South Carolina

English Chippendale hand painted and gilded marriage bed with original silk and bell flower coverings, central gilt carved shell cornice, flanking gilt ca...

American Chippendale mahogany oxbow slant top four drawer desk with exposed dove tail, original brasses, fitted interior, shell carved skirt, and terminating on original claw and ba...

American fire place mantel made of poplar with Greek key motif and carved corner sunburst supported by turned column legs. All original . Early 19th ...

Introducing the Cartier Pavé Diamond 18 Karat White Gold Dome Earrings Studs—an exquisite expression of elegance and luxury that encapsulates Cartier's legacy of sophistication and e...

Mariette Lydis, 'Four Women' from the suite 'The Beggar's Opera', lithograph, edition unknown but small, 1937. Signed in pencil; initialed in the stone, low...

Introducing the Van Cleef & Arpels Diamond and Onyx 18k Gold Earrings—a stunning embodiment of luxury and precision. These earrings showcase the brand's commitment to exceptional cra...

English figural lead fountain with a young man blowing a conch shell while standing on a rocky plinth. Fountain is in working condition, Mid-19th century.

Based on a rare 18th-century document and created by one of Europe's premier engravers, this design comes in coordinating panels of fabric and wallpaper with a 12-foot repeat. Pane...

Overscale blossoms in a radiating pattern make a delicate and dreamy statement. The natural sisal ground adds dimension and textural allure. • Sold in 8 yard increments. • M...

Painted Gustavian period sofa, having the signature fruit and flower carving of the hops plant used by Lindome furniture makers. Hand scraped to the most original color and seat upho...

This elegant Adam mirror has a classical oval patera mirror border encompassing the looking glass. The crest has a central Adam urn with a burning flame fl...

American Federal tiger maple one drawer stand with original wood knob, turned bulbous ringed legs, and the original pointed feet. Secondary wood co...

Edward Landon 'Exhortation (Priest)', color serigraph, 1957, edition 28, Ryan 72. Signed, titled, and numbered '21/28' in pencil. A superb, richly-inked impression, with strong color...

Vintage Boho Punch Cut Palm Frond Ceramic Table Lamps - a Pair A fabulous pair of vintage palm beach regency table lamps. A punch cut palm frond design with a matte glazed gold fin...

Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

French brass figural fire place screen with dancing woman playing tambourine, central flame urn finial with lambs tongue plinth, eight flanking pierced chased folding fans, decorativ...

An exquisite French Louis XV period bleached oak commode with richly carved drawer fronts, very decoratively carved apron and paneled sides on short cabriole legs. circa 1775.

Sculptural 18th century Italian crucifix with selenite in matrix and adorned with gem beading around the cross. The selenite in matrix creates the sunrays around the crucifix. The pi...

Here’s a cool lamp that can swing around where you need it to. Would be great for your desk. It is in the style of MG Wheeler’s “Sight Light” Sa...

Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

French Empire gilt bronze bouillotte lamp with three scrolled arms, interior griffon heads, telescopic tole shade with pineapple and feather finial, and resting on the original circu...

Jamaican Cuban mahogany sofa with flanking scrolled arms, reeded skirt, centered rosette, and terminating on acanthus carved lions paw feet. Sofa has be...

French three piece marble and gilt bronze mantel clock set with perched eagle, flanking urns, painted floral porcelain dial, original pendulum, swan and filigree motif, resting on d...

Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm). An impression of this work is included in the museum collection of the National Gallery of Art. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...

Pair of American brass ball top ribbed andirons with turned bulbous faceted plinths, scalloped skirts, spurred legs, and terminating on ball feet. Boston, Circa 1800.

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

Masami Iwata, 'Flowers and Ko-Imari', color woodblock print, c. 1960, edition 250. Signed, and with the artist’s seal, lower right. A superb, painterly impression, with fresh colors,...

This 12" x 18" pillow features Gainsborough Velvet in Raven paired with trims in Maria Tape in Jet. Woven in the Netherlands, Schumacher's signature cotton velvet is available in nea...

This pillow features Loulou. An elegant abstract design inspired by classic bargello tapestries, Loulou fabric in smoky quartz is a textural tour de force that combines several diffe...

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...

Elevating the concept of timeless elegance to new heights, the Tiffany & Co. Diamond and Platinum Bubbles Band Ring is a dazzling testament to sophistication and refinement. Crafted ...

Mid-Century Modern atomic planter that sits on ball feet. actual planter part is a cone shape.

This pillow features Dixon Embroidered Print Linen with a knife edge finish. A series of stepped lines is handprinted with pigment ink on a linen ground and then embroidered along th...

Charleston mahogany crib with flanking scrolled cane headboards, four urn finial bulbous turned ringed post, hinged finger locked swing down side panels, ori...

Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...

Sculptural 18th century Italian mecca miniature fragment with fossil agate coral. The fragment was originally part of an 18th century Italian candlestick from a historic church. I...

Luigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...

Handsome early 18th century Baroque walnut console table from Bologna, Italy . The very patinated regtangular plank top above frieze with three...

Museum-quality smoky citrine crystal point on a custom black stand. Citrine is a gem that is valued for its yellow to brownish color. It is a yellow variety of quartz, so its name c...

Pair of English mahogany demi-lune consoles with inlaid tulip wood cross bandings, flanking foliage corner medallions, and resting on fluted ringed legs with cone foliage feet. Late ...

This chintz pattern was famously used by designer Albert Hadley for his client Nancy Pyne. It's one of our most sought-after designs. Since Schumacher was founded in 1889, our fami...

"Krobo" bench designed by Torbjørn Afdal for Bruksbo Norway in the 1960s, in Rosewood. This rosewood bench can also be used as a low coffee table. Beautiful grain on top with raised...

14k solid yellow gold cufflinks, featuring faceted citrine centerpieces accented by small diamonds. These cufflinks were originally earrings that were later converted into cufflinks....

Pair of beautiful and intricately detailed Royal Satsuma vases, moriage and gilt adorn these stunning pieces of art. These tall statement pieces mea...

English Oak Tantalus with original ball faceted swivel locking handle, Nickel silver side mounts, original three cut crystal decanters with stoppers, and resting on a raised rectangu...

English Regency mahogany satinwood and ebony inlaid one drawer reading table with a ratcheted leather top, cross banded tulip wood, flanking candle slides...

Large white crystal quartz geode with a large naturally forming baroque pearl. 28lbs. Geodes are formed as gas bubbles within volcanic lava. Over time, the lava flow weathers away to leave the quartz geode buried deep in the Moroccan desert. This was dug by hand and includes druzy white crystal formations. This is a large geode specimen...

This grand scale pair of Dutch Colonial style lamps have a beautiful hand-rubed patinated bronze finish.

Enhance your attire with the refined elegance of the Bvlgari 18K Gold and Ruby Cufflinks. A testament to Bvlgari's renowned craftsmanship, these cufflinks exude sophistication and lu...

Introducing the Cartier Draperie Diamond 18k Gold Tassel Earrings—an opulent masterpiece that effortlessly blends timeless elegance with modern sophistication. These earrings are a t...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

American Hepplewhite Mahogany bow front satinwood string inlaid sideboard cross banded with kings wood, lion head pull brasses, inlaid diamond escutcheons with key, three upper drawe...

Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...

Broyhill "Ming Dynasty" Premier Collection buffet server / bar. This beautiful piece features a solid wood frame of dark stained maple with olive ash burlwood insets surrounded by bo...

"A dark horse rearing up with smoke rising and rock pinnacles in the backdrop Black and white image of a dark horse rearing up with triangular rock formations in the background and ...

American three masted clipper ship in bottle with cloth rigging in full sail on a painted sea, flanked by a sea side town with evergreen trees, a pain...

The Cartier 18K White Gold Cross Charm Pendant is a sophisticated piece that exemplifies the brand's dedication to timeless elegance and refined cr...

Notable 18th century Flemish Tapestry Depicting the Biblical Account (Genesis 19) of Lots Flight from the destruction of Sodom and Gomorrah with Lot...

Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...