20th Century Abstract Paintings

Artist: M. Morgenstern Title: Prism Tondo Year: circa 1970 Medium: Oil on Canvas, signed verso Size: 38 inch diameter

6002 A French vintage fauvist oil painting of a French village on artist board displayed in a wood frame, signed lower left by Groendain

Edward Zutrau Untitled, 2/17/1963 Signed and dated on verso Oil on linen 25 1/2 x 21 inches Edward Zutrau is among the American artists who worked within the whirlwind of diverse a...

4093 Multi colored abstract on artist board Set in a vintage hand painted wood frame Signed on verso by P.Russo

An original watercolor painting by American artist Wes Olmsted depicting an abstract landscape view.

Untitled - OL1.96 (Abstract Painting) Oil, fabric and string on linen - Unframed Feinberg works with a variety of techniques and mediums, including painting, paper collage and inst...

This geometric abstract painting features bold intersecting forms in primary colors, evoking a dynamic sense of movement and balance. Dominated by arcs and angular shapes in red, yel...

Gorgeous oil and watercolor on paper by abstract expressionist artist Adine Stix. Beautiful shades of pink, purples, cobalt blue with s hint of orange cover the paper to create the h...

Jean Xceron is a Greek-born American artist who participated actively in ushering the transition from modernism to Abstract Expressionism in American art. His canvases present a rang...

In the rain. 1990, cardboard, oil, 90x140 cm with minor defects Liga Purmale (1948) Was born on October 4, 1948 in Dundaga. She graduated from the secondary art school of Janis Rose...

An oil on canvas made by Sante Monachesi, measuring 50x70 cm, in the years between 1955 and 1965. Monachesi was an Italian painter and sculptor who founded the "Futurist Movement in ...

Gorgeous oil on wood by 20th century American painter Don Smith. The piece is a beautiful candy apple red color with a grass green border and touches of cobalt blue, mustard yellow ...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Colorful red, teal, and orange modern abstract impressionist landscape painting by Cuban artist Illeana Mulet Batista. The work features multiple buildings in a town center rendered ...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the fee...

Conference of the birds no 28 (Abstract Painting) Oil on panel. Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a conne...

Ortez (Modernist Family Portrait) is a vibrant 1947 abstract gouache on paper by American artist Lewis Lee Tilley (1921–2005). This dynamic composition captures a family of five seat...

10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...

A striking 1982 work by the British abstract artist Leo Davy. Leo Davy was born in 1924 in Shipley, Yorkshire, the seventh of nine surviving children to an art teacher and painter ...

Colorful mixed media drawing of an abstract mixed media collage by Texas Artist, Dick Wray. The work depicts colorful shapes and geometric birds. Signed and dated by the artist at the top of the work. Framed and matted in a simple wooden frame. Dimensions Without Frame: H 16.88 in. W 13.88 in. Artist Biography: Dick Wray, a native Houstonian, born in Heights Hospital in 1933 was primarily educated in Houston, Texas. He took free art lessons at the Houston Museum of Fine Arts...

DIMENSION Size: 52 x 52 cm (including frame) Oil on canvas A simple yet very effective abstract composition in oil, painted onto canvas. A set of bright abstract forms sit against ...

A modern abstract geometric oil painting by American female artist Irene Zevon who lived and worked in the Chelsea Hotel in the 1950's and 1960's.

original acrylic painting Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. The Spanish Civil War ...

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, reds and oranges, with artist's studio stamp to verso, apparently unsigned, unframed. 65" H x 5...

PICNIC UNDER THE PINES Size: 54 x 66.5 cm (including frame) Oil on board A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees...

Peter Haigh was raised on a farm near the Yorkshire town of Lockwood. Taking up painting as a hobby at an early age, Haigh sold his first painting at the a...

Summer flowers in yellow, green, cyan colors. Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Hand signed, dated and numbered by the artist. Sheet size: 30.125 x 29.875 in. Edition of 60. Published by Gemini, G.E.L., Los Angeles. Artwork is in excellent condition. Certifica...

Haitian Artist Préfète Duffaut is part of a rare breed of painters who have an instantly recognizable style. This is no easy feat to have achieved. With tens of thousands of painter...

City 13. 1966, paper, monotype, varnish, 47x77 cm Soikans Nikolay, pseudonym Niklo de Martell (till 1953.) 1926. 9 IX Ludza – 1980. 21 II Lester, Great Britain – graphic artist. ...

Title: Mid Century French Geometric Abstract Circular Composition Ink on Paper by Serge Guerin (b. 1916), French Signed bottom right Black ink on paper, unframed Size: 19.75 (height)...

Title: Mid Century French Geometric Abstract in Black White and Blue Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Title: Mid Century French Geometric Abstract Composition in Earth and Jewel Tones by Serge Guerin (b. 1916), French Acrylic and gouache on artists paper, unframed Size: 25.75 (height...

Photolithography 1972 Signed and numbered 6/75 Paper size : 68x68 Image size : 61x61 Perfect condition Published by Poligrafa, Barcelona 290€

Title: Mid Century French Geometric Abstract in Red and Violet Gouache on Paper by Serge Guerin (b. 1916), French signed and dated lower right “Serge Guerin 70” Ink and gouache on pa...

Mid century modern colorful abstract with stencilled letters and number.

Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin. In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes. In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel. In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting. In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality. In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett. Monumental works Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest. The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris. Selected Exhibitions 1952 Galerie Jeanne Castel Paris 1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris 1956 Galerie Rive Gauche, Paris 1958 Matthiesen Gallery, London 1959 documenta 2 Kunst nach 1945 Kassel 1961 Matthiesen Gallery, London 1963–64 Galeria Lorenzelli, Bergamo and Milano 1964 Galería Bettie Thommen, Basel 1965 Kunstverein Hamburg Retrospektive 1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective) 1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle 1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro 1972 Wildenstein Gallery, London Landscapes of Light 1974 Galerie Jacob, Paris 1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival) 1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France 1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris 1980 39th Venice Biennale 1987 French Institute London. Museo de Arte Moderno de Buenos Aires 1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art 1989 Galerie des Ambassades, Paris 1991–92 Romont, Swiss Stained Glass...

Oil on paper. Signed and dated 'Walinska 57' (lower left). image size 20 x 13 1/2 in. framed size 28 1/3 x 22 1/2 inches Provenance Martha Jackson Gallery Anderson Gallery, Buffalo...

Title: Mid Century French Geometric Abstract in Blue Brown and White Signed by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on brown...

Title: Mid Century French Geometric Abstract with Spires on Yellow Background by Serge Guerin (b. 1916), French Acrylic and gouache on artists paper, unframed Size: 19.75 (height) x ...

Title: Mid Century French Geometric Abstract in Green Brown and Purple by Serge Guerin (b. 1916), French signed lower right “Serge Guerin”, name stamped verso Acrylic and gouache on ...

American school abstract painting. Watercolor on paper, circa 1960. Signed. Image size, 24"L x 18"H.

Title: Abstract Linear Composition 1969 by Serge Guerin French b1916 by Serge Guerin (b. 1916), French Inscribed verso: indistinct handwritten note including “69” (likely the date) B...

Dietmar Gubsch is a sculptor and painter from Dresden (Germany) who has created numerous architectural and spatial works and is known for his abstract geometric works. His work is c...

1-4086 A large scale vintage figurative painting, original oil on canvas in shades of blue .Unframed. Signed on verso G.Pascal Rocca

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. John Barnicoat MA ARCA (1924 - 2013) Harbour (1975) Tempera on card 26 x 26 cm Initialled B and dated '75. John Barnicoat was a painter of oils and works on paper using tempera, conté, acrylic, pen, and ink. He was brought up in Cornwall and educated at King’s College, Taunton. He joined the Royal Naval Volunteer Reserves and took part in D-Day, aged 29. He went on to read history at Lincoln College, Oxford, and also studied at the Ruskin School of Drawing. He attended the Royal College of Art in the early 1950s, eventually becoming the Senior Tutor at the RCA Painting School between 1976 and 1980. He was the head of Falmouth School of Art 1972 - 1976 and Head of the Chelsea School of Art 1980 - 1989. He wrote 'Posters: a Concise History' in 1972, and organised and curated exhibitions in the UK and Russia on the art of poster design. From 1989 onwards he produced numerous drawings and oils of the bridges of London, women’s heads, acrylic and conté works on paper, and pen and wash drawings of women dressing...

François Morellet (French, 1926-2016) Untitled (from 6. Kölner Kunstmarkt 72), 1972 Medium: Screenprint on paper Edition of 180: Hand-signed Dimensions: 45 x 65 cm Condition: Excellent

This came from the collection of the Horace Richter Gallery These were done in the 1990's Hand signed and dated by the artist. Old Jaffa Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums. He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky. In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins. In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists. In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...

Santa Rosa Juan Sánchez Juárez, Mexican (1946) Acrylic on Canvas Size: 60 x 48 in. (152.4 x 121.92 cm) Frame Size: 61 x 49 inches

Black, grey, and cream toned figurative abstract painting by Mexican artist Francisco Moreno Capdevila. The work features various headless g...

Important watercolour on paper 'Untitled' by the great Italian artist Riccardo Licata. Dated and signed at lower right "74 Licata". This work is representative at the highest level ...

Original water based acrylic on canvas. Hand signed and dated on verso by the artist. Can be hung vertically or horizontally. Artwork is in excellent condition. Certificate of authe...

painting on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Rufino Tamayo (Mexican, 1899-1991) 'The Red Horse of the Apocalypse' from the The Four Horsemen of the Apocalypse Series. Commissioned by Issac-Louis Lemaistre De Sacy as illustratio...

Somnath Hore - Untitled Lithograph on Paper 11 x 15 inches ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped ...

A bold & dynamic ca. 1965 Abstraction titled "October Landscape" by Valfred Thelin. Image size: 13 1/2" x 30". Framed size: 18" x 35". Painter Valf...

"Walking in the Park" by Tommaso Principe (Italian b.1942) signed lower corner oil painting on canvas, unframed canvas: 19.5 x 27.5 inches Beautiful Italian Impressionist oil...

Midcentury abstract oil on canvas painted with skill and confidence with overlapping, disciplined geometric forms with free form lines executed with a complex palette of dark and bri...

As fate would have it, sculptor, painter and printmaker Shoshana Heimann (1923-2009) did not live to see her retrospective installed at both the Hecht Museum at the University of Hai...

6108 Oversized abstract expressionist oil painting. Rapped canvas no frame required