Paintings

St. Giorgio e il Drago Oil Painting on Canvas Saint Georges and Dragon In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tus...

Longing is a stimulus that arises from several aspects in a person's life. All human beings have experienced deep longing. Through this work, the artist tries to express a person's l...

Implied abstract imagery reveals conflict between beauty and desolation ,whilst Romanticism and Modernism combine with clashing qualities of drawing and painting. Images develop through a series of intuitive acts. Repeated applications of thin films of ink and paint build depth and patina. Layers are often removed by washing and scrubbing, revealing a palimpsest of faded marks and former painterly decisions, exposing the underbelly, vulnerable and tender. Philippa Anderson...

Jay Patel Betta Fish Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1124 "A golden Betta meanders throu...

This stunning street art inspired 3D painting is the first in a new series of works by up and coming Canadian visual artist Chris Solcz. Constructed of mul...

This delicate botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild geranium, its leaves, flowers and buds are the focus of this painting by Margot Glass. The exquisite beauty of the flower is discovered and elevated through close examination and exquisite drawing by the artist. Initialed, signed, dated and titled on verso. This series is the result of the artist's wildflower research conducted while hiking along the Pacific coast. Working on a dark ground allows the gleam and luster and delicate reflective silver and gold properties of the metallic medium to present as high tones against the black ground. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to observe and represent these plants as accurately as possible in all their irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the seed heads and leaf veining. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Oil painting on canvas. Northern Italian school of the seventeenth century. The large canvas derives from an engraving of 1562 by the Venetian Giulio Sanuto, who faithfully reproduce...

Paint and ink on canvas.

Chilling with the one

Tropical Garden

THE TRIBE: this art is an abstract expressionism of a cultural heritage of the mask faces of the etsako tribe in okpella town Edo state Nigeria

Signed, dated and titled verso. Gelfman is often praised for using unconventional approaches during the creation process. This intricate mixed media piece is no exception. Her use ...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

Scott Yeskel was raised in the suburbs of Orange County, California after his parents moved from New Jersey when he was a child. The mild weather and suburban sprawl fueled Scott’s interest in the landscape. 

After graduating from high school, he moved to San Francisco to pursue an education in the arts. Yeskel graduated from the Academy of Art College in 2002 where he won first place in the Landscape category at the Academy’s Annual Spring Show. He was quickly picked up by galleries in Philadelphia, Laguna Beach and San Francisco. Since that time, Scott has been the subject of over a dozen solo shows, countless group exhibitions and has been featured in over 20 magazine and newspaper editorials. 

His work speaks to those who identify with the California lifestyle – often romantic but sometimes plagued with frustration. His love/hate relationship with Los Angeles’ freeways, boxy apartments and urban sprawl feed Yeskel’s desire to paint his environment as he sees – a jumble of mixed emotions. Recently, Scott’s work was purchased by prestigious corporate collections including Microsoft and NBC/ Universal. Scott currently teaches an Abstract Workshop at the Kline Academy in West LA and resides with his wife and daughter in Los Angeles. Resume Born, 1977, Montclair, New Jersey 2002 – Graduated Academy of Art College, San Francisco, BFA SOLO SHOWS 2020- Vacant LA, online exhibition. 2016-Summer Days, Sue Greenwood Fine Art, Laguna Beach, Ca. Valley Scenes, Valley Performing Arts Center, Cal State Northridge, Ca. 2015- Modern Escape, Jack Fischer Gallery, San Francisco, Ca. 2013- Hotel Pools, Sue Greenwood Fine Art, Laguna Beach, Ca. 2012- Stop & Go, Sue Greenwood Fine Art, Laguna Beach, Ca. 2011 – Wanderlust, Sue Greenwood Fine Art, Laguna Beach, Ca. Mapping California, Jack Fischer Gallery, San Francisco Ca. 2009 – L.A. To Ventura and In Between, Vita Art Center, Ventura, Ca 2008 – Disconnections, Sue Greenwood Fine Art, Laguna Beach, Ca L.A. to S.F. with Love, Jack Fischer Gallery, San Francisco, Ca 2007 – Mass Transit, Sue Greenwood Fine Art, Laguna Beach, Ca. 2006 – Maps, Sue Greenwood Fine Art, Laguna Beach, Ca. 2005 – Trouble in Paradise, Bedlam Gallery, Los Angeles, Ca. 2004 – Moving On, Pringle Gallery, Philadelphia, Pa. 2003 – Two Roads, Pringle Gallery, Philadelphia, Pa. SELECTED GROUP SHOWS 2021-Summer Salon, Sullivan Goss Gallery, Santa Barbara, Ca 2019- Group Cityscape IX, George Billis Gallery, Los Angeles, Ca Ashes of Hope, Sky Studios, Los Angeles, Ca 2018-Cityscape VIII, George Billis Gallery, Los Angeles, Ca Celebration Art, Patricia Rovzar Gallery, Seattle, Wa 2016-House and Home, Cannon Art Gallery, Carlsbad, Ca 2105-Venice Art Walk Auction, Google Headquarters, Venice, Ca 2013-Ryman Arts, ‘An Affair of the Arts’, Los Angeles, Ca. 2012-Palm Springs Fine Art Fair, Palm Springs, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F., Ca 2011 – L.A. Art Show, Los Angeles Convention Center, L.A. Ca. Palette to Palate, Laguna Art Museum, Laguna Beach, Ca. artMRKT San Francisco, SFDC Concourse Exhibition Center, S.F. Ca 2010 – Art San Diego, Hilton San Diego Bayfront, San Diego, Ca. 2009 & 2010 – L.A Art Show, Los Angeles Convention Center, L.A., CA 2008 – Auction 100, Laguna Beach Art Museum, Laguna Beach, Ca. Aqua Art Miami, Aqua Hotel, Miami, Fla Red Dot Fair, Park South Hotel-New York City, New York 2006 – Venice Art Walk Juried Auction, Bergamont Station, Santa Monica, Ca. Fin, Bedlam Gallery, Los Angeles, Ca. 2005 – Create-Fixate, Spring Arts Tower, Los Angeles,Ca. 2004 – Meet the Artists IV, The Pacific Club, Newport Beach, Ca. Group Cityscapes, Greenwood Chebithes Gallery, Laguna Beach, Ca. Getting to Know You, Backstreet Gallery, Santa Monica, Ca Scott Yeskel / Brandon Smith, Hotel Biron Gallery, San Francisco, Ca. 2003 – Around Town, Pringle Gallery, Philadelphia, Pa. 2002 – Academy Spring Annual, Academy of Art, San Francisco, Ca. 1998 – Juried Luggage Show, Luggage Store...

Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 19.5 x 16.5 inches condition: very good and ready to be enjoyed provenance: the ...

Mixed media on canvas

Framed Size: 59 x 81 x 1 3/4 inches; Painting Size: 50 x 72 x 1 3/4 in. The work is in a mahogany stained wood frame that was custom designed by the artist. This work is from the artist earlier works from the late 1990's. It was exhibited in 2000 at James Graham...

Flower Market Spring Showers NYC is an oil painting by award winning contemporary artist Michael Budden that showcases a view of a NYC Flower Market on a...

My life

The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...

Diego Glazer's "Dionysus: Bringer of Love" is an original, handmade oil painting that is framed and ready to hang. The framed measurements are 29 in H x 21 in W. About the Artist: ...

Genre: Judaica Subject: Portrait Medium: Oil Surface: Canvas Dimensions: 18 x 15 Dimensions w/Frame: 20 1/2 x 17 3/4 Samuel Seeberger (Sieberger) was a known artist and post-card designer who lived in Paris and was active around 1900-1940. He was arrested for being a Jew when the Germans occupied Paris in the 1940s. He was brought into a concentration camp...

Acrylic on canvas

Antique American impressionist still life oil painting by Kathryn Logan Luke. Oil on canvas, circa 1921. Housed in a period giltwood frame. Image size, 24L x 26H.

This is an Original Painting by Britto Made in 2016 Measures 24x24 In excellent condition International Buyers must pay all Shipping expenses

Serie Ciudad Digital Abstracto 1

Love in the best mood

Her freedom

Melting brain

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One Queen (2) Black is an Original on Canvas by Agent. ’One Queen (2) Black’ depicts silhouette of the Queen. As snipped from the pure black background, Agent X creates the illusion of a cut-out to reveal a Baroque, floral painting underneath. With its bold composition of the antique with the contemporary, the artwork is a powerful transference of street to Canvas. Agent X, painter, is available for sale online and in our art gallery at Wychwood Art. Agent X, cultural explorer and agent of the unknown, creates experimental, multimedia collages, paintings, and 2D artwork. Described as ‘Pop Art with thought,’ Agent X juxtaposes pop culture, technology, fashion, and music in visually complex amalgamations expressing the anxieties of the global, post-modern world and the dark side of consumerist, media-obsessed culture. His work occupies a unique intersection between the aesthetics and philosophy of Futurism, the social critique of the Dada movement...

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Federico Zandomeneghi 1841-1917 Italian Les deux soeurs (The two sisters) Signed and dated "Zandomeneghi 95" (lower left) Oil on canvas Two sisters enjoy a quiet moment in a rich green landscape in this intimate oil on canvas from Federico Zandomeneghi. An Italian painter by birth who became a fixture in the Parisian Impressionist scene, Zandomeneghi is best remembered for his sentimental and affectionate scenes of women in both domestic and public spheres. Zandomeneghi’s creative and technical prowess in composition is highlighted in this painting. The artist deftly frames the young pair in the lower register of the canvas, imbuing the work with a remarkably observational feel. The girls pensively gaze off to the right, lost in thought; Zandomeneghi allows the viewer to witness a natural moment of discussion and contemplation shared among the sisters. The soft palette employed by the artist gives the whole scene an atmospheric glow, with dappled rays of sunshine breaking through the lush foliage. Though the girls remain in the shaded areas of the landscape, Zandomeneghi’s skillful application of paint allows a brightness to remain nevertheless. Federico Zandomeneghi was born in Venice to a long line of neoclassical sculptors. As if created to be an artist, Zandomeneghi began his artistic education early, enrolling in the Accademia di Belle Arti in Venice at just 15 years old before transferring to the Academy of Fine Arts in Milan. By 1862, the artist had arrived in Florence, where he became fast acquaintances with several Italian artists dedicated to executing landscape paintings en plein air. Zandomeneghi embraced the spontaneity, seeking to bring unparalleled luminosity to his works. When Zandomeneghi arrived in Paris in 1874, he found kindred spirits...

This exquisite portrait of a gentleman depicted in a sumptuous black coat edged with silver and slashed sleeves is an excellent example of the type of portrait fashionable in England and the Low Countries during the 17th century. The confident pose, striking orange sash - the colour of the house of Orange Nassau - and the leather gorget imbue the sitter with a sense of masculinity and power. The profusely decorated costume is of the highest quality and de rigueur of an elite class - the artist has carefully cultivated this portrait to emphasise the sitter’s wealth and standing in the society that he belonged to. The casual pose, with one arm resting on a hip, is much less formal than earlier decades, and it speaks of ‘sprezzatura’ – one’s appearance should not appear laborious, but instead, effortless. The oil on cradled panel portrait can be dated to circa 1650 based on the hairstyle and the attire - small falling collar, short doublet (doublets reduced in size to just below the ribcage in the late 1650’s), and the type of slashed sleeves with the sleeve seams left open to reveal the white fabric. The demand for portraits in the Netherlands was great in the 17th century. Bartholemeus van der Helst was considered to be one of the leading portrait painters of the Dutch Golden Age surpassing even Rembrandt as the most sought-after portraitist in Harlaam. The Dutch Golden Age, roughly spanning the 17th century, was a period when Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still life’s of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The new wealthy class were keen to have their portraits commissioned and many artists worked in this lucrative field. Such was the popularity of art that everyone had a painting, even the humble butcher, and hundreds of thousands of paintings were produced. By tradition the sitter is Maarten Tromp (1598-1653) who was an Admiral in the Dutch Navy (the reverse of the portrait contains an old handwritten inscription “van Tromp”). Certainly, the distinctive orange sash is similar to those worn by officers of the Dutch army in the Netherlands who served under the Princes of Orange and the House of Nassau. However, it should be noted that the physiognomy differs from other images of Tromp. Tromp was the oldest son of Harpert Maertensz, a naval officer and captain. He joined the Dutch navy as a lieutenant in July 1622 and was later promoted from captain to Lieutenant-Admiral of Holland and West Frisia in 1637. In 1639, during the Dutch struggle for independence from Spain, Tromp defeated a large Spanish fleet bound for Flanders at the Battle of the Downs, which marked an enormous change - the end of Spanish naval power. He was killed in action during the First Anglo-Dutch War in 1653 where he commanded the Dutch fleet in the battle of Scheveningen. Gloves were an absolutely vital accessory and the elaborate pair in this portrait are embellished with threads of silk and precious metals and salmon-coloured lining. He wears only one glove and holds the other, providing an opportunity to better display the cuffs and detail on his right wrist and forearm. The gloves are probably made from the most prized leather which came from Spain, in particular from Cordova. Cordovan leather was tanned with a special vegetal process that left it both highly impermeable and divinely soft. King Charles I, posed in a rather relaxed manner for Daniel Mytens’s portrait in 1631, is wearing gloves and boots in matching Cordovan leather. The hide is thick, but you can see just how supple it is from the way the gauntlet dimples and the long boot legs fold over themselves, rippling and wrinkling at the ankles. Apart from keeping hands warm the use of gloves during the 15th through the 19th centuries were full of symbolism and they were worn regardless of the season. They kept the skin unblemished - soft, smooth hands were considered highly attractive. This combination of necessity and proximity to bare skin made gloves a deeply personal gift and they took on a strong symbolic significance and were regarded as emblematic of fidelity and loyalty for hundreds of years. Such was the importance of their symbolism was that some gloves were never intended to be worn at all. Their luxury made them ideal gifts at court, and so in the 15th and 16th centuries, ambassadors often presented them as symbols of loyalty. Until the mid-19th century, it was customary to give gloves as tokens to guests at weddings and to mourners at funerals. Gentleman often gifted their bride-to-be with a pair of gloves (the obligatory gift) and were handed over at the betrothal and put on display before the wedding took place. It was probably their direct contact with the skin that led to the eroticism of gloves. Not only were pairs often exchanged between lovers, but from the 16th to the 18th centuries, it was common practice to remove one glove and give it as a gift to a favourite. The idea of the item being presented still warm from the wearer’s hand is certainly suggestive. Following the death of King George IV, his executors purportedly found over a thousand mismatched ladies’ gloves among his possessions. The sentiment of a 17th-century poem reveals the popularity of the practice: “Come to our wedding to requite your loves / Shew us your hands and we’ll fit you with gloves.” Such generosity might be pricey for the hosts, but gloves of varying quality could be offered depending on the status of the recipient. Pairs made with the finest Spanish leather might be reserved for immediate family, while coarse sheep’s leather could be distributed among the servants and tradesmen. The apportioning of quality according to class provided a very clear message of the gloves’ intended use. For refined guests, they were decoration; for the lower classes, they were functional. Bartholomeus van der Helst...

Antique American school surreal composition painting. Oil on board, circa 1950. Unsigned. Image size, 8L x 12H. Housed in a period modern frame.

Baccanale Romano Oil Painting on Canvas Mythology Rome Landscape In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family...

Hendrick Bloemaert An Allegory of Justitia protecting Innocence from Calumny, Treachery and Deceit signed and dated 'HBloemaert fc. 1638' (HB linked, lower right, on the pedestal) oil on canvas 85.5 x 110.3 cm Provenance H. Hoogers, Nijmegen, 7 June 1816, lot 6, as Cornelis Bloemaert. J. Brolsma, Ede, 1957. with Baer, The Hague, 1960. Collection Hirschberg, The Hague. Anonymous sale; Heerlen, 10 April 1962, lot 121 (as measuring 68 x 108 cm.) Sale of Christie's Amsterdam: Tuesday, November 25, 2014 [Lot 00045] Old Masters, 19th Century and Impressionist Art Literature Marcel Roethlisberger, Abraham Bloemaert...

Bellerofante e la Chimera Oil Painting on Canvas Lion Dragon Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan fa...

Artist/ School: Italian School, 17th century Title: Two figures in an interior, one holding an urn or jug. Possibly a Biblical narrative subject. Medium: oil painting on canvas, u...

ABOUT THE ARTIST MARTA RYNKIEWICZ is a Polish contemporary artist (born in 1983). She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowic...

Oil on canvas Levan Urushadze is a Georgian contemporary artist born in 1960 who lives and works in Tbilisi, Georgia. Someone once wrote that "style ...

Ramona Stelzer is a contemporary artist. She is fascinated and inspired by nature, its process, lifecycle, transformation, and alteration. She loves to ...

The English Civil War by Frank Hider (British, 1861-1933) signed oil painting on canvas, framed frame: 30 x 48.5 inches provenance: private collection, En...

Oil on canvas

A classy pair of oil on canvas Parisian street scenes paintings signed by the artist R. Roywilsens. ( American, 1940's) The paintings fe...

Mystical Phantom is an oil painting on canvas panel by award winning contemporary artist Michael Budden. It is a "play" on "drama" that is unfolding as theater goers line up on a ra...

William Stephens Shields, Jr., 1925 - 2010 "The Manifestation" 1994 Oil on canvas 48"x36" artist framed Signed lower center William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...

“Untitled” 2022 Acrylic on Black Cotton Linen 26 1/2 x 26 3/4” $2000 ------- Laura Gonballes is an artist who lives and works in Barcelona, Spain with visual language influenced...

This Must Be Love, Original Contemporary Abstract Painting 31.5" x 31.5" x 2" (HxWxD) Framed 30" x 30" x 1" (HxWxD) Acrylic on Canvas Hand-signed by the artist. A bold and moody abs...

Work on canvas

Oil on canvas

Oil on canvas

Washington, Jefferson, Roosevelt, and Lincoln are forever immortalized on Mount Rushmore in S. Dakota, symbolizing the ideals of freedom and democracy and a promise to the future. Bl...

Studio per la Regina Oil Painting on Canvas Horse People Nude In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sister...

This yellow and dark blue/green work of art was created on a sheet of black plexiglass. The surface you see is created by rabbeting ( woodworking term) a single continuous groove in...

I'm sorry, but I... - 30х25 cm (43x38 in frame), acrylic on canvas,