Paintings

ADN 400, (Triptych), by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Overall size: 42 cm H x 90 cm W Individual size: Image Size: 42 cm H X 30 cm W Signed by ar...

Mac II, 2020 by Gonzalo Fuenmayor Charcoal on paper Image size: 11 in H x 18 in W Frame size: 16 in H x 23 in W x 1.5 in D ___________________ Gonzalo Fuenmayor's work reflects a do...

A painting by Gregory Sumida. “Tree with Bare Branches” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending her time exploring the woods with her dog and collecting critters. While exploring, she also studied the design and color of nature. She recalls many times standing in a field just staring in fascination at the values of the deciduous trees against a dark Oklahoma sky before a storm then rushing home to draw what she had seen. Technically self-taught, she thinks of nature as her real teacher. In 1994 she was awarded a grant from the Alaska State Council for the Arts to study with Oregon landscape...

Montreal born Mel Davis creates beautiful abstract compositions using traditional themes. In this piece, a harmonious use of colour—bright white, burgundy, yellow and green appear in...

Cenizas y diamantes VI, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist'...

Soleil Fendu by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 73 x 60 cm (28 ³/₄x 23 ⅝ inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, Japan A wonderful piece from his most important Paris perdiod. Artist Biography Born in Kyoto, Japan in 1928 Imai was part of the 20th-century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Fauvism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957 when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo...

In this arresting abstract composition by Ivo Stoyanov, two jet black angled rectangular blocks sit against a backdrop of gray, black and white. Stoyanov uses mixed media—crushed mar...

Células Activas #6, by Alec Franco From The Series Células Activas Mix media on paper (Acrylic paint and Ink) Framed: 74 H cm. x 60 W cm x 5 D cm. Image size: 30 cm H X 22 cm W Sign...

Atomo, by Alec Franco Acrylic paint and pastel on canvas Canvas size: 210 cm H X 160 cm W Image size: 200 cm H X 150 cm W One of a Kind Unframed Signed by a...

A painting by Bruno Ceccobelli. "Aiuola" is a contemporary figurative painting, mixed media on panel in blacks and browns by Italian artist Bruno Cecc...

A painting by Gregory Sumida. “Out to Dry (or Paulette's Mop)” is a landscape painting, watercolor on pressed board in an earth-tone palette by American artist Gregory Sumida. The ar...

Price: $75,000 (+5% import VAT) Provenance: Robert Miller Gallery, New York Private collection, New York (acquired from the above in 1980) Exhibited: Montpellier, Musee Fabre, "...

A painting by Gregory Sumida. “Padlocked” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed in the lower ...

Béla Czóbel was born in Budapest, Hungary where his artistic pursuits began. He eventually moved to Paris and was immersed in the Fauve art movement. He exhibited in the important ...

A twilight figure is balanced with forms of yellow, green and prussian blue in this sophisticated composition by Jennifer Hornyak who titles the work in French 'Crepiscules verts', ...

Oil on canvas Canvas size: 33.5 x 49 inches Signed lower right

Phenomena Greet by Day by Paul Jenkins (1923-2012) Acrylic on canvas 146 x 114.3 cm (57 ½ x 45 inches) Signed lower right, Paul Jenkins Executed in 1994-1996 Provenance: Private collection, New York (acquired directly from the artist) Stern Pissarro Gallery, London Private collection, Netherlands Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "JE Kon Park. 93". Born in South Korea, Park Jae Kon...

Medium: Oil on Canvas Signature: Signed Lower Left

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds, yellows, and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jaw Kon Park, 92"". Born in South Korea, Park Jae Kon...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Jeune Fille à l'Accordéon by ISMAEL DE LA SERNA (1898-1968) Oil on masonite 88.9 x 115.6 cm (35 x 45 ¹/₂ i...

Black glitter bucket, by Jose Ricardo Contreras González From the series "La luz" Acrylic and oil on canvas Image size: 50 H cm. x 40 W cm. Mounted on a...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Je Kon Park, 1992"". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens and oranges by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism and typographic woodcuts. Throughout his career, travel continued to inspire him. Park Jae Kon created abstract landscapes that reflect the colors and light of the Andes Mountains and geometric abstractions that incorporate iconography from the South America’s ancient civilizations. Park Jae Kon himself found a deep spiritual resonance with South American and Indian cultural history, and his work captures this personal connection to Aztec, Incan, and Hindu iconography. In his later work, Park Jae Kon attempted to reconcile his Korean identity with his adopted homeland of South America. These works often combine the colors and patterns of ancient Incan and Aztec art...

A painting by Gregory Sumida. “Fresh Supply” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed in the low...

Dancer in green Acrylic on board One of a Kind mounted on stretcher The worlds of fashion, society, and pop culture are explored through the illustrations of Manuel Santelices, a...

A painting by Gregory Sumida. “Exposed, Uprooted” is a landscape painting, watercolor on paper in an earth-tone palette by American artist Gregory Sumida. The artwork is signed in th...

Signed lower right: SLOANE; inscribed lower left: SPRING IN / CAMBRIDGE VERMONT; on verso: — ERIC SLOANE / BROOKFIELD / CONN

A vase of pink tulips set against a deep pink tablecloth and a bright turquoise chair against a midnight blue wall is the subject of this delightful oi...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lowe...

Provenance: Suida-Manning Collection, New York Private Collection Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31. Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972 Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill. Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese. Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop) John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese. Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino. The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 18.75" x 26.00;" Framed 26.00" x 33.00"

A vase full of Roses Ink pen, Gouache, and watercolor on paper 12 x 9 inches Unframed A new series inspired by architecture, décor and stylish personalities of the world of inter...

A six panel Japanese Byobu in gold and green, paint on paper and wood by an unknown artist from the Meigi or Taisho peiord. The artwork is unsigned. Provenance: Private Collection Heather James Fine Art...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park, 1993". Born in S...

Romona Youngquist was born on January 11, 1960 in Yuba City, California, but grew up in Eastern Oklahoma. Youngquist essentially started out in life as a child of nature, spending he...

On verso: NY City View / ARTIST: MIRA

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 1992". Born in So...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a colorful palette of blues, oranges, yellows, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 92". Born in South Korea, Park Jae Kon...

A painting by Jessie Arms Botke. "The White Peacock" is a wildlife impressionist painting, oil on canvas in a palette of whites, blues, and browns by...

Signed lower right: CARROLL BECKWITH.

oil on canvas

Darkness prevails in this moody acrylic painting by Toronto contemporary artist Lynne Fernie. Thick dashes of black, gray, white and red suggest movement and add texture. The forest ...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

Marguerite AROSA (1850-1903), French "Baigneuse" (Bather) Oil on canvas Signed lower left Canvas: 66 1/5" high x 50" wide Frame: 74 1/5" high x 57 1/2" wide This painting was e...

Bretonne à la Vache by Georges Manzana Pissarro (1871-1961) Oil on panel 54 x 65 (21 ¹/₄ x 25 ⁵/₈ inches) Signed and dated lower left, Manzana 1929 Pissarro Inscribed lower left, Pon...

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Rinzen, 2021 by On Hansen Oil stick, wax, acrylic, and organic handmade ink on different layers of handmade Washi paper. Image size: 98 cm. H x 65 cm. W Unfr...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

Canadian modernist painter Burton Kramer finds inspiration for his work in the lyrical rhythm of music. Geometric shapes—rectangles, squares, and lines in complementary shades of orange, turquoise and hot pink pop against a chocolate brown background. Kramer explores the language of visual forms and sound much like the 20th century European painter Wassily Kandinsky, renowned for his experiments with colour and music. “My paintings reference dancing feet, jazz, bebop, swing, baroque and folk music...

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, un...

A painting by Paul Grimm. "Stately Eucalypti" is a landscape painting, oil on board in an earth-tone palette by artist Paul Grimm. The artwork is signed in the lower left, "Paul Grimm". Paul Grimm (1891-1974) was an artist born to German parents in South Africa in 1891. As a small child, he moved with his parents to the United States. He reportedly was seen as having artistic talent as a child and, as an adult, attended a university-level art school in New York. Between 1910 and 1920, he reportedly went to South America for a few years before returning stateside and settling in southern California. Grimm gained much of his present-day fame by painting landscapes of southern California in the 1920s. Many works depict alluvial fans and desert vegetation in the eastern half of Riverside County. The San Jacinto Mountains appear frequently in his work. Most of the works are oil on canvas. A residence on Calle Palo Fierro in the Palm Springs Warm Sands Neighborhood was built for him in 1935. He had a studio on Palm Canyon Drive in Palm Springs from the 1950s until his death in 1974. Provenance: with George Stern Fine Arts...

ADN 400-I, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Image Size: 42 cm H X 30 cm W Signed by artist 2022 _______ The artist's works are based on time and ...

ADN 400-II, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Image Size: 42 cm H X 30 cm W Signed by artist 2022 _______ The artist's works are based on time and...

Signed and dated (at lower right): L; (on verso): D. Ligare / 2014

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

A painting by Alexander Calder. "Directions" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oranges by artist Alexander Calder...