Paintings

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...

Alberto Murillo is native to Madrid, Spain, but has resided in many cities and countries around the world. He now lives and works in Tampa. A self-taught artist, Murillo has lived ...

Mulberry paper and acrylic on gauze Xinyi Liu is an interdisciplinary artist based in New York and Beijing. She works with materials that resonate with the thin and silky quality of...

This piece is round and is 20 inches in diameter. Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in ...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

Colorful abstract contemporary circular painting by Houston, TX artist, David Hardaker. This painting features various rings of neon pink, neon orange, yellow, and purple. Signed and...

Skye Brothers Who’s Gonna Drive You Home Tonight?, 2022 50 x 50 inches Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art Angels Los An...

Skye Brothers Cosmic Slot Machine, 2022 50 x 50 inches Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art A...

Skye Brothers Love, Love, Love (Gold), 2022 50 x 50 inches Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art Angels Los Angeles

Skye Brothers The Things We Do for Love, 2022 50 x 50 inches Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art Angels Los Angeles

Skye Brothers Fuck, 2022 50 x 50 inches Acrylic on canvas This piece is unique Signed by the artist Unframed Currently on display at Art Angels Los Angeles

Artist/ School: Barbara Doyle, British b. 1917 Barbara Doyle (British b.1917, born in Halifax Yorkshire, lived most of her life on the South Coast of England. She was an extremely a...

RICHARD ANUSZKIEWICZ Translumina – Yellow and Orange on Light Blue (No. 991), 1992 Acrylic on canvas 54 x 54 inches

RICHARD ANUSZKIEWICZ Untitled (Knot No. 1117), 1986-2019 Acrylic on canvas 48 x 48 inches

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

19th century English oil portrait of a Horse, Hunter or Polo pony in a stable. , born in Minestead in the New Forest, Hampshire the son of Reverend Thomas John Gatehouse. Oils on canvas and still framed in its original English Oak frame this is a very well painted horse portrait.

Flore Boom For Real, 2022 Signed by artist Acrylic on canvas 50 x 50 inches, unframed This piece is unique Currently on display at Art Angels Flore byf...

Signed (on stretcher): Stanley Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardsc...

Timeline, 2020 Oil on canvas 24 x 30 x 1 1/2 inches Signed and dated, verso

Untitled, 2018 Oil on canvas 48 x 36 x 1 1/2 inches Signed and dated, verso

With these pieces Mattia is painting a self-portrait in a unique and creative way without the typical technique of using paint with brush strokes. Mattia starts by creating molds then ice sculptures with color...

Oil on panel

"This One Glowing Moment, Now" is an original Acrylic on Canvas painting by the Skye Brothers. Based out of Eindhoven, the Netherlands, the story of art...

This is a one of a king original acrylic expressionist landscape painting titled by San Diego artist, Sherry Beaton Krulle. Its dimensions are 12...

This is a one of a kind modernist acrylic painting on wood panel. Its dimensions are 8x10. It unmounted and unframed and requires hardware if you wish to hang. A certificate of authe...

Bright, light and colorful, inspired by the joyful chaos of New Orleans.

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

Serra’s (Italian, b. 1946) revival of archaic painting techniques is founded on his intimate understanding of these older materials and deep respect for “Old Master” paintings from t...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of ...

Acrylic on canvas. "Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of...

Abstract

This Was Supposed To Be A Love Letter, 2021 Signed by the artist Acrylic on canvas, framed 78.7 x 59 inches This piece is unique

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Optimistic As Fuck c. 2018 Signed, lower right edge Acrylic and mixed media on canvas with heavy resin 48 x 48 inches (121.9 x 121.9 cm) Contact gallery for price. This work is o...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16" x 48". It is unframed. This is...

This is an original one of a kind conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 16x48. It is unframed. This is the third painting in a series of 6. The artist has depicted a palm tree on fire against an orange background. The artist uses a limited color palate of vibrant oranges, light orange, and a dark orange shade. Vàsquez focuses primarily on his exploration of various iterations of palm trees. Ubiquitous in Southern California, and historically viewed as a provider of nourishment, shelter, and bounty, the trees in Vásquez’s paintings are instead framed in peculiar or dire scenarios. Many of the trees in his work are ablaze, or are actually cell towers that pose as a living palm. They are superbly painted with layers of color and detail; they have become anthropomorphized through their portraiture-style framing on the canvas and dance-like poses. Vásquez explains, “I recall being shaken the first time I saw a burning palm tree. My response was to investigate the meaning of this phenomenon through painting and to work through my feelings of awe and dread. I want my paintings of palm trees...

Oil and oil crayon on canvas.

Arman (b. 1928, France; d. 2005, New York), one of the major figures of post-war art and a founder member of the French “Nouveau Réalisme” school, which...

French Abstract city scene of Paris, with Sacre-Coeur, The Eiffel Tower, and rooftops. Her style has evolved from figurative into her preferred style of abstraction having studied...

Jerald Ieans Abstract Composition from Waves and Rococo Series, 2009 Oil on canvas mounted to panel 37 x 82 inches (94 x 208.3 cm)

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

In Ivan’s "Room" series, we see the impression of a human figure against a background composed of imagery suggesting the dressings of an interior space. The treatment of the backgrou...

Abstract pastel toned color block painting that incorporates blue, white, and peach tones. Currently hung in a thick, neutral white toned frame. Signed in the bottom right corner by ...

The color field and action painting movements have always influenced Francine Tint’s work. She is a colorist first and foremost. She works instinctively, creating expressive pieces, ...

This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.

While decidedly abstract in execution, this lively painting demonstrates a tendency for even abstract imagery to resemble content we’re already familiar with. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. He is well known for his boxing paintings...

Barbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain ...

Medium: Mixed Media on Board Signature: Signed on Verso Contact for dimensions. Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, whi...

This piece by Hyunmee Lee is framed. The price reflects the framed piece. Unframed dimensions: 60 x 60 inches. "My art practice crosses three continents over two decades. The works consider the images and ideas that mark my journey into the spiritual and cultural dimensions of painting as a creative activity. During a period when I have carried adventurous journeys across several different social and geographic divides, I began to search deeper for an understanding of who I am, and where I am. My paintings started to explore the idea of self as the most fundamental element of human nature; I tried to seek my identity as I examined human nature." Hyunmee Lee was born in Seoul Korea, where she grew up practicing Western Modern art with experience in Eastern painting...

‘Orange Gradient’ is a medium size abstract geometric acrylic on canvas painting created by Argentinian artist Cristina Ghetti in 2018. Featuring a viv...

Tangerine is a saturated, bold orange hue that aptly describes the exterior of the delicious fruit—the same fruit this fun hue derives its name from. ... Like most other orange hues, tangerine is associated with energy, youth, and happiness. It reminds me of the citrus trees...

As your gaze lingers on one of Sally K’s paintings, you notice how Sally’s brush strokes add playfulness and life to the canvas, incorporating unexpected images and shapes of flowers...

Vintage American modernist abstract oil painting. Oil on canvas, circa 1970. Possibly signed verso. Displayed in a period modern frame. Image, 30"L x 25"H.

In the paintings by Robert Chiarito the figure has always been dominant. Over the course of forty plus years, this figurative presence in his work has evolved stylistically from natu...