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Size: Oversized
"In Love" Extra-Large Warm Pink Colored Contemporary Abstract By Sophie Pollock
Located in Frederiksberg C, DK
Introducing "In Love," a mesmerising abstract expressionistic painting by contemporary artist Sophie Pollock. This artwork features a palette of soft rose and pink nuances, subtly bl...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Acrylic, Paste

Benasque 2 by C. Carratalá - large painting, mountain landscape, Pyrenees, Spain
Located in Paris, FR
Benasque 2 (Snow series) is a painting by Spanish contemporary artist Calo Carratalá. Oil on canvas, 160 x 200 cm. This work of art represents a mountainous winter landscape in the P...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Oil

Village Scene Figures & Animals - British Old Master exh pastoral oil painting
Located in London, GB
This stunning British Old Master exhibited pastoral oil on panel is by noted artist James Ward. Painted circa 1815 with superb provenance, it was e...
Category

1810s Old Masters Animal Paintings

Materials

Oil

Sisterhood -21st Century, Contemporary, Figurative Portrait, Women, Modern, Love
Located in Ibadan, Oyo
Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Acrylic

Large Merton Beds 2, Original Abstract Landscape Painting, Naïve Floral Painting
Located in Deddington, GB
This large dramatic oil painting was made as part of a landscape panorama which measures 7m across in total. Although the four pieces were made as a complete work, they made be hung ...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Oil

Break The Glass Ceiling - Large Contemporary Abstract Cubist Painting Canvas
Located in Los Angeles, CA
Los Angeles artist Harrison Gilman graduated from NYU’s Tisch School of the Arts. In 2018 his artworks were exhibited at the We Rise Art Fair in Los Angeles alongside Shepard Fairey and other prominent LA artists. The following year, Gilman had his first successful solo show at a Galerie in Nashville, TN, where he drew the attention of major collectors. Since then, Gilman has had many solo and group shows as well as a series of live painting events. His art can be found in private collections in Los Angeles, New York, Nashville, Scottsdale, Toronto, and the UK. This one-of-a-kind 56-inch high by 44-inch wide painting...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

"A Man Ought to Do What's Right" Contemporary John Wayne Portrait Painting
Located in Houston, TX
Colorful contemporary portrait of famous movie star John Wayne by Texas-based artist Robert Sandman. The work features a realistic portrayal of the actor dress in his iconic cowboy a...
Category

2010s Contemporary Portrait Paintings

Materials

Acrylic, Canvas

Portrait of Woman - Oil Paint by Antonio Feltrinelli - 1930s
Located in Roma, IT
Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female...
Category

1930s Modern Figurative Paintings

Materials

Oil

Antique American Impressionist Pike's Peak Colorado Sunburst Landscape Painting
Located in Buffalo, NY
Large and amazing Colorado landscape painting by Eleanor Dow Green . Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.
Category

1930s Impressionist Landscape Paintings

Materials

Canvas, Oil

Huge 17th Century Italian Old Master painting The Return of the Ark of Covenant
Located in Cirencester, Gloucestershire
Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Oil on Canvas “Understander 8” by abstract-figurative artist, Frank Arnold
Located in Fresno, CA
Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Oil

Alive with Colours - Soft Abstract Floral Landscape Painting
Located in Los Angeles, CA
Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Acrylic

"Jack" - colorful abstract painting, botanical, pink, green, fauvist, whimsy
Located in Atlanta, GA
This painting is an abstract botanical painting featuring hues of orange, green, and pink. Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex K...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

4 Abstracted Figures, Acrylic on Canvas, The Magic Makers by Rebecca Jack
Located in 326 N Coast Hwy. | Laguna Beach, CA
Rebecca Jack "The Magic Makers" Acrylic on Canvas 45 x 70 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the b...
Category

2010s Contemporary Figurative Paintings

Materials

Acrylic, Canvas

“Landscape”
Located in Warren, NJ
Yolande Ardissone original oil painting on canvas . Condition is good measures 43x31. Some staining in the back of the canvas.
Category

20th Century Paintings

Materials

Oil

Threshold - Large Scale Painting of a Nude Male Seated on a Green Chaise Lounge
Located in Chicago, IL
An intimate moment is interrupted as the viewer gazes upon this scene. Thresholds, a portrait of a nude male sitting upon a green chaise lounge with his eyes cast down in deep though...
Category

2010s Nude Paintings

Materials

Oil, Linen

Swann's Way
Located in Atlanta, GA
The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...
Category

2010s Modern Landscape Paintings

Materials

Acrylic, Wood Panel

Coastal Garden - British Edwardian Impressionist art landscape oil painting
Located in London, GB
This lovely British Edwardian Impressionist oil painting is by noted artist Tom Mostyn. Painted circa 1910, the composition is a view looking out over a pond with fountain, across gr...
Category

1910s Impressionist Landscape Paintings

Materials

Oil

Z58
Located in Fresno, CA
"Z58" Oil on Canvas with heavy impasto range of Blue pigments. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Oil

Skull Icon /// Huge Contemporary Street Pop Art Painting Colorful Abstract Face
Located in Saint Augustine, FL
Artist: Jack Graves III (American, 1988-) Title: "Skull Icon" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original Ac...
Category

2010s Contemporary Portrait Paintings

Materials

Canvas, Paint, Acrylic

Palm Trees from the Beach and Soft Evening Sky, Oil Painting
Located in San Francisco, CA

Artist Comments
This painting is part of Suren Nersisyan's series of California landscapes focusing on the nature and stunning light around Los Angeles. He draws inspiration ...

Category

21st Century and Contemporary Abstract Impressionist More Art

Materials

Oil

Sunday in Bed - Colorful Abstract Figurative Painting
Located in Los Angeles, CA
Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Canvas, Oil Pastel, Mixed Media, Acrylic

Mystified
Located in Napa, CA
Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...
Category

2010s Contemporary Mixed Media

Materials

Canvas, Charcoal, Wax, Oil, Graphite

Winter Angus 18
Located in Bozeman, MT
Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...
Category

2010s Contemporary Landscape Paintings

Materials

Canvas, Encaustic, Oil

George Clint ARA (Attributed), Portrait Of A Lady In A Brown Dress
Located in Cheltenham, GB
This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...
Category

1830s English School Portrait Paintings

Materials

Oil, Canvas

Climb
Located in Santa Fe, NM
Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...
Category

2010s Abstract Abstract Paintings

Materials

Acrylic Polymer, Ink, Acrylic

The Upper Pool River Thames 1880s Maritime London Docklands Framed Oil Painting
Located in Sutton Poyntz, Dorset
Charles William Wyllie. English ( b.1853 - d.1923 ). The Upper Pool, River Thames, London. Oil On Canvas. Signed Lower Left. Image size 17.3 inches x 31.5 inches ( 44cm x 80cm ). Fra...
Category

Late 19th Century Realist Landscape Paintings

Materials

Canvas, Oil

Huge British Portrait Painting Nicole Kidman Moulin Rouge Royal Academy Exhibit
Located in Cirencester, Gloucestershire
Nicole Kidman (Moulin Rouge) by Liz London, British contemporary signed acrylic on canvas, framed framed: 46 x 36 inches canvas: 39 x 30 inches provenance: private collection, UK Pre...
Category

Late 20th Century Modern Figurative Paintings

Materials

Oil, Canvas

Straight Into the Middle - Lively Impasto Thick Paint Colorful Abstract Painting
Located in Los Angeles, CA
Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint a...
Category

2010s Abstract Abstract Paintings

Materials

Canvas, Glitter, Mixed Media, Acrylic

Memories Of Summer - Contemporary Expressive Figurative Oil Painting
Located in Salzburg, AT
The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...
Category

2010s Contemporary Figurative Paintings

Materials

Oil

"Divine Spontaneity II" Acrylic, Oil Pastels, Pencils Abstract Painting 48"x36"
Located in New York, NY
"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by Argentine-bo...
Category

21st Century and Contemporary Abstract Expressionist Abstract Paintings

Materials

House Paint, Acrylic, Carbon Pencil, Oil Pastel, Color Pencil

A Life Well Lived
Located in Boston, MA
Artist: James, Clarence Title: A Life Well Lived Date: 2023 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 70" x 67" Signature: Signed Edition: Unique Prov...
Category

2010s Contemporary Figurative Paintings

Materials

Oil, Spray Paint, Acrylic

Huge 1830's British Oil Painting on Canvas Farmyard Scene with Animals Landscape
Located in Cirencester, Gloucestershire
The Victorian Farmyard British School, circa 1830 oil on canvas, unframed canvas: 34 x 48 inches provenance: private collection, England condition: good and sound condition, though w...
Category

Early 19th Century Victorian Landscape Paintings

Materials

Oil, Canvas

She's Always Behind My Back -21st Century, Contemporary, Portrait, Love, Family
Located in Ibadan, Oyo
The painting is about the human relationship between brothers and sisters, spiritually, emotionally, and physically. How they fought, stood, and supported each other with love, shari...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Oil, Acrylic

Cypress Cove / grand realist nature 52x80 in. oil on canvas painting
Located in Burlingame, CA
‘Cypress Cove’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil on canvas ...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Oil

Race Horse Phoenix with Guilermo Kemmis - British 19th century art oil painting
Located in London, GB
This superb British 19th century equine oil painting is by noted horse lover, George Gascoyne. Painted in 1889, this French born chestnut horse is Phoenix. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. This painting is from his time in Argentina with Kemmis. Phoenix is depicted in a flat landscape against a vivid blue sky. A gentleman, possibly his owner, Guillermo Kemmis, stands smiling in front of him holding his reigns and gives perspective to how tall Phoenix is. Although in profile, Phoenix is turning to look at the viewer, his chestnut coat gleaming and his anatomy perfectly portrayed. This is a superb Victorian equine portrait of a noted horse in the 19th century and is a lovely example of Gascoyne's work as a horse lover. Signed with initials and dated GG 1889 lower right. Provenance. Inscribed "Phenix" (Cymbal -- Belle-Etoile) by George Gascoyne, Sittingbourne, Kent to reverse. Condition. Oil on canvas, 36 inches by 28 inches and in good condition. Frame. Housed in a wooden frame, 44 inches by 36 inches and in good condition. HORSE BIOGRAPHY Phoenix (FR) 1875 – 1893? Chestnut horse. Cymbal (GB) x Belle Etoile (FR), by First Born (FR) Family 25. While he was essentially a miler, Phoenix (sometimes seen spelled as “Phenix”) came from a family that had produced Classic winners in France at up to 15 furlongs. He proved an excellent sire following his export to Argentina, becoming the foundation stallion for Guillermo Kemmis' breeding program at Haras Las Rosas. Race record. Complete record unavailable but as follows: 1878: Won Prix de la Forêt (FR, 1600mT, Longchamp) 1879: Won July Cup (ENG, 6FT, Newmarket July). Won Rous Memorial Stakes (ENG, 8FT, Ascot). Won Bunbury Stakes (ENG, Newmarket). 2nd Rosebery Handicap (ENG, Epsom) 1880: Won Lennox Stakes (ENG, Goodwood) As a stallion: Phoenix was the Argentine champion sire six times, reaching the top in 1887-1890, 1892 and 1895. Notable progeny: Hawk Eye (ARG), Lenape (ARG), Marinera (ARG), Osiris (ARG), San Martín (ARG), Surplice (ARG) Connections: Phoenix was owned by Comte Frédéric de Lagrange. After being exported to Argentina, he stood at Haras Las Rosas, the stud farm of leading Argentine breeder Guillermo Kemmis. His last known foals were born in 1894. Pedigree notes: Phoenix is outcrossed through five generations. Sired by Cymbal, a son of 1861 Derby Stakes winner Kettledrum, he is out of Belle Etoile, whose half sister Garenne (by Gladiator or Ethirion or Freystrop) is the second dam of 1894 Prix Royal-Oak (French St. Leger) winner Gouvernail and the third dam of 1894 Prix du Jockey Club (French Derby...
Category

1880s Realist Animal Paintings

Materials

Oil

Charging Wonder Woman - Original Large Figurative Pop Art Painting by Gary John
Located in Los Angeles, CA
Gary John has been a street artist since 1985. Originally from Seattle, Washington, he moved to Venice Beach, Los Angeles in 2003 and began selling his work on the Venice boardwalk. ...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Paper, Mixed Media, Acrylic, Illustration Board

Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735
Located in Blackwater, GB
Portrait Of Elizabeth Plumer (nee Byde) & Daughter, circa 1735 by ENOCH SEEMAN (1694-1744) Large 1735 portrait of Elizabeth Plumer & her daughter holding a rattle, oil on canvas by...
Category

18th Century Portrait Paintings

Materials

Canvas

Paloma Ripolles, Sunset, Original Landscape Painting
Located in Deddington, GB
Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...
Category

21st Century and Contemporary Fauvist Landscape Paintings

Materials

Canvas, Oil, Acrylic

Small town big time, Painting, Oil on Canvas
Located in Yardley, PA
Original oil on canvas on wooden stretcher, box canvas, signed on the front. Certificate of authenticity included. :: Painting :: Expressionism :: This piece comes with an official ...
Category

2010s Expressionist Paintings

Materials

Oil

[Bruce Sargeant (1898-1938)] Edgar Robinson, Physical Culturalist, c. 1931
Located in New York, NY
Oil on canvas Signed in black, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art move...
Category

21st Century and Contemporary Realist Portrait Paintings

Materials

Canvas, Oil

Theorem by M.Y., Painting, Acrylic on Canvas
Located in Yardley, PA
Painting size 95cm x 200cm (37,40in x 78,70in) un-stretched, no frame. The original size of the canvas 106cm x 213cm (41,70in x 83,80in). the painting is with extra canvas on the si...
Category

2010s Abstract Expressionist Paintings

Materials

Acrylic

"Dancing Light" Large Contemporary Colorful Abstract Expressionist Painting
Located in Houston, TX
Contemporary colorful painting by Houston-based artist Peter Healy. The work features expressive pink, blue, yellow, and red strokes against a light gray background. Signed, titled, ...
Category

2010s Contemporary Abstract Paintings

Materials

Canvas, Oil, Spray Paint

Mount Hood From Clear Lake, Early 20th Century Large-Scale Panoramic Landscape
Located in Soquel, CA
Mount Hood From Clear Lake, Early 20th Century Large-Scale Panoramic Landscape Large-scale panoramic oil painting landscape of Mount Hood from Clear Lake by William M. Lemos (Ameri...
Category

1930s Hudson River School Landscape Paintings

Materials

Oil, Linen, Stretcher Bars

Sunset
By Dennis Hare
Located in Mill Valley, CA
Iconic Dennis Hare mixed-media oil painting.
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Mixed Media

"Immateriality" by Rehfeld - Contemporary Surrealist with Two Gray Figures
Located in Carmel, CA
Steven H. Rehfeld (American, born 1954) "Immateriality" 2006 Oil Paint, Pencil, Canvas, Stretcher Bars The artist signed the back of the painting. In "Immateriality", Steven H. Rehf...
Category

2010s Surrealist Figurative Paintings

Materials

Canvas, Oil, Pencil, Stretcher Bars

Two Figures in Purple Ambiance, Oil Painting
Located in San Francisco, CA

Artist Comments
Artist Warren Keating captures two figures in motion as they navigate the vibrant setting of Art Basel. Broad, expressive brushstrokes convey movement and flu...

Category

21st Century and Contemporary Impressionist More Art

Materials

Oil

Hunt Slonem "Bayou Teche Sunset" Landscape
Located in Boston, MA
Artist: Slonem, Hunt Title: Bayou Teche Sunset Date: 2024 Medium: Oil on Canvas Unframed Dimensions: 36" x 48" Framed Dimensions: 38" x 50" Signature: Signed verso Edition: Un...
Category

2010s Contemporary Paintings

Materials

Oil

Gyre, Abstract Art, Contemporary Art, Bayou Reflections Series, White Oak Bayou
Located in Houston, TX
Celadon Sea Gyre is part of C. Ellen Hart’s The Bayou Reflections Series which investigates reflections on my local waterways. An arm of White Oak Bayou meanders across the foot o...
Category

2010s Abstract Impressionist Abstract Paintings

Materials

Cotton Canvas, Oil, Acrylic

Blue Meadow, Landscape, Impressionism Original oil Painting, Ready to Hang
Located in Granada Hills, CA
Landscape oil Painting, Impressionism, flowers, oil on canvas Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 S...
Category

2010s Impressionist Landscape Paintings

Materials

Canvas, Oil

Wave, Kauai - Oil on Panel Painting in Blue Turquoise, White Sea Foam and Gray
Located in Chicago, IL
Dramatic and beautiful, this painting captures the power of the ocean in photorealist detail. The artwork is actually loosely painted in brushy active strokes which give the effect of movement. The blue turquoise water appears translucent and back lit. The white sea foam moves toward the viewer and leaps into the sky against the gray background. Jeff Aeling Wave, Kauai, 2018 oil on panel 24h x 48w in 60.96h x 121.92w cm Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO 2016 William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL 2015 Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ 2014 Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL 2013 Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO 2012 William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO 2011 Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL 2010 Richard Demato Fine Arts Gallery - Sag Harbor, NY 2010 William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ 2009 Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL 2008 William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM 2007 Philip Slein Gallery - St. Louis, MO 2007 Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI 2006 William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN 2005 Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO 2005 Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM 2004 William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ 2003 Lisa Kurts Gallery - Memphis, TN 2003 Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM 2002 Perimeter Gallery - Chicago, IL 2002 Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ 2001 J Mark Sublette Gallery - Santa Fe, NM 2001 Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM 2000 Perimeter Gallery - Chicago, IL 2000 Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM 1999 Elliot Smith Contemporary Art - St. Louis, MO 1999 Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM 1998 Elliot Smith Contemporary Art - St. Louis, MO 1998 Leedy-Voulkos Art Center Gallery - Kansas City, MO 1998 Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Oil, Panel

Bella Vista 3 - Modern Acrylic Colorful Striped Resin Artwork
Located in Los Angeles, CA
Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...
Category

21st Century and Contemporary Minimalist Abstract Paintings

Materials

Resin, Mixed Media, Acrylic, Wood Panel

"Pond With Lotus Flowers" Monet's Water Garden in Giverny Painting on Canvas
Located in New York, NY
From Monet's sanctuary in Giverny, we are transported effortlessly through bold brushwork and impasto paint. Alfaro diligently layers the canvas with acrylic paint creating a truly b...
Category

2010s Abstract Impressionist Landscape Paintings

Materials

Canvas, Acrylic

Guiwen Liang Landscape Original Oil On Canvas "Untitled - Village"
Located in New York, NY
Title: Untitled - Village Medium: Oil on canvas Size: 47 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 201...
Category

21st Century and Contemporary Landscape Paintings

Materials

Canvas, Oil

It's Raining Diamonds, Painting, Acrylic on Canvas
Located in Yardley, PA
An extra-large contemporary abstract that takes center stage! Inspired by natural rain drops I wrote this descriptive poem to share my inspiration: Its raining diamonds from above ...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Acrylic

ABSTRACT Black Lines Painting Spanish Artist Alicia Gimeno 2025
Located in Barcelona, Barcelona
Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, ...
Category

2010s Abstract Abstract Paintings

Materials

Cotton Canvas, Ink, Acrylic

"The Last Supper" Cusco School Style Oil on Canvas Painting by Martha Ochoa
Located in Austin, TX
By Martha Ochoa Oil on Canvas Canvas Size: 55 x 78.25 inches Framed Size: 61.25 x 84.5 inches This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was...
Category

21st Century and Contemporary Baroque Paintings

Materials

Oil

"Triple Elvis" Denied Andy Warhol Silver Black Pop Art Painting by Charles Lutz
Located in Brooklyn, NY
"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...
Category

21st Century and Contemporary Pop Art Figurative Paintings

Materials

Enamel

Jose antonio, Martes 7 de julio, Figurative painting
Located in Miami Beach, FL
Jose antonio, Martes 7 de julio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 60 H in. x 38 in. W Unframed On The back of the painting: Abstract, 1986 Pencil a...
Category

1990s Contemporary Figurative Paintings

Materials

Crayon, Pastel, Archival Paper

Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" Oil Painting c.1965
Located in San Francisco, CA
Olja Ivanjicki "Florence or Hell of l'Inconnue De La Seine" original oil circa 1965 Original oil on board. Dimensions 26" wide x 42" high. The frame measures 30" wide x 46" high. Signed and dated at the upper border. She has auction results over $9,000 which was earlier in 2021. Olga Ivanjicki, the daughter of Russian emigrants was born in Pancevo, Danube Banovina. She studied at the Academy of Fine Arts in Belgrade, graduated in 1957, and in the same year she was the only woman among the founders of MEDIALA Belgrade, an art group of painters, writers and architects such as Leonid Šejka, Vladimir Velickovic, Ljubomir Popovic, Miodrag Ðuric. In 1962, she received a scholarship of the Ford Foundation to pursue her art studies in the United States, and in 1978 she was a selected artist of the Fulbright program Artist in Residence at the Rhode Island School of Design. She had over ninety individual exhibitions and participated in numerous national and international group exhibitions. Ivanjicki’s painting was influenced by Symbolism, Surrealism, Pop art and Fantastic art. In the course of her career, the artist received the Vuk Lifetime Achievement Award (Vukova nagrada, 1988), the Seventh of July Award (Sedmojulska nagrada, 1988) and the Karic Award. L'Inconnue de la Seine (English: The Unknown Woman of the...
Category

Mid-20th Century Expressionist Abstract Paintings

Materials

Oil

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