Early 2000s Drawings and Watercolor Paintings
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Period: Early 2000s
"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper
Located in Soquel, CA
"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper
Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work.
Signed "CL Tyler" in the lower left corner
Signed, notated, titled, and dated on verso (see photo).
Presented in a silver colored frame.
Frame size: 11.25"H x 14"W
Paper size: 9.5"H x 12"W
Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level.
Master Member of the Plein Air Painters of New Mexico
Signature Member of the American Impressionist Society
2016 Honorable Mention, Santa Fe Plein Air Festival, NM
2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy
2015 Best of Pastel Award, American Impressionist Society
2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy
2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id
2014 Booth Museum Cartersville Ga. Acquisition and Teaching
2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co
2013 American Impressionist National Show, Award of Excellence.
2013 Artist Choice Award Easton Maryland...
Category
American Realist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pastel
Tanga
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel
The Colors of Happiness
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel
MB 076 A&B (Double Sided Figurative Charcoal Drawing of Male Nudes)
By Mark Beard
Located in Hudson, NY
Figurative drawing of male nudes made with graphite, charcoal, and conte crayon on Arches paper
30 x 22 inches, unframed
One piece of 30 x 22 inch Arches. Two drawings, one on either...
Category
Modern Early 2000s Drawings and Watercolor Paintings
Materials
Charcoal, Archival Paper, Graphite
Tanga
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel
Graham Nickson, Orvieto "Black Sun" original watercolor painting, Signed, Framed
Located in New York, NY
Graham Nickson
Orvieto "Black Sun", 2000
Watercolor painting on Lanaquarelle paper
Hand signed, titled and dated by Graham Nickson on the back
This exquisite watercolor painting dep...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Happier You Are.. Happier You'll Be, Contemporary Ink Drawing by Julian Schnabel
Located in Long Island City, NY
Julian Schnabel, American (1951 - ) - Happier You Are... Happier You'll Be, Year: 2009, Medium: Archival pigment inks on 365 gsm fine art paper, Edition: AP, Size: 46 x 30 in. (1...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink
"Composition #17", Mixed Media Figure Drawing on Stretched Canvas with Collage
Located in St. Louis, MO
Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Canvas, Charcoal, Varnish, Mixed Media, Pencil
Untitled
Located in New York, NY
LA II (Angel Ortiz)
Ink on paper
12 x 18 inches
$1,500
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink
Cosmos, Abstract Painting by Eduardo Arranz-Bravo
Located in Long Island City, NY
Artist: Eduardo Arranz-Bravo, Spanish (1941 - )
Title: Cosmos 4
Year: 2003
Medium: Acrylic and Mixed Media on Paper, signed and dated
Paper Size: 15.5 x...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Acrylic, Pencil, Color Pencil
Untitled
Located in New York, NY
LA II (Angel Ortiz)
Ink on paper
12 x 18 inches
$1,500
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Ink
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
In Monte Carlo. Watercolor, Realistic, Classic, Marine, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Morgan O'Hara, Movement of the Hands Seiji Shimoda, Drawing, March 2004
Located in Darien, CT
Live Transmission
Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Graphite
Trees Against Brown Background, Wolf Kahn
By Wolf Kahn
Located in Fairfield, CT
Artist: Wolf Kahn (1927)
Title: Trees Against Brown Background
Year: 2000
Medium: Pastel on paper
Size: 8 x 10 inches (sheet); 16 x 18 inches (frame)
Condition: Good
Inscription: Sig...
Category
American Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Pastel
Last Dinner- Illustration by Vincenzo Bizzarri -2015
Located in Roma, IT
This work entitled "Last dinner" is a board of the graphic novel published in 2016 by Kleiner Flug in Italy "Benvenuto Cellini". The work was done by Vince...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink
Nude Woman - Original Pencil on Paper - 20th Century
Located in Roma, IT
Nude Woman is an original drawing in pencil on paper, realized by an Anonymous french artist of the XX century.
The state of preservation: the are cutaways on the margin and some fo...
Category
Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pencil
Regal Arrival, Cubist Watercolor and Acrylic on Paper by Anatole Krasnyansky
Located in Long Island City, NY
Anatole Krasnyansky, Ukrainian/American (1930 - ) - Regal Arrival, Year: 2008, Medium: Watercolor and Acrylic on handmade Japansese paper, signed lower left, Size: 27.25 x 20.25 in....
Category
Early 2000s Drawings and Watercolor Paintings
Materials
Acrylic, Watercolor
Circle Spiral 02, Mandala Drawing, Cream, Brown, Abstract, Pattern, Monochrome
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing has was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. The ordered symmetry of the shape in sienn...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Rag Paper, Pigment, Stencil
Play of Angels, unique signed watercolor & gouache color field painting Framed
Located in New York, NY
Jules Olitski
Play of Angels, 2000
Watercolor and gouache on all-rag paper
Signed and dated 2000 by the artist on the front
Frame included (elegantly floated and framed in light wood...
Category
Color-Field Early 2000s Drawings and Watercolor Paintings
Materials
Mixed Media, Watercolor, Gouache, Rag Paper, Permanent Marker
Winding river. Watercolor, Realistic, Landscape, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting river and woods. Main colors are green and blue. Artwork's style is s...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Jimi Hendrix original Color Pencil sketch" Fillmore East the very first version
Located in Southampton, NY
A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 61 of the book.
David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting.
David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC.
Featured in this listing is the Original Color pencil Sketch created in 2006 by David Byrd prior to working on the finished painting which we also have available for sale. This drawing created in 2006 is based on David's very first original 1968 drawing for Hendrix's very first Fillmore East concert. It only featured Hendrix, and Bill Graham asked David if he could add the other two members of The Experience, which became the famous Fillmore East orange poster that featured all three members of the Experience. I included and image in this listing of the original pencil drawing from 1968 where you can see Bill requesting all three members to be included in the poster art. In this color rendering, David Byrd indicates two possible color choices for the poster in this sketch by listing the color numbers. He shows one half with one color combination and the other half with a different color combination. That was so that Bill Graham could choose which colors he preferred if the original 1968 poster art was to use this image. A great original color drawing that David Byrd created to show the colors of the first version of the 1968 Hendrix poster...
Category
Pop Art Early 2000s Drawings and Watercolor Paintings
Materials
Vellum, Color Pencil
Untitled - grim reaper By Damien Hirst
By Damien Hirst
Located in London, GB
Untitled - grim reaper
By Damien Hirst
Damien Hirst is a British contemporary artist known for his provocative and often
controversial works that explore themes of life, death, and...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper
"Parkside Chat"
Located in Warren, NJ
Original Itzchak Tarkay Watercolor With Coa “park side Chat”. In good condition measures 25x22. Comes from park west gallery
Category
Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Watercolor 9, Work on Paper, Colorful, Organic Shapes, Natural, Moving, Cosmos
Located in Riverdale, NY
Watercolor 9 is a 22" x 17.5" , watercolor on paper, by Melinda Hacket. It is white framed to 25" x 20.25. It is filled with rich earthy colors and organic moving shapes.
Melinda H...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Abstract Watercolor Painting, 'Design for Sculpture', C. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Circle Series 30 One, Mandala Drawing, Spolvero, Sienna, Brown, Abstract, Dots
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Rag Paper, Pigment, Stencil
Flowers and sun drawing, unique, signed Pop art landscape fantastic Koons gift!
By Jeff Koons
Located in New York, NY
Jeff Koons
(Untitled) Flowers and Sun, 2009
Original (unique) drawing done in silver marker on endpaper
Boldly signed and dated in silver marker undern...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Permanent Marker, Board, Mixed Media, Offset
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Portrait of Nude Female Figure on Paper, Woman With Knees Up by America Martin
Located in 326 N Coast Hwy. | Laguna Beach, CA
America Martin
"Woman With Knees Up"
Pastel & Ink on Paper
24” x 18”
AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America i...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Pastel, Ink
Till the Sun comes up, Cubist Acrylic Painting by Krasnyansky
Located in Long Island City, NY
A colorful painting by Russian artist, Anatole Krasnyansky. His Contemporary style uses elements from Constructivism as well as Cubism wi...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Acrylic, Handmade Paper
Sunburst
Located in Pine Plains, NY
Formally trained at the Pennsylvania Academy of Art, Cockrill is well know and respected for his use of
the watercolor medium. Watercolor lends itself to melting, fluid brush stroke...
Category
American Realist Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Nude. Contemporary Realistic Figurative Mixed Media Drawing Polish artist
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude.
PROVE...
Category
Realist Early 2000s Drawings and Watercolor Paintings
Materials
Pastel, Chalk, Cardboard, Pencil
'Summer Clouds, East Beach, Santa Barbara', California, Instituto Allende
Located in Santa Cruz, CA
Signed lower right, 'Tom Henderson' (American, born 1949) and painted circa 2000.
Inscribed verso with artist's name and titled, 'Summer Clouds, East Be...
Category
Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Gouache
Monywa II
By Than Aung
Located in London, GB
'Monywa II', watercolour on paper, (2003) by Burmese artist, Than Aung. Monywa is a region in Burma-Myanmar on the east bank of the River Chindwin. This...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
ITZCHAK TARKAY "SUNNY DAY" ORIGINAL WATERCOLOR 22"X15" ON FRANCH ARCHES PAPER
Located in Pembroke Pines, FL
Artist: TARKAY, ITZCHAK
Title: "SUNNY DAY"
Size: 15 X 22 INCHES
Medium: WATERCOLOR ON FRANCH ARCHES PAPER
Edition: ORIGINAL
Description: Hand signed by the artist
The artwork is in e...
Category
Art Deco Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Nude - XXI Century, Contemporary Figurative Pencil Drawing on Paper
Located in Warsaw, PL
Siergiej Timochow, a Belorussian artist, born in 1960.
He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus.
His acrylic and ...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Pencil
Untitled (Letitia, pregnant with Rising Sun)
Located in Fairlawn, OH
Untitled (Letitia, pregnant with Rising Sun)
Graphite on paper, 2005
Signed: "Sedrick Huckaby III" lower right (see photo)
In April 2008, Huckaby was awarded a Guggenheim fellowship ...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Graphite
Untitled, from the Lehman Brothers Art Collection unique signed framed monotype
By Andrea Belag
Located in New York, NY
Andrea Belag
Untitled, from the Lehman Brothers Art Collection, 2003
Watercolor monotype on paper
Pencil signed and dated on the front
Framed
Gorgeous ...
Category
Abstract Geometric Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor, Monotype, Pencil, Graphite
Jugged Hare, blue swimmer water monochromatic
By Tom Bennett
Located in Brooklyn, NY
Monotype
Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism
About Tom Bennett:
With quick brushstrokes, Tom Bennett creates...
Category
Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Monotype, Archival Paper
Exotic Hex Series 12 01, Square Reddish Brown Circular Mandala Line Drawing
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Rag Paper, Pigment, Stencil
Mainz, Protestant Church. Acrylic on paper, Architecture, Classic, Polish artist
Located in Warsaw, PL
Contemporary acrylic painting on paper by Polish artist Wlodzimierz Karczmarzyk. Artwork depicts achitecture of Protestans Church in Mainz, Germany. Artwork's style is sketch-like bu...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Acrylic
British Original Impressionist Double Sided Watercolor Pastoral Landscape Sheep
Located in Cirencester, Gloucestershire
signed by Anthony Avery (British 1946-2023) * see notes below
original watercolor on artists paper, unframed
double sided
paper dimensions: 11 x 15 inches
condition: very good and re...
Category
Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Children 6 - Contemporary Figurative Drawing, Black And White, Large Format
Located in Salzburg, AT
Artodyssey
"Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Coffee with M.C. Escher, Signed Charcoal Drawing by Randall Browning
Located in Long Island City, NY
Coffee with M.C. Escher
Randall Browning
American (1955)
Date: Circa 2005
Charcoal Drawing on Paper, signed
Size: 19.5 in. x 29 in. (49.53 cm x 73.66 cm)
Category
Surrealist Early 2000s Drawings and Watercolor Paintings
Materials
Charcoal
Imagination Meets Reality 1
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel
Happier You Are.. Happier You'll Be, Contemporary Ink Drawing by Julian Schnabel
Located in Long Island City, NY
Julian Schnabel, American (1951 - ) - Happier You Are... Happier You'll Be, Year: 2009, Medium: Archival pigment inks on 365 gsm fine art paper, Edition: AP, Size: 46 x 30 in. (1...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink
#5, 2008
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Category
Realist Early 2000s Drawings and Watercolor Paintings
Materials
Canvas, Graphite
Seated Male Nude in Charcoal on Paper
Located in Soquel, CA
Seated Male Nude in Charcoal on Paper
Figurative piece with a nude male by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The...
Category
American Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Algodón de Seda. FIne art drawing Framed
Located in Miami Beach, FL
Algodón de Seda, 1978 by Amelia Cajigas
Image size: 3 H x 2.75 W inches.
Frame size: 12 Hx 11.5 W x 1 D inches.
White Frame
___
Amelia Cajigas. Artist. He was...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Archival Paper, Carbon Pencil
Spring Flowers, 2003 - Bright Watercolour Painting of Flowers by Mary Fedden
By Mary Fedden
Located in Kingsclere, GB
Mary Fedden was a Modern British painter, printmaker and illustrator.
Born in Bristol to a family of surgeons, from childhood Fedden had wanted to become a painter. At the age of si...
Category
Early 2000s Drawings and Watercolor Paintings
Materials
Watercolor
Reclined Pose: Contemporary Mixed media life study on paper
By Angela Lyle
Located in Brecon, Powys
Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Gouache, Pencil
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Children 13 - Contemporary Figurative Drawing, Black And White, Realism, Boat
Located in Salzburg, AT
Artodyssey
"Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Children 7 - Expressionism, Figurative Drawing, Black And White, Large Format
Located in Salzburg, AT
Artodyssey
"Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Marina units. Watercolor, Realistic, Classic, Polish artist
Located in Warsaw, PL
Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Marine painting depicting boats on a water. Artwork's style is sketch-like but realistic at the sa...
Category
Other Art Style Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Etude Deux Chenaux sur Quinze, Guillaume Azoulay
Located in Fairfield, CT
Artist: Guillaume Azoulay (1949)
Title: Etude Deux Chenaux sur Quinze
Year: 2004
Medium: Ink drawing on archival paper
Size: 14 x 16.5 inches
Condition: Excellent
Inscription: Signed...
Category
Pop Art Early 2000s Drawings and Watercolor Paintings
Materials
Ink
Kyle Andrew Szpyrka - Infinite Self, Painting 2009
Located in Greenwich, CT
Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Imagination Meets Reality 2
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Oil Pastel
Prefer Dead Artists
Located in Pine Plains, NY
Pablo Helguera is a visual and performance artist whose work weaves together personal and historical narratives in the context of socially engaged art and language. Previous itineran...
Category
Aesthetic Movement Early 2000s Drawings and Watercolor Paintings
Materials
India Ink
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Landscape. 2007. Oil on cardboard, 22x30, 5 cm
Located in Riga, LV
Landscape. 2007. Oil on cardboard, 22x30,5 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...
Category
Impressionist Early 2000s Drawings and Watercolor Paintings
Materials
Oil, Cardboard
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Urban Calligraphy
By Jonone
Located in Paris, FR
Framed work
On a white background, JonOne interprets dense, modern calligraphy in black. The repetition of free-form shapes and the dripping effect create a dense, expressive motif....
Category
Abstract Early 2000s Drawings and Watercolor Paintings
Materials
Silk
Nude. Contemporary Realistic Figurative Mixed Media Drawing Polish artist
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude.
PROVE...
Category
Realist Early 2000s Drawings and Watercolor Paintings
Materials
Chalk, Pastel, Cardboard, Pencil
Children 19 - Expressionism, Figurative Drawing, Black And White, Boat, Play
Located in Salzburg, AT
Artodyssey
"Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Charcoal
Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
"Gorda 4" (Honey 4) 2007 Original Signed Drawing Watercolor Ink Acrylic 21x15in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949)
'Gorda 4', 2007
acrylic on paper Canson 320 g.
21.5 x 15 in. (54.5 x 38 cm.)
ID: 1D200715
Hand-signed by author
______________________________________...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Ink, Acrylic, Crayon, Watercolor
Abstract Watercolor Painting, 'Design for Sculpture', C. 2005 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Till the Sun comes up, Cubist Acrylic Painting by Krasnyansky
Located in Long Island City, NY
A colorful painting by Russian artist, Anatole Krasnyansky. His Contemporary style uses elements from Constructivism as well as Cubism wi...
Category
Contemporary Early 2000s Drawings and Watercolor Paintings
Materials
Acrylic, Handmade Paper
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