Paper Drawings and Watercolor Paintings

Les Andelys in the Seine Valley France Landscape Pastel Art. A fine example of the beautiful work of British 20th Century Artist, Lionel Aggett (1938-2009). Signed front and rear, fr...

Purvis Young (1943 - 2010) Drawing from the 1990's #469 ink on paper 10.50 x 8 in

David Dewey (B. 1946) Reader's Digest Headquarters, 1996 Watercolor on paper Sight: 24 x 18 1/2 in. Framed: 36 x 29 3/4 x 1 in. Living on the Maine coast, David Dewey is a watercolo...

Detail of Michelangelo's David - 1999 Original Pastel on Paper Original 1999 pastel drawing of a close up of Michelangelo's 'David' by California artist Christopher Baker (American,...

"Everybody Kisses a Fool Sometime" is a pastel signed by Della Wells. It depicts a black woman kissing a figure wearing a white mask and a comedia del'arte costume also known as the ...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Graphite pencil on paper, signed and dated (middle right), 22cm x 20cm, (51cm x 46cm framed). (This work was kept by the artist for his personal collection. This was the only tonal d...

BLADE graffiti drawing: A classic graffiti tag from Blade - King of Graffiti. Executed circa late 1980s or early the 1990s, the work features a classic Blade Tag in marker, alongside...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Ágnes Széphfalvi (b.1965) studied at the Fine Arts Academy in Budapest (1984–1990). In her paintings, she deals with narratives of women's lives. She thematizes painting as a subject...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

BLADE graffiti drawings: set of 2 works: A set of 2 rare drawings from Blade - King of Graffiti circa late 1980’s or early 1990’s. Here the artist playfully fakes his own death, ‘RIP...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep blue backgrounds. Ranging f...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep blue backgrounds. Ranging f...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep blue backgrounds. Ranging f...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Artist: Roberto Matta Title: Hommage to Germana 1998 Medium: Original Black marker and colors drawing on paper Signed: Hand Signed Measurements: 6.5" x 8.5" Framed: ...

Ronnie Cutrone Original bird drawing (hand signed and inscribed by Ronnie Cutrone), 1990 Original signed drawing done in marker held in hardback monograph with dust jacket Boldly signed, dated and inscribed by Ronnie Cutrone on the first front end page 11 × 9 1/2 × 3/4 inches Original signed drawing done in marker held in monograph, dated and inscribed by Ronnie Cutrone on the first front end page. The inscription reads: For David & Barbara Ronnie Cutrone 90 Book information: Publisher: ‎ Martin Lawrence Limited Editions, (January 1, 1990) English; Hardcover; 46 pages with 44 color and 11 monochrome illustrations About Ronnie Cutrone: Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther, Woody Woodpecker and No Glove No Love. Cutrone's paintings are colorful, lively, and less challenging than those of his contemporaries. As Andy Warhol's assistant at the Factory atop the Decker Building from 1972 until 1980, Cutrone worked with Warhol on paintings, prints, films, and other concepts, eventually co-opting Warhol's earliest work (pre-1960) as well as works by Roy Lichtenstein and others, until finally distilling those myriad influences into the style a few critics eventually labeled "Post-Pop." He exhibited at the Niveau Gallery in 1979 with a Scottish artist called Mike Gall who showed paintings of Snoopy, Mickey and Minnie mouse, the Pink Panther and also a small series of Peter Rabbit paintings...

Portrait of Man is a modern artwork realized in the 1990s and attributed to Emilio Giannelli. Black and white china ink drawing on paper.

Portrait of Man is a modern artwork realized  in the 1990s and attributed to Emilio Giannelli Black and white china ink drawing on paper.

In the Zone, 1997 Watercolor on paper 14 x 11 in. (35.6 x 27.9 cm) Signed, lower left At the heart of Bousfield's work lies a lyrical celebration of color and tactile sensations. Fr...

Signed lower right, 'J. Norall' for John Norall (American, 1920-2024) and painted circa 1993. Exhibited: Mill Valley Library Gallery, 1993 Born in North Platte, John Norall studied ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

BLADE subway graffiti drawing 1992: A stunning, highly collectible original work from Blade - King of Graffiti. Executed in 1992, the work was created ...

Edwin, Marzo 14, 2014 by Celso Castro Black Crayon on archival paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the...

Pensando en ti, Marzo 13, 2014 by Celso Castro Watercolor on archival paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each ca...

Jose antonio, Martes 7 de julio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 60 H in. x 38 in. W Unframed On The back of the painting: Abstract, 1986 Pencil a...

From his most desirable period, this restrained in color palette Fonseca is for a collector and room where sophistication is key. Long held that his works on heavy paper are the mos...

Mark Beard Portrait of Michael Feingold 1993 Signed and dated, l.l. Conté crayon and charcoal on paper 11 x 7.5 inches This work is offered by CLAMP in New York City.

Over the Pastel Garden Wall - New England - Original Oil Pastel on Paper Bright New England watercolor by New Hampshire artist Eileen Belanger (Amer...

Robert Natkin Lyrical Abstraction for the Sonoma Mission Inn, Sonoma, California, 1990 Acrylic on paper painting with collaged element Signed twice by the ...

William Anthony, born 1934, Forth Monmouth, NJ. and grew up in Washington State. Education 1958 Yale, New Haven, CT, B.A European History 1959-60 San Francisco Art Institute, CA 196...

Original watercolor on archival paper of a ballet rehearsal by the American artist Grace Haverty signed lower left with Transparent Watercolor Society of American to the right of sig...

Recordando el gran artista Alberto Riano Mangos Marzo, 2014 by Celso Castro Black paint, and pastel on archival paper Image size: 39.2 H in. x 28 in. W Unframed ____________ Undefin...

Self portrait is a beautiful pen drawing on paper, realized in 1993 by the French artist  Pierre Lagénie (1938-2020). Hand-signed and dedicated on the lower right margin. The work ...

Original pastel on watercolor paper by the American artist, Lillian Grace Delevoryas. Signed lower left. Titled and dated verso 1990. The artwork depicts an artist at work in a mar...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

"Zoltan" - 1990 Male Nude Study Watercolor painting depicting a nude male figure. The brunette male figure is posing, seated on a purple cloth, his left hand gripping a table net to him, while he leans on his right elbow, his face looking straight ahead. The background is made up of hues of green. Signed "AG" lower left. Signed, titled and dated on verso. "Arnold Grossman, 'Zoltan' November 1990" Presented in a white mat. Image with mat: 19"H x 22"W Image: 10.5"H x 14.5"W Sheet: 12"H x 16"W Arnold A...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Untitled, 1996 by Celso Castro Pencil on archival paper Image size: 39 H in. x 48 in. W Sheet size: 43 H in. x 59 in. W Unframed ____________ Undefined by medium, Celso Castro’s w...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Elizabeth Murray Crossing, 1999 Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum support board Signed and dated in pencil 19 1/2 × 30 × 4 inches Framed: held in acrylic shadow box frame Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum board support, signed and dated in pencil. This mixed media paper construction with hand coloring is housed in an acrylic box shadow frame, part of the "Crossing Series" of 33 works, each entirely unique, published by Gemini G.E.L., Catalogue Reference: Gemini 1776 Provenance: the Family Collection of Harry W. and Mary M. Anderson Artist Biography: Elizabeth Murray (b. 1940, Chicago, IL—d. 2007, Granville, NY) was an artist at the forefront of American painting for five decades and is considered one of the most important postmodern abstract artists of her time. Her drive and determination produced a singularly innovative body of work characterized by a Cubist-informed Minimalism and streetwise Surrealism. Throughout her career, she reveled in the physicality of paint and approached her work through the constructive vocabulary of sculpture, warping, twisting, splintering, and knotting her canvases. In her innovative and deeply imaginative body of work, Murray not only reclaimed the medium of paint as her own but shared personal evocations of birth and death, laughter and confusion, fullness and loss. From an early age, Murray wanted to be an artist—a cartoonist actually. With the support of her high-school art teacher, Elizabeth Stein, Murray enrolled at the School of the Art Institute of Chicago with the aim of becoming a commercial artist. However, she would spend more time learning from the works on view in the museum than in the classroom, gravitating toward the paintings of El Greco, Francisco de Zurbarán, Georges Seurat, Henri Matisse, and Pablo Picasso. Above all, it was the work of Paul Cézanne and Willem de Kooning that fueled her commitment to becoming a painter. After graduating in 1962, she went on to continue her studies at Mills College in Oakland, California. In 1967, she moved to New York City, where she would live and work until her death in 2007. Murray’s works from the 1960s reflect an irreverent embrace of the materiality of paint. Here, the artist experimented with elements of sculpture while maintaining allusions to the figure informed by her long-standing affinity for cartooning. Murray’s childhood love of Walt Disney and comics would underpin many aspects of her art throughout her career. During the 1970s, Murray dismantled—then rebuilt—many of the compositional strategies and theories associated with Minimalism. Using curved lines and complex shapes loosely informed by mathematical ideas, she introduced geometries that transform scale, shape, and form to her thickly painted and layered compositions. In the following decade, Murray introduced three-dimensionality to her canvases, bringing about a complete break from traditional, flat, rectilinear compositions. Muddied, moody, and gestural, the paintings of the 1980s blazed a course of international recognition and notoriety. In these works, interiors, tables, coffee cups, shoes, and other signature themes emerge from skeins of spray paint and graffiti-like markings. During the 1990s, Murray’s works became flatter while retaining a high degree of compositional elaboration and chromatic exuberance. In the final years of her career, the artist offered new visions of her characteristic motifs in vibrantly painted, multipaneled paintings. Throughout her stellar career, Murray was a much sought-after instructor, visiting artist, and lecturer. Appointments include instructor at Rosary Hill College (1965–67), visiting artist at Wayne State University and the School of the Art Institute of Chicago (1973), instructor at Bard College (1974–77), visiting instructor at California Institute of the Arts (1975–76), lecturer at Princeton University (1977), instructor at Yale University (1977–80), instructor at School of Visual Arts in New York (1978–80), lecturer at Skowhegan School of Painting and Sculpture (1979, 1985, and 1992), lecturer at Maryland Institute College of Art (1981), lecturer at New York Studio School of Drawing, Painting and Sculpture (1987), guest curator of Artist’s Choice: Elizabeth Murray at The Museum of Modern Art, New York (1995), visiting professor of studio arts at Bard College (1999–2003), and instructor at Brooklyn College (2003–07). Murray received numerous honors in recognition of her work, including the Walter M. Campana Award from The Art Institute of Chicago (1982), an award from American Academy of Arts and Letters (1984), Medal for Painting from Skowhegan School of Painting and Sculpture (1986), an honorary doctorate from School of the Art Institute of Chicago (1992), induction as an elected member of the American Academy of Arts and Letters, New York (1992), Larry Aldrich Award (1993), an honorary degree from Rhode Island School of Design (1993), MacArthur Fellowship (1999), an honorary doctorate from The New School (2001), National Artist Award from Anderson Ranch Art Center (2002), Distinguished Artist Award for Lifetime Achievement from College Art Association (2007), and an award from CITYarts (2007). Significant public commissions include two New York City Transit mural projects: Blooming (1996) at Lexington Avenue/59th Street and Stream (2001) at 23rd Street/Ely Avenue. Monographic institutional presentations include Elizabeth Murray: Drawings 1980–1986 at Carnegie Mellon University Art Gallery (1986), Elizabeth Murray: Paintings and Drawings at Dallas Museum of Art (1987, traveled to List Visual Arts Center at MIT; Museum of Fine Arts, Boston; Museum of Contemporary Art, Los Angeles; Des Moines Art Center; Walker Art Center; and Whitney Museum of American Art), Elizabeth Murray: New Work at San Francisco Museum of Modern Art (1988), Elizabeth Murray Prints: 1979–1990 at Barbara Krakow Gallery (1990, traveled to Bates College Museum of Art, David Winton Bell Gallery at Brown University, Davison Art Center at Wesleyan University, and Florida Gulf Coast Art Center), Elizabeth Murray: Recent Work at Wexner Center for the Arts at The Ohio State University (1991), Elizabeth Murray at Nerman Museum of Contemporary Art at Johnson County Community College (1993), and Elizabeth Murray: Works on Paper, Virginia Commonwealth University (1998). In 2005, Murray earned the distinction of becoming only the fifth woman to receive a career retrospective at The Museum of Modern Art, New York, following Louise Bourgeois, Lee Krasner, Helen Frankenthaler, and Jackie Winsor...

Barca de Refugiados, 1999 by Celso Castro Crayon and pastel on archival paper Image size: 45 H in. x 59 in. W On the back of the painting: Maranones "Lunes 23 de mayo 2016" Pencil...

Recanato y compañero, viernes 3 de junio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 59 H in. x 39.5 in. W On the back of the painting: Untitled, 1986 Crayon...

Pedro Pablo 1998, by Celso Castro Black crayon on archival paper Image size: 40 H in. x 48 in. W Sheet size: 45 H in. x 59 in. W Unframed ____________ U...

In this masterpiece Claudio Olivieri experimented with palette darkening, using a spray gun to distribute the oil and achieve an unprecedented result. In addition, this painting give...

Untitled, 1986 Diptych Reverse, by Celso Castro Daza Crayon on archival paper Image size: 39.5 H in. x 59 in. W On the back of the painting: Recanato y compañero, viernes 3 de juni...