Paper Portrait Drawings and Watercolors

Untitled (Young Man Looking Down) Early 2000s Signed, verso Graphite on paper 11 x 8.5 inches This work is offered by ClampArt in New York City.

Mr. Universe Contest Las Vegas, 2002 Signed, verso Ink on paper 36 x 24 inches Contact gallery for price. This work is offered by ClampArt in New York City.

José Vivenes Untitled, 2006 Oil pastel on paper 20 1/2 x 15 1/2 inches (52.1 x 39.4 cm)

José Vivenes Untitled, 2006 Oil pastel on paper 20 1/2 x 15 1/2 inches (52.1 x 39.4 cm)

José Vivenes Untitled, 2006 Oil pastel on paper 32 x 24 inches (81.3 x 61 cm)

José Vivenes Untitled, 2006 Oil pastel on paper 30 x 23 inches (76.2 x 58.4 cm)

José Vivenes Untitled, 2006-7 Oil pastel on paper 30 x 23 inches (76.2 x 58.4 cm)

Man Thinking (Study for a Sculpture) Various notes, u.r. Black ink on paper 10.5 x 8.25 inches (26.7 x 21 cm) This work is offered by ClampArt in New York City.

Beautifully executed sketch of a young woman done in watercolor in pastel tones. A 1929 Simkhovitch, depicting a stylish young woman with a bob. He was later an American WPA period a...

"Spiritual Self-Portrait" is a portrait of the artist by the artist. She has presented herself nude gazing boldly and directly at the viewer not so much challenging, but inviting dia...

Graphite on paper Signed, l.r. Contact gallery for price This work is offered by ClampArt in New York City.

Signed, l.r. Graphite on paper Contact gallery for price This work is offered by ClampArt in New York City.

Signed and inscribed, l.l. Graphite on paper Contact gallery for price. This work is offered by ClampArt in New York City.

Signed and dated in pencil, l.r. Also signed, dated, and inscribed in pencil, recto Contact gallery for price. This work is offered by ClampArt in New York City.

Signed and dated in pencil, recto This work is offered by ClampArt in New York City.

Colored pencil on paper Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Paul P. is known for his drawings and paintings of young men that systematically re-imagined found erotic photographs...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...

Signed on bottom right by Eugène Lacoste, the design of the Opera of Giuseppe Verdi. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the French ...

A number of years ago, we acquired the balance of a Northern California estate of artist Thelma Terrell. Terrell lived in Oakland and was an illustator and commercial graphic artist. This male...