Board Abstract Paintings

Flirt. Cardboard, mixed media, 50x40 cm Abstract/Surrealist composition with two fasec Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, grap...

Solo II Uldis Krauze (1958) 2005., Cardboard, author's technique, 64x45 cm

A Ripe Landscape #2 by Jon Rowland original and hand signed by the artist Acrylic on board. 19 x 25cm Framed Size: H:19 cm x W:25 cm Jon Rowland. A Ripe Landscape #2 . Spring in...

VF21 [2022] original Oil on aluminium mounted on MDF Image size: H:30 diameter cm x W:30 diameter cm Complete Size of Unframed Work: H:30 diameter cm x W:30 diameter cm x D:2cm Frame...

Composition 7. 1996, oil on board, 81x65 cm Abstract composition with orange blue fields and black circle Olgerts Jaunarajs (1907-2003) He was so-c...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the fee...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Kerrera #5 by Jon Rowland Original and hand signed by the artist Acrylic on board Image Size: H:60 cm x W:60 cm Complete size of unframed work: H:60cm x W:60cm x D:1.5cm Sold unfr...

Blue Ridge Valley 2. Original landscape painting. Mixed Media on board (Gesso, acrylic and acrylic inks). Image Size. 47cm x 16cm. Framed size. 72cm x 40cm x 4cm. Sold framed – Beaut...

Purple Moorland Panorama by Luisa Holden [2021] Original Mixed Media on gessoed cardboard Image size: H:23 cm x W:47.5 cm Complete Size of Unframed Work: ...

Running. 1967. Double-sided, cardboard, tempera, 37.5x39 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translato...

Natalie Bird, artist with Wychwood Art. Natalie lives in South West London near Wimbledon and paints in mixed media, watercolour and oil. She has always drawn and painted since child...

John McCaw's (US based) "Layers" is a mixed media painting that depicts geometric white and black shapes filled with textural, impasto paint. John McCaw (...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

One more pause. 1994 oil on cardboard, 47x54 cm The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Painting." Publisher: Al secco Ltd, 2010, on page 13 In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis Zemitis...

By the sea. 2001, cardboard, author's technique, 17.5x25 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Sov...

Acrylic on gessoboard

Jon Rowland – Summer Shadows. Contemporary abstract expressionistic landscape. Original and hand signed by the artist Summer ‘en plein air’ in the Oxfordshire countryside. The hot E...

Musical mood. 1998. Oil on cardboard, 74x60 cm

Nerhbass’ paintings focus on style as a sublime element of tension within beauty. Thematically they evoke modern dilemmas of what it means to see and be seen in a manner that is simu...

Mom. Cardboard, oil, double sided, 50x48 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga...

Arrows in traffic are an indication of a variety of instructions, from hazard to direction control. This painted arrow on wood presents an icon we are familiar with, but does so in a...

Mid century modern colorful abstract with stencilled letters and number.

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Maggie LaPorte Banks. Autumnal palette [2021] original Acrylic and collage on artist canvas board Image size: H:40 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:30 cm x D...

Flight. 2001, oil on cardboard, 67x79 cm Dark composition with butterflies In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academ...

Pol Pintó embarked on his artistic journey by studying Art and Design at the EINA University Center, where he honed his skills and laid the foundation for his creative exploration. I...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

colors- original abstract acrylic painting . framed Original paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality THARR...

Adhesive tape, acrylic, lacquer, cardboard, on MDF. Unframed. This work is part of a series of similar works consisting of four layers of different material. Adhesive tape, fixed o...

Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction and ship building ind...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

Julia Craig Nocturne Original Abstract Painting Acrylic Paint on Board Image Size: H 19cm x W 19cm Framed Size: H 34cm x W 34cm Sold Framed in a White Lime...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Inverted glass. 1998, oil, collage on cardboard, 45x59 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

Abstract acrylic painting on wood panel by artist Martha Lloyd. About the artist: Martha Anne Lloyd was born in Washington, D.C. in 1927. An avid artist, Lloyd completed a BFA degr...

Philippe Visson, (1942-2008), whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of La Gazette des Beaux-Arts from 1930 to 1960, and had always frequented the international artistic milieu. His father was a major political journalist for The Washington Post and Roving Editor for The Reader’s Digest. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. At the Vissons, one devours; one spends beyond one’s means; one falls, but only to land on one’s feet. Visson is a painter to whom it is difficult to assign a particular movement in art history; and that, principally for two reasons: firstly, his origins,his education and his way of life have produced a personality without any true roots, but rather a citizen of the world, who carries with him all cultures, from pre-Revolutionary Russia to the black ghetto of Washington, D.C. Secondly, he is self-taught, and can work in complete solitude, as well as before a large audience. His art is therefore uniquely his own, and certainly not that of an Art Brut ‘author’. His faces, his anti-portraits, reveal a continuum of humanity’s facets: from Christ to the demon, from the child to the aged, from the Caucasion to the African. Biography Philippe Visson, whose parents were both of Russian origin, was born in New York in 1942. His mother, a Parisian art historian, was the Editor of “The Gazette des Beaux-Arts” and had always frequented the international artistic milieu. His father was a major American political journalist for “The Washington Post” and “The Readers Digest”. Philippe Visson therefore was raised in a cosmopolitan milieu between the United States and Europe. He starts to paint in the bathroom of Parisian luxury hotel at the age of 16, working in a frenzy and without art lessons. He’s immediately confronted with the scrutiny of professional experts that surround his parents. He has instant success when he shows at the Craven Gallery in Paris in December, 1958, quickly offered to him; then in New York in the Milch Galleries in May, 1959; followed by shows in Monte Carlo, Geneva and New York again. It was too much, too soon. Visson falls into drinking. Returning to Washington, D.C. on 1960, the period 1963-1979 is differentiated by a life that is sometimes social, sometimes reclusive, which continues when his family settles in a large villa in Switzerland (Epalinges above Lausanne) in the mid-sixties. Visson has stopped drinking. He paints in one of the rooms of his parents’ house and inundates all the empty rooms with his productions that remain hidden from the public, allowing them to be seen only by personalities such as Marcel Brion and René Huyghe, both of the Académie Française; or Jean Leymarie, Director of the Museum of Modern Art in Paris. It’s only at the start of the seventies that he once again opens his work to the public. He meets several important cultural figures of the time, such as René Berger, Director of the State Fine Arts Museum of Lausanne; and Michel Thévoz, future Director of the Art brut Museum. After the death of his father in 1973, he settles without money with his mother in a luxury hotel in Paris. It’s only after a year and a half of perpetual and colorful adventures that they return to Washington, D.C., where he resumes painting and produces a unique period of abstracts. Returning to Switzerland at the death of his mother in the beginning of the eighties, Visson meets with blatant success in Switzerland, where institutions exhibit and purchase his paintings (Aarau State Fine Arts Museum, the Federal Office of Culture in Bern). His fury for painting takes the form of an explosion while remaining focused (he always keeps what he considers the best paintings for himself). After the life of a hermit in the Paccots, Visson comes down from his mountain to settle in Montreux on the Swiss Riveria. This moving is marked by a sort of return to social life, despite the fact that he paints in a cellar. A period of public projects with charitable goals is launched. Visson thrives on this contact with the public. This changes somewhat when he receives a working studio in The Montreux Palace in the late nineties. This emerging from the cellars denotes a new era for the artist. He starts an intense period of painting, and moves six thousand of his paintings to the Palace. He continues his public projects, including the acquisition against paintings of a Stradivarius violin...

Shoreline Sky with Indigo by Luisa Holden [2021] Original Mixed Media on gessoed cardboard Image size: H:23 cm x W:47.5 cm Complete Size of Unframed Work:...

Light of Winter by Annie Green [2021] original Mixed media on wood panel Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:2cm Sold Unframed Please...

Peach Panorama by Luisa Holden [2021] Original Mixed Media on gessoed cardboard Image size: H:22.5 cm x W:47.5 cm Complete Size of Unframed Work: H:39.5 c...

Janet Keith Garden 
Original semi abstract painting Acrylic paint on board Size: H76 cm x W51 cm x D 0.30cm Sold Unframed Please note that in situ images are purely an indication of ...

Amongst the Rushes by Helen Robinson [2022] original and hand signed by the artist Oil paint on canvas board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x ...

Cathryn Jeff Sea Swell Original Mixed Media Painting on board with white mount Painting Size: 20 cm x 29 cm Mount Size: 40.5 cm x 51 cm Sold Unframed Please note that in situ images...

Brown-toned abstract contemporary figurative painting by Houston, TX artist Scott Woodard. The painting depicts a bald man in a brown robe against a brow...

Eleanor Woolley - contemporary artist Oil on primed board. 35 cm wide by 46 cm high Signed, unframed. An autumnal view looking towards the Cotswold escarpment from Highnam Church. ...

This is a one of a kind original oil and resin painting by San Diego artist, Julia San Roman. Its dimensions are 16x20 (LxH). It is unframed. A certifi...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Janet Keith White Nights Original Semi Abstract landscape painting Oil Paint on Board
 Size: H 76 cm x W 101 cm x D 0.30 cm
 Sold Unframed Please note that in situ images are purely ...

Janet Keith Opalescence Original Abstract Painting Acrylic paint on board.
 Size: H 76cm x W 101cm x D 0.30cm Sold Unframed Free Shipping
 Please note that in situ images are purely ...

Gorse 1 by Jo Cottam [2021] original and hand signed by the Artist Acrylic on cradled board Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Fr...

Lisa House Emerald Sail, seascape painting. Original Oils/mixed media on board Size: H 75cm x W 75 cm x D 5 cm Signed in the bottom left hand corner of the canvas. Sold unframed ...

Daisies and Poppies by Rosie Copeland [2020] original Oil paint on board Image size: H:35 cm x W:28 cm Complete Size of Unframed Work: H:35 cm x W:28 cm x D:2cm Sold Unframed Pl...

Splintered Sun By Adele Riley [2021] original and hand signed by the artist Acrylic and acrylic inks on wooden panel Image size: H:24 cm x W:24 cm Complete Size of Unframed Work: H:...

Mary Scott, Spring Finally Came Semi Abstract Painting Acrylic Paint on Board Board size H 30 cm x W 30 cm x D 0.5 cm Framed size H 33 cm x W 33 cm x D 3 cm Sold Framed in a White Wo...

An original encaustic & oil on panel by American contemporary artist Mark Lavatelli. Mark Lavatelli is a Western New York painter, educator, and freelance critic. He earned an A...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Gregg Robinson, American (born 1948) "Cipher Bar 20" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...