Abstract Abstract Paintings

No title 3, 2018 by Rodrigo Zampol Black ink on paper Dimensions: 67 cm H x 50 cm W Weight: 1 kg Unframed Unique piece Signed on front The piece has a...

Lágrima de Nube, 2018 by James Bonachea From The Series The memory of narcissus Watercolor on cardboard Image size: 100 cm H x 70 cm W Unframed This series of works stems from the ...

No title 1 2018 by Rodrigo Zampol Watercolor on Hahnemuhle paper Dimensions: 67 cm H x 50 cm W Weight: 1 kg Unique piece Signed on the front The piece...

No title 2, 2018 by Rodrigo Zampol Black ink on paper Dimensions: 67 cm H x 50 cm W Weight: 1 kg Unframed Unique piece Signed on back The piece has a ...

Eclipsado, 2020 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 200 cm H x 200 cm W Unframed Signed by the artist _...

AZULES 2, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist _____...

AZULES 1, 2021 by Alec Franco Mixed envelope on raw rustic canvas Mixed Technique (Acrylic and oil Pastel) on canvas Image Size: 117 cm H x 86 cm W Framed Signed by the artist _____...

Ontology of Love (To my Muse) by Lélia Pissarro (B. 1963) Acrylic and resin on canvas 65 x 81 cm (25 ⁵/₈ x 31 ⁷/₈ inches) Signed lower left, Lélia Pissarro Inscribed on the reverse ...

VENUS I by Auguste Herbin (1882-1960) Oil on canvas 100 x 81 cm (39 ³/₈ x 31 ⁷/₈ inches) Signed and dated lower left, herbin 1945 Provenance: Private collection, Stockholm Galerie d...

The power of pure colour and minimal form on raw canvas. This is Milly Ristvedt. Three rows of gently curved horizontal bands of colour—golden yellow, hot pink and green create a str...

A tapestry of glorious colour meets the viewer’s eye in this gorgeous abstract work by Milly Ristvedt. The master colourist uses bright yellow as a brilliant backdrop to a cloud of g...

Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...

Milly Ristvedt loves jazz. Several of her paintings have been created to the beat of a jazz tune. In this abstract piece, on a vertical velvet green backdrop, expansive gestural brus...

Inspired by nature’s palette and form, Milly Ristvedt continued her exploration of colour. In this lyrical abstract piece, colour continues to dominate as a rich green covers the can...

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was born in 1932 in Paz de...

It makes a bold statement. Field Green is one of a series of colour field paintings created by modernist Milly Ristvedt. Renowned as a master colourist, Ristvedt chose a bright palet...

Capturing the energy and innovation of a jazz tune, this vividly coloured abstract painting is by Milly Ristvedt. Swatches of orange, violet, turquoise and black appear in a rhythmic...

"Untitled" is a watercolor painting by Raymond Parker. This work was painted in 1979, and is inscribed in pencil in the lower middle, "For Pat <3 RP 1979". The framed size is 25 1/4 ...

Aron Hill’s dynamic graphic compositions were inspired by the work of the late Canadian modernists like Jack Bush. Minimalist shapes and bold colours continue to characterize their n...

Tu es matinale aujourd’hui by Lélia Pissarro (B. 1963) Blue and gold acrylic and glitter on canvas 80 x 59.5 cm (31 ½ x 23 ⅜ inches) Signed lower right, Lélia Pissarro P.C. Inscribed...

Phenomenon East of the River by Paul Jenkins (1923 - 2012) Acrylic on canvas 97.2 x 130.2 cm (38 ¹/₄ x 51 ¹/₄ inches) Signed lower right, Paul Jenkins Signed, titled and dated 1993 on the reverse Provenance Private collection, New York, acquired directly from the artist Artist's Biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Chaco Canvas, fabric, pigment and collage elements, 1985-1995 Signed lower left corner in red paint Title and signed in pencil on the verso on the top of the stretcher Condition: Excellent Canvas size: 18 x 18 inches Provenance: Estate of the Artist By descent Chaco is a Native American culture of Ancestral Puebloan peoples, thriving in New Mexico between 850 CE and 1250 CE. Some of the motifs in this work was inspired by Chaco Canyon wall art. This mixed media work was created after the artist moved from New York to Santa Fe in 1985. It combines many Southwestern and Native American motifs. This is one of a small group of similar works combing collage and mixed media. (See photo of native pictographs) that inspired this work. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Bold and bright, this minimalist painting of a summer lake scene is by Pat Service. She is regarded as one of Canada’s foremost landscape artists. Here she has re-imagined a classic ...

Cottage country—a classic scene is re-imagined in minimalist form and bright colours. This is Pat Service. She is considered one of Canada’s finest landscape artists. Here she recall...

Michael Tracy Untitled, 2006 Paint on silk 52 x 44 in (132.1 x 111.8 cm) JPHB 1166

For Aron Hill the world is full of colour—bold, vivid colour. The Calgary born artist has often favoured an imaginative colour palette as it accentuates the expressive but minimalist...

From the time he was four years old Max Hammond was destined to paint, as he began on the walls of his home, a budding muralist. As he ran along the edges of the salt marshes of the ...

From the time he was four years old Max Hammond was destined to paint, as he began on the walls of his home, a budding muralist. As he ran along the edges of the salt marshes of the ...

Pat Service has an affinity for nature. Growing up on the West Coast the Canadian artist was surrounded by trees, rocky beaches and the sea. This is one of a series of playful pieces that ascribes personalities to different trees. Painted in bright yellow with an orange trunk...

Robert Natkin (1930-2010) Abstract Expressionist Painter 'Field Mouse Series,' about 1970 Acrylic on canvas, 48 x 44 in. Signed (at lower right): Natkin

Kate Shepherd House of Levy, 2022 Oil and enamel on panel 20 x 14 1/2 in (50.8 x 36.8 cm) JPHB 5184

Lyrical and expressive in both colour and form, this compelling abstract work is by Milly Ristvedt. The Canadian artist is known for her masterful use of colour. The palette of this ...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Untitled by Anish Kapoor (b. 1954) Oil on canvas Overall dimensions: 122 cm (48 inches) composed of 2 par...

Pat Service has had a life-long love affair with nature. Known as one of Canada’s foremost landscape artists, Service’s work has evolved from classic form to minimalism. The pared do...

Using bright contemporary colours Pat Service has created a joyful painting of the open highway as it winds through a mountainous landscape. The vivid colour palette—bright yellow, o...

In this lovely abstract painting, the sky often represented in Noreen Taylor’s work, is a collage of colours—pink, orange, mauve, blue, and white. Taylor...

Considered one of Canada’s finest landscape artists, Pat Service’s work has evolved from classic form to minimalism. This is one of a series of paintings she created to celebrate her...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Phenomena Entreat the Caves by Paul Jenkins (1923-2012) Acrylic on canvas 61 x 50 cm (24 x 19 ³/₄ inches) Signed lower left, Paul Jenkins Executed in 1998-2001 Provenance: Private collection, Italy Literature: Prato, Galleria Open Art, Paul Jenkins, 12 November 2005 - 31 January 2006, p. 61 (illustrated) Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Like the stripes on a beach umbrella, fun, fresh rainbow colours are layered in contrasting ‘waves’ in this delightful pop art painting by Serbian-born artist, Viktor Mitic. This is ...

Rainbow-like arches of red, yellow, and hot pink splash across the canvas in this new abstract painting by Calgary artist Aron Hill. A jet-black mark and red line add graphic interes...

BC artist Pat Service is well known for her beautiful landscapes. In the last few years she has interpreted those images in minimalist form rendered in vivid colours. Four Hills is a...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

Rectangles and squares, large and small, in grey, green, red, blue and orange, dance across an orthogonal of light blue on a white ground in this canvas by Burton Kramer. The title o...

0306, 2023 by Alex Quintanilla Mixed media on Canvas Image size: 160 cm H x 120 cm W Unframed Alejandra Quintanilla graduated with a degree in Arts from the University of Monterrey...

Fresh and modern, Aron Hill embraces colour and bold, simple shapes to create dynamic paintings. Curves, lines and half-circles in hot pink, bright yellow, deep blue, green, red and ...

"Bern Series" is a painting by Robert Natkin. The painting is signed lower middle, "Natkin". The framed piece measures 49 x 54 x 1 7/8 in. Robert Natkin (1930-2010) was born in Chicago and graduated from the Art Institute of Chicago in 1952. Natkin’s art blends Abstract Expressionism with Post-Impressionist colors. His work often runs in series he created using columns...

Pat Service’s brightly coloured compositions bring an inspired contemporary dynamic to landscapes. This painting was created following a memorable road trip with a friend called Joan...

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Fresh and modern, Aron Hill embraces colour and bold, simple shapes to create dynamic paintings. Curves, lines and half-circles in hot pink, bright yellow, deep blue, green, red and ...

Cubo suave 2022 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 100 cm H x 100 cm W Unframed The theory of Heaven is a novelty that Plato introduced...

Bola Liquida 2022 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 100 cm H x 100 cm W Unframed The theory of Heaven is a novelty that Plato introduc...

Geometría Fractal 1, 2022 by James Bonachea From the series Plato’s Heaven Graphite and charcoal on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelt...

Blanco Perfecto, 2019 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 100 cm H x 70 cm W Unframed The theory of Heaven is a novelty that Plato intro...

From the time he was four years old Max Hammond was destined to paint, as he began on the walls of his home, a budding muralist. As he ran along the edges of the salt marshes of the ...

Fluidos, 2022 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is...

This lyrical abstract composition—a landscape re-imagined is by Aron Hill. The Calgary artist often creates work that features nature—a sun, leaf-like shapes, rocks. These organic fo...

Quantum Color #25, 2021 by Natasha Zupan Paper from Civil Rights law text, acrylic on canvas Size: 48 in. H x 48 in. W x 3 in. D Unframed _________________________________ Natasha Z...

Cielo de Platón 2, 2021 by James Bonachea From the series Plato’s Heaven Soluble graphite on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelty that ...