Miniature Drawings and Watercolor Paintings

The Galli Bibiena Dynasty and European Courts. The Galli Bibiena family, renowned Italian artists and scenographers, served the most distinguished European courts, including those ...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

Lounge Chair Nap - Vintage Illustration in Ink and Watercolor A man lazes in a lounge chair, book still in hand, as he dozes off with a content e...

Provenance: Family of the artist, studio sale. Framing options available upon request. Free US CONTINENTAL Shipping, incl Europe and Asia. Born in Paris, the French painter Paul Lec...

Chikako Okada’s autobiographical works of art bridge traditional realism with magical realism and surrealism. The artist uniquely addresses questions of the human condition through h...

Expressive line drawing figure study featuring a group of figures in a classroom by David Rosen (Canadian, 1912-2004). Unsigned, but was acquire...

The Dark Aspect of the Great Goddess Devi Pigment on paper (unfinished), 19th century Unsigned as is usual Condition: Good color Voids at edges of the sheet Image s...

MAXIMILIENNE GUYON "BEAUTY" PASTEL AND WATERCOLOR, SIGNED FRANCE, C.1895 18 X 10.5 INCHES FRAMED 27 X 19 INCHES Maximilienne Guyon was born in Paris...

In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersl...

Diana Kurz Green Square #14 Gouache on paper 11 x 14 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Christoper Ryland (born 1951) Three yellow tulips Signed Watercolour 15½ x12¼ inches A really striking example with the eye-catching contrast of the brilliant yellow tulips against an inky blue background. Christopher Ryland...

This exquisite miniature painting by Dina Brodsky captures the striking presence of a Drongo bird, rendered in gouache and watercolor on authentic calf parchment. Known for her metic...

Frog is a drawing in pencil realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes. Emmanuel Gondouin is a French Cubist...

America's Demons Have Gathered is a china ink drawing realized in the late 20th Century by Albert Decaris, sketch for "Essais d'histoire politique des etats - unis de Rogin Michael ...

18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...

A beautiful early 20th century bird's eye maple frame, complete with gilt slip and glazing. The frame has a wonderful lacquered finish with delightful burr details.Measurements for t...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Male Model–Two Views Signed, l.c. Charcoal on buff paper 13 x 13 inches This work is offered by ClampArt in New York City.

Flowers is an artwork realized by an unknown in the early mid-20th Century. Ink, pastel and watercolor on cardboard. 11 x 10 cm ; 30 x 29 cm. Good condition!

Soldier is an original Drawing on paper realized by the painter Henri Lehmann (1814-1882). Drawing in Pencil. Stamped on the lower. Good conditions.

Mountains 1989. Paper, watercolor, 10x14 cm Landscape with orange mountains. "Mountains" is a captivating watercolor painting that showcases the artist's skill in capturing the c...

This artwork is part of the series that Anna Pennati has dedicated to Homer's Odyssey, a subject very dear to her and one that she has tackled several times in the past. Paris of Tr...

'Camellia Study no. 1' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and si...

The Family is an original artwork realized by Georges Henri Tribout in about 1940. Ink, pencil drawing and watercolor; hand signed on the left ma...

19th century silhouette of a male framed and glazed and in good condition with only minor signs of age as to be expected. some images with flash to show highlights etc.. Apologies f...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This delightful watercolour, aattributed to the British artist William Payne (1760-1830) depicts an idyllic stretch of English coastline with figures washing laundry by the water's e...

This is a beautiful and fine avant-garde finished drawing of abstract forms by the French female artist, Dora Maar. Dora Maar was a distinctive artist in her own right marked by str...

Portrait Of Man is a charcoal drawing on brown paper, hand-signed by the artist on the lower right. Good conditions except for some folds and rips along the margins. Prolific and eclectic, the Italian Gio Colucci (Florence, 1892 – Paris, 1974), also known in France as Geo Colucci, was a painter, engraver, illustrator, ceramist, and sculptor. From 1921, he exhibited his engravings in various salons. He worked with French publishers specialized in the illustrated books of high bibliophilia, and delivered series of remarkable prints for texts by Barbey d'Aurevilly, Pierre Loti, Guy Maupassant...

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Jean Dupas (French, 1882 – 1964) The angel of light Pen and ink and charcoal on paper 14.3/4 x 12.1/2 in. (37.5 x 31.8 cm.) One of the leading artists of the Art Deco period, Jean Théodore Dupas was the son of a merchant marine captain and began his adult life as a merchant seaman. Poor health meant that he had to abandon this career and he enrolled in art school instead, first in his native Bordeaux and later in Paris. He won the Prix de Rome in the category of painting in 1910 and studied at the Académie de France in Rome, from where he sent several paintings to the Paris Salons, although his studies were interrupted by the outbreak of war. Dupas’s work came to public prominence on the occasion of the seminal Exposition des Arts Décoratifs in Paris in 1925. He was chosen by the furniture designer Jacques-Emile Ruhlmann to provide paintings for the latter’s Maison d’un collectionneur, alongside furniture by Ruhlmann and objects by many of the leading Art Deco craftsmen of the day, while other paintings by Dupas were also displayed to great effect elsewhere in the Exposition. In the late 1920’s and 1930’s Dupas won a number of important and prestigious commissions. In 1926 he worked alongside Ruhlmann and the sculptor Alfred Jeanniot on the decoration of the tearoom of the ocean liner Ile-de-France; the first of the grand transatlantic ships to be built in France after the First World War. By this time Dupas had firmly established his reputation. Writing in 1927, his fellow artist George Barbier could already note that ‘Few artists have at such an early age attained such a degree of success, or gathered around them such swarms of imitators and disciples.’ Dupas reached the height of his fame in the mid 1930’s, and in 1934 he received his most important commission to date; a series of large glass murals...

"Indian Paradise Flycatcher" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measures 11.75”h x 9.5”w x 1"d framed, and is shipped ...

Provenance: Directly from the atelier of the artist Notes: This is an excellent example of a depiction of a French countryside village, with an emphasis in simplicity.

Two Figures in Profile is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original black Charcoal on pa...

British-born, New Jersey-based, George Drittler was primarily know for landscapes. In this still life that expansive approach serves him well. Richly drawn, with pottery, books and a...

Estate stamp, verso, for Manfred Schwartz (American, 1909-1970) and painted circa 1960. Paper dimensions: 15 x 19.75 inches. Born in Lodz, Poland, Manfred Schwartz immigrated to Am...

A fine watercolour depiction on the Madonna and Child with adoring Maji and a boar. Painted in Paris 1940. Inscribed to the lower left. Presented in a gilt frame with a foliate motif...

"Ridge Oak" Northern Mt Tamalpais California Watercolor 1991 Perfectly executed plein air watercolor looking out towards Mt. Tamalpais in spring by J. Gal...

Eileen Lake Crayon on paper, early1930's Initialed in pencil lower right (see photo) Titled and annotated verso "Eileen Lake, early 1930s girlfriend" Note: Eileen Hall Lake was an American poet and Adolf Dehn's girlfriend in the early 1930s. Provenance: Estate of the artist By descent Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

Signed (at lower left): FK [in monogram] EX COLL.: the artist; to I. David Orr (1904–1997), Long Island, New York; to his estate, 1997 until the present Originally trained as a fig...

The boy at the sea is an original drawing on pencil and pastel realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. In the foregroun...

Gorgeous pair of two 1920's watercolor portraits of Gibson girls, one in blue and one in pink, by Charles Hollman (Dutch, 1877-1953). Each portrait renders...

Flamenco Dancers is an original artwork realized between the XIX century and the XX century by Henry Somm. Original black and white pen drawings on paper. The artwork represents a couple of flamenco dancers. Good conditions except for some foxings, stains. The drawing is hand-signed with the initials of the artist on the lower right corner. Henry Somm (Rouen 1844 – Parigi 1907) François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875).He moved to Paris in 1860. Between 1873 and 1876 he made many engravings for the magazine Paris à l'eau forte and then at the Cadart printing house. In 1879 and 1889 he participated in the Impressionist exhibitions from the Durand-Ruel gallery in Paris. He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire. He wrote the comedy in one act La Berline de l'Emigré ou Jamais trop tard pour bien faire, created for Le Chat noir, on December 25, 1885. Somm left a large number of drawings and watercolors of Paris...

More than Cubism and Roundism This graphite pencil drawing ‘Cleopatra – 23-02-24’ refers to a work under the same name I made back in 2018. That year I started my ‘Out of...

Title: French Impressionist Watercolor of a Coastal Scene with Outbuildings By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 4 x 6.5 inches (Height ...

Boxing is a drawing realized in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

"Nude Torso" (FRAMED) Pencil Drawing 18" x 12" in (1975) by Zaccaria Zeini Medium: pencil on paper Signed and dated Zaccaria El Zeini (1932 - 1993) was raised in the popular distr...

Nude Woman is a watercolor and ink drawing realized by Jean Chapin in the 1950s. Signature stamp on the yellowed paper. Good condition, except for folding on the margins and small ...

Female Nude Liberty is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Signed and dated on plate on the lower left corner: F. Bac 1922. Original Lith...

Figure on the landscape is an original pencil drawing on ivory-colorated cardboard by Herta Hausmann (1916-?). In excellent conditions: As good as new. This is an original drawing ...

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...

City is an original drawing in pencil made by the Hungarian artist Nicolas Czinober in the mid-20th century.The state of preservation is good, the paper presents some small stains. ...

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Abstract Portrait is an original artwork realized by Antonio Vangelli in 1940s. Original pencil drawing on paper. The painting is glued to a cardboard. Hand-signed on the lower r...

I love to paint atmospheric watercolors and wintertime provides a good source for atmospheric scenes. I paint from imagination but I am also influenced by nature and my experiences a...

Love for Sheer Textures This graphite pencil drawing ‘Sheer Deco Nude – 14-10-22’ is a deepening of my love for texture of fabrics. My Last drawing of Louise Brooks also bea...

Here for your consideration is a original and vibrant watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil D. Crisp in lower right margin and dated Oct 6, 1967 in pencil in lower left margin. Condition is excellent. The artwork is framed in a one and a half inch narrow matte black frame with off white matte. Overall framed measurements are 12 by 10 inches. Provenance: Estate of the artist. Edward Darrell Crisp was a California painter...

Georges CONRAD (1874-1936) Study of woman in bathing suit Original India ink and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10.4 x 7.8 in) Ver...

Color etching, edited in 1976 Limited edition of 100 copies signed in pencil by artist in lower right corner and numbered 52/100 in lower left corner paper size: 50 x 65 cm excellen...

WILLIAM HENRY BARRIBAL (1873-1956) Her Best Bonnet Watercolour and bodycolour over traces of pencil Framed 23.5 by 18.5 cm., 9 ¼ by 7 ¼ in. (frame size 42 by 36 cm., 16 ½ by 14 ¼...