notions of perception and our experience ...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Molson Park
By Gary Evans
Located in Montreal, Quebec
Gary Evans is widely recognized for his distinctive painting practice that spans two decades. Evans’ vibrant paintings challenge traditional notions of perception and our experience ...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Untitled #3
By Gary Evans
Located in Montreal, Quebec
Gary Evans is widely recognized for his distinctive painting practice that spans two decades. Evans’ vibrant paintings challenge traditional notions of perception and our experience ...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Foreign Phantasm
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Contemporary Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Bottle Garden
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Contemporary Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Small Yellow City
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Bending Roads and Targets
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Mismatch
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Shelter
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Stick Excursion
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Black and White Discs on Green
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Infiltration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Insomnia
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Celebration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

The Retelling
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Canvas

The Lives We’re Making
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Wood, Oil

Untitled
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Untitled
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Lys 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Colza (triptych)
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Feuilles
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Tilleul 05
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Tilleul 01
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

Laurier 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Canvas, Oil

All, Always, Forever, Never and Only
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant A recent online story in the German news outlet Deustche Welle post...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Star Gazing Through the Wrong End of the Telescope
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant A recent online story in the German news outlet Deustche Welle post...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

The Twisted Tongue Tied Truth
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

One Damn Thing After Another
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Where These Ways Crossed One Another
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

It’s So Quiet You Can Hear Them Breathing
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Beyond Recall
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

Our Own Faults, Our Own Failures
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Montreal - Abstract Paintings

Materials

Oil, Wood Panel

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