Horizontal Drawings and Watercolor Paintings

Joseph Glasco (American, 1925-1996) Reclining Male Figure (For Nick) 1971 India ink on paper Inscribed, signed and dated 10.25 x 14 inches 18.5 x 21 inches, framed Joseph Glasco was...

Jane Bazinet, American - Untitled, Year: 1980, Medium: Watercolor, signed, Size: 30 x 40 in. (76.2 x 101.6 cm), Frame Size: 32 x 42 inches

Original Watercolour for the iconic Churchman's Cigarette Card of The Taj Mahal Watercolour on Paper c 1910 Image size: 7 x 14 cm Provenance: Private UK Collection A beautifully d...

Title: Mid Century French Pastel Drawing of Sunlit Coastal Town and Calm Blue Sea Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height) ...

'Reclining Nude en Plein Aire', gouache on art paper, by Raymond Debiève (circa 1960s). The reclining figure is one of the most popular poses in art history...

"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work. Signed "CL Tyler" in the lower left corner Signed, notated, titled, and dated on verso (see photo). Presented in a silver colored frame. Frame size: 11.25"H x 14"W Paper size: 9.5"H x 12"W Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level. Master Member of the Plein Air Painters of New Mexico Signature Member of the American Impressionist Society 2016 Honorable Mention, Santa Fe Plein Air Festival, NM 2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy 2015 Best of Pastel Award, American Impressionist Society 2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy 2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id 2014 Booth Museum Cartersville Ga. Acquisition and Teaching 2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co 2013 American Impressionist National Show, Award of Excellence. 2013 Artist Choice Award Easton Maryland...

Title: French Watercolor Painting of Guéthary Port with Fishing Boats and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper...

Tamara De Lempicka 1898-1980 Polish Nu allongé avec bracelet (Nude lying down with bracelet) Signed “Lempicka”(bottom right) Pencil on paper This exquisite pencil on paper by Tam...

Port view. Watercolor. Mounted on cardboard. 19 x 28 cm.

Gertrude A. Larter (1878-1954). Lake Landscape. ca. 1920-40 Pastel on sandpaper sheet. Measuring 9 x 11 inches Signed lower right. Unframed. Gertrude A. Larter was born in New...

Title: Historic Miniature Watercolor of Bristol Corn Exchange The Nails on Corn Street by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Title: Miniature Watercolor Triptych of Historic English Churches and Gatehouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements...

Charles Burdick, American (1924 - ) - Bull Fighter, Year: circa 1970, Medium: Ink on paper, signed, Size: 9.5 in. x 14.5 in. (24.13 cm x 36.83 cm), Frame Size: 16.5 x 22 inches

Secret Garden 18, 2021 black ink on paper 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic observati...

Title: French Impressionist Watercolor of Coastal Landscape Scene By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 6.25 inches (Height x Width) ...

Title: Robin Hoods Bay Clifftop View with Sea and Rocks Yorkshire Coast 1983 By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 9.75 inches (height) x 11.25 inch...

Paul Lecomte (1842-1920) A Flowerbed signed lower left Watercolor on paper, 15.5 x 23.5 cm Framed : 25.5 x 33 cm This is a particularly original work by Paul Lecomte. It shows his ...

A beautiful charcoal drawing on paper depicting Stonehenge, by modern British artist Vivian Bewick. Excellent quality study if the mysterious Bronze Age landmark. Inscribed with dat...

Paris Night 2 is a unique drawing by French contemporary artist Guillaume Chansarel. The drawing is made with ink and acrylic on kraft paper, dimensions are 28 × 36 cm (11 × 14.2 in)...

Outstanding drawing realized fro Expo Roma by Carlo and Adolfo Coppedè in 1911. Charcoal on paper mounted on stretcher. Includes a beautiful iron frame by Roberto Fallani, realized...

Title: French Watercolor of Château de Chenonceau with Figures and Garden Well by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed Size: 14.25 x 20 (height x width) Condition: Very good Provenance: From the artists atelier collection, South of France Description: This stunning watercolor depicts the renowned Château de Chenonceau, one of the most iconic landmarks of the Loire Valley, in all its architectural splendor. Set against a vibrant sky, the painting highlights the château’s intricately detailed façade, a manicured garden, and a wrought iron well...

Vibrant Watercolor Landscape original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12.5 inches In good conditi...

Evelyn S. Dubiel’s Skating on the Neighborhood Pond captures the quiet charm of a winter’s day with a delicate and atmospheric touch. Rendered in watercolor on paper, the scene unfol...

John Selburg was born and raised in Peoria, Illinois. He holds a BFA from Bradley University (2006) and an MFA from the University of Missouri-Columbia (2009). He is Associate Profes...

Black and white graphite drawing of a dropping flower. The artist signed the print and titled it. It is framed in a black frame with a white matte. Dimensions without Frame: H 11 in ...

In addition to his very well-respected career as a major Fauve and Post -Impressionist, André Derain’s skill as a ballet set decorator also emerged, beginning in 1919 and continuing ...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Title: French Watercolor of Nice Port with Sailboats and Coastal Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11...

Frank Duffield (British, 1908-1982) signed original watercolour painting on artistic paper, unframed size: 10 x 14 inches condition: overall very good, minor wear to the edges as is ...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower left. Excellent condition.

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be discovered, narrating stories or invoking a touch of humor for perceptive observers. This enchanting watercolor artwork on paper, featuring a woman on a couch in a luxurious room, measures 12 inches high by 16 inches wide. The delicate brushstrokes and ethereal hues evoke a sense of romance and whimsy. This artwork is not framed. The artist signed it on the front and the back and it comes with a certificate of authenticity from the art gallery. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. Through her artwork, Liyanage proudly amplifies the voices of women of color, reclaiming spaces historically devoid of their representation. Drawing from her experiences as a Sri Lankan navigating colonial spaces in Canada, her art challenges one-dimensional portrayals of women of color often centered around labor. Inspired by French and Dutch Impressionist art...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Beautiful watercolor of eucalyptus along New Brighton beach by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Mon...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Dated on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, ...

412 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Cardinal Size: 12 x 16 inch,...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

John Koch, American (1909 - 1978) - Landscape Sketch, Year: circa 1970, Medium: Graphite on Paper, Size: 13.75 x 20 in. (34.93 x 50.8 cm)

427 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Fox Size: 12 x 16 inch, (30...

Hight brow couple having relationship issues rendered in a black and white stylized Art Deco fashion. In pencil the caption reads "Are you willing to divorce your wife the minute sh...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Black and white landscape drawing of country forest with hints of green pastel charcoal and carbon on Arches paper 8 x 10 inches un...

FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 7 height) x 9 (width) Stamped Verso Condition: Good Provenance: All the pa...

Here for your consideration is a very well executed watercolor on archival paper of a rushing stream in a sunlit forest. Strong, vibrant colors. Double sided with a seascape on a roc...

Henry Woon Charcoal Female Nude 2 c. 1950's Charcoal on Strathmore Charcoal Paper 25"x19 1/2"Unframed Signed in ink H Woon lower right His large portfolio of charcoal drawings was ...

Title: Charmouth Dorset River Scene with Wooden Footbridge and Rolling Hills Landscape By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.75 inches (height) x...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Untitled (Surrealist rendering of Pyramids at Giza with alligator) watecolor and gouache on paper, 1960 Unsigned Beni Kosh estate stamp No. 717 verso, unsigned. (see photo) Condition: Minor condition issues minor folds Not objectionable Image/Sheet size: 18 1/4 x 24 inches Provenance: Estate of the Artist Bingham Vance, Shaker Heights...

Fountain view. Tuileries garden. Paris. 2010. Watercolor on paper, 30x40 cm Summer day at Tuileries garden. People sitting around fountain Ingrida Irbe (...

Autumn Landscape. 1976. Oil on cardboard, 22x31 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different...

Watercolor painting with sunflowers for living room. Painting with sunflowers for bedroom. A beautiful floral painting with sunflowers for the interior. Watercolor painting with gol...

Tranquil Harbor Scene at Dusk Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 12.75 x 17 inches Provenance: private collection in the South of France, Co...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Collection of Five Antique Maps each drawing : 9 x 12 inches provenance: private collection condition: very good and sound condition Description: This set of five finely detailed an...

Watercolor on heavy paper realized by Carlo Ravagnan in 1978. Hand signed lower right. Hand signed and dated on rear. Excellent condition.

Title: French Riviera Watercolor of Corniche d’Or & Estérel Coastline by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor p...

An abstract green and blue swipe of color across the horizontal axis of a page. This ink on paper piece by Geri Taper is stamped and signed on the verso. Stream Geri Taper, American...

Marsden Hartley ALPSPITZE #3 (with Zabriskie Gallery Label), 1933 Pencil on cream wove paper. In original vintage frame with Zabriskie Gallery label Sticker label, framed with Zabris...

Artist: Guillaume Azoulay (1949) Title: Flight Year: 2013 Edition: 1 Medium: Mixed Media (Silkscreen & Gold Leaf) on Archival Paper. Size: 20 x 26.25 inches Condition: Excellent Insc...

The Pilgrim Fathers Landing at Plymouth Rock Anglo/ America School, early 20th century ink/ watercolor on paper stuck on board, framed - glass covered framed: 12 x 14 inches board : 6.5 x 8 inches Provenance: private collection, Cotswolds, England Condition: very good condition The scene possibly depicts the Pilgrim Fathers landing in the 'New World', particularly at Plymouth Rock in 1620. The visual elements support this interpretation: The central figure in dark clothing and a wide-brimmed hat: This could represent a leader like William Bradford or John Carver...