Paint Interior Paintings

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "House of Flamingos" by Nathan Neven is a captivating blend of...

Signed figures in interior oil on canvas circa 1925 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical Breton kitchen scene. A lady is seated at the table while another slices a loaf of bread for a young girl. The view from the large window shows cottages in the distance and the last light of the day on the horizon as night falls. The light of an overhead oil burner illuminates the room. Signature: Signed lower left Dimensions: Framed: 30"x25" Unframed: 26"x21" Provenance: This work has been examined and authenticated by Mme. Nicole Verdier and will appear in Tome IV of the catalogue raisonne. An accompanying certificate from Mme. Verdier is available upon request at a charge of 960 EUR. Private French collection Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy...

Foxglove by Lu Haskew Oil Still Life of blue, pink and white flowers 24x12" image size 30x18" framed Shipping price includes the custom packing necessary for safe transport of fine ...

Melanie Parke’s latest selection of still lifes looks at quotidian interiors and imbues them with magic. All of the elements of the still life are present: a stem in glimmering glass...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 100x80cm About this artwork Green sea. The green color of life, spring, grass, energy, an...

In my work, I unleash a vibrant burst of emotion through the visceral strokes and explosive colors of acrylics. Here, the raw dance of abstract and expressionism, infused with hints ...

Still Life by Mina Loopuyt (French, 1901-1992) French Colorist School, mid 20th century gouache painting on board, mounted in a white frame framed: 15.5 x 12 inches board: 12 x 9 inc...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Presenting three original set renderings by American artist Franz Bergmann(8198-1970) Franz Bergmann studied at the Academy of Fine Arts in Vienna, before settling in Northern Califo...

This late 19th-century oil painting by French artist Paul Constant Soyer (1823-1903) depicts a rustic cottage interior with an elderly woman spinning wool while a child peels vegetab...

Nikolay paints winter paintings very seldom. But if there is the opportunity he tries to do his best to go painting in winter. Nikolay especially likes winter sunny days. He's always...

Robin Cole's "Pruned," a 2024 original, is an intimate oil on mounted linen painting that measures 12 x 12 inches, encased in a frame that extends the dimensions to 17 x 17 inches. T...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Blue Flowers by Y. Blanchon, French 1950's Impressionist artist signed oil on board, framed board: 12.5 x 10.5 inches framed: 11 x 9 inches provenance: from a large private collectio...

Flowers. Canvas, cardboard, oil, 69x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sa...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

In creating this piece, I harnessed the vibrant chaos and serenity of nature's own contrasts. Using acrylics allowed me to layer and texturize, enveloping the canvas in a dance of sh...

"In this oil painting, I've captured a tranquil riverside at dusk, evoking serenity. The brushstrokes blend expressionism with a touch of impressionism, creating a scene that's both vivid and dreamlike. The colors—a symphony of purples, pinks, and blues—evoke a peacefulness that invites contemplation. This piece embodies a moment of stillness...

Artist/ School: British mid 20th century, signed Title: Still life of flowers within an interior Medium: oil painting on canvas, framed framed: 21.75 x 2...

Jodi Fuchs' abstract geometric artworks exude a sense of order and balance with their precise lines, shapes, and layered fields of color. Influenced by her years of contemplation of ...

In this fervent oil painting, I've channeled the vibrancy of passion and the tenderness of affection through a bouquet of luscious tulips cradled in a gleaming red vase. The expressi...

Shipping in a rolled tube! "This expressive and vibrant abstraction is enriched with two wonderful white tulips painted in a realistic style. The artist designedly has created an exp...

The Hareem Interior French Orientalist School, late 20th century (painted after an earlier style) oil on canvas, framed framed: 30 x 34 inches canvas: 20 x 24 inches provenance: priv...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

Electric Jazz. 2018, canvas, oil, 90x110 cm Abstract composition in red, blue, yellow colors Igor Leontiev (1957) - one of the leading independent paint...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

The Bar Interior French School, circa 1960's indistinctly signed oil on board, framed framed: 18 x 22 inches board: 12 x 16 inches provenance: private collection, France condition: v...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Colourful Floral Bouquet, French Artist, Signed By French artist Suzette Mezie, Mid 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, unframed...

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Breakfast at Goretto Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x 12...

Experience the beauty and interconnectedness of nature through my original artwork. This abstract textured acrylic painting on canvas measures 60x70x3,5 cm (23,6x27,5x1,4 inches) and...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

Geometric Landscape mixed media on canvas 40x60 cm Original Art In Marilina Marchica's work, architecture takes on a symbolic value in relation to collapses and demolitions and i...

"Blue Echo" reveals distant mountain peaks shrouded in a light haze. The shades of blue stretch from thick indigo to delicate blue, turning into warm beige accents that emphasize the...

In creating this piece, I sought to capture the serene yet vibrant spirit of a blossoming pond. With thick, expressive oil strokes, I combined elements of realism and impressionism t...

A fine oil by Italian artist Ugo de Cesare (b.1950) depicting a lady and a young boy lighting a traditional Italian advent calendar table. Signed to the lower right. On canvas on str...

A painting in abstract acrylic is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creat...

Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art. "The Birdcage...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

Signed "C. VENARD" at lower right Overall dimensions, including the frame, are 33 3/4 x 18 1/4 inches

ABOUT THE ARTWORK The painting "Fruits of Our Faith" from the MADELEINE series is dedicated to the theme of trust, mutual support, and the inner maturity that grows through connectio...

ABOUT THE ARTWORK "Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women" from the "Perichoresis" series offers a radically different perspective o...

A stunning portrait oil painting of Violet Ann Gilbert which was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A beautiful portrait of a young woman from the nineteen twenties. In excellent condition and framed in the original period frame. This is a fine painting by a noted listed artist and a great example of an early 20th century portrait painting. Signed lower left. Provenance. Exhibited at the Paris Salon 1929, labels verso. Condition. Oil on canvas in excellent condition, image size 40 inches by 30 inches. Housed in its original gallery frame, framed size is 47 by 37 inches. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne, third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates, he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery the next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Painting: Acrylic The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realities that to...

Elegant Still Life of Pink Flowers French School, signed and dated Signed and dated '87' by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 20 inches Exquisite still life of a dressed table...

Dmitry Yuzefovich’s realistic nostalgic oil paintings capture a moment in time. Rich in detail, this composition includes a worn, red leather office ...

The best of Europe. If you love the classically stylish opulence of French palaces and their marble fireplaces, their elegant panelling, their Versailles parquets - if you have wondered around Versailles or Fontainebleau palace, wondering what it might be like to live there - then this one is for you! Our painting brings a light flooded, serene palace interior to you: a large room with a sculpture on the mantlepiece, and three large paintings...

Ffiona Lewis was born in London but grew up in Devon, now dividing her time between her studios near the River Debden in Suffolk and London. She studied at the Polytechnic of Central...

Abstract Middle Ages images are scattered across the canvas in the clouds of dreams. By the word Middle Ages, we mean such different images. On the one hand, knights, castles, and beautiful ladies, and the other, we can say with a despicable intonation, meaning some savagery, remembering the incredible cruelty of those times. Sometimes, one falls into despair at this uneven evolution. On the one hand, someone is already inventing anthropomorphic robots for tomorrow, and on the other, many remain wild in their lust for burning witches at stake... I dream of a Renaissance! Medieval Dreams participated in the curator exhibition "Winged Swing" in May 2022 in Moscow. The artwork is on canvas on a stretcher 100x50x1.5 cm with painted sides. It's ready to hang. The work is signed on the front and will come with a Certificate of Authenticity by Stasy Vo...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Keifer brings a fresh perspective to her hyperrealistic ...

The title itself, "ÌLÒRÍ," holds a special meaning, as the artist reveals it is a name given to a child who finds its way into their mother's belly while she is still breastfeeding another child. This unique and touching term encapsulates the interconnectedness of life, illustrating how love and new beginnings can emerge even in the midst of existing responsibilities. Adebayo's artwork appears to be a reflection of her personal journey and the story of her birth. She shares how her mother affectionately calls her "ÌLÒRÍ" and playfully recounts the amusing moments when she questions her conception. The artist playfully suggests that she jokingly implores her mother to use protection, a humorous remark that adds a light-hearted touch to the piece. The openness and candor with which Adebayo communicates her personal story add authenticity and vulnerability to the artwork, drawing viewers into her emotional world. The central theme of the artwork revolves around family, particularly the artist's late brother who was just nine months old at the time of her conception. Through her words, "I Miss you bro, and happy Mother's month. Your struggle is noticed," Adebayo honors her sibling's memory and acknowledges the sacrifices her mother made as a parent. The metaphorical use of the phrase "coconut head" suggests a sense of stubbornness, perhaps referring to the artist's own determination to enter this world despite the odds. This resilient spirit symbolizes the strength of the human will and the innate desire to live, even against all odds. It is a testament to the power of life and the profound connection between siblings, even those who have never met. "ÌLÒRÍ" is more than just a visual artwork; it is a story of life, love, and the unbreakable ties that bind families together. Janet Adebayo...

French expressionist artist, circa 1960’s Circle of Bernard Buffet oil painting on board, framed framed: 37.5 x 31 inches board: 32 x 25.5 inches provenance: private collection, Fran...

In this oil painting, I've embraced the tranquil solitude that comes after a snowfall. The soft purples and blues against the muted earth tones reflect the serene atmosphere and flee...

The evening is a very fast state of nature. Nikolay is very inspired by the atmosphere, that the warm sunlight creates. He was creating the painting almost a year. It was difficult t...