Abstract Paintings

"Pastel Geometric Landscape" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful abstract architectural painting of unique blur...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, ...

"Peachy" is an abstract painting featuring hues of pink, orange, and brown. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. Laura Dar...

Steven Rehfeld's 18" x 18" mixed media composition pulsates with energetic strokes and a fervent dance of colors. Rich hues of golden yellow and fiery orange intersect with cool blue...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Completed Oct. 10. 2021. Abstract Acrylic Painting. Sides will be painted to match artwork. Use of Gallery Wrapped Cotton Canvas 16 x 20 x 1.5. (4 Primer Layers & 4 Main Layers appli...

Stunning original oil painting by Elvic Steele depicting this surrealist fantasy abstract painting. Elvic Steele is a fascinating English painter. Her works entrance the observer, d...

This Dirt, I Came From - Original Abstract Ink Painting, 2019 9" x 12" (HxW) Alcohol Ink and Posca Pen on Yupo Paper A cosmic explosion, or maybe the abstracted petals of a flower, ...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each ...

Drawing from the palette and techniques of Gerhard Richter (but not by the artist), this piece is composed of textured horizontal stripes by an unknown artist. There are textured und...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian...

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

This sophisticated Mid Century Modern abstract acrylic on canvas painting was realized by the esteemed 20th Century French-American artist Sacha Kolin (1911-1981) circa 1965. The com...

This painting embodies Vian Borchert’s early abstract expressionist signature work where texture and heavy pigment come together in a painterly manner to create a powerful non-repres...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art Fine Art Fair. In 2019, Winkler was selected by US Ambassador, John Pommersheim and the curators of the Art in Embassies program to participate in a 3-year International exhibition at the Ambassador’s residence in Dushanbe, Tajikistan. Winkler was also invited to exhibit at the Colorado Governor’s Residence in Denver. Her artworks are in many private, public and corporate collections. These include The Phoenician and Mountain Shadows Resort, Paradise Valley, AZ. The Hilton West Palm Beach, FL. The InterContinental St Paul, MN. The Cosmopolitan Hotel of Las Vegas. The Viceroy Aspen. Ritz Carlton, Denver, CO. One Empire Pass, Montage, Deer Valley...

Mixed media on Korean traditional paper (Jangji) & wood panel

Through his artistic practice, Martin Benson is exploring ways to express questions about deeper levels of reality. Inspired by sacred geometry and esoteric symbolism, his paintings embody his own contemplative practices and the experiences within them. Reconciling the tension between spirituality and the hyper-materialist modern world, his pieces act as visual koans for both the artist and the viewer. Benson received his MFA from the University of New Orleans and his BA at the University of Southern California. He has exhibited at the Ogden Museum of Southern Art, the Contemporary Arts Center (LA), the New Orleans Museum of Art, and the Jazz and Heritage...

This is a one of a kind original abstract oil painting by San Diego artist Viktoria Romanova. It is not framed but mounted on board. Its dimensions are 32"x24". A certificate of auth...

A contemporary oil on canvas from artist Richard J.S. Young. Unsigned. On canvas on stretchers.

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Medium Size artwork with Oil paint on Canvas (stretched and wired for hanging). Contact Gallery for Framing Options. BIO David Headley was born in Washington, PA, in 1946. He has a...

For many years Susan Squires goal has been to create encaustic paintings as meaningful, evocative experiences for herself and for the viewer. She wa...

Stunning original cubist abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting is signed to the lower right corner. The painting has excellent provenance, having come from the artists estate. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

Sarah Winkler is a British born, American contemporary landscape painter who has lived most of her life abroad in countries such as Malawi, Africa and Brunei, Borneo. She has lived in the US since 1989 and has spent over two decades living and working in California and Colorado. She studied Art and Earth Science at William Paterson University and combines both subjects in her landscape and environmental artworks. The artist is best known for her monumentally scaled, color rich, luminous paintings that interpret the geological storied past and eventful present of the formation of the American wilderness landscape. She incorporates ground water, crushed rock and materials from the landscape in her paintings to create moments of connection, exploration and discovery. Winkler has exhibited in solo and group shows nationally in galleries, regional museums and art fairs since 2004. Her work was recently showcased at the LA Art Fair, Art Aspen and the Jackson Hole Art...

The glorious vivid colours of autumn leaves dance across the canvas in this abstract painting by Noreen Taylor. Short brush strokes in bright orange add ...

Life at the Orange Bar, Original Yellow & Orange Abstract Painting, 2017 30" x 24" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Ar...

Mixed media on Korean traditional paper (Jangji) & wood panel

Colorful abstract painting

JULIE HEDRICK HELIOS #2, Sun God, The Apollo Trilogy, 2021 oil on canvas 36 x 36 in. 91.4 x 91.4 cm.

Yeffe Kimball (c. 1905 - 1978) Cepheus B, 1963 Signed, titled, and dated on the reverse Acrylic on canvas 34 x 40 inches Provenance: Private Collection, New York Estate of the above, 2022 Born in Mountain Park, Oklahoma, in 1914, Effie Y. Goodman subsequently spent her early years on her grandfather’s farm in Missouri. She attended college in Ada and the University of Oklahoma in Norman from 1931-1935. After college, she went to New York where she worked under distinguished artists such as George Bridgman and John Corbin at The Art Students League in New York in the early 1940s. She adopted the name Yeffe Kimball, adapting her first husband's surname of Campbell to form Kimball, and never returned to her small-town roots. She became a world traveler and student, studying intermittently with Fernand Léger in Paris from 1940-1941. In 1948, she married Harvey L. Stalin, an atomic scientist. Her art was influenced by Stalin’s work and she entered a new era, focusing on burning planets, atmospheric gases, and flashing comets. Her work was also inspired by American Indian spiritual...

Looking for Flowers (2018), oil on canvas stretched over wooden frame, 50 x 65 x 2 cm, by Italian contemporary artist Annemarie Ambrosoli (ICA - International Certified Artist) Hand...

Stunning original oil painting by Elvic Steele depicting this surrealist fantasy abstract painting. Elvic Steele is a fascinating English painter. Her works entrance the observer, d...

This striking abstract painting by Vancouver artist Pat Service was inspired by a watercolour of a lake in summer. Bright orange waters, a band of trees in soft yellow, a cabin in or...

Plastic ADN III, by Alec Franco From The Series Plastic ADN Acrylic paint on canvas Canvas size: 160 cm H X 160 cm W Image size: 150 cm H X 150 cm W One of a Kind Unframed Signed...

"Fireflies One" is an abstract painting featuring hues of orange, blue and yellow. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. La...

Capturing movement in acrylic and spray paint, Armen Ges experiments with optical illusions and perspective in his original abstract artworks. To create these intriguing visuals, Ges...

Artist Commentary: So much energy! Keywords: abstract, resin, color, abstract, marble, painting Artist Biography: Created during her daily art and meditation practice, Michelle’s ...

Abstract work of art. Acrylic on canvas.

The painting is being offered with a work and authenticity certificate

Artist Commentary: Stop shrinking is based on a mentality I have had for far too long. I have found that I have been shrinking to fit the places I have outgrown. By this I mean that...

Colorful abstract painting

Born 1952, Saint Simon, France Jean-Pierre Rives is an internationally renowned sculptor, and painter, as well as a Hall of Fame rugby player. After retiring from rugby in the early 1980s, he discovered the work of sculptor Albert Feraud. Discussions with the artist inspired him to pursue his own art practice, working scraps of abandoned steel into fluid, curvaceous forms. In his frequently monumental work, the softness of the curve is juxtaposed against the hardness of the material. Rives says about his practice, "I always seek to bring 'lightness' to the ‘heavy'; romanticism and poetry to the rigid; and sculpt an industrial masterpiece that harnesses innovation with energy. My sculptures are pieces of reality: their rust marks a measure of time, honouring the past while celebrating the future." Rives has exhibited his work in galleries, museums, and public spaces around the world including the Jardin du Luxembourg in Paris (an honour previously held exclusively by Rodin), Sculpture by the Sea (a renowned international public sculpture...

We are pleased to offer this work by second generation AbEx painter Robert Natkin and painted in delicious colors of yellow, tangerine, blue, red and purple. It fits well within a variety of decor settings. Described as the "author of a dappled infinite," Natkin created some of the most innovative color abstractions of the late 20th century. Populated by stripes, dots, grids, and an array of free-floating forms, his light- filled canvases are sensuous, playful, and visually complex. While attending the school of the Art Institute of Chicago from 1948 to 1952, Natkin was afforded the opportunity to study the museum's world-class collection of French post-impressionist art and decided to turn his attention to painting instead. During these formative years, Natkin was inspired by the examples of Pierre Bonnard and Henri Matisse, who used decorative patterning and arbitrary color to evoke mood. Most importantly, he also discovered the work of Paul Klee, the Swiss-German artist whose whimsical, semi-abstract paintings reflected his belief that "art does not reproduce the visible but makes visible"--a credo that nurtured Natkin's burgeoning interest in emotional content. In 1952, he lived briefly in New York, where he saw and was influenced by the bold canvases of Willem de Kooning. In 1959, aware of the limited patronage for abstract art in Chicago, Natkin and Dolnick moved to New York, where Natkin joined the stable of artists associated with the Poindexter Gallery, known for its support of emerging painters and sculptors. Immersed in the dynamism of the New York art world, where Abstract Expressionism and Color-Field painting were the dominant styles of the day, Natkin's aesthetic approach continued to evolve. In 1961, he adopted a serial approach to painting, a practice he would adhere to throughout his career. Natkin began to develop a more intricate style (indebted to Klee), depicting diamonds, polygons, ovals, squiggles and other shapes against textured, delicately toned backgrounds interspersed with seemingly randomly placed dots and daubs of pigment and areas of crosshatching. This new style is evident in the "Intimate Lighting" series works. In 1970 Natkin put aside his brushes and began to use sponges...

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

A painting by Constance Mallinson. "I'm Afraid of Red, Yellow, Blue" is a contemporary painting, oil on canvas by female Amercian artist Constance Mallinson. The artwork is unsigned....

"18" is a painting by the French artist - designer Hélène Cohen Carricaburu. Through her art, she has a very sharp, abstract and unique style of bright and colorful expression. Abo...

Artist Commentary: This one was fun, I haven't done a bright piece like this in a long time. It shows expression and happiness I am feeling about life right now! Keywords: Bright, b...

Abstract work of art. Acrylic on canvas.

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

Colorful, fun and sporty abstract painting of figures drawn from life by artist Kathleen Ney. Painted in acrylic on 18" x 24" gessoed watercolor paper. Th...

Oil pastel and graphite Artist Daniel Brice’s mixed-media canvases and works on paper are studies in the use of line and color to convey, through simple gestural movements, a comple...

Watercolor on paper painting by Eve (Van Ek) Drewelowe titled "The Champagne Cascades, Crescendos, Crashes" from 1945. An abstract landscape scene of a waterfall with white, yellow, and black. Presented in a custom gold frame, outer dimensions measure 43 ¾ x 33 ¾ x ½ inches. Image size is 29 ¾ x 19 ¾ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: A painter and sculptor, Eve Drewelowe was the eighth of twelve children and grew up on a farm with a tomboyish spirit. Her farm duties did not permit her to take art classes in her youth that she later felt would have hindered the development of her artistic style. Although her father died when she was eleven, he imparted to her reverence for nature and a true love of the earth, values later reflected in her western oil and watercolor landscapes. She attended the University of Iowa at Iowa City on scholarship, receiving her B.A. degree in graphic and plastic arts in 1923. After graduation and against the advice of her art professor, Charles Atherton Cumming who believed that matrimony ended a woman’s painting career, she married fellow student Jacob Van Ek. While he pursued his doctorate in political science, she enrolled in graduate school at the University of Iowa for her M.A. degree in painting and the history of art. At that time her alma mater was one of the few universities in the United States offering an advanced fine arts degree, and she was its first graduate, receiving her degree in 1924. That year the Van Eks moved to Boulder, Colorado, where Jacob had obtained a position as an assistant professor at the University of Colorado. Five years later he became the Dean of the College of Arts & Sciences, a position he held until 1959. Eve briefly studied at the University. In 1927 and 1928 she taught part-time at the University’s School of Engineering and a decade later summer courses (1936 and 1937) in the University’s Department of Fine Arts. In 1926 she became a charter member of the Boulder Artists Guild and participated in its inaugural exhibition. Like many American artists of her generation, she helped foster an art tradition outside the established cultural centers in the East and Midwest. Her professional career spanning six decades largely was spent in and around Boulder. There she produced more than 1,000 works of art in oil, watercolor, pen and ink, and other media in styles of impressionism, regionalism, and abstraction. She devoted a considerable part of her work to Colorado, Wyoming, and Arizona subject matter depicting colorful and fantastic landscapes pulsating with energy and untouched by humans. Excited by what she saw, the wide open spaces made her feel like a modern-day pioneer. In discussing her work, she once said, “What really motivated me in my youth, in my growth, in maturity was my desire to captivate everything. I put on canvas an eagerness to possess the wonder of nature and beauty of color and line – to encompass everything, not to let anything escape.” Before World War II she and her husband took two international trips that had far-reaching consequences for her career, exposing her to the arts and cultures of countries in Asia and Europe. The first in 1928-29 was an extensive excursion in the Far East for which her husband had received a scholarship to study and report on the socioeconomics of Japan, Korea, China, the Philippines, the Dutch East Indies and India. The year after their return she had her first solo show at the University of Colorado’s library gallery. Discussing the twenty-six oils and sixteen ink drawings on view representing sixteen different countries, the Christian Science Monitor reviewer noted: “The pictures have a wide range and are far from being stereotyped in subject matter, being personal in choice. The ink-brush drawings are spontaneous, well balanced, and striking in their masses, giving the sense of having been done on the spot.” Her second trip with her husband and a party from the Bureau of University Travel had a four-month itinerary that included England, Denmark, Finland, Russia, Turkey, Greece, Italy, and France. It yielded seventeen oils and twenty-six ink-wash drawings which she exhibited in a February 1936 solo show at the Boulder Art Association Gallery. Her creative output in the 1930s attracted the attention of the critic for the Parisian Revue des Arts whose observations were translated and printed in the Boulder Daily Camera on June 10, 1937: To present our readers Eve Van Ek [at that time she signed her work with her married name] …is to give them an opportunity to admire a talent of multiple aspects. The eclecticism of her art passes from a rich skill in forceful oil painting of fine strokes of precision best seen perhaps in her treatment of mountain subjects, of craggy cliffs hewn as in nature, through pen and ink or lithographic crayon design, water color, and occasionally embroidery and sculpture, to the delicate perfection of detail of the miniature. The lofty mountains of Colorado have supplied her with extremely interesting subjects for study; she knows how to represent in an entirely personal way the varying scenes and the curious restlessness of the terrain. While pursuing her art, she also was a dean’s wife. The responsibilities attached to that position proved too restrictive, contributing to a grave illness. She underwent an operation in 1940 at the Mayo Clinic for a gastric polyp, a dangerous procedure at that time. Although she had expected to come back to Boulder “in a box,” the surgery proved successful. Depicting her painful hospital stay in a watercolor, Reincarnation, she reflected on the transformative experience of piecing her life back together. That October she received encouragement from the review of her solo exhibition at the Argent Gallery in New York written by Howard Devree, art critic for the New York Times who said: “The whole exhibition is stimulating…Boats, fences and even flowers in the canvases of Eve Van Ek…seem struggling endlessly to escape from the confines of the frame.” Her watercolor, Crosses, Central City (1940), illustrates her work described in the New York review. The composition pulsates with energy conveyed by the modernist technique of juxtaposing the scene’s various angles, distorting the shapes and positions of the structures, additionally highlighting them with bright colors. The telephone poles at various angles represent crosses figuratively marking a Way of the Cross symbolized by the wooden stairs...

Bustling Meadow is a painting by Martyna Alexander from her debut gallery exhibition, "Fields." 48 x 48 inches 2022