Paintings

Circle of Bernhard Keilhau, known as Monsù Bernardo (Helsingør 1624 - Rome 1687) - Maddalena. 64 x 79.5 cm without frame, 82 x 98 cm with frame. Antique oil painting on canvas, in ...

Cornelis Johannes de Bruyn (c. 1763- c. 1828) A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase. Watercolor on paper 13 5/8 x 9 ...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...

Very important copper of the XVII century. Great conservation and super quality, very probably painted by Guido Reni.

Lucas Van Uden (Antwerp 1595 - Antwerp 1673) Signed lower right: (Lucas v. ud...) Hillside landscape with pond oil on wood panel 34 x 54 cm, with frame 51 x 71 cm. Work published ...

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

Delicate and caring Madonna with child, oil on copper, measuring 23 x 16 cm without frame and 32 x 25 cm with frame. Sweet colors and intimate attitudes for this painting that posse...

Stormy Weather, Colchester by Lucien Pissarro (1863-1944) Oil on canvas 54.3 x 65.3 cm (21 ³/₈ x 25 ³/₄ inches) Signed with monogram and dated lower left, 1911 Provenance: The Brook...

17th century Dutch old master oil seascape, Stormy sea with boats including a Dutch Hoy and a Packet-Boat The present painting is a peaceful, yet very lively, seascape and a beautif...

I examined with keen interest this pair of paintings depicting pleasant and tasty "Country Scenes " (Paintings oil on panel, 33 x 26 cm without frames and 50 x 42 cm with beautiful p...

Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. This portrait hung in the Grand Hall. This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. The artist has depicted an elegant lady, three quarter length and seated on porch with a luxurious crimson swag curtain by her side. The clothing – known as “undress” at the time, consists of red silk fastened at the front and sleeves by large gold and diamond jewels over a simple white chemise. In her lap she holds a blue wrap and in her other hand, at her chest, she clutches the end of a sheer gauzy scarf that has been draped around her body with the other end a type of headdress – this type of sheer scarf was often employed by Wissing in his portraits. The classical architecture signifies cultivation and sophistication and the luxurious swag curtain is a signifier of wealth. The portrait can be dated to circa 1680 based on the sitter’s attire, the “hurluberlu” hairstyle, and other portraits by Wissing using the same formula. This oil on canvas portrait has been well cared for over its life, which spans almost 350 years. Having recently been treated to remove an obscuring discoloured varnish, the finer details and proper colour can now be fully appreciated. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. Further Waterloo memorabilia are kettle drums from battle. The family had a strong tradition of military and political service, dating back to the 17th century, and this was also reflected in the fine collection of portraits and paintings in the house. In short, Ombersley represented a vital aspect of British history. The house and more especially the collection were of the greatest historical importance. Houses that have remained in the possession of the same family for as many as three centuries have become increasingly rare. Through this portrait, collectors have a chance to acquire a piece of British history and an evocative vestige of a glittering way of life, which is now gone. Much of the attractiveness of this portrait resides in its graceful manner and the utter beauty of the youthful sitter. Presented in a beautiful carved and gilded period frame, which is a work of art in itself. Willem Wissing was a Dutch artist who enjoyed a solid artistic training at The Hague under Arnold van Ravesteyn (c.1650-1690) and Willem Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took over his business and he scaled the heights of patronage with extraordinary ease, creating an independent practise in 1687, and painted for very important aristocratic patrons. King Charles II was so impressed by a portrait Wissing painted of his son, the Duke of Monmouth, in 1683 that he commissioned his own portrait and that of his Queen Catherine...

Painting oil on panel depicting a strong and distinctive old man's head with dimensions of 36 x 28 cm without frame and 68 x 60 with frame coeval Flemish school of the second half of...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame. Condition repo...

Painting, oil on panel, measuring 20 x 15 without frame and 35 x 30 with frame, depicting a landscape with a beautiful perspective and houses arranged on a mountain of the Flemish sc...

We present this pair of fascinating coastal views, the fruit of the author's imagination, executed with an elegant descriptive taste and conceived with the scenographic sensitivity t...

Oil on Canvas. The work is a faithful copy of the eponymous masterpiece by Tanzio da Varallo (1580-82 /1633), made by the painter from Valsesia for the Franciscan monastery of Santa...

Hendrick ter Brugghen (The Hague 1588-1629 Utrecht) Workshop Violin Player Oil on canvas 72 x 60 cm. Framed 87 x 78 cm. An analysis of the composition and style of this interestin...

Portrait of a Lady Italian Old Master, 17th century oil on copper, framed framed: 8.75 x 7.75 inches painting: 5 x 4 inches provenance: private collection, England condition: very go...

John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...

Pair of paintings, oil on canvas measuring 48 x 73 cm without frame and 58 x 83 with frame, depicting two curious kitchen interiors by painter Antonio Crespi ( Bologna 1704 - 1781 )....

18th century old master painting depicting a peaceful countryside scenery at sunset with a fortified town visible in the distance attributed to Franz Paula de Ferg In the present je...

Oil Painting by William B Rowe "The Woodland Pool" 1854 -1933 Provincial painter of a rural English landscapes on a scale. Oil on canvas. Signed and dated 1912. Fine original frame. ...

17th century Flemish old master painting depicting a forest landscape with a majestic oak Alexander Keirincx, born around 1600 in Antwerp, Belgium, was a prominent Flemish landscape...

Circle of Michael Coxie (Malines, 1499 - Malines, 1592) Ecce Homo with Pontius Pilate Oil on panel Flemish school 16th-17th century 112 x 81 cm - framed 121 x 90 cm. The proposed p...

Fine China Trade Paintings depicting local farmers tending their ducks. Excellent condition Lovely collectible and cultural subject Provenance : Martyn Gregory Gallery, London dim...

"Portrait of Emperor Rudolph of Austria (1557-1619)" circle or studio of Josef Heinz the Elder Emperor Rudolph II, born in 1552, was a visionary ruler whose reign as the Holy Roman ...

Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.

‘La Couronne de Marguerite’ by Édouard-Louis-Lucien Cabane (1857-1942). The painting – which depicts a young French beauty wearing a crown of daisies – is signed by the artist and ...

Flemish painting measuring 44 x 30 cm without frame and 53 x 39 cm with frame depicting a landscape with figures, in soft tones and with a strong sense of perspective; elegant, fluid...

Jan Miel (Beveren-Waas, 1599 - Turin, 1663) Roman countryside landscape with farrier Oil on canvas, 114.5 x 146 cm Framed, 132 x 162 cm Published on the portal of the Nederlands ...

Giovan Battista Lama (Naples, 1673 - 1748) workshop Exaltation of the Holy Cross with the Symbols of the Passion oil on canvas 84 x 135 cm. - with frame 98 x 148 cm. The proposed p...

Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage...

17th century Flemish Old master painting "Adoration of the Shepherds" by Victor Wolfvoet the Younger Surrounded by an elegant and broad black frame, i...

Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...

Painting, oil on canvas, measuring 92 x 77 without frame and 107 x 82 cm with frame , depicting a Saint Jerome in ancient philosopher and ascetic version, typical of the greatest tra...

English painter (late 18th century) - The Connoisseur and Tired Boy. 39.5 x 32 cm without frame, 46 x 38 cm with frame. Antique oil painting on canvas, in a carved wooden frame. -...

Oil on Board. Flemish school of the 16th century. The work bears a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the proximity to his painterly ma...

Oil on Canvas. The scene takes place at a military camp: outside a tent on the left a leader of an army, probably Greek, is receiving offerings of a group of men, poor and ragged, ...

The Close of Day Italian School, early 18th century oil on canvas, unframed canvas: 17 x 22.5 inches provenance: private collection, France condition: very good and sound condition

Signed figure in landscape oil on board circa 1910 by French Post-Impressionist painter Victor Charreton. The piece depicts a lone figure taking a walk beside a stream in a wooded ar...

Pair of large and opulent 17th century Flemish floral still lifes by the celebrated artist Gaspar Pieter Verbruggen I Our paintings depict opulent floral arrangements consisting of,...

Jan Blom (Amsterdam 1622 - Amsterdam 1685) - Villa garden with fountain. 41 x 69 cm without frame, 56 x 84 cm with frame. Antique oil painting on canvas, in a carved wooden frame. ...

Signed oil on canvas circa 1910 by French post impressionist painter Michel Korochansky. This autumnal landscape depicts a view of women washing linen on the bank of a river. The las...

Oil painting on canvas, sized 149 x 124 cm (149 x 124 cm) unframed and 158 x 133 cm (158 x 133 cm) with antique hook depicting St. John the Baptist. Ignatius of Loyola in adoration o...

Painting, oil on canvas, measuring 82 x 67.5 unframed and 98 x 82 cm with frame, by the painter Nicolas Baudesson ( Troyes 1611 - Paris 1680 ). Born in Troyes to a family of artists ...

Italian painter (18th century) - Arcadian landscape with flock and shepherds. 56 x 70 cm without frame, 63.5 x 79 cm with frame. Antique oil painting on canvas, in a wooden frame. ...

This early to mid-17th-century oil on panel depicts Maurice of Nassau (1567-1625), Prince of Orange. It’s a bust-length portrait, presented in a feigned oval, after a full length by ...

Signed and titled landscape oil on board by Russian-born impressionist painter Konstantin Alekseevich Korovin. The work depicts a nighttime view of the ...

Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk ...

A late 17th/early 18th century Flemish painting measuring 90 x 70 cm without frame and 100 x 80 cm with a contemporary frame. An important characteristic of this painting is its str...

Flemish painter of the 16th-17th century The Annunciation Oil on canvas 844 x 33 cm./ in frame 63 x 52 cm.) The work presents itself with a canonical iconographic and stylistic scheme, with the Archangel Gabriel devoutly delivering the supreme annunciation to the Virgin child, although there are some details that make the composition very interesting. Entering into the details of the study of the painting, of excellent workmanship, we can immediately appreciate a style rooted in the Flemish tradition, recognising in the compositional layout strong references to the great masters of the Renaissance such as Jan van Eyck, Rogier van der Weyden, Dieric Bouts and Hans Memling...

High Sierras Log Cabin Lodge Original Oil Painting by J. Bond Francisco Early 1900s era impasto painting of the High Sierras and a Log Cabin Lodge by California artist John Bond Francisco (American, 1863 - 1931). Well painted landscape of early 20th century California High Sierras will lush green grass and California Poppies. Signed lower right "J. bond Francisco." Presented in a newer, custom, giltwood frame. Image, 12"H x 16"W Frame 23.5"H 19.5"W x 1.25"D John Bond Francisco was born in Cincinnati, OH on Dec. 14, 1863. From an early age Francisco was drawn to both music and art. He studied the violin with Hermann Eckhardt and painting at the Cincinnati Art Academy for several years. He arrived in Los Angeles in 1887 and was so taken with the beauty of the place, he opted to make it his home. He soon continued his studies in Berlin, Munich, and in Paris at Académies Julian and Colarossi under Courtois, Bouguereau, and Robert-Fleury. While in Europe he studied the violin in the morning hours and painting in the afternoon. Upon returning to Los Angeles in 1892, he married and built a home at 1401 Albany Street where he lived for the rest of his life. Combining an art and music career, he helped form the Los Angeles Symphony Orchestra in 1897 and served as their first concert master. While teaching music and art at his studio, he made painting excursions into the surrounding countryside, often with his pupil Elmer Wachtel. He combined his Munich technique with that of the Barbizon's influence to produce paintings of California deserts and mountains that held dramatic light and shade contrasts. Later his palette brightened and he leaned more toward Impressionism. Francisco's studio in the Blanchard Bldg and his home were a mecca for both painters and musicians until his death on Jan. 8, 1931. Member: American Artists Club (Munich); Calif. Art Club; Laguna Beach AA; Painters & Sculptors of LA; Athletic Club (LA); LA AA. Exh: Calif. Bldg, World's Columbian Expo (Chicago), 1893; Chamber of Commerce (LA), 1894; Ruskin Art Club (LA), 1902-04; Blanchard Hall (LA), 1907; Alaska Yukon Expo (Seattle), 1909 (gold medal); Hallett Gallery (LA), 1910; Daniell Gallery (LA), 1912; LACMA, 1914; Friday Morning Club (LA), 1915; Biltmore Salon (LA), 1925. In: UCLA; LACMA; Orange County (CA) Museum. Edan Hughes, "Artists in California, 1786-1940" Out West, Sept. 1913; Graphic, 3-10-1918; Who's Who in the Pacific Southwest...

Venetian master (18th century) - Mask of Colombina. 161 x 68 cm without frame, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame. Condi...

Painting oil on canvas measuring 67 x 45 cm without frame and 82 x 60 depicting a vase of flowers by the painter Niccolò Stanchi ( Rome 1626 - 1690 ). The Stanchi brothers (Giovanni...

Venetian master (18th century) - Mask of Pantalone. 161 x 68 cm without frame, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame. Condi...

The Nativity Dutch Old Master, early 1700's period oil on canvas, unframed canvas: 36 x 27.5 inches provenance: private collection condition: very good and sound condition, some scuf...

Antique French impressionist woodland landscape by French artist, Hippolyte Lety (1878-1959), signed and dated in the bottom left corner. Atmospheric oil painting on thick card. Yo...

St. Francis of Assisi Italian School, circa 1500 oil paint on copper, unframed copper: 6.75 x 10 inches provenance: private collection, Loire Valley, France condition: for a work tha...