Vases and Vessels in New York City

Hand blown Murano glass vase with cobalt-blue and clear glass.

"Antique Chinese (Early 20th Century) white porcelain urn decorated with an all-over blue vine and flower patterned ground, surrounding spaced bold, blue characters. Signs of wear t...

Beautiful pair of ceramic drilled vases with a floral hand painted pattern. Some of the leaves are gold gild with a really vibrant floral pattern. Made in West Germany. Measures: 17...

PAIR of Chinese monumental porcelain floor vases celebrating Japanese Imari ware in both palette and design, featuring white, blue, orange and gold floral motifs on rust-colored grou...

Aldo Londi Bitossi vase, ceramic, gold metallic, signed. Small cylinder vase decorated with bands of impressed geometric patterns and glazed in metallic gold. The Bitossi factory mix...

A dark lava stone vase or jar in an oval shape, and narrow top, hand-crafted in Mexico. An organic modern accent to home décor, in the kitchen, living room or any other area, indoors...

We are delighted to offer you this sterling silver vase. It is tall and slim with a tapered shape. A beautiful floral cartouche awaits your perso...

16th century Thailand Sawankhalok large ceramic vessel from the old city of Sawankhalok known for its pottery. Beautiful and natural patina from being submerged under water. Part of ...

Set of 1970s Stoneware vase and large plate by Inger Person for Rörstrand. Gorgeous raw brutalist style in blue, brown and white colors. In a very good condition. Country: Sweden...

Large, decorative stoneware planter or vase by English ceramicist, David Lane of Abington Pottery. This studio piece, made in 1959, pre-dates Abington...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

A monumental and important 19th century French sevres porcelain ormolu-mounted two-handle campana form centerpiece/vase. This is a truly Sevres...

A very large and important Charles X doré bronze and Chinese Export porcelain jardinière, the exterior of the porcelain finely painted with scrolling cartouches of Scholars in a land...

"Hsing" vase designed by Ettore Sottsass for Alessio Sarri, Sesto Fiorentino. Green glazed ceramic.

Chinese monumental floor floor vase celebrating Japanese Imari ware in both palette and design, featuring medallions of natural scenes against an orange ground intricately decorated ...

"Antique Chinese (Late 19th Century) white and blue porcelain urn decorated with a bird amid flowering chrysanthemums, and accented with two navy scrolled handles along the neck. Sl...

Hand-built earthenware vase with texture and movement throughout. Great earth tone glazes suggesting flames. Artist-signed and dated on underside.

Hoffmann encountered an abundance of classical forms during his studies in Rome in 1896, which influenced his designs. The vases reference both the elegant form of a folding fan and ...

The shape of this remarkable Rivier vase has a beautiful asymmetry which is mirrored by the abstract human forms depicted on all sides, as the blac...

Pair of antique French Empire period gilt bronze campana form vases, each 13 3/4 by 6 7/8 inches, circa 1810, with flared neck with gadrooned bronze rim, decorated with Bacchic putti...

Monumental Amphora style vase with a stunning Jade green glaze finish. The vase came from a prestigious Indian Wells estate with interior completely designed by Steve Chase.

Pair of Chinese (Mid 20th Century) lidded porcelain jars with orange fish swimming on blue, sponged backgrounds, inspired by patterns from the Ming Dynasty...

This Favrile glass flower form vase, by Tiffany Studios New York, is meant to suggest the calyx forms, open or closed, of crocus or tulip flowers. This richly-hued orange-yellow vase is tall and slender and colored with exquisite green and white effects. Here, the Favrile glass flower is waiting to gently blossom. Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 19.5" height, 3.75" diameter Materials: Favrile glass Signed: "L. C. Tiffany-Favrile T684" Literature: Similar flower form vase pictured in The Tiffany Collection of the Chrysler Museum at Norfolk, by Paul E. Doros, Richmond, VA: W. M. Brown & son, Inc., 1978, p. 38, cat. no. 41; Similar flower form vase also pictured in The Art Glass of Louis Comfort Tiffany...

Unique, signed and dated. The great diversity and originality of Girel’s work is the result of his wholly unique approach. His techniques are not found in any ceramics textbook, b...

This elegant and sophisticated Mid-Century Modern vase was realized by the esteemed designer Gunnar Nyland for Rorstrand- arguably the most prestigious S...

The spectacular Sèvres urn is magnificently painted with two beautiful maidens at a well surrounded by vegetation and several cupids, signed ‘Ch. Fuchs’. The other a stunning monu...

Fine painted porcelain vases with flowers bloom decoration.  

A unique blown deconstructed creation by Vistosi in Memphis Group style worked with an unusual and rare technique, the decor in the crystal clear Murano glass organic body consists o...

Handmade by Naomi S. Clark Materials: Terracotta Dimensions: H 4" x W 7" x D 7" 2020 Edition: Unique Plant Name: Rattlesnake Calathea Watering Schedule: Water once ev...

Handblown pair of clear and Amethyst or purple Murano glass vases in the iconic manner of the "Rostrato" glass of the 1940s. Each glass vase was meticulously handblown using the same craftsmanship as the original 1940s version in one of the oldest and last remaining glass furnaces on the island of Murano in clear and deep purple or plum pigment-infused glass with delicately and purposefully pulled glass that form small peaks around each vase. This "Rostrato" method is done as the glass is cooling off. The result is a jewel like form that refracts light in every direction. This pair of vase was hand-made and signed by Stefano Toso (Stefano Toso was born in Venice in 1958 into a centuries old family...

This stunning mid-century modernist vase is a testament to the exquisite craftsmanship of Murano glassmakers, dating back to circa 1970. The vase features a sleek, hand-blown silhoue...

Fantoni for Raymor vase, ceramic, blue, green, signed. Medium scale chunky vase decorated with bands of aqua blue and moss green glaze over a chalky white bulbous form body. Signed o...

Monumental Art Nouveau sterling silver floor vase. Made by Graff, Washbourne & Dunn in New York, ca 1890. Baluster with curved and wavy rims and domed foot. Blossoming lily of the va...

Pair of large English Regency style red and black lacquered 6 sided Chinoiserie decorated floor vases on small bases (19th Cent.) (Priced as Pair)'  

We are happy to offer you this sterling silver trumpet vase by Dominick and Haff. It has a fluted rim and a beautiful etched design around...

For James Macintyre, glazed earthenware, decorated with tulips, signed W. MOORCROFT/ DES., printed maker's mark.

Battuto A Nido D’ape glass vase, designed by Carlo Scarpa and manufactured by Venini, was originally designed in 1940. Numbered edition per year. Indoor use only. Dimensions: Ø 23...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Fine painted porcelain vases with flowers bloom decoration. The bottom of the porcelain is 8in/D.

French Art Deco oval opalescent glass bottle with embossed flowers, perfume name "Vœu de Noël" written in gold, and a cylindrical stopper with brand name "CARON"

Fulvio Bianconi for Venini Fasce Orizzontali large bottle model 4315 in transparent blue green glass decorated on the body by two horizontal bands in opaq...

Two Swedish art Deco, Scandinavian Modern ceramic vase with textured horizontal lines, a thin glaze reveals the clay's color. Designed by Anna-Lisa Thomson for Upsala Ekeby. Signed o...

Wonderful limited edition patinated bronze vase with bamboo motif on mottled brown marble-like ground, standing 24 inches tall, by the American sculptor based in Hawaii, James Barker...

Narrow translucent blown glass vase from the Verrerie de Bendor, on the Island of Bendor in the South of France. The light olive green color darkens...

Le Verre Francais glass vase, circa 1910.

A Very Special Pair of Louis XVI Style Ormolu Mounted Verde Antico Marble Urns and Cover. Each with grape finials. The handles formed ram’s head, raised upon a waisted sole and dome...

Hand-painted opaline glass vase with pâte de riz applied satyr masks, gilding, turquoise bands and floral bouquets, attributed to Jean Francois Robert (1778...

Pair of impressively scaled Scandinavian Modern XXL olive green vessels designed by Otto Brauer for Holmegaard.

Modernist Etruscan style vase. Richly coloured glazed ceramic vase in the Etruscan style decorated with a Picasso-esque allegorical motif of the Fo...

"Chinese celadon porcelain vase painted with a blue dragon amid the clouds and made with a small mouth opening. Some wear to finish."

A Magnificent and Large 19th Century French Louis XVI Style Patinated and Doré Bronze Jardinière/Planter, Attributed to F. Barbedienne The large and imposing piece features a regal ...

Sculptural vase in Patinated Black Bronze and Hand blown Bohemian glass designed by French artist in Decorative arts Eric Schmitt. Hand Blown in Bohemia and sculpted in France. Limit...

Sweden, 1950s ceramic vase by Gunnar Nylund, for Rörstrand in quartz green excellent condition and signed on the bottom.

2 French Art Deco rectangular iron jardinieres with swag design (PRICED EACH)

This sophisticated modernist orchid vase/ occasional bowl was realized in the United States during the latter half of hte 20th century. Realized in ceramic and finished with a bronze...

Monumental floor vase by Hans Hedberg (1917-2007) born in Sweden, work in Boet, France. Stoneware with speckled glaze in green and yellow, signed, height about 28".  

This stunning Mid Century Modern ceramic vase was realized by the esteemed artist Jean Mégard in France in 1953. It features a teardrop form with a bulbous base that tapers to an elo...

PAIR of large Middle Eastern Persian style (19th Cent) black & red cloisonné and enamel floral design floor vases. (PRICED AS PAIR)

A monumental palace size Sèvres Porcelain blue lapis painted vase. Beautifully hand-painted to imitate natural Lapis Lazuli stone. Hand-painted in R...

Two Scandinavian Modern, Börne Augustsson Swedish midcentury soft form glass vases in a very pale blue-green. Made by Åseda (not signed), circa 1948. Measure: Heights 8" and 5.5".