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Early 2000s Drawings and Watercolor Paintings

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Period: Early 2000s
MB 076 A&B (Double Sided Figurative Charcoal Drawing of Male Nudes)
Located in Hudson, NY
Figurative drawing of male nudes made with graphite, charcoal, and conte crayon on Arches paper 30 x 22 inches, unframed One piece of 30 x 22 inch Arches. Two drawings, one on either...
Category

Modern Early 2000s Drawings and Watercolor Paintings

Materials

Charcoal, Archival Paper, Graphite

Happier You Are.. Happier You'll Be, Contemporary Ink Drawing by Julian Schnabel
Located in Long Island City, NY
Julian Schnabel, American (1951 - ) - Happier You Are... Happier You'll Be, Year: 2009, Medium: Archival pigment inks on 365 gsm fine art paper, Edition: AP, Size: 46 x 30 in. (1...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Ink

Colors - Figurative Abstract
Located in Soquel, CA
Colorful abstract work by Bay Area artist Kelvin Curry (American, 20th Century). Signed "Kelvin Curry" lower left. Unframed. Image size, 15"H x 11.25"W. Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Oil Pastel

"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper
Located in Soquel, CA
"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work. Signed "CL Tyler" in the lower left corner Signed, notated, titled, and dated on verso (see photo). Presented in a silver colored frame. Frame size: 11.25"H x 14"W Paper size: 9.5"H x 12"W Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level. Master Member of the Plein Air Painters of New Mexico Signature Member of the American Impressionist Society 2016 Honorable Mention, Santa Fe Plein Air Festival, NM 2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy 2015 Best of Pastel Award, American Impressionist Society 2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy 2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id 2014 Booth Museum Cartersville Ga. Acquisition and Teaching 2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co 2013 American Impressionist National Show, Award of Excellence. 2013 Artist Choice Award Easton Maryland...
Category

American Realist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Pastel

Graham Nickson, Orvieto "Black Sun" original watercolor painting, Signed, Framed
By Graham Nickson
Located in New York, NY
Graham Nickson Orvieto "Black Sun", 2000 Watercolor painting on Lanaquarelle paper Hand signed, titled and dated by Graham Nickson on the back This exquisite watercolor painting dep...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

"Composition #17", Mixed Media Figure Drawing on Stretched Canvas with Collage
Located in St. Louis, MO
Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Canvas, Charcoal, Varnish, Mixed Media, Pencil

A girl II - XXI century, Contemporary Realistic Figurative Mixed Media Drawing
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Chalk, Pastel, Pencil, Cardboard

Nude. Contemporary Realistic Figurative Mixed Media Drawing Polish artist
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Pastel, Chalk, Cardboard, Pencil

Untitled (Letitia, pregnant with Rising Sun)
Located in Fairlawn, OH
Untitled (Letitia, pregnant with Rising Sun) Graphite on paper, 2005 Signed: "Sedrick Huckaby III" lower right (see photo) In April 2008, Huckaby was awarded a Guggenheim fellowship ...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Graphite

Françoise Gilot, “On the Wheel of Fortunes” A Woman's Balancing Act
Located in San Francisco, CA
A superb expression of a triumphant free spirit, and the balancing act required to maintain it, this watercolor was created by a woman who embodied female independence—especially rem...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Pencil

Untitled
Located in New York, NY
LA II (Angel Ortiz) Ink on paper 12 x 18 inches $1,500
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Ink

Nude. Contemporary Realistic Figurative Mixed Media Drawing Polish artist
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Chalk, Pastel, Cardboard, Pencil

Cosmos, Abstract Painting by Eduardo Arranz-Bravo
Located in Long Island City, NY
Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Cosmos 4 Year: 2003 Medium: Acrylic and Mixed Media on Paper, signed and dated Paper Size: 15.5 x...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Acrylic, Pencil, Color Pencil

In Monte Carlo. Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category

Other Art Style Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Morgan O'Hara, Movement of the Hands Seiji Shimoda, Drawing, March 2004
Located in Darien, CT
Live Transmission Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...
Category

Abstract Early 2000s Drawings and Watercolor Paintings

Materials

Graphite

"Jimi Hendrix original Color Pencil sketch" Fillmore East the very first version
Located in Southampton, NY
A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 61 of the book. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. Featured in this listing is the Original Color pencil Sketch created in 2006 by David Byrd prior to working on the finished painting which we also have available for sale. This drawing created in 2006 is based on David's very first original 1968 drawing for Hendrix's very first Fillmore East concert. It only featured Hendrix, and Bill Graham asked David if he could add the other two members of The Experience, which became the famous Fillmore East orange poster that featured all three members of the Experience. I included and image in this listing of the original pencil drawing from 1968 where you can see Bill requesting all three members to be included in the poster art. In this color rendering, David Byrd indicates two possible color choices for the poster in this sketch by listing the color numbers. He shows one half with one color combination and the other half with a different color combination. That was so that Bill Graham could choose which colors he preferred if the original 1968 poster art was to use this image. A great original color drawing that David Byrd created to show the colors of the first version of the 1968 Hendrix poster...
Category

Pop Art Early 2000s Drawings and Watercolor Paintings

Materials

Vellum, Color Pencil

Watercolor 9, Work on Paper, Colorful, Organic Shapes, Natural, Moving, Cosmos
Located in Riverdale, NY
Watercolor 9 is a 22" x 17.5" , watercolor on paper, by Melinda Hacket. It is white framed to 25" x 20.25. It is filled with rich earthy colors and organic moving shapes. Melinda H...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

ITZCHAK TARKAY "SUNNY DAY" ORIGINAL WATERCOLOR 22"X15" ON FRANCH ARCHES PAPER
Located in Pembroke Pines, FL
Artist: TARKAY, ITZCHAK Title: "SUNNY DAY" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is in e...
Category

Art Deco Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Conceptual Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Conceptual Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Vintage Sunset Seascape Watercolor Point Lobos, Carmel
Located in Soquel, CA
Scenic watercolor seascape of the Point Lobos, Carmel coast at sunset by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From...
Category

American Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Laid Paper

Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Conceptual Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Charcoal

British Original Impressionist Double Sided Watercolor Pastoral Landscape Sheep
Located in Cirencester, Gloucestershire
signed by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inches condition: very good and re...
Category

Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

#4, 2007
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Canvas, Graphite

Farm at Stover Mill, Bucks County, Pennsylvania, Regional American Landscape
Located in Doylestown, PA
Stover Mill is an American regional landscape of a historic mill and farm in Bucks County, Pennsylvania by local resident and artist Loraine Thompson. The 10.5 x 13.5 inches watercol...
Category

American Realist Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper

Nick Xylouris
Located in New York, NY
This is a drawing by James Childs (1945-2020) offered by CLAMP in New York City. Nick Xylouris 2004 Signed and titled, recto Graphite and Conté crayon on paper 12 x 8.25 inches
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Conté, Graphite

"Gehl Dairy Farm, " Original Mixed Media Surrealist signed by David Barnett
Located in Milwaukee, WI
"Gehl Dairy Farm" is an original mixed media piece by David Barnett and his daughter, Sarah Barnett, signed and dated in the lower right. Begun in 1997 and ...
Category

Surrealist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Mixed Media

La Dulce Aqua Vita (large signed carborundum etching on hand made paper)
Located in Aventura, FL
Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Etching

Abstract Watercolor Painting, 'Design for Sculpture', C. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Flowers and sun drawing, unique, signed Pop art landscape fantastic Koons gift!
Located in New York, NY
Jeff Koons (Untitled) Flowers and Sun, 2009 Original (unique) drawing done in silver marker on endpaper Boldly signed and dated in silver marker undern...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Permanent Marker, Board, Mixed Media, Offset

Abstracción Lírica signed limited edition original art print pastel
Located in Miami, FL
Rigoberto Mena (Cuba, 1961) 'Abstraccion Lirica', 2003 pastel, sugarlift on paper Guarro Super Alpha 250g. 20.9 x 27.2 in. (53 x 69 cm.) Unframed ID: MER-103 Hand-signed by author
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Ink, Etching, Aquatint, Screen

Monywa II
By Than Aung
Located in London, GB
'Monywa II', watercolour on paper, (2003) by Burmese artist, Than Aung. Monywa is a region in Burma-Myanmar on the east bank of the River Chindwin. This...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

Monywa II
Monywa II
$710 Sale Price
20% Off
Tanga
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category

Abstract Early 2000s Drawings and Watercolor Paintings

Materials

Oil Pastel

Untitled - Scorpion By Damien Hirst
Located in London, GB
Untitled - Scorpion By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial works that explore themes of life, death, and th...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper

Wavy lines original signed Minimalist ink drawing on card with Andy Warhol stamp
Located in New York, NY
Sol LeWitt Wavy lines, original signed Minimalist ink drawing on card with Warhol stamp, 2004 Drawing in black felt tip pen on postmarked (franked) postcard with Warhol postage stamp...
Category

Minimalist Early 2000s Drawings and Watercolor Paintings

Materials

Postcard, Felt Pen

'Maine Coast', American Watercolor Society, Museum Fine Arts, Boston
Located in Santa Cruz, CA
A substantial watercolor on Arches paper showing a house nestled on a bluff overlooking the variegated blue-grey waters of the Atlantic Ocean. Signed lower right, "L. Sisson" for Laurence Sisson (American, 1928-2015) and dated 2002. Inscribed lower left with dedication to the artist's son, David Sisson. The youngest artist ever to be elected to membership of the American Watercolor...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Paper

Abstract Drawing
Located in Houston, TX
Abstract ink drawing by Spanish artist Jorge Miton, 2005. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Ce...
Category

Early 2000s Drawings and Watercolor Paintings

Materials

Ink

Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Children 13 - Contemporary Figurative Drawing, Black And White, Realism, Boat
Located in Salzburg, AT
Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Contemporary Watercolor Painting, 'Design for Space, C. 2000's by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Untitled, from the Lehman Brothers Art Collection unique signed framed monotype
Located in New York, NY
Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...
Category

Abstract Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Monotype, Graphite

Summer Set 8, watercolor monoprint (unique) on Dieu Donne handmade paper, signed
By Arlene Shechet
Located in New York, NY
Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Handmade Paper, Monoprint, Mixed Media, Graphite

"Oriental Flowers" - Figurative Etching and Watercolor
Located in Soquel, CA
"Oriental Flowers" - Figurative Etching and Watercolor Figurative etching and watercolor of four men sitting, wearing coats and berets by San Francisco artist Margaret (Maggi) McEll...
Category

Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Etching

Spring. 2006. acrylic on canvas, 76x65 cm
Located in Riga, LV
The artist captured the refreshing beauty of spring flowers after cold grey winter. By applying big and bright strokes, she makes a viewer feel the light radiating from the canvas, a...
Category

Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Canvas, Acrylic

Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Powers-court Estate. Playing Golf
Located in Zofingen, AG
On our trip to Ireland, we stopped at the Power Court estate, which reminds me a bit of the architecture of St. Petersburg.I saw people playing golf near the park. The weather was cloudy and the environment was sinking in sfumato, I wanted to immerse the viewer in this environment. The transparency of the watercolor made it possible to realize my idea. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka". (Moscow) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Принт люкс, 2007. – 120 с. Page 45 Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184 Page 34 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 25
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Handmade Paper

#5, 2008
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Canvas, Graphite

Children 19 - Expressionism, Figurative Drawing, Black And White, Boat, Play
Located in Salzburg, AT
Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Charcoal

Stream in the Woods - Landscape
Located in Soquel, CA
Serene depiction of a stream in the forest by San Jose artist Kay Clark (American, 20th Century). Signed in the lower right corner. Presented in a white fr...
Category

American Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Untitled - grim reaper By Damien Hirst
Located in London, GB
Untitled - grim reaper By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial works that explore themes of life, death, and...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper

Green & Red Apple Still Life
Located in Soquel, CA
Charming watercolor of red and green apples with an interesting composition by P. Dymond (American, 20th Century), circa 2000. Signed upper right corner. Presented in a metal frame. ...
Category

Realist Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor, Laid Paper

Trees Against Brown Background, Wolf Kahn
Located in Fairfield, CT
Artist: Wolf Kahn (1927) Title: Trees Against Brown Background Year: 2000 Medium: Pastel on paper Size: 8 x 10 inches (sheet); 16 x 18 inches (frame) Condition: Good Inscription: Sig...
Category

American Impressionist Early 2000s Drawings and Watercolor Paintings

Materials

Pastel

Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Abstract Expressionist Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Etude Deux Chenaux sur Quinze, Guillaume Azoulay
Located in Fairfield, CT
Artist: Guillaume Azoulay (1949) Title: Etude Deux Chenaux sur Quinze Year: 2004 Medium: Ink drawing on archival paper Size: 14 x 16.5 inches Condition: Excellent Inscription: Signed...
Category

Pop Art Early 2000s Drawings and Watercolor Paintings

Materials

Ink

"Gorda 1" (Honey 1) 2007 Original Signed Drawing Watercolor Ink Acrylic 21x15in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949) 'Gorda 1', 2007 ink on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200712 Hand-signed by author __________________________________________...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Ink, Crayon, Oil Pastel, Acrylic, Watercolor

ITZCHAK TARKAY "PARK CAFE" ORIGINAL WATERCOLOR 22"X15" ON FRANCH ARCHES PAPER
Located in Pembroke Pines, FL
Artist: TARKAY, ITZCHAK Title: "PARK CAFE" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is in e...
Category

Art Deco Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

"Looking North 2, " Orange Landscape Pastel signed by Janet Richardson-Baughman
Located in Milwaukee, WI
"Looking North 2" by Janet Richardson-Baughman is a pastel drawing on paper, signed in the lower right corner. The work is framed and matted with acid-free mat board. This landscape ...
Category

Contemporary Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Pastel

ITZCHAK TARKAY "GARDEN PARTY" ORIGINAL WATERCOLOR 22"X15"
Located in Pembroke Pines, FL
Artist: TARKAY, ITZCHAK Title: "GARDEN PARTY" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is i...
Category

Art Deco Early 2000s Drawings and Watercolor Paintings

Materials

Watercolor

Summer for everyone. Contemporary Gouache Painting, Abstraction, Polish artist
Located in Warsaw, PL
JACEK SOWICKI (1948-2022) He studied at the Academy of Fine Arts in Cracow and graduated from the Academy Of Fine Arts in Warsaw in 1973. In 1984-89 he run the graphics atelier at th...
Category

Abstract Early 2000s Drawings and Watercolor Paintings

Materials

Paper, Gouache

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