Paintings

This piece depicts a colorful collage composition portrait of Audrey Hepburn, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right. Art measures 36 x 24 inches From biology student to owning and running a creative agency in London to a career as a fine artist, life has taken Jon Davenport on a rewarding and unconventional journey. Despite his scientific beginnings, he’s always had a strong artistic streak weaving its way through his different career paths. Growing up in Ipswich, UK, Jon was always an avid drawer, and could often be found with a pencil and paper in hand. With the arrival of his first computer, he embraced the new frontier of digital art and had work published in one of those early computer magazines. His creative urges took a backseat to get a biology degree at Brunel University in London. It was afterward, in his first job working at the Archant newspaper group in Ipswich, that he quickly progressed from plate maker to becoming an integral member of the art studio. It was during this time that he taught himself photoshop, desktop publishing, and graphic & web design. After a few years, he set up a design agency, and eventually went full time and moved to London. This proved to be a successful move, working for a number of clients such as Nike and Virgin, and gaining praise from the likes of Richard Branson and Tony Blair. It wasn’t until Jon moved to the USA to marry his wife, Atlanta artist Christy Kinard...

Arthur W. Turner (1870 - 1950) A Quiet Flowing Tide, 1899 Oil on canvas 23 1/2 x 35 1/2 inches Signed and dated "A.W. Turner 1899" lower left, inscribed "Hetw...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

A fine autumn landscape by American artist Andrew Thomas Schwartz (1867-1942). Schwartz was born in Louisville, Kentucky and began his art study with ...

Classic modern pop art.

Colorful Swimmers, Contemporary Figurative Pop Art in Blue Bold and bright pop art painting of swimmers diving in the water by Marc Foster Grant (Am...

Born in 1982 in Manzanillo, Cuba, artist Darwin Estacio Martinez honed his artistic skills at the Professional Academy of Fine Arts "El Alba" i...

A beautiful, atmospheric forest scene by American artist Gary Hicks (American, 20th Century), c.1970's. A small trail invites the viewer into this misty forest landscape, where layer...

Vibrant piece. Snoopy homage. About the artist: South Africa’s most renowned pop artist is an anonymous figure known as Fringe. His large-scale artworks on canvas are devoted to the common good, and human bonds. Fringe’s obsession with our ambivalence to fame, fortune and conspicuous consumption is in itself never obvious. Rather, his message is buried within his compositions that feature a coded cast of world famous pop characters, arranged to bamboozle and entertain. In his multimedia works, the clash of icons and symbols causes a resounding visual explosion. Fringe’s slogans are visual challenges placed to intrigue and disrupt. Borrowed from high and low culture -- textbooks, television, adverts, signage and magazines – they are like instructions on packaging, or directions in a shopping mall...

Lori Larusso explores humans' paradoxical relationships with the animals that exist closest to us. From pets to synanthropes (non-domesticated animals tha...

Label verso: "Portrait of a Lady / Oil / MUC / Beatrice Whitney Van Ness / unsigned / size 30h x 25w ". From the estate of the artist. Beatrice Whit...

3D painting by Spanish artist Francisco Bartus. In this series Bartus paints a silhouette of Donald Duck fading into the wind or is the figure being b...

Days Fade Away (2019) by Roberto Fonfría Mixed media on canvas: Collage, acrylics, oil pastels, graphite Image size: 32 in. H x 23 in. W One of Kind Mixed Media _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Canyon landscape by California artist Kathleen Jack (American, 1896-1988). A bright blue river winds from the foreground through a jagged canyon. The canyons are rendered with heavy ...

Everett Lloyd Bryant (1864 - 1945) Floral Bouquet Still Life Oil on canvas 30 x 25 inches Signed lower right; signed on the reverse and on stretc...

California coastal painting by early 20th century artist, Charles Partridge Adams circa 1925. Watercolor on paper, not signed, attributed ...

ANJA VAN HERLE "Butterfly Bling" Acrylic & Swarovski Crystal on Panel 36 x 36 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork...

A fine winter landscape of a snowy mountain, probably Crotched Mountain in New Hampshire, by American artist Paul Sample (1896-1974). Sample was born in Louisville, Kentucky and went to school at Dartmouth College...

One of the originators of the Western pop art movement, Billy Schenck incorporates techniques from photorealism with a pop art sensibility to both exalt and poke fun at images of the West. Schenck is known for utilizing cinematic imagery reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. In the August 2014 issue of SouthwestArt magazine, his work was described as “a stance … a pendulum between the romantic and the irreverent.” Schenck’s artwork is now in 48 museum collections, including Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, Phoenix Art Museum, the Mesa Southwest Museum, Museum of the Southwest, Midland TX...

Hand Painted with Embellishment by the Artist on Canvas. Hand signed and numbered by the artist on verso. AP edition of 50. Canvas is not stretched. Artwork is in excellent condit...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fun, and vibrant. Covered in paint and fueled by caffeine-laced neurosis, Hammond regularly works on several panels at once, producing distinctive, quick messaging that can brighten any room. He finds the process transformative as he moves from a state of deadline panic into more sublime realms of creativity. Self-taught from an early age, Hammond emulated Mad Magazine comic art...

Mid century portrait of a red-haired boy with freckles by Jon Blanchette (American, 1908-1987). Rendered his signature style, this portrait is clean and vibrant. The subject is looki...

Charles Buckley’s (b. 1966) progression paintings on multiple canvases are an investigation of the construction of narrative and progress. Rendered in bright colors and evocative of ...

Abstracted landscape by California artist Noel Howard (American, 20th Century). Layers of watercolor create a dreamlike landscape, as if the scene is just slightly out of focus. Ther...

Lake Street, c. 1920 -30s, oil on board, 12 x 9 inches, signed lower right and verso, titled verso About the Painting At the center of Oscar Daniel Soellner’s Lake Street, we see the stairway leading to an elevated railway station on what is now Chicago’s Green Line route. When its first section opened in 1893 as the second permanent elevated rapid transit line in Chicago, this route was known as the Lake Street Elevated Railroad. Chicago’s “L,” like the New York subway and rapid transit system, played an instrumental role in the development of the urban economy and the overall look and feel of the city. The formal aspects of urban railroads and the role they played in efficiently moving large number of everyday citizens across America’s growing metropolises were catnip for many American Scene painters during the first half of the 20th Century. Here, Soellner uses the techniques of the impressionists and the palette of the Ash Can School, to convincingly depict a classic Chicago scene...

Ernest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...

Agfachrome (2014) by Roberto Fonfría Acrylic, graphite, and oil pastels & are transferred on tempered wood pegboard Image size: 47.6 in. H x 48 in. W One of Kind Mixed Media _______...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Are We There Yet? (2014) by Roberto Fonfría Acrylic, graphite, oil pastels, paper & transfers on wood Image size: 48 in. H x 72 in. W One of Kind Mixed Media _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Contemporary pop art, Miami style!

Gorgeous vintage plein air Carmel by the Sea seascape by Carl Oscar Borg (Sweden/American, 1879-1947), circa 1920s. Signed lower left corner. Condition: Good. Presented in carved rustic wood frame. Image size 8.5"H x 10.5"W. Framed size: 13"H x 15"W x 1"D. This scene is looking from below "Mansion Overlook" and looking past "Near Point" in the foreground and Carmel Beach mid-way and then and Pebble Beach in the distance. Carl embodied all the old favorites in one painting and this is a rare new find and "Treasure". Original packaging from H. Valdespino Gallery and framer. A well known gallery in early San Francisco...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fun, and vibrant. Covered in paint and fueled by caffeine-laced neurosis, Hammond regularly works on several panels at once, producing distinctive, quick messaging that can brighten any room. He finds the process transformative as he moves from a state of deadline panic into more sublime realms of creativity. Self-taught from an early age, Hammond emulated Mad Magazine comic art...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

New wings, 180x120cm

Beautiful monochromatic seascape in blue featuring a dramatic crashing wave by an unknown Northern California artist named Fenton. Signed in the...

This artwork "Landscape with Trees" c.1970 is an oil painting on canvas by American artist Don Langford. It is signed at the lower right corner b...

EDWARD DUFNER (1872-1957) Midsummer, c. 1920 Oil on canvas 20 x 24 inches Signed at lower right: Edward Dufner N.A. Titled on handwritten label Period Arts & Crafts frame With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Each feather is pointing to specific hour, at the same time it is a symbol of life-breath, soul, easy transition from one state to another. This artwork was painted at Andy Warhol M...

Walter Emerson Baum (1884-1956). Portrait of a Nude Red Headed Woman, ca. 1940. Oil on canvas, 16 x 20 inches; 24 x 28 inches framed. Signed lower r...

Bright and sunny Santa Cruz, California figurative seascape of a Catamaran launch at Twin Lakes beach by Claire Paye-Gililland (American, 1940-2020), circa ...

Wonderful vintage impressionistic still life with burgundy and white African daisies (Osteospermum) in brass cache pot with statue by Marie Michael (Am...

A beautiful landscape oil painting depicting a stately tree with green mountains in the background by California artist Genevieve Rogers (American, 20th Century). Unsigned but acquir...

Fun, vibrant floral still life with lime green background by Rudolf (American, 20th Century). Presented in a white painted wooden frame. Signed "Rudo...

This piece is executed with hundreds of hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from maps, cutting out words, symbols, and places to create feelings of unity within the piece. Standing in juxtaposition with the contrast to clean, pixelated designs that the butterflies form, Laila creates a Heart that pops off the canvas in three-dimension. Art measures 36 x 36 inches Laila Jalallar...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

This artwork titled "Panorama" c.1990 is an oil painting on canvas by noted American artist Jean Steward Toti Maio, 1924-1987. It is signed at the lower right corner by the artist. The canvas size is 18 x 48 inches. It is in excellent condition. About the artist: Jean Maio...

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

Signed indistinctly lower right, (Matt Baum?) and dated 1994. N.B. The photo of the signature detail is included for clarity and has not been color corrected. A very large (6'6" x 6'6") and vibrant still-life showing a close-up selection of fruit cups...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

ANJA VAN HERLE "Fly High Butterfly" Acrylic & Swarovski Crystal on Panel 36 x 36 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artw...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Herman N. Hyneman (1849 - 1907) Elegant Lady in Winter, Trinity Church, New York City Oil on canvas 22 x 15 inches Signed lower right Provenance: Freemans, 2005, Lot 76 Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849). Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age. He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States. Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member. In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary. In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield. At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes. Herman Hyneman...

A painting by William Wendt. "Laguna Hills" is an impressionist landscape, oil on canvas in an earth-tone palette by American artist William Wendt. The artwork is signed in the lower...

Beautiful California seascape with bright sunset by Roger Budney (American, b. 1945). The glowing sun is just about to dip below the horizon, surrounded by purple skies and mountains...

One of The Hampton's most popular urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" an...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...