20th Century Abstract Paintings

A mixed media work by Merion Estes. "Feast" is a contemporary abstract, acrylic and glitter on canvas in a palette yellows by American female artist Merion Estes. The artwork is unsi...

A painting by Alexander Calder. "The Forest" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

A painting by Jae Kon Park. "Life and Roots" is an abstract painting, oil on canvas in a blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1992". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "J...

A painting by Hans Hofmann. "Yellow Vase" is still-life abstract painting, oil on panel executed in the primary colors by Post-War Abstract Expressionist H...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, ""JE Kon Park. 1992"". Born i...

A painting by Jose Maria Sicilia. "Yellow Flower IV" is a geometric, gestural abstract painting, acrylic on linen by Jose Maria Sicilia. The artwork is signed on the verso, "Yellow F...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a reds and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "...

A paintingy by Kumi Sugai. ""3 Heures D'Après Midi"" is a geometric abstract, acrylic on canvas in a palette of blues, pinks, and reds by Japanese Minimalist artist Kumi Sugai. The a...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in dark colors by American artist Carl Morris. The artwork is signed in the lower right, “Carl Morris”. Born in Yorba Linda, Calif., in 1911, Carl Morris studied at the Chicago Art Institute, as well as in Vienna and Paris, before he became director of the Spokane Art Center in Washington and, eventually, the most important painter to establish himself in Oregon. From an aesthetic perspective, he fit in with the New York School painters was counted Mark Rothko and Robert Motherwell, as well as the Northwest...

A painting by Carl Morris. "Untitled" is an Abstract Expressionist triptych painting, acrylic on canvas in blues and oranges by American artist Carl Morris. The artwork is signed on ...

Soleil Fendu by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 73 x 60 cm (28 ³/₄x 23 ⅝ inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, Japan A wonderful piece from his most important Paris perdiod. Artist Biography Born in Kyoto, Japan in 1928 Imai was part of the 20th-century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Fauvism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957 when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds, yellows, and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jaw Kon Park, 92"". Born in South Korea, Park Jae Kon...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

A painting by Bruno Ceccobelli. "Aiuola" is a contemporary figurative painting, mixed media on panel in blacks and browns by Italian artist Bruno Cecc...

*UK BUYERS WILL NEED TO PAY AN ADDITIONAL 20% ON TOP OF THE ABOVE PRICE Wo Alu und Honig Fließen by OTTO PIENE (1928-2014) Fire gouache with aluminium on cardboard 99 x 64 cm (39 x...

Phenomena Greet by Day by Paul Jenkins (1923-2012) Acrylic on canvas 146 x 114.3 cm (57 ½ x 45 inches) Signed lower right, Paul Jenkins Executed in 1994-1996 Provenance: Private collection, New York (acquired directly from the artist) Stern Pissarro Gallery, London Private collection, Netherlands Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens and oranges by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism and typographic woodcuts. Throughout his career, travel continued to inspire him. Park Jae Kon created abstract landscapes that reflect the colors and light of the Andes Mountains and geometric abstractions that incorporate iconography from the South America’s ancient civilizations. Park Jae Kon himself found a deep spiritual resonance with South American and Indian cultural history, and his work captures this personal connection to Aztec, Incan, and Hindu iconography. In his later work, Park Jae Kon attempted to reconcile his Korean identity with his adopted homeland of South America. These works often combine the colors and patterns of ancient Incan and Aztec art...

A painting by Carl Morris. “White Field” is an abstract expressionist painting, acrylic on canvas in yellows, whites, and browns by American artist Carl Morris. The artwork is signed in the lower left. Born in Yorba Linda, Calif., in 1911, Carl Morris studied at the Chicago Art Institute, as well as in Vienna and Paris, before he became director of the Spokane Art Center in Washington and, eventually, the most important painter to establish himself in Oregon. From an aesthetic perspective, he fit in with the New York School painters was counted Mark Rothko and Robert Motherwell, as well as the Northwest School...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park 92"". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, "JE Kon Park. 93". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in reds and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Je Kon Park, 1992"". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 93". Born in Sout...

Sam Francis Untitled (SFF.1704) 1994 Acrylic on canvas 38.1 x 45.7 cms (15 x 18 ins) Provenance: Estate of the artist, California, 1994; Galleri Faurschou, Copenhagen, June 1996; ...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in cream and gold by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Ja...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues, oranges, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lowe...

Kandahar Acrylic and mixed media on fabric, c. 1970 Signed by the artist lower right (see photo) Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's. Provenance: Estate of the Artist Dehn Heirs Condition: Excellent Canvas size: 18 x 20 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower left, "Jae Kon Park, 1992". Born in So...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park. 89"". Born in South Korea, Park Jae Kon...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park, 1993". Born in S...

Oil on canvas, 11 x 10 in.

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a colorful palette of blues, oranges, yellows, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 92". Born in South Korea, Park Jae Kon...

abstract painting with yellow and green tones

Persephone Oil on canvas, 1952 Signed lower left (see photo) Titled reverse "Persephone" Signed "V. 52" Exhibited: Columbus Gallery of the Arts label "71/30 Bt. 2", see label Condition: two very small flakes of missing paint Canvas size: 20 1/8 x 16" Frame size: 20 7/8 x 16 3/4" Provenance: Estate of the artist Dehn Heirs An important painting by the artist. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn (1922-2005) Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

A painting by Chet la More. "Yellow Submarine" is a painting, acrylic on canvas in a palette of blues, whites, and yellows by American, Post-War artis...

Cleve Gray Jerusalem II, 1976 Jerusalem Series Mixed media on paper 23 3/4 x 17 1/4 inches

Cleve Gray Reverse Drawing 1 (blue), 1966 Reverse Drawing Series Mixed media on paper 19 3/4 x 25 1/2 inches

An abstract, Op Art painting by Francis Celentano. "Undulating Units" is a black and white, abstract Op Art painting from seminal Op Artist Francis Celentano. "Undulating Units" is a...

Untitled Cubist Abstraction Signed and dated lower right Watercolor, charcoal and gouache on paper, 1922 Provenance: Estate of the Artist Schroeder, Romero & Sh...

Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His fat...

A painting by Alexander Calder. "Directions" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oranges by artist Alexander Calder...

Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) Condition: Excellent Image: 19 3/4...

A painting by Alexander Calder. "Colonial Organisms" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellow...

An artwork by Alexander Calder. "Cercles" is an abstract painting, gouache and ink on paper in bold colors of reds, blues, and blacks by Post-War, American artist Alexander Calder. T...

An acrylic on canvas painting by Post War artist Robert Natkin. This Untitled, abstract painting is executed in thin layers of acrylic paint of violet, orange, yellow, teal blue, och...

A painting by Sam Francis. "Untitled (Black and White Composition)" is an abstract expressionism painting, acrylic on paper executed in black and white by American Post-War artist Sa...

A painting by Fiona Rae. "Untitled (yellow, red + brown)" is a contemporary abstract painting, oil on canvas in a colorful palette of reds, blues, and browns by female artist Fiona R...

A painting by Sadamasa Motonaga. This Untitled, abstract, oil on canvas painting in executed in a lush and thick palette of primarily reds, greens, o...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...

Untitled Mixed media on paper, 1979 Signed and dated ‘79 lower right (see photo) Sheet size: 31 1/2 x 48" Frame: 34 1/4 x 50 1/4" Provenance: Members Gallery, Albright-Knox Art Galle...

Washes of sun yellow are edged in dashes of bright colors - mauve, cerise, lime and rust -- in this monumental color-field canvas by Milly Ristvedt. "Summer Window" from 1973 was cr...

A work by Julian Schnabel. This large scale, Untitled, oil, resin, gesso, fabric and leather on seamed dropcloth, abstract painting is executed in a dark palette, primarily in grays ...

A painting by Roland Petersen. This Untitled, oil on canvas, abstract painting is executed in thick and lush impasto, in colors primarily of greens, blues, teals, white, red, ochre a...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Alan Davie (1920-2014) Queen Emma June 1968 oil on canvas (triptych) 213.5 x 404 cm signed, dated and titled (on the verso) Price: £300,000 GBP (inc. 20% U...

large abstract oil painting on canvas green orange brown

Glenn Brown (British, b.1966) Dead Relatives 1995 oil on canvas laid on board 57.8 x 47.6 cm (22¾ x 18¾ in.) signed and dated 'Glenn Brown 1995' (on the verso) Price: £341,250 GBP (...