Oil Abstract Paintings

Untitled 2017 59h x 70.80w in Oil on canvas Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor plans, and blurs interiors to re...

The Artists Tree – Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. T...

Alexander Rasmussen’s “Better Days Are Comin’.” This vibrant new series of abstracts was presented in part at Art Miami 2023, and the remaining pieces are now being exhibited for the...

Giorgi Vepkhvadze’s art is an Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New York Apartments and Houses. Artist graduat...

Can be purchased as a diptych, or individual art work . custom framing options available. Adam makes bespoke one fo a kind furniture and frames.

This oil painting on canvas straddles the line between narrative and non-narrative. I want it to be familiar but at the same time indistinct, encouraging the viewer to create their o...

Steven Miller trained at Parsons School of Design, Miller derives inspiration from electron microscope images that reveal the invisible building blocks of natural world. His pursuit ...

Using pure oil paint, which gives the artwork its unique texture, the artist manages to use two particularly difficult colors to work with: black and blue. This artwork is part of ...

Using pure oil paint, which gives the artwork its unique texture, the artist manages to use two particularly difficult colors to work with: black and blue. This artwork is part of ...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

2023, Oil & cold wax on wood panel

Oil on canvas Image size: 35 3/4 x 35 3/4 inches (91 x 91 cm) Entitled, monogrammed, dated 'November 1974' and inscribed on reverse

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

This unique painting begins with her new ZIGZAG series in which we can see her surrealist airs shared with her colleague and ex-husband Pedro Friedeberg, like all the works of art by...

2017, Oil on canvas

The large-format canvases evoke quivering universes of life. Aquatic, green universes, improbable landscapes are structured by discovering the rhythmic compositions that evoke a real...

Imaginary landscape

Constructive Figurative Painting 37" x 24" inch by Ion Xiua. Mixed technique. Oil on canvas made with professional Winsor & Newton colors protected with gloss varnish with UV protect...

Danielle Eubank is a painter who is exploring the relationship between abstraction and realism. Based on the oceans of the world, her abstract oil paintings are modern and emotive. ...

This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance of relaxing the mind, of letting go of our troubles, of being ...

This piece is part of the Amrta Gold Series. These pieces are incredibly unique and cannot be replicated. The are multilayered mixed media abstracts all with 24k gold leaf on top. Th...

On Light Grey Oil on Canvas 30.5 by 30.5cm Valerie Ng’s abstract paintings are created through explorations in colour, light, form and texture. A dynamic balance of strokes and subt...

Suzie Buchholz is a Bay Area-based abstract painter with a playful yet rebellious approach to the tradition of Abstract Expressionism. Her process is highly physical,driven by an ins...

Oil on canvas Image size: 15 3/4 x 19 1/2 inches (40 x 49.5 cm) Framed

Play Drawing #4 Contemporary Original Abstract Oil Painting This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance o...

2022, Oil on canvas

Play Drawing #8 Contemporary Original Abstract Oil Painting This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance o...

Making mistakes is often a taboo in society. This forms a person's mentality and when problems come they tend to blame circumstances. This artwork invites us to be more open and acce...

2021, Acrylic & oil on canvas

Abstract calligraphy. Mixed media on canvas. Black exterior frame. Framed dimensions : 115x101x5cm. Signature on the back.

Using calligraphic brushstrokes and muted color tones, I intend to bring in some traits of Chinese art. Assembling elements of art in the East and West is to signify the unique histo...

Mark Houghton M 3 Paint, Ink, Graphite, Oil on Paper 68 x 49.5 cm 26 3/4 x 19 1/2 inches Houghton's practice highlights overlooked aspects of the everyd...

Since Franz Ecker’s early death in 1999 his work has been newly appreciated, what is manifested in numerous exhibitions, catalogues and in the acclaimed film about the artist. He was extremely productive and left behind an almost unmanageable scope of works in various styles. Among them some of the top works that are unparalleled in recent Austrian art history and whose significance has not yet been adequately appreciated. After finishing his studies in 1966 in class of prof. Sergius Pauser and after receiving his two prizes, Franz Ecker moved back to Leonding where he developed his clear, abstract language of forms. Among his sources of inspiration are Cezanne and Picasso, as well as Martin Polasek who was one of his teachers. This led him to painting in a flat and abstract manner, which triggers a spatial experience through its exact color coordination and strict composition. The strongest period in his oeuvre is the time when his paintings are between figuration and abstraction. Only until around 1975 he additionally creates numerous watercolors, even though he restricts this medium to his more lyrical works. If Franz Ecker cannot be included in the avant-garde cannon of the 70’s, it is only because he witheld from presenting his works on the art market. Instead of using the opportunities that were offered to him in Vienna, he returned after his time at the academy to Linz where there was no appreciation nor market for his works. Distanced from the established art business, Ecker lives uncompromisingly the precarious life of a lonely genius. An artist myth, which in his case certainly is a bitter reality. Unimpressed by this, Ecker develops an increasingly broad language of forms within the clear line of abstract pictorial conception, which he emphasizes with constantly new forms of signature. At the end of the seventies his works became more gestural and expressive. His works like “Kafka” anticipate the “Neue Wilden”. When these are celebrated as the “return of painting...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Artist: Da Hong Born in 1984 Henan China, and currently living in Beijing He graduated from Jingdezhen Ceramic University in 2007 The artist enjoyed piling up the blocks on the c...

Untitled 2017 Oil on canvas Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor pla...

From Gallatin, TN, I forged a deep connection with visual art at an early age. I have always drawn and created. I continued my passion throughout my schooling. In college, at Sewan...

On Blue Oil on Canvas 30.5 by 30.5cm Valerie Ng’s abstract paintings are created through explorations in colour, light, form and texture. A dynamic balance of strokes and subtle var...

39.40 x 59 unstretched Oil on canvas Rebeca Mendoza plays with simultaneity, superimposition, and ambiguity in her work as she goes through the stages of oil painting. The artist se...

Exploring the interaction of humans and nature . II live in a beautiful place called Aranjuez, it´s famous for it´s gardens. When almost all the garden sleeps cos of cold winter, Mag...

For Nicolás, the importance of the work of art lies in taking distance from common and ordinary language. Taking poetry as an instrument of construction, where images and words becom...

This 210 cm by 220 cm mixed media large-scale painting is one of Lazard's most iconic paintings. Alex Lazard, one of Mexico's most noted contemporary artist today, plays with the material load that he uses in this piece. Using asphalt, marble powder, and oil paint, "This is my representation of time... of the navigation of time in humans and how it never stops being there. This magical painting shows a spiritual, dreamy scenery where Lazard portraits what he sees in the world of "Shaman"... fishes swimming downwards, flying in the background, and the owl flying...

"I liked the colours from the Abstract series. I continued to use them here. I like to keep things loose and only add my details at the end." -Wayne Millett

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

Includes a Certificate of Authenticity

MARCEL JANCO 1895-1984 Bucarest 1895-1984 Ein Hod (Rumanian/Israeli) Title: Yellow Square, Red Square and Blue Triangle Technique: Original signed Oil ...

About Behzad Tabar My background is in fine and graphic arts, working in a wide range of styles and mediums. My painting has evolved from realism, to surrealism, to abstract. I am mo...

« I believe painting is all about gesture and flow. Painting is nowness. » I wanted to represent the magnificent of the oak trees ,how they grow as island in the landscape and creat...

Abstract artist Paul Light Jr. was born in Atlanta, Georgia in 1966. Before earning his MFA in painting at SCAD-Atlanta in 2012, Light had an extensive business career where he fueled his creative side as a graphic artist, and product designer. It was in these years that he met and was mentored and greatly influenced by Paul Chelko...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentional or inadvertent. And then you discover he is the son of a notorious Dominican admiral, that the tyrannical dictator Trujillo was best man at his parents’ wedding, that his mother was a fabled high-society beauty, that he grew up on battleships and estancias before going, inevitably, to Brown. Even more surprisingly, Santana stayed in Providence for graduate studies at the Rhode Island School of Design, where he received his degree in architecture, soon plying his trade in Manhattan and his adopted city of Savannah, where he eventually set up his own firm. Astonishingly, in this era of CAD, he draws every detail entirely by hand. Considering his tweeds, his bow ties, his drawl and debonair dress, it is perhaps not surprising to learn that Santana’s architectural taste is strongly neo-classical, inspired by the vernacular Palladianism of antebellum Georgia, with of course a touch of the Postmodern. Santana’s detailed and decorous architectural plans for his clients are complemented by drawings created for solely for himself -- exotic imaginary cityscapes and urban fantasias, like the dreams of Sir John Soane channeled through Aldo Rossi or John Hejduk...

Oil on canvas

« I believe painting is all about gesture and flow. Painting is nowness. » An abstract painting for Shanghái city .Acrylic medium with Chinese ink and pencil to write the memories o...

Donatella Violi was born in Ovada (AL), moved to Milan and subsequently to Reggio Emilia. As she was taking lessons at the Institute of Science, she wa...

Always fascinated by the uncertainty of human perception, and the duplicitous nature of vision, which can be both revealing and deceitful, Lodato creates paintings that delve into th...

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

Curtis Ripley’s newest abstractions are sublime musings on expression itself. Concerned with capturing those phenomena which are most difficult to describe with words, Ripley’s paint...