Paintings

RICHARD ANUSZKIEWICZ Translumina – Yellow and Orange on Light Blue (No. 991), 1992 Acrylic on canvas 54 x 54 inches

RICHARD ANUSZKIEWICZ Untitled (Knot No. 1117), 1986-2019 Acrylic on canvas 48 x 48 inches

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

19th century English oil portrait of a Horse, Hunter or Polo pony in a stable. , born in Minestead in the New Forest, Hampshire the son of Reverend Thomas John Gatehouse. Oils on canvas and still framed in its original English Oak frame this is a very well painted horse portrait.

Flore Boom For Real, 2022 Signed by artist Acrylic on canvas 50 x 50 inches, unframed This piece is unique Currently on display at Art Angels Flore byf...

Signed (on stretcher): Stanley Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardsc...

Timeline, 2020 Oil on canvas 24 x 30 x 1 1/2 inches Signed and dated, verso

Untitled, 2018 Oil on canvas 48 x 36 x 1 1/2 inches Signed and dated, verso

With these pieces Mattia is painting a self-portrait in a unique and creative way without the typical technique of using paint with brush strokes. Mattia starts by creating molds then ice sculptures with color...

Oil on panel

"This One Glowing Moment, Now" is an original Acrylic on Canvas painting by the Skye Brothers. Based out of Eindhoven, the Netherlands, the story of art...

This is a one of a king original acrylic expressionist landscape painting titled by San Diego artist, Sherry Beaton Krulle. Its dimensions are 12...

This is a one of a kind modernist acrylic painting on wood panel. Its dimensions are 8x10. It unmounted and unframed and requires hardware if you wish to hang. A certificate of authe...

Bright, light and colorful, inspired by the joyful chaos of New Orleans.

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

Serra’s (Italian, b. 1946) revival of archaic painting techniques is founded on his intimate understanding of these older materials and deep respect for “Old Master” paintings from t...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of ...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of...

Abstract

Carmen Herrera (Cuban, b. 1915) Untitled, 2018 Medium: Silkscreen in colors Dimensions: 76.2 x 55.9 cm (30 x 22 in) Edition of 50: Hand signed and numbered Condition: Mint

Digital mosaic. Limited and signed edition, number 3 of 8. Edition original 8 ex + 3 EA. Joël Moens is a serial creator. Over the course of his lifetime, he has spawned over fifteen different businesses. Nowadays, and almost schizophrenically, he switches between his businessman’s hat and his artist’s hat at the mere click of a mouse, given that this disciple of the philosophy of action devotes his time to digital art. His artistic 'love at first sight' moment was his discovery of and introduction to photo mosaics. This is a process which renews the ancient technique of mosaic and is testament to the change in status of the image that resulted from the technological revolutions of the end of the twentieth century. The particular works of Joël Moens are made up of scores of feminine curves, that when assembled form a unified whole. The tiny photographic images lend a real sense of depth to the artist’s work, an idea of infinity. They can be read in two ways, depending on whether the viewer is looking at the content or the form. This reflects the ambivalence of his existence where he alternates between his activities as a businessman and his work as an artist. The photo mosaics of Joël Moens de Hase first began to emerge in 2011. They rapidly caught the interest of a national and international viewership, and both were highly receptive. This digital art form, a contemporary alternative of pixel art...

This Was Supposed To Be A Love Letter, 2021 Signed by the artist Acrylic on canvas, framed 78.7 x 59 inches This piece is unique

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

Original Chinese Export School gouache.

Original Chinese Export School gouache.

Optimistic As Fuck c. 2018 Signed, lower right edge Acrylic and mixed media on canvas with heavy resin 48 x 48 inches (121.9 x 121.9 cm) Contact gallery for price. This work is o...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16" x 48". It is unframed. This is...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16x48. It is unframed. This is the third painting in a series of 6. The artist has depicted a palm tree on fire against an orange background. The artist uses a limited color palate of vibrant oranges, light orange, and a dark orange shade. Vàsquez focuses primarily on his exploration of various iterations of palm trees. Ubiquitous in Southern California, and historically viewed as a provider of nourishment, shelter, and bounty, the trees in Vásquez’s paintings are instead framed in peculiar or dire scenarios. Many of the trees in his work are ablaze, or are actually cell towers that pose as a living palm. They are superbly painted with layers of color and detail; they have become anthropomorphized through their portraiture-style framing on the canvas and dance-like poses. Vásquez explains, “I recall being shaken the first time I saw a burning palm tree. My response was to investigate the meaning of this phenomenon through painting and to work through my feelings of awe and dread. I want my paintings of palm trees...

Oil and oil crayon on canvas.

Pop Art. Framed Mixed Media Sketch. White Frame. Glass. A celebration of beach life. Fun. About the Artist: NELSON DE LA NUEZ is one of the most sought-after contemporar...

Arman (b. 1928, France; d. 2005, New York), one of the major figures of post-war art and a founder member of the French “Nouveau Réalisme” school, which...

Aviary, acrylic and mixed media painting by artist Ben Darby. Aviary is composed of two pieces attached to create a fanciful composition of various birds, flowers, and exuberant colors.

2021 Oil on canvas S. 24 x 18 in. (61 x 45.7 cm) Signed and dated in pencil

This dimensional wall sculpture is made of laser cut aluminum and enamel paint. The back panel is painted to look like a page torn out of an artist's sketch book...

French Abstract city scene of Paris, with Sacre-Coeur, The Eiffel Tower, and rooftops. Her style has evolved from figurative into her preferred style of abstraction having studied...

Jerald Ieans Abstract Composition from Waves and Rococo Series, 2009 Oil on canvas mounted to panel 37 x 82 inches (94 x 208.3 cm)

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

Abstract pastel toned color block painting that incorporates blue, white, and peach tones. Currently hung in a thick, neutral white toned frame. Signed in the bottom right corner by ...

The color field and action painting movements have always influenced Francine Tint’s work. She is a colorist first and foremost. She works instinctively, creating expressive pieces, ...

This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Barbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...

Medium: Mixed Media on Board Signature: Signed on Verso Contact for dimensions. Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, whi...

This piece by Hyunmee Lee is framed. The price reflects the framed piece. Unframed dimensions: 60 x 60 inches. "My art practice crosses three continents over two decades. The works consider the images and ideas that mark my journey into the spiritual and cultural dimensions of painting as a creative activity. During a period when I have carried adventurous journeys across several different social and geographic divides, I began to search deeper for an understanding of who I am, and where I am. My paintings started to explore the idea of self as the most fundamental element of human nature; I tried to seek my identity as I examined human nature." Hyunmee Lee was born in Seoul Korea, where she grew up practicing Western Modern art with experience in Eastern painting...

Tangerine is a saturated, bold orange hue that aptly describes the exterior of the delicious fruit—the same fruit this fun hue derives its name from. ... Like most other orange hues, tangerine is associated with energy, youth, and happiness. It reminds me of the citrus trees...

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers...

Vintage American modernist abstract oil painting. Oil on canvas, circa 1970. Possibly signed verso. Displayed in a period modern frame. Image, 30"L x 25"H.

In the paintings by Robert Chiarito the figure has always been dominant. Over the course of forty plus years, this figurative presence in his work has evolved stylistically from natu...

Artist: Leestemaker, Luc Title: Allegory #30 Series: Allegory Medium: Mixed Media Unframed Dimensions: 35" x 23" Frames Dimensions: 36 x 24 inches Signature: Signed Edition: U...

The vivid Golden and Yellow behind the figure has a dreamlike quality, giving the piece an otherworldly feel. The tribal figure is so detailed, Ignacio Trelis...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

oil on canvas

Spray paint on paper Contact gallery for price This work is offered by ClampArt in New York City.

Neish’s interest is unswerving in expressing something of the actual properties inherent to oil paint as a material in its own right. Paint is dragged and spread across its support r...

Richard Anuszkiewicz Pale Green Square, 1977 - 2018 36 x 36 inches acrylic on canvas