Abstract Abstract Paintings

Relay Race 2 (Abstract Painting) Acrylic on canvas - Unframed. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between foregr...

In a series from some of the last paintings the artist finished before his death in 2019, Mindspring was from a series of paintings where the artist had a clarity and energy to his w...

Hit it (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the...

Red Swash (Abstract painting) Oil on gessoed Arches paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks....

Bold neon abstract composition in six parts with bright green, orange, and hot pink geometric forms by California artist Gary Ermoloff (American, b. 1949), 1982. Dated and signed on verso. Unframed. Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Acrylic ink on board, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 17.32 in ( 44 cm ), Width: 17.32 in ( 44 cm ), ...

Untitled 10 (Abstract painting) Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic ...

NOTICE GALLERY REDUCED PRICE SHIPPING COST. “It’s complicated.” This current popular phrase used by Gen X’ers and Millennials to describe a new love life paradigm on social media i...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer...

Bursting Forth- Red 60 X 48 Acrylic on canvas Nancy Seibert began her art studies in Washington D.C. at George Washington University. She gradua...

Clear Spot (Abstract Painting) Acrylic and pumice on sacking, sailcloth and canvas - Unframed. Anthony Frost, son of Sir Terry Frost RA, is an English abstract artist whose vibran...

A12 - I am having so much fun (Abstract painting) Acrylic on paper - Unframed. The artist created this series shortly afterward arriving in NY. His interest was to see what respons...

Ink #4 (Abstract painting) Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths ...

A bold red monochrome abstract expressionist oil painting featuring a minimalist composition of small geometrical shapes outlined in black by unknown Bay Area artist (American, 20th ...

A History of Violence (Abstract Painting) Acrylic on canvas - Unframed. Matthew Langley's technique in creating the artworks come from building and extending as well as reducing an...

Dennis Alter's layered and textured oil on canvas paintings abstract expressionist drip paintings in the style of Jackson Pollock are rich with painterly activity. Gestural brushwork...

Cut-Up Canvas I.9 (Abstract Painting) Acrylic on canvas. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

This is a suite of four 12" x 12" canvas panels in Antonio Puri's "Tantra" sculptural painting series of intimately-scaled minimalist round mandala circle...

Modern abstract expressionist painting influenced by Mark Rothko's color field paintings that incorporates red, orange, and navy tones. Signed in lower right corner as well as titled...

Acrylic on board

Antonio Puri's "Tantric View" is an intimately-scaled minimalism diptych (two paneled) sculptural painting built from tiny beads adhered to the canvas in a range of red hues, creatin...

Red Swash (Abstract painting) Oil on gessoed Arches paper. Unframed. For Russinof, everything begins with color. She begins a painting by applying color in lyrical, gestural marks....

Cut-Up 21-3 (Abstract painting) Acrylic on canvas - Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reduc...

Dennis Alter's layered and textured oil on canvas paintings are rich with painterly activity. Gestural brushwork, heavy impasto, and layers upon layers of color lend a complexity to ...

Mary Didoardo Time Passing, 2021 oil on wood panel 30 x 30 in. (dido081) In order to make a meaningful painting I have to establish form somewhere in the swirl of line, texture and ...

Circular Souls (Abstract Painting) Acrylic on linen - Unframed. Australian abstract artist Louise Blyton employs precise, Reductivist methods to create lucid, harmonious, multidime...

Cut-Up 21-3 (Abstract painting) Acrylic on canvas - Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reduc...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’re not sure whether it’s intentio...

Three canvases 18W x 24 H x 1.5 in each. Expressive contemporary modern abstract, bold, full of life, motion, gloss and shimmer! inspired by nature, shades of pink, red combined w...

Untitled 10 (Abstract painting) Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic ...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...

Sarah Foat Telling my story Original Painting Acrylic on Canvas Canvas Size: H 40cm x W 40cm x D 3.5cm Signed Sold Unframed (Please note that in situ images a...

Tetsuo Mizu (1944) Landscape Executed in 1987 Oil on canvas 80.3 x 100 cm (39 3/8 x 31 1/2 in) Dated and Signed “1987 MIZU” (lower left) Signed, dated, an...

oil and wax on linen

Farm (Abstract Painting) Acrylic on honeycomb aluminum - Unframed. Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to...

An original one-of-a-kind palette knife painting. Layer upon layer of thin coats of colors. Each layer finds its way to the surface between the ''broken'' surface created with a pal...

Untitled AbEx, Red and Yellow, 1990's, 12x16 in., acrylic on paper, sighed lower right.

Liminal Icon (Monument I), (Abstract Painting) Mixed media on paper - Unframed Artwork exclusive to IdeelArt. Although the initial inspiration for a painting might come from a fl...

Two seated figures, 2019, 30x40 inches, oil on canvas, signed lower right. Artist certificate of authentic is included. The distinct quality of Koko’s painti...

In Speed (Original Title: In velocità) is an original Contemporary artwork realized in 1992 by the italian artist Leo Guida (1992 - 2017). Original Acrylic on wood. Frame is includ...

Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking...

Ink on paper - Unframed. Reyna works with ink, acrylics and oils on canvas or paper. One of his signature techniques is to dilute his mediums so the colors will dissipate and interm...

This two piece red relief work is by Korean artist, Jaena Kwon. It is in two parts: 39 x 48 inches and 22 x 21 1/2 inches. The space between elements is variable. Kwon's work is c...

This painting would make a lovely Valentine's Day gift, order today in time for holiday delivery! This geometric abstract acrylic on canvas Op Art painting is part of Weaver's "Cubes...

Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of co...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Titled: Chants. Hand signed and dated. Sonja Kuhfahl (1928-) is a German born woman artist. She began her art career studying fashion design in Europe,...

Acrylic and pumice on post office bag, linen, hessian sacking and canvas - Unframed. Anthony Frost, son of Sir Terry Frost RA, is an English abstract artist whose vibrant, colorful ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Provenance: Babcock Galleries (bears their label verso. signed verso with artists monogram signature. Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures. Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies. Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years. Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.” Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.” Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant." The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself. Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.” Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...

Tadashi Sugimata (1914-1994) WORK V oil on canvas 41 x 53.2 cm (16 1/8 x 20 7/8 in) not considering the frame Executed in 1961 Signed Signed and titled in Japanese in the back A...

Acrylic and oil on paper - Unframed Claude Tétot is a French abstract artist whose work expresses harmony in disharmony by exploring the enigmatic unity that can exist between seemi...

Original acrylic, abstract painting created on gallery style canvas. Note* Shipping to International locations 'Everywhere Else' is an estimate only. Please contact Zatista for a s...

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 1957. Before becoming an artist in 2012 Hewes worked in the building trades for 40 years and often uses the skills learned from his tradesman work within his artwork. Hewes paints in the Action/Drip style, even building his own spinning table...

Painting: Acrylic on Canvas. Three canvases16 W x 20 H x 0.7 in each. Expressive modern abstract, bold full of life, gloss and shimmer! inspired by nature. Lots of drizzles, ye...