Paintings

With these pieces Mattia is painting a self-portrait in a unique and creative way without the typical technique of using paint with brush strokes. Mattia starts by creating molds then ice sculptures with color...

Oil on panel

Born and raised in Beverly Hills, California, Daniel Maltzman has always been interested in pop culture and advertisement. His early career consisted of promoting the hottest clubs in Hollywood and running a successful business in the fashion industry. A switch to the art world was natural for Maltzman as his obsession with creativity and expression only grew with his exposure to the art scene that so profoundly impacted Los Angeles nightlife. Much of Maltzman’s inspiration draws from his relationships with people who have fast-paced lifestyles, fame, and fortune. Maltzman is also fascinated by Los Angeles’ contemporary urban settings and street style aesthetics. Mixing acrylics with spray paints and juxtaposing graphic images amongst figurative depictions, Daniel Maltzman’s work is captivating and richly dynamic. Striking colors and bold mark-making show evidence of Mark Grotjahn...

"This One Glowing Moment, Now" is an original Acrylic on Canvas painting by the Skye Brothers. Based out of Eindhoven, the Netherlands, the story of art...

This is a one of a king original acrylic expressionist landscape painting titled by San Diego artist, Sherry Beaton Krulle. Its dimensions are 12...

This is a one of a kind modernist acrylic painting on wood panel. Its dimensions are 8x10. It unmounted and unframed and requires hardware if you wish to hang. A certificate of authe...

Bright, light and colorful, inspired by the joyful chaos of New Orleans.

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

Serra’s (Italian, b. 1946) revival of archaic painting techniques is founded on his intimate understanding of these older materials and deep respect for “Old Master” paintings from t...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of ...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of...

"That Was Goodbye" is an original Acrylic on Canvas painting by the Skye Brothers. Based out of Eindhoven, the Netherlands, the story of artist duo Skye Brothers began back in 2012 ...

"Yellow I" is an original oil painting on canvas by the artist Clovis Pareiko. Beauty and aesthetic have always been a major concern for me. I focus my energy on it because I believ...

Abstract

This Was Supposed To Be A Love Letter, 2021 Signed by the artist Acrylic on canvas, framed 78.7 x 59 inches This piece is unique

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Yellow Within, 2006 - Work on Paper, British Abstraction - Sandra Blow Signed on reverse Acrylic and mixed media on canvas 24 x 24 inches Sandra Blow RA (1925-2006) pioneered Britis...

Optimistic As Fuck c. 2018 Signed, lower right edge Acrylic and mixed media on canvas with heavy resin 48 x 48 inches (121.9 x 121.9 cm) Contact gallery for price. This work is o...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16" x 48". It is unframed. This is...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16x48. It is unframed. This is the third painting in a series of 6. The artist has depicted a palm tree on fire against an orange background. The artist uses a limited color palate of vibrant oranges, light orange, and a dark orange shade. Vàsquez focuses primarily on his exploration of various iterations of palm trees. Ubiquitous in Southern California, and historically viewed as a provider of nourishment, shelter, and bounty, the trees in Vásquez’s paintings are instead framed in peculiar or dire scenarios. Many of the trees in his work are ablaze, or are actually cell towers that pose as a living palm. They are superbly painted with layers of color and detail; they have become anthropomorphized through their portraiture-style framing on the canvas and dance-like poses. Vásquez explains, “I recall being shaken the first time I saw a burning palm tree. My response was to investigate the meaning of this phenomenon through painting and to work through my feelings of awe and dread. I want my paintings of palm trees...

Jennifer Hornyak was born in England, where she studied at the Grimsby School of Art before coming to Canada. For more than forty years, her work has been exhibited in prestigious ga...

Oil and oil crayon on canvas.

Arman (b. 1928, France; d. 2005, New York), one of the major figures of post-war art and a founder member of the French “Nouveau Réalisme” school, which...

Arman (b. 1928, France; d. 2005, New York), one of the major figures of post-war art and a founder member of the French “Nouveau Réalisme” school, which...

Aviary, acrylic and mixed media painting by artist Ben Darby. Aviary is composed of two pieces attached to create a fanciful composition of various birds, flowers, and exuberant colors.

Fusion, acrylic, mixed media, on canvas and wood panel painting by artists Ben Darby. Fusion has a bright burst of gold color flowers and birds perched throughout.

French Abstract city scene of Paris, with Sacre-Coeur, The Eiffel Tower, and rooftops. Her style has evolved from figurative into her preferred style of abstraction having studied...

Jerald Ieans Abstract Composition from Waves and Rococo Series, 2009 Oil on canvas mounted to panel 37 x 82 inches (94 x 208.3 cm)

Mixed media

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

Abstract pastel toned color block painting that incorporates blue, white, and peach tones. Currently hung in a thick, neutral white toned frame. Signed in the bottom right corner by ...

The color field and action painting movements have always influenced Francine Tint’s work. She is a colorist first and foremost. She works instinctively, creating expressive pieces, ...

This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.

Bright, vivid, and highly saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings, which are made by dipping a pair of custom made boxing gloves into paint and unleashing his fists onto swathes of un-stretched canvas. Ushio works in several mediums including painting, printmaking, drawing and sculpture. In 1960 Ushio helped found the Neo-Dadaism Organizers. Their mission: deviate from any conventional form of art. Akin to European Dadaists, who’s art sought to reveal the customary and often repressive conventions of logical order and rationality, the Neo-Dadaism Organizers embodied a similar ethos. This can chiefly be seen in akushon, meaning “action”, which is the practice of emphasizing the human body as an artistic medium. For Ushio, this sensibility is encapsulated in what has become his personal trinity “be speedy, beautiful, and rhythmical.” Ushio's bright and frequently oversized work has exhibited at prestigious institutions internationally, including the Hara Museum of Contemporary Art; Centre Georges Pompidou; the Guggenheim Museum, New York; the Japan Society, New York; the National Museum of Modern Art, Tokyo; the Museum of Contemporary Art, Los Angeles; the Metropolitan Museum of Art, Busan; the Dallas Museum of Art and the Tate Modern, among others. His work was included in International Pop, a landmark exhibition at the Walker Art Center that chronicles the global emergence of Pop art from the 1950s through the early 1970. In addition to an extensive exhibition history, Ushio has also been a prolific performer — demonstrating the process of his boxing paintings live and in-person at various institutions. A selection of these performances include the National Museum of Art, Osaka; Museum of Contemporary Art, Tokyo; Austria Museum of Applied Art, Vienna; Busan Art Museum, South Korea; Musée d’Art Contemporain, Lyon; The State University of New York at Potsdam; J. Paul Getty Museum, Los Angeles; Dallas Museum of Art; and Carlton University, Ottawa. Ushio Shinohara "Trapeze Artists...

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Barbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...

Barbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...

Medium: Mixed Media on Board Signature: Signed on Verso Contact for dimensions. Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, whi...

This piece by Hyunmee Lee is framed. The price reflects the framed piece. Unframed dimensions: 60 x 60 inches. "My art practice crosses three continents over two decades. The works consider the images and ideas that mark my journey into the spiritual and cultural dimensions of painting as a creative activity. During a period when I have carried adventurous journeys across several different social and geographic divides, I began to search deeper for an understanding of who I am, and where I am. My paintings started to explore the idea of self as the most fundamental element of human nature; I tried to seek my identity as I examined human nature." Hyunmee Lee was born in Seoul Korea, where she grew up practicing Western Modern art with experience in Eastern painting...

"popheART" — layered laser cut aluminum and enamel on aluminum panel — 35 x 40 x 5.5 inches. Signed and numbered limited edition of 35. Commission only with apx. 4-5 week lead time....

Tangerine is a saturated, bold orange hue that aptly describes the exterior of the delicious fruit—the same fruit this fun hue derives its name from. ... Like most other orange hues, tangerine is associated with energy, youth, and happiness. It reminds me of the citrus trees...

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers...

Vintage American modernist abstract oil painting. Oil on canvas, circa 1970. Possibly signed verso. Displayed in a period modern frame. Image, 30"L x 25"H.

In the paintings by Robert Chiarito the figure has always been dominant. Over the course of forty plus years, this figurative presence in his work has evolved stylistically from natu...

Artist: Leestemaker, Luc Title: Allegory #30 Series: Allegory Medium: Mixed Media Unframed Dimensions: 35" x 23" Frames Dimensions: 36 x 24 inches Signature: Signed Edition: U...

The vivid Golden and Yellow behind the figure has a dreamlike quality, giving the piece an otherworldly feel. The tribal figure is so detailed, Ignacio Trelis...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

oil on canvas

Neish’s interest is unswerving in expressing something of the actual properties inherent to oil paint as a material in its own right. Paint is dragged and spread across its support r...

Neish’s interest is unswerving in expressing something of the actual properties inherent to oil paint as a material in its own right. Paint is dragged and spread across its support r...

Medium: Oil on Board Signature: Signed Sight Size 20.13" x 16.38", Framed 26.00" x 23.00" Maxfield Parrish’s popularity as an illustrator began with his early work for magazine publishers. An Easter 1895 cover for Harper’s Bazaar, one of the leading publications of the day, was followed by a successful foray into book illustration beginning in 1897 when Parrish completed illustrations for Frank Baum’s Mother Goose in Prose. His unique style and vivid imagination were well suited to illustrating children’s literature and resulted in numerous commissions. The List of Characters is one of 26 paintings, which appeared as an illustration in Louise Saunders' book, The Knave of Hearts. Lawrence S. Cutler and Judy Goffman Cutler write, “The last book Parrish illustrated, The Knave of Hearts (1924), was his masterpiece. When Parrish discovered this children’s play, he proposed an illustrated edition to Scribner’s, to which the publisher enthusiastically agreed …It was written by Louise Saunders, who was the wife of Maxwell Evarts Perkins of Scribner’s, an important editor in the 20th century and discoverer of authors Thomas Wolfe, Ernest Hemingway, F. Scott Fitzgerald and others. The couple were summer residents at Cornish and close friends of the Parrishes” (Maxfield Parrish and the American Imagists, Edison, New Jersey, 2004, p. 172). According to Coy Ludwig, “The artist’s enthusiasm was shared by the publisher, who requested sketches or more precise information upon which to base a cost analysis, as final approval could not be given until the costs were estimated. Parrish prepared an elaborate dummy or mock-up of the proposed publication, complete with watercolor sketches of the illustrations, and sent it to the publisher early in 1921 …The twenty-six paintings for The Knave of Heartswere executed within three years, and the book, a sumptuous production, was published on October 2, 1925… The volume, selling for ten dollars, was packaged in a telescoping box...

Sandi Neiman (b. 1959) Title: "Confetti" Size: 12" x 12" Medium: Mixed Media on Board Markings: Signed and Titled on Back Sandi Neiman is local to the Austin, TX area and has recen...

Oil painting

Acrylic on paper with letter stickers.

This painting is very textural and colorful and the sides the gallery wrapped canvas have been painted so that it may be hung without a frame. The piece is also wired. Photo credit ...

A Garden - naive art, primitivism, folk art made in red, green, blue, pink, yellow colors. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...