Tempera Drawings and Watercolor Paintings

“Love is in the Air”. Nude couple in embrace. Original drawing with blue ultramarine tempera on paper. Size 27.5x19.5in / 70x50cm . Comes with a certificate of authenticity. Shipped rolled in a tube, well packed. Get free shipping with 1stdibs code FREESHIP for items over $500. "Love is in the Air" is a deeply romantic and dynamic piece that introduces a fresh energy to the artist’s series. The depiction of a couple in an embrace, set against the context of a beach, departs from the more introspective and solitary works we’ve seen, celebrating connection, movement, and passion instead. The use of ultramarine on ochre paper enhances the emotional resonance, with the warm-toned background adding a sense of vitality and balance to the cool blue tones. The ochre background imbues the piece with a sunlit, earthy warmth that contrasts beautifully with the intensity of ultramarine. This palette evokes the ambiance of a beach—sun, sand, and the vast blue expanse of the sky and sea—further immersing the viewer in the setting. The artist's characteristic loose, gestural brushstrokes create a sense of movement and spontaneity that perfectly captures the physical and emotional energy of the embrace. The drips and splatters add vibrancy and suggest the spray of waves or sand kicked up in the moment. The composition is full of life and movement. The way the man holds the woman, lifting her off the ground, conveys a sense of weightlessness, joy, and passion. Her suspended position, with one leg slightly bent and her body leaning toward him, gives the piece a romantic fluidity. Their embrace and the kiss...

"Self Love", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. An expressive line, revealing the essential of the female sensual body...

Abstract geometric composition with hints of the female body Date: Circa 1970 Medium: Tempera on thick cardboard Dimensions: H 64 cm x W 50 cm approx. Description: This abstract geo...

"Satyr and Nymph" A satyr is a male spirit of nature, always nude, who walks upright on legs usually shown as goat’s legs. Nymphs are female spirits, who rule over rivers and ponds, ...

"Nude in Blue" Part of my Nude in Interior series. Female nude, ultramarine blue tempera on blue gray paper, inspired by Matisse. 70x50cm / 27.5x1...

"Private Moment", 39x27.5in / 100x70cm, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Free shipping for items over $500 with 1stDibs code. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

Usually viewers try to look over the shoulder to see what the artist is painting, but here Evgeniy Monahov, in a quick sketch portrait, seems to be looking over the shoulder of his m...

Lourdes is al watercolor and tempera drawing on ivory-colorated paper, realized by Anonymous Artist of the 20th Century. In very good conditions. Illegible signature on the back of...

This live sketch was made on the same day as the first sketch for the painting “Passion for Color”, which later became famous. The posing session was difficult, Polina was tired and ...

Out of the Water, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, in mat...

"Nude at the Window" Tempera on paper, Part of my Nude in Interior series. Inspired by Matisse. Shipped rolled in a tube. Free shipping with 1stDibs code Freeship for items over $500...

In the Mirror 2 , nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. 1st dibs offers free shipping for certa...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 2 Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. See 1stDibs free shipping offer FREESHIP Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

"Bright Day", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Fast shipping, anywhere in the world, 7 days...

Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: I Year: 1984 Medium: Tempera on Paper, signed and dated Size: 40 in. x 25 in. (101.6 cm x 63.5 cm)

Cart with Oxen is an original modern artwork realized in the half of the early 20th Century. Original mixed media artwork: tempera, watercolor, china ink and pencil on cardboard. V...

“Dreaming”, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted per...

Bodegon II, 2014 Tempera on paper (Signed, Framed) 27 3/5 H × 39 2/5 W in. 70 H x 100 W cm On the subject of his new works the artist stated: “There is not enough orange, yellow and...

The last live sketch with industrial marker and tempera at the very end of a beautiful day, when the setting sun painted everything in the studio gold. Sheet from Monahov's studio a...

Blue Nude. Inspired by Matisse. Part of my "Nude in Interior" series Original, signed. 50x70cm / 20x28in actual size ink, graphite, tempera on pa...

Sam Francis (1923-1994) was an American abstract painter, born in San Mateo, California. He turned to painting in the aftermath of World War II whilst recovering from severe injuries...

Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...

"Summertime", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Artist Statement "I started by ...

MEDICINAL PLANTS, CANABIS SATIVA L. (MARIJUANA), 2013 Tempera on paper 49,5 x 38,5 cm Born in 1967 in Trikala, she grew up in Athens, Greece, where she lives and works. She graduate...

Masked Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Masked Nude was part of solo show "Nude in Interior" see pi...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

Disparate III, 2014 Tempera on paper (Signed, Framed) 27 3/5 H × 39 2/5 W in. 70 H x 100 W cm On the subject of his new works the artist stated: “There is not enough orange, yellow ...

Blue (Female) Nude. Inspired by Matisse. Part of my Nude in Interior series. Original, signed. 50x70cm / 19.5x27.5in actual size ink, graphite, tempera on paper Shipping rolled in ...

Masked Beauty in Blue , pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, ...

St Mark's Square, Venice is an original drawing realized by Francesco Zanin in the 1877. China ink, watercolor and tempera on cardboard. The art...

Thinking Man is an original painting in tempera, pen, gouache, and mixed media realized by Jean Marchal. Hand-signed on the lower left. The state of preservation of the artwork is ...

Title : First Floor Biogram Materials : Acrylic, gouache, oil pastel, marker, charcoal, graphite, and conté crayon on paper Date : 2018 Dimensions : 24 x 18 x .1 in. Description : ...

Tempura on heavy paper, signed and dated 1945 lower left. The piece measures 23" x 30" including the frame and presents very well overall. Provenance: Willard Gallery, NYC Brad...

Ervin NEUHAUS Composition Blue and Red on Orange Original watercolor and tempera on heavy paper Handsigned bottom right Authenticated with the stamp of the Estate sale on the back ...

Costume for Aida is an original painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the 20th Century. In very good condition....

Soviet Soldier is original black China ink and tempera painting on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hall...

Nel Giardino is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera and w...

Jimbo Jump is an original painting artwork in mixed media, ink and tempera realized by Sergio Barletta in 1992. Hand-signed on the lower right. Titled on the lower center, dated on ...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Nell'ovale is a Contemporary artwork realized in 1988 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera and watercolor on...

Truth is an original painting in mixed media, ink tempera and watercolor, realized by Sergio Barletta in 1962. Applied on passepartout: 65 x 50 cm. Hand-signed and dated at the top...

Nude is original artwork in mixed media, ink and tempera applied on cardboard, realized by Sergio Barletta in 1994. Hand-signed on the lower right, dated on the lower left. Image Di...

Farmers is an original modern artwork realized in the early 20th Century by the artist Gabriele Galantara. Watercolor and tempera. Monogram on the lower right. Hand-written annotat...

The Scream is an original drawing realized by Helen Vogt. Mixed colored watercolor and tempera. The state of preservation is very good. The artwork represents a woman with an aut...

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. h...

The Ship is an original tempera drawing on paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s. Black ink stamp on the lower-right corner: "Catherine Cha...

Proof for a Costume is an original artwork realized by the Greek French artist Alkis Matheos in the XX Century. Tempera on paper. The name of the artist appears both on the right on the lower right corner, and on the back, in the center of the sheet. Excellent conditions. The work is a very beautiful and colorful representation of an Egyptian costume in profile. The figure of the woman is thin and elegant and she wears several golden jewels and a bright emerald green dress.

"Centaur" Part of Neo Mythology series. Size is 27.5x19.5in / 70x50cm. Shipped rolled in a tube, check 1stDibs free shipping code. Centaur is a mythological figure with the upper bo...

Nude in the Afternoon Sun, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Free shipping for item over $ 500 with 1stDibs code FREESHIP. In mat and framed as they were in the February exhibition, for display purposes. "In the Afternoon Sun" is an evocative and skillful piece that captures the interplay between light, shadow, and the human form with remarkable sensitivity. The artist’s use of ultramarine tempera on ochre paper transforms a simple moment—sunlight filtering through a window—into an artwork filled with vitality, sensuality, and rhythm. The subject's upward-reaching gesture, with one arm stretched behind her head, creates an elegant, sinuous line that imbues the piece with energy and a sense of motion. Her relaxed expression contrasts with the dynamism of her pose, creating a balance between activity and repose. The figure’s directness, combined with the slight tilt of her head and the open nature of the pose, draws the viewer in, making her seem both vulnerable and self-assured. The intimacy of the moment is heightened by the interplay of light and shadow. The striped patterns of light and shadow play a leading role, emphasizing the contours and textures of the body. These light effects are not only realistic but also deeply expressive, almost creating an abstract overlay that adds rhythm to the composition. The stripes of sunlight create a sense of dimensionality, as if the viewer is peering into a real scene. The interplay of warm ochre and vibrant ultramarine enhances this layered effect, making the shadows feel alive. The artist’s loose, fluid lines lend the piece a sense of immediacy and spontaneity, suggesting that this is a fleeting, captured moment. The gestural strokes used to delineate the figure and the shadows allow the piece to feel natural and unrestrained. The figure is the undeniable focal point, with the bold ultramarine providing sharp contrast against the warm ochre. The background elements, though faintly suggested, remain unobtrusive, allowing the shadows on the body to take center stage. The work’s focus on sunlight playing across the nude figure evokes a sense of warmth, intimacy, and sensuality. There is a tactile quality to the shadows, as if the viewer can feel the heat of the afternoon sun. The relaxed pose, combined with the tranquil mood of the sunlight, suggests a private moment of reflection or contentment. The piece feels deeply personal yet universally relatable. The emphasis on light and its interaction with the human form recalls the Impressionist movement, particularly the works of artists like Degas and Renoir. However, the gestural modernity of the brushwork gives this piece a contemporary flair. Throughout art history, the relationship between light and the human body has fascinated artists, from Caravaggio's dramatic chiaroscuro to Matisse’s lyrical nudes. This piece situates itself within that rich tradition while bringing a fresh and immediate perspective. "In the Afternoon Sun" is a masterful exploration of the interaction between light, shadow, and the human form, capturing both the physical and emotional warmth of a sunlit afternoon. The artist's ability to balance naturalistic detail with expressive abstraction makes this piece both visually stunning and deeply resonant. It’s a celebration of the human figure in its purest, most natural state—bathed in sunlight and alive with the rhythms of nature. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Real Socialism,Moscow,1970,Russia,Orange,Men at Work,Propaganda VIKTOR A. KONOVALOV (Uidol, Vladimir region 1912 – Moscow 1995) Russian painter and gr...

Pensive Girl is a mixed media drawing, tempera and watercolor on paper, realized by Sirio Pellegrini in 1960s. Missing edges, otherwise good condition. Includes a coeval wooden fra...

Framed (Abstract painting) Casein on Arches paper. Unframed. Anne Russinof often does paintings on paper to loosen up for the larger canvas works. The point is to free her hand. ...

Mixed media on paper realized by Romualdo Battaglia in 1978. Mixed media on paper. Includes a contemporary wooden frame cm. 42.5x49 Very good condition.

Pastel or Tempera on paper. Judaica Shtetl scene of village. This one depicts a Klezmer musician fiddler playing his violin. Anatoli Lwowitch Kaplan ...

Costume for Aida is a drawing in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. The...

Costume for Aida is a painting in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. In very good condition. Th...