Paintings

William Stephens Shields, Jr., 1925 - 2010 Untitled 1990 Oil on canvas 60"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Franc...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Spring Size: 27.5" x 31.5" x 0.8'' in...

This small portrait is signed and dated among the bottom edge "Io(hannes) Baptista Scarlattius Rondinelli Fecit Anno 1754". Giovan Battista Scarlatti Rondinelli was an important memb...

Set of 4 capriccio landscape oil on board paintings from the area of Florence

Pheobe is part of a series of abstract portraits Donna Isham created in 2022. Bold brush strokes and the use of brilliant colors form into confident and strong female images.

"Shared Rest" - an absolutely charming, fabulously painted, oil-on-canvas painting of three, Jack Russel Terriers nestled together on a bench or sofa, swathed in green fabric. Framed...

"Bloom" Abstract Painting 79" x 47" inch by Ahmed Farid Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is an autodidact Egyptian painters who trained priva...

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

MICHAL BAJSAROWICZ (born in 1963) He graduated from the Academy of Fine Arts in Poznan, achieving his diploma in 1992 at the studio of prof. B. Wegner. His mainly works in painting, ...

Oil Painting Pair by Robin Fenson "Stooking" 1868 - 1942 Pseudonym for Henry Maidment on Islington painter of domestic landscapes, brother in law to DT ...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

Jay Patel THE MAPLE FOREST Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1114 "This vividly hued artwor...

Vibrant colors, string brush strokes, intense personal gaze. Would be stunning in any room!

Title: I AM the Storyteller III Large Colorful Striking Artwork dting the tree of life, beauty and abundance UPSIZED This work is part of the I AM series. It is part of the story o...

Natalie Bird, artist with Wychwood Art. Natalie lives in South West London near Wimbledon and paints in mixed media, watercolour and oil. She has always drawn and painted since child...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Autumn Alley Size: 21.5" x 27.5" x 0....

Mixed Media (oil color, pigments, gold leaf, sand, lava) on canvas and wood Signature at the bottom right Murielle Argoud is a French artist born in...

German or Danish School, 19th Century Coastal Scene with boat and fishermen very decorative cabinet piece in a golden frame The painting is very fine and goes with a very nice and so...

A large Abstract Acrylic painting by Milo Tor ( Holland) in the manner of Wildfred Lang ( Chinese, 1954). The original art work was painted oil on canvas by Wilfred Lang and entitle...

This is a copy of a 16th Century painting by Andrea Del Sarto, oil on canvas probably painted by either Oswald Achenbach or Oswald Brierley around 1890-1910....

Sanford Robinson Gifford (American 1823-1880) A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford) "The Artist's Wife" Oil on Paper mounted on canvas, painted in 1878, 2 years before his death. In original giltwood frame. Painting: 8 1/4" high by 7 1/4" wide Frame: 15" high x 13.5" wide Provenance: Private Collection (acquired by descent directly from the artist in 1878) Alexander Gallery, New York (acquired from the above) Acquired from the above in 1986 by the present owner The Art Institute of Chicago (Reference Number 1986.184) New York, Private Collection Literature: Ila Weiss, The Poetic Landscape: The Art and Experience of Sanford R. Gifford, Newark, 1987, no. 10, p. 309, illustrated The Art Institute of Chicago, letter from Milo Naeve to Mr. and Mrs. William Y...

"Flamenco Dancer in Red Dress" by Rene Legrand (Born 1953) Oil on Canvas, Signed and Framed Beautiful and evocative portrait of a young Flamenco Da...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2016 Style: Figurative Art, Title: Poppy Field Size: 2...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Flora Size: 27.5" x 3...

Signed lower right, 'Pauer' for Jacalyn Pauer (American, 20th century) and dated 1991. Additionally signed, verso, and titled, 'The Family Dinner'. A su...

Horse portrait is an original modern artwork realized in the mid-20th century by Hans Cortes. A mixed colored oil painting on canvas. Hand signed by the artist on the lower margin....

"A Season of Red" by Seth Winegar (United States) is a handmade landscape painting that is framed and ready to hang.

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Sunny face. Bilateral. Cardboard, tempera, 53x35.5 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Beautifully painted, oil-on-panel of a recumbent lion in its original, gilded wood frame.

The artist thinks of their paintings primarily as landscapes. Lately, these landscapes have taken on a more manufactured feel rather than organic. At first glance, the subjects may a...

Peter Hoffer was born in 1965 in Brantford, Ontario. He holds an MFA from Concordia University and degrees from the University of Guelph and OCAD University. He has lived and worked ...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Helen Hale was born in Hertfordshire in 1936 and was a part-time student in London from 1955 to 1970 at St Martin’s School of Art and the Sir John Cass School of Art. In 1974 she wa...

Chuta KIMURA (also "Tchuta" or "Tshuta") is an allusive landscape painter and pastellist. His name - composed of the words Ki (tree) and Mura (village) - literally means "village tree". The artist was born into a middle-class family with an ancestral Samurai background. From the age of 13, he took drawing lessons at the Takamatsu School of Decorative Arts. In 1936, he went on to study at Tokyo's Nika Art Academy, where the academic teaching did not suit him. In 1937, he exhibited for the 1st time at the Dokuritsu Salon, but was immediately drafted by the army to serve in China - where, despite the war, he developed a passion for ancient calligraphy. In 1940, he eventually returned to Japan due to illness. Shortly afterwards, in 1941, he discovered a painting by Pierre Bonnard at the Ohara Art Museum in Kurashiki, the light of which overwhelmed him. He was mobilized again in China in 1945, then, once the war was over, he resumed his exhibitions in Tokyo and discovered Bonnard once again. In 1947, he married Satchiko Yunoki, with whom he decided to move to Paris. Thanks to a patron, the young couple settled in Montparnasse in March 1953 (taking over the former studio of his illustrious compatriot, Foujita). In 1954, he exhibited at the Salon des Artistes Français and met Jacques Zeitoun, artistic director of the "Art Vivant" gallery (Paris and Lyon), who immediately signed him up. From 1955 onwards, Kimura enjoyed a steady stream of solo exhibitions - in Paris (e.g. Galerie St Placide, Kriegel, or Art Yomiuri - the latter exhibiting his work 4 times at FIAC in the 1980s); Lyon (e.g. Galerie St Georges); Antibes (e.g. Galerie St Georges); and Paris. galerie St Georges); Antibes (ex. galerie René Raporte); Brussels (ex. galerie de France et du Benelux); Geneva (ex. galerie Krugier); Tokyo (ex. galleries Nichido, or Takarashi); and New York (ex. galleries David Findlay, or Ruth Sigel). The artist also participated in fairs and group exhibitions (e.g. Biennale de Paris in 1957, Centre Pompidou in 1979, The Phillips Collection in 1985). In 1962, he moved to Châtenay-Malabry and met Jean Grenier - professor of philosophy and holder of the chair of aesthetics and art science at the Sorbonne - who became his principal biographer: "When Kimura rightly prides himself on uniting East and West, which, he writes, are as different from each other as day and night are from each other, he might add that it is by remaining himself and drawing on the dual traditions of his country that he has succeeded in creating a work that is at once so violent and so gentle. In 1963, the French State bought a painting from him - "Jardin à Châtenay". In 1965, Galerie Kriegel (recently opened by his 1st dealer...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Forest Landscape Size: 23.5" x 31.5" ...

My work bridges two worlds – the vibrancy of my Caribbean roots and the eclectic energy of my London life. This duality becomes a prism through which the familiar is seen in a new li...

Mose Tolliver AKA Mose T Untitled Watermelon wood, paint, soda tab approx: 14 5 x 19.5" date unknown signed

A beautiful still life by Gillian, she has been showing nationwide since the early 1970's and is featured in many private and public collections, including museums. This painting is...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Original, oil-on-canvas painting by French artist, Albert Andre'. "Jardin a Bagnols-sur-Ceze". Signed lower right. Period, gilt wood frame.

Autour wanna talks about such an simple things. Our world is built on contrasts from the very beginning of the creation of the world. Adam and Eve would not know what Paradise meant ...

Introducing an extra-large painting, measuring an impressive 180cm x 180cm/70,9in x 70,9 in by the visionary artist Alejandro Hermann. Within this painting you experience an contempo...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

A rare, richly hand-painted, 18th century oil-on-panel portrait of a crane set against a moody sky amidst a lush landscape of mountains, forest, architecture, and water. Held in a ne...

PIERO DORAZIO SPAN 1981 
 Olio su tela Oil on canvas cm 60 x 80 Firma, titolo e data sul retro Signed, titled and dated on the reverse Autentica a cura dell’Archivio Piero Dor...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Landscape, 2022, 100x100 cm

Signed and dated: Tulon 1873, A. Beggrow (Beggrov), attributed Alexander Karlovich Beggrov (1841-1914) was a Russian landscape painter. He notable for his seascapes and Saint Petersb...

African Dream by artist Pascal Pierme is a contemporary red and brown sculpture mixed media wall piece that measures 40 x 40 and is priced at $6,000. Pascal Pierme does not “feel go...

Clouds & Cars is an impressionistic landscape plein air oil painting on canvas panel that showcases a beautiful early summer scene featuring a train that ran near my first home I ow...

Mendocino Stormy Autumn Day 1971 Heading back to the cabin on a Mendocino stormy Autumn day. Sandy Gravitch (B- 1927) who has been featured at Art in the Redwoods, Gualala Art Festiv...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955. Vivian Huebler w...

A landscape, re-imagined in bold colours that contrast dark and light, this is the work of Sylvain Louis-Seize. As a young boy, the Montreal artist beg...

Neches (Homage for PM) Oil, Bitumen, Aluminum Powder, Sand, Burlap, On Cavas 48" x 41" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Antonio Travi, called Sestri (Genoa, Sestri Ponente 1608 - Genoa 1665) Landscape with ruins and biblical scene First half of the seventeenth century oil on canvas, 82 x 121 cm The beautiful painting published, which presents a vast landscape with architectural ruins, fully reflects the pictorial poetics of Antonio Travi (Sestri Ponente 1608 - Genoa 1665), the first landscape painter of the Genoese pictorial school; A poetic that remains constant throughout his career: Bernardo Strozzi...