Panel Abstract Paintings

"Cipher One (Sense + Antisense)" is a 24 x 48 inch geometric abstract diptych of two 24 x 24 inch panels in red, black, white and metallic gold that translates snippets of the human ...

Abstract painting made with light green encaustic and brown hemp leaves and branches resembling a tree Happanese, made by Allyson Levy in 2020 48 x 34 inches hemp leaves, branches, a...

A beautiful wooded landscape scene with houses and trees. Painted on a masonite board. hand signed lower right. with framers label verso. Framed to 40 X 55 inches. 33 X 48 without the frame and mat. It is not dated. Lena Gurr (1897–1992), was an American woman artist who made paintings, prints, and drawings During the course of her career Gurr's compositions retained emotional content as they evolved from a naturalistic to a semi-abstract cubist style. Born into a Russian-Jewish Yiddish speaking immigrant family, she was the wife of Joseph Biel, also Russian-Jewish and an artist of similar genre and sensibility. Gurr used Lena Gurr as her professional name. After marrying Joseph Biel she was sometimes referred to as Lena Gurr Biel. Biel had been born in Grodno, Poland (later absorbed into Russia) and had lived in England, France, and Australia before coming to New York. An artist, he specialized in landscape paintings and silkscreen printing as well as photography. He studied art at the Russian Academy in Paris. After immigrating to the United States, he studied under George Grosz at the Arts Students League. Gurr was born in Brooklyn and, apart from brief stays in Manhattan and in Paris, lived there her whole life. This painting bears the influence of Lyonel Feininger an influential German American artist. Gurr began studying art at a young age. In 1919 she studied painting and printmaking at the Educational Alliance Art School and between 1920 and 1922 she won a scholarship to attend the Art Students League where she took classes with John Sloan and Maurice Sterne. In 1926 and 1928 Gurr participated in group shows at the Whitney Studio Club in Greenwich Village and in 1928 she also participated in the 12th annual exhibition of the Society of Independent Artists at the Waldorf Roof in New York. (Reviewing this show, Helen Appleton Read, the critic for the Brooklyn Daily Eagle, said "I made three discoveries on my first visit, Thomas Nagel, Eugenie McEvoy and Lena Gurr with two figure compositions which have something of Marie Laurencin or Helene Perdriat quality of naive sophistication.") The Waldorf Roof was a set of rooms on the top floor of the Waldorf Astoria Hotel, one of which had glass sides and a glass roof. The rooms were used for concerts, dances, benefits, and exhibitions.From 1929 to 1931 Gurr took a leave of absence from her teaching position to travel in France with Joseph Biel, an artist whom she had met while studying at the Art Students League. They spent time in Nice and Mentone but mainly in Paris. During the early months of 1931, while she was still abroad, her work appeared in group exhibitions held at the R. H. Macy department store and the Opportunity Gallery (opened by Gifford Beal). In 1932 she participated in three shows: a solo exhibition at the Brooklyn Museum, an annual exhibition of the New York Society of Women Artists, ( Its first president was Marguerite Zorach. Founding members included Agnes Weinrich, Anne Goldthwaite...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

mixed media on drafting film mounted on birch panel

More moor – A contemporary abstract landscape by Gina Parr . Oil and acrylic on hardwood panel framed in an integral black wooden tray frame with bla...

Graphic abstract painting on paper in in complementary hues of red-orange, dark teal and yellow "Duo" by Jenny Kemp, painted in 2020 acrylic on linen over panel 14 x 11 inches Signed, verso Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Precise lines in light green arc over a layer of opaque moss green before colliding with forms of bright red-orange. A serene layer of dark teal complements these contrasting colliding forms, allowing a visual reprieve. The gouache painting on paper is complimented with a light wood frame, protected by non-glare glass. Wire is installed on the back for seamless hanging. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Abstract encaustic painting with brown branches with dark red berries against a light beige background "Winter Berry Diptych" made by Hudson Valley based artist, Allyson Levy, in 201...

"The Investment Bankers Had a Party" features vibrant hues of blue, pink, yellow, green and red. Kyle ‘BlackCatTips’ Brooks is inspired by the work of Willie Jinks, Joan Miró, Carlos...

"Cascadia 5" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

“Essence of the Forest” by Catherine Picard-Gibbs is an abstracted nature scene of a forest. This gestural oil painting on panel is painted in a pale...

Oil on panel - Unframed Ashlynn Browning's recurring use of grids, networks may recall architectural structures, but these are only created in response to the paint as she works, in...

Trevor Norris was born into a large family living in a small but brightly painted english row house. Life inside was turbulent and colorful. Norris's art is a personal reflection using his written stories as a catalyst to spark each work. The text holds the meaning and yet he covers it with many layers of bright paint making it illegible to the viewer. as each work develops it becomes more about the paint and less about the words. Trevor Norris tells his story, through layers of shapes and paint, reworking his literary narrative, finding order in disorder, and meaning in what is not said. "Untitled" Diptych Acrylic...

"Cipher Twenty (Sense + Antisense)" is a 12 x 24 inch geometric abstract diptych of two 12 x 12 inch panels in red, black, white and metallic gold that translates snippets of the hum...

"Cipher Thirty One (Sense + Antisense)" is a 12 x 24 inch geometric abstract diptych of two 12 x 12 inch panels in red, black, white and metallic gold that translates snippets of the...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

"Track Shift" is a striking modern geometric abstract painting, with a soft contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Patrick Dintino paints vertical bands of glowing color in a horizontal or rectangular format that read as both a scientific representation of the spectrum and an emotional landscape ...

Brushed taches of green, yellow, pink, turquoise and orange intersects with gestural grey lines to form a stable yet energetic composition in this 26 inch square ink and acrylic painting on rice paper. The overall intense movement within this work is in keeping with Lui's dramatic theme of pilgrimage -- a theme which is also reflected in the title "To Jerusalem III", the holy city...

Abstract encaustic painting with assorted neutral toned cannabis leaves on white encaustic 12 x 12 inches, encaustic and natural material over wood panel Lightweight, hangs with a s...

Mixed composition on wooden panel - artwork can be shipped only framed in a crate

"GHST" is an original acrylic work on panel by Jim Houser measuring 10in x 10in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently res...

Kay Hartung’s “Bio Bloom 9” is a delicate image of her interpretation of cell growth within the body. The 16 x 16 inch abstract painting, on 2 inch deep birch panel, is part of her s...

Patrick Dintino paints vertical bands of glowing color in a horizontal or rectangular format that read as both a scientific representation of the spectrum and an emotional landscape ...

Overlapping shapes and pattern in dazzling colors-- lemon yellow, hot pink, grape -- create a visual maze in this dynamic canvas by Sylvain Louis-Seize. Louis-Seize drew critical a...

Overlapping shapes in bright orange, fresh green and hot pink form a visual maze in this dynamic tondo by Sylvain Louis-Seize. The painting calls on a minimalist aesthetic but pulls ...

John Randall Nelson is an Arizona-based painter and sculptor. Nelson’s works are layered with his own personal language consisting of patterns, symbols, and archetypes that may not m...

JOSÉ PALACIOS Spanish, 1970 - CENTINELA signed "JOSÉ PALACIOS" (lower right) signed again "JAPALACIOS" (on the reverse) acrylic, spray, wax and graphite on wood panel 39-1/2 X 39-1/2 inches (100 X 100 cm.) unframed. CENTINELA A window to a park, or an important avenue of a large city can be a source of inspiration to create works of art. The behaviors of our peers give rise to creating stories that can be reflected in music, cinema and of course, in a painting. José Palacios was born in 1970. Influenced by the Spanish artists of the 80s belonging to the Madrid Movement, he began his artistic career linking the world of Painting and Illustration. Years later, Palacios developed a figurative style combining neo-cubism and pop art. His current work is based on a combination of abstraction with pop art winks made with a palette of refreshing and bold colors. His works are present in different private collections in Europe, United States and Asia. José Palacios work has been exhibited at Wanrooij Art Gallery (Amsterdam, Holland), Bridge Gallery (Beijing, China), Art Angler Gallery / New York, USA), Plastique Art Gallery (Madrid), Actual Arte Contemporáneo & Galería Luis Carvajal...

Abstract encaustic painting on panel of beige spurge leaves in a decorative arrangement on white 14 x 14 inches This modern abstract encaustic painting by Allyson Levy is made with...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant affects everyone in different ways, and while young, this change of culture, country, and separation helped shape Jandrell as an artist. As she does not identify as British or as South African, this "lack" of cultural identity tends to manifest in her paintings. Her paintings are abstract, visceral and intuitive, as she is drawn to the flexibility and ambiguity of abstraction. Painting is a form of honesty for Jandrell, it allows her to relax and feel centered, almost becoming a style of meditation. "Intrusion" Contemporary Abstract Art 48 x 36 Acrylic and Oil Stick...

Jacqueline Jandrell is an emerging artist who is South African by birth. She immigrated to the UK with her family after the loss of her father and grandfather. Becoming an immigrant affects everyone in different ways, and while young, this change of culture, country, and separation helped shape Jandrell as an artist. As she does not identify as British or as South African, this "lack" of cultural identity tends to manifest in her paintings. Her paintings are abstract, visceral and intuitive, as she is drawn to the flexibility and ambiguity of abstraction. Painting is a form of honesty for Jandrell, it allows her to relax and feel centered, almost becoming a style of meditation. "Pandemonium" Contemporary Abstract Art 36 x 48 Acrylic and Oil Stick...

Drawing on his extensive travels, Robert Kelly’s painted collages contain found print and material from around the world. Kelly has included antique botanical drawings...

Mixed media on wooden panel - artwork can be shipped only framed in a crate

Painted en plein air in Sag Harbor, New York, a small sketch of the classic charming architecture. Painted from underneath the Sag Harbor Cinema, Fen...

Christine Nobel’s paintings in Between the Notes share a faithfulness to a soft colour palette of sky blues, mauves, peaches, roses and whites, reminiscent of a pastel-coloured youth...

Contemporary, hard edge abstract painting in red, grey, white and black Interlock #52, 2017 24 x 24 inches oil on wood panel Sides are painted so it's ready to hang as is This conte...

Signed at bottom edge: Don Joint 15. With label verso inscribed: Don Joint 2015-16 / After St. George Slaying the Dragon / By Carlo Crivelli. Signed ver...

Trevor Norris was born into a large family living in a small but brightly painted english row house. Life inside was turbulent and colorful. Norris's art is a personal reflection using his written stories as a catalyst to spark each work. The text holds the meaning and yet he covers it with many layers of bright paint making it illegible to the viewer. as each work develops it becomes more about the paint and less about the words. Trevor Norris tells his story, through layers of shapes and paint, reworking his literary narrative, finding order in disorder, and meaning in what is not said. "Domestic Recipes 2 " is an original work, acrylic and collage on wood panel.

yellow gray white sienna 3 panels- 24 x 6" each encaustic, mixed media sides are wood veneer Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has su...

About the series COLOR BOMBS I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of co...

Kay Hartung’s “Bio Networks 5” is a 16 x 16 x 1.5 inch abstract encaustic painting depicting floating microscopic forms on a highly patterned background. In colors of teal, ochre, gr...

Dintino's abstract oil paintings have to do with the melding of title and piece. His paintings all illustrate his ideas and words through visuality and color. Creating large panoramic pieces makes his work atmospheric and immersive, allowing the viewer to literally feel the title of his painting. This is quite a synesthetic approach to making art and allows ideas and words to sing. Born in San Francisco, California in 1964, Patrick Dintino grew up in Sunnyvale, in the south bay area. He went to college in San Diego earning a BA degree in Industrial Arts from San Diego State University, and co-founded Artists in Motion...

Charlie Miesmer began painting in the open air during the summers in Nantucket. Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude...

Aaron Whisner is co-founder of Clean Hands, a Tulsa based mural crew and streetwear shop. As one half of design duo live4this, Aaron has been actively painting since the mid 90’s. Wi...

Colorful shapes and patterns -- pinstripes, marbling, chenille spots in pink, yellow, orange and green -- intersect in this dynamic tondo by Sylvain Louis-Seize. When success came u...

Inspired contemplative, warm cream, bronze abstract Impressionist diptych painting created in homage to the composer Rachmaninov, Sublime 'Rachmaninov “Letter to Sergei" is compris...

“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant A recent online story in the German news outlet Deustche Welle post...

Twelve rectangular panels, each painted alternately in solid colors or solid with tinted vertical stripes, are installed in a precise grid: two high and six across. The artist began ...

JOSÉ PALACIOS Spanish, 1970 - HOMBRE COHETE signed "JOSÉ PALACIOS" (lower right) signed again "JAPALACIOS" (on the reverse) acrylic, spray, wax and graphite on wood panel 39-1/2 X 39-1/2 inches (100 X 100 cm.) unframed. HOMBRE COHETE We have all dreamed one time or another of making a trip through space, a perfect theme to create this work full of graphics that suggest a journey through the personal universe of each one. José Palacios was born in 1970. Influenced by the Spanish artists of the 80s belonging to the Madrid Movement, he began his artistic career linking the world of Painting and Illustration. Years later, Palacios developed a figurative style combining neo-cubism and pop art. His current work is based on a combination of abstraction with pop art winks made with a palette of refreshing and bold colors. His works are present in different private collections in Europe, United States and Asia. José Palacios work has been exhibited at Wanrooij Art Gallery (Amsterdam, Holland), Bridge Gallery (Beijing, China), Art Angler Gallery / New York, USA), Plastique Art Gallery (Madrid), Actual Arte Contemporáneo & Galería Luis Carvajal...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...

Leslie Allen is a painter’s painter. She approaches the canvas without preconceived notions and allows the process to guide her through the painting. She immerses herself in the development of the painting as it occurs, responding to every mark with a keenly developed improvisational style. Allen relishes the pure color and movement of oil paint on the surface. She “listens” to the paint. She has worked out her own visual language through years of experimentation and exploration. These are sophisticated paintings with a keen sense of color, gesture and division of space. "Rain Showers...

Kay Hartung’s “Bio Networks 1” is a 12 x 12 x 1.5 inch encaustic painting depicting floating microscopic forms on a highly patterned background. In colors of rust, maroon, ochre, gre...

"Wired, Out of Time" by Sarah Alexander is a 30 x 22 inch abstract watercolor and charcoal painting on panel in warm yellow and sepia tones. In this signature piece from Alexander’s ...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

An oil on wood panel sketch of a horse, on a sunny day. The horse stands before a bright green field. Wood panel remains exposed as your eye drifts away from the center of the painti...