Paintings

The Trading Port Italian artist, circa 1720's period circle of Michele Marieschi (Italian 1696-1744) oil on canvas, unframed canvas: 21 x 30 inches provenance: private collection, UK...

Swans Startled by Dog Flemish Old Master, 18th century oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches provenance: private collection, UK condition:...

Follower of Adriaen Coorte (1665-1707) 18th Century Still Life c1795 A sumptuous still life painting depicting peaches, grapes, plums, exotic birds and butterflies in the style of ...

Sir John Wynn, 5th Baronet Canvas Size: 50 x 40" (127 x 102cm) Outside Frame Size: 58 x 48" (147 x 122cm) Sir John Wynn, 5th Baronet (1628 – 11 January 1719) was a Welsh landowner a...

Cerchia di Marco Ricci (Belluno 1676 – Venezia 1730) – River landscape with characters. 34 x 26 cm without frame, 43 x 35 cm with frame. Oil on canvas, in carved and gilded wooden ...

Nicely painted modernist dry dock boat landscape by Karl Soderlund (Born 1962). Oil on canvas. Signed. Framed.

Two bouquets become one to create a lavish brightly coloured arrangement in this floral still life by Pat Service. The Canadian artist created a series of paintings in the 1990s that...

Les Andelys in the Seine Valley France Landscape Pastel Art. A fine example of the beautiful work of British 20th Century Artist, Lionel Aggett (1938-2009). Signed front and rear, fr...

Portrait of Bishop of Verona Giovanni Morosini (1719 - 1789), Italian school. Technique: oil on canvas painting, relined canvas. Late 18th century. Represents a church man. The fig...

Enoch Seeman Canvas Size: 30 x 25" (76 x 62cm) Outside Frame Size: 37 x 32" (92 x 80cm) 1694-1744 He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...

This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...

As we gaze upon at this artwork, our eyes are immediately drawn to the foreground where a comical spectacle unfolds before us. A carriage, stubbornly stuck in the midst of a ford, se...

George McClancy (1930-2014) abstract painting. Acrylic on canvas 48"H x 72"W George McClancy received a MA in painting from Catholic University in Washington DC, where he was a st...

A pretty, mixed floral bouquet fills the canvas with joyful colour in this still-life painting by Pat Service. The Canadian artist explored the traditional art form in the 1990’s but...

Colour, fresh and vivid, gives this classic still life by Pat Service a contemporary feel. A beloved bright orange silk cloth, draped over a table set with two patterned vases of col...

The artist Catherine Dammeron was born in 1976 in Wissembourg in Alsace. She made her passion for pastel drawing her job. Artist going against the current, this resident of Yonne fav...

George McClancy (1930-2014) abstract pattern painting. Acrylic on canvas 48"H x 72"W George McClancy received a MA in painting from Catholic University in Washington DC, where he ...

Two Brothers is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 83 cm × 116 cm (32.7 × 45.7 in). The artwork is signed, sold unframed and c...

Still life , blue, yellow , orange ,Russian art,Lemon, Published in a monographic catalogue Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foun...

Portrait of Louis XV, King Of France, 18th Century follow of Pierre Mignard (1612-1694) Large circa 1720 portrait of Louis XV King Of France, oil on canvas. Excellent quality and c...

Admired for their lush beauty, the peony, an ancient flower is celebrated in this charming floral portrait by Pat Service. The Canadian artist is known for her intuitive sense of col...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

Panel 1 (with boats below arch): 50x37cm; 60x47cm (framed) Panel 2 (with cliffs): 44.5x34cm; 54x44cm (framed) These panels are fine examples of the scagliola technique, perfected by...

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady in a simple blue silk dress and without jewelry or a background, thus allowing the viewer to concentrate solely on the beauty of the sitter. The effect of this restrained manner creates a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

The Painting is Signed Description: Fabbio Fabbi (1861-1946) was an Italian painter renowned for his Orientalist artworks and his ability to capture the beauty and allure of Eastern...

Francesco Tironi (Venice, ca. 1745 - 1797) Workshop  of View of Venice with the Grand Canal from the church of S. Croce to the church of S. Geremia c. 1770 oil on canvas, cm. 92 x 1...

The sitter in this superb portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the eighteenth-century French school of painting. The young nobleman has been portrayed wearing an ingeniously embellished French ceremonial armour, a mauve cloak, and an abundance of cascading curls falling below his shoulders. Our portrait proclaims to every onlooker that this is a superior being. The manner in which portraits were painted was set out by the terms of the commission and usually marked significant life events such as a betrothal, a death, elevation of rank… but they almost always emphasised the wealth and importance of the sitter. This type of portrait had become a standard format for aristocratic portraiture in Europe during the last quarter of the seventeenth century up to the middle of eighteenth century. Incorporated into the background was often a raging battlefield or a military encampment; our portrait is free from these trappings and contains a dramatic moody sky ensures the viewer focuses mainly on the subject. The features of the sitter’s face have been captured with great sensitivity, his confident gaze perhaps reflecting the near invincibility afforded by this steel suit. The flamboyance and penetrating sense of character, lending an air of noble expectancy to the composition, seems almost eclipsed by the artist's virtuosic handling of paint. It is not hard to understand why many wealthy sitters commissioned the artist to paint their portraits. Such fine and ornate armour was not actually used on a battlefield and thus its portrayal in portraiture was largely symbolic of a sitter’s wealth and status as well as a claim of succession to a chivalrous tradition. The style of hair and neckcloth were fashionable circa 1740. Held in an exquisite eighteenth century carved and gilded frame - a fine work of art in itself. Louis Tocqué was a very successful French portrait painter active during the Rococo period of art. His work was known for its attention to detail, its portrayal of the character of the sitter, the refined postures, and the delicacy of the rendered draperies. He created both realistic and expressive portraits. Tocqué was born in Paris in 1696 and trained with the famous portrait painters Hyacinthe Rigaud, Nicolas Bertin, and Jean Marc Nattier whose daughter he later married. He entered the Academy in 1731 and became a full member in 1734 with his portraits of Galloche and the sculptor Jean Louis Lemoine, and he pursued a brilliant career as a portrait painter, receiving numerous commissions from members of the French aristocracy and royalty. His works were highly sought after by collectors of the time, and his reputation earned him the appointment of official portrait painter to the court of France in 1746 – in fact he stayed at most of the courts in northern Europe. From 1737 to 1759 he exhibited a large number of works at the Salon. Tocqué's paintings can be found in museums and private collections around the world. Recent sales...

Valuable painting depicting 'Arcadian landscape with figures along a stream and villages in the distance', attributed to Jan Frans Van Bloemen, L'Or...

Floral Composition is an Oil painting realized by Giuseppe Ingegno in 1990. Hand-signed and dated on the lower. with the label on the rear "Fondazione di Paolo" Good conditions. This beautiful colored oil paiting...

"Evening at Singeorz" by contemporary Romanian painter Marcel Lupse is a framed oil on canvas representing a tranquil Transylvanian landscape in the e...

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view with the church of S. Simeon Piccolo. 36 x 30 cm without frame, 60.5 x 50.5 cm with frame. Antique oil painting on wood, i...

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

Pierre-Antoine Demachy (Paris 1723 - 1807) Architectural capriccio oil painting on canvas 92 x 70 cm Criticism and expertise of Prof. Giancarlo Sestieri (Rome [...] With regard to ...

Over the Brook (English Fox Hunting scene) English School, 18th century circle of John Nost Sartorius (1759-1828) oil on wood panel, framed framed:...

Giacomo Guardi (Venice, 1764 - Venice, 1835) View of Venice with the Giudecca Canal and the Gesuati Church oil on canvas 34 x 42 cm. - framed 40 x 50 cm. Expertise dott Federica Sp...

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...

Style of Francesco Guardi (1712-1793) Venetian Canal Scenes, a pair -San Giorgio Maggiore from the Bacino di San Marco -Santa Maria della Salute from the Grand Canal Oils on canvas: 13 X 18 ¼ in. Frame: 18 ½ x 23 ½ in. Late 18th / early 19th century. Francesco Guardi was an Italian painter of veduta, nobleman, and a member of the Venetian School. He was born in Venice in 1712, the son of a minor painter, Domenico Guardi, and went on to become, after Canaletto, the main painter of views of Venice in the mid-18th century. His early figurative paintings were carried out in association with his brother, Gian Antonio, but in about 1760 Guardi turned to view painting, recording both the architecture of the city and the celebrations of its inhabitants in interior and exterior scenes. These works brought him great success. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Gallery notes: This fabulous pair of Venetian scenes are a work by a highly talented but unknown artist painting...

Balthasar Denner (1685 Hamburg - 1749 Rostock). Mary Magdalene. Oil on copper, 37 × 32 cm (visible size), 45 x 40 cm (frame), signed and indistinctly dated "Denner 17(...)" at centre...

This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....

OLD MASTER LATE 18th /EARLY 19th CENTURY CIRCLE of THOMAS GAINSBOROUGH OIL PAINTING Fine OIL PAINTING Old Master 18th Century R.A artist in a ...

A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: sound bu...

Josep Serrasanta (1916-1998) - Spanish rural town- Oil on canvas Canvas measures 46x55 cm. Frameless. Josep Serrasanta was born in Buenos Aires (Arge...

Landscape with Cattle Grazing in the English Countryside by 20th Century British Artist, James Wright Signed, Original, Oil on Canvas, housed in a beauti...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without f...

Portrait of Henrietta Paulet, Duchess of Bolton, née Crofts, (c. 1682–1730), three-quarter length, standing on a colonnaded terrace wearing an ivory silk gown and holding a sprig of ...

The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...

Purvis Young (1943 - 2010) Drawing from the 1990's #459 Acrylic Paint on Paper / Found Object 11 x 8.50 in

Large English School Portrait of lady with Oranges. Circle of Michael Dahl (1659 - 1743). The painting finds many similarities with the stylistics and setting of portraits of the Pet...

Enoch Seeman - 1894 - 1744 An excellent example of Seeman's work. It is typically unsigned as was the case of many portraits of that time. A three quarter length portrait showing a r...

Chopin original abstract mixed media painting Pau Alemany Mascareñas estudió la carrera de arquitectura, pero destacó sobre todo en el campo de la pintura. Formado con artistas como ...

Colors original abstract pastel Painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de la U...

The Favourites Of The Earl Of Orford, Three Greyhounds In A Landscape, 18th Century attributed to George GARRARD (1760-1826) Large 18th Century portrait of three greyhounds in a l...

Amit Ambalal Untitled Mixed Media on paper 37.5cm x 56.5cm Signed and dated 1990 Provenance: Exhibition catalogue to verso for a Solo Show at Jehingir Art Gallery, Mumbai 1990 with...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

Purvis Young (1943 - 2010) Drawing from the 1990's #457 Acrylic Paint on Paper / Found Object 10 x 8.75 in

Purvis Young (1943 - 2010) Drawing from the 1990's #450 Acrylic Paint on Paper / Found Object 11.75 x 11 in