Impressionist Interior Paintings

Signed and dated impressionist oil on panel landscape by French painter Henri Duhem. The work depicts a view of a cottage in a rural landscape. Smoke escapes the chimney and contrast...

Edward Hopper American Diner Painting by Leading British Urban Landscape Artist, Angela Wakefield. Paintings of American Diners, Food Courts, Truck Stop...

Moody depiction of a woman on a sunny morning by Shirley Polovy (American, b. 1942). On the left side of the composition, a woman sits in the shadows, with a slight smile. Behind her...

Harry McCormick (New York, b. 1942) "The Artist Studio" Original Oil Painting c.1970s Magnificent realist painting by New York artist Harry McCormick. Harry McCormick is a painter ...

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

Melanie Parke’s latest selection of still lifes looks at quotidian interiors and imbues them with magic. All of the elements of the still life are present: a stem in glimmering glass...

Bouquet of flowers in a vase. Oil on cardboard 70x62 cm impasto painting in earth color gamma

This artwork titled "Interno" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower left corner by the artist and also t...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

"Lilacs, Pecorino, Wine" is a contemporary impressionist earthy tone still life. A moka pot, jug of olive oil, and pecorino make this still life uniquely Italian. The hard cheese lay...

A wonderful oil on panel by French impressionist painter Jean-Francois Raffaelli depicting two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. The work is accompanied by a certificate from Brame & Lorenceau and is included in the catalogue raisonne of the painter. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Delicate mid century still-life of white and pink roses in crystal vase with a soft, lime green background by listed California artist Helen Mae Enoch Gleiforst (American, 1903-1997)...

Smoke Bush and Anemone by Diana Forbes [2021] original Acrylic, oil pastel, ink and collage on canvas board Image size: H:21.4 cm x W:30.5 cm Complete ...

Written in the workshop based on sketches made in the Volodymyr Cathedral, Kyiv

Mikael Olson's (US based) "Rehearsal" is an oil painting that depicts an orchestra gathered for a rehearsal with the conductor in white standing amidst them.

Written based on sketches from the Volodymyr Cathedral in Kyiv

Artist: Jules ROBLIN (1888-1974) French School, circa 1950's, signed to the lower corner. Title: Still Life of Flowers. Beautiful pastel shades of muted colours. Medium: oil painti...

Bright as Yellow by Lu Haskew Oil Painting Still life of sunflowers in blue vases with lemons 18x20" image size 22x24" framed size signed lower left ...

Bit of Blue by Lu Haskew Oil Painting Still life of Tulips and Lilacs in a vase with two blue stripes. 26x26" image size 26x26" framed size signed lower left ABOUT THE ARTIST: Lul...

Daffodils, Snowdrops and Grape Hyacith [2020] Original Still Life Oil Paint on Canvas Complete Size of Unframed Work: H:51 cm x W:41 cm x D:19cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Daffodils, Snowdrops and Grape Hyacith is an original painting by Deborah Windsor...

Still Life of Fruit by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1990's oil painting on canvas, framed canvas: 13 x 18 inches framed: 18 x 23 inches Very good...

An oil painting of an interior - a fireplace in action. Flames blaze and cast smoke upwards. A red wall meets a cream painted wall, which meets a black chimney. The fireplace is lined with red bricks. Fire pokers, a cast iron pan...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Artist/ School: French Impressionist, circa 1900 Title: Still life composition of an interior scene with a red jug, floral background and a bowl of fruit; bea...

Artist/ School: Berthe Noufflard, French 1886-1971, signed and dated 1937. Berthe Noufflard was the favourite pupil of Jaques Emile Blanche Title: 'Edga...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Glencoe by Eleanor Woolley [August 2021] original Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Glencoe is an Original Oil Painting by Eleanor Woolley. Painted Plein Air and finished in the studio this painting was inspired by a beautiful August sunset in Glencoe. Looking up the River Coe towards Loch Levan with Binnein Mor and the beginnings of Ben...

Contemporary still life of an interior with various geometric objects and a flashlight by Jim Pollock (American, 20th Century). Signed "Jim Pollock" on verso. Unframed. Image size: 1...

Elegant 1940's still-life of pussy willows in a white vase with a rich royal blue drape by an unknown artist (American, 20th Century). Unsigned and unfram...

Artist/ School: Charles Frédéric Jung (1865-1936) Title: White and Red Flowers in vase Medium: oil painting on canvas, unframed Size: painting...

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

An oil painting of an interior soaked in hues of blue. A traditional wooden chair is pulled out from a small wooden table, where an open book,...

Artist/ School: French School, circa 1951, signed with initials and stamped reverse. Title: Modernist still life coffee pot and fruit Medium: oil...

Artist/ School: French School, indistinctly signed and dated. Title: The Gardeners Table, beautiful French Impressionist still life flower...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. With a high level of technical virtuosity Keifer creates...

The Goldfish Bowl by Richard Miller (1875-1943) Oil on canvas 37 ½ x 29 ¾ inches unframed (95.25 x 75.565 cm) 46 ⅝ x 36 ¼ inches framed (118.428 x 97.155...

Artist/ School: French School, mid 20th century, indistinctly signed Title: Still life of pink roses in a beautiful vase, against a backdrop of books (lovely yellow one) and pink coloured wallpaper...

A Still life painting of lilac blossoms in a clear glass vase. The vase sits on a pale pink table cloth that mirrors the highlights in the flowers. To the left of the vase of flowers lays a branch of lilac leaves. Square tiles are hinted at in the background of the painting. Framed in a white wood and gilded frame. Framed dimensions: 22.25 x 22.25 inches Painting dimensions: 16 x 16 inches Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists elected her to become a member in 2015, she won the Edmund C. Tarbell Award in her first juried members show. The winning portrait is on the cover of July/August edition of Fine Art Connoisseur. In June of 2015 she received the Blanche E. Colman Award. She was invited to exhibit in the 2016 American Masters show at the Salmagundi Club. She currently has work at the Sloane Merrill Gallery in Boston, the Guild of Boston Artists, and the Ann Long Gallery in Charleston, SC. Publications that have featured her work include American Art Collector, Fine Art Connoisseur, International Artist Magazine, Fine Art Today, Southwest Art, Studio Visit Magazine, Boston Magazine, and The Boston Globe. Carmody has won grants from the Ludwig Foundation, Turkey Land Cove Foundation, and Massachusetts Cultural Council, as well as receiving an Edward G. McDowell Travel Grant and the Walter Feldman...

Colorful still life of a vase of flowers by an unknown artist (20th Century). No frame. Image size: 12"H x 16"W

Certainly a family of artists, such as, of course, Amadeu (1912-2004), known for a long artistic career, as a teacher of several generations of painters and as an artistic popularize...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Eleanor Campbell Midsummer Walk Contemporary Landscape Painting Acrylic Paint on Canvas Size: H 33cm x W 33cm Sold Framed in a White Box Frame Please note that insitu images are purely an indication of how a piece may look Midsummer Walk by Eleanor Campbell is an original abstract landscape inspired by the Cotswold countryside with its rolling hills, wild hedgerows, cornfields, occasional red poppy fields and summer skies with wispy clouds. Eleanor Campbell, artist, is available for sale online and in our art gallery at Wychwood Art. Eleanor Campbell trained for 4 years in fine art at the Glasgow School of Art, where she achieved a B.A. During her foundation course she also studied textiles, ceramics, bookbinding and photography, she decided to follow graphic design as a profession upon graduating. This role eventually lead her to London where she became Creative Director within the design field, focussing on branding / packaging design, she ran a large design studio of 30 designers. She became a member of The Chartered Society of Designers. After 10 years in London she moved to the Cotswolds to set up her design business Campbell Aylin Design, working with large blue chip, mainly food and drink companies and their branding design and development. She also instigated a premium food and drink market ‘The Cotswold Table...

Detailed mid century depiction of a wine cellar with large oak barrels by Zoe Thompson (American, b.1923). Signed lower left corner, but signature is now ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

NEW IMAAGES COMING SOON. In the Louvre displays the American Impressionistic Style . The artist describes himself as one of the New Orientalists a traveling painter in the modern world. Art has always been his passion. His subjects vary but his favorite is The Traveling Painter as seen in the Impressionist painting Inside the Louvre which was painted in Paris. In the Louvre shows the visual approach such as light and Shadow, Local Tone, Color, etc. or in the visual design shapes, values, color of the painting. 2nd Place, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2019 Figurative Honorable Mention, Oil Painters of America, 2019 National Juried Exhibition, Illume Gallery of Fine Art, Saint George, Utah, May 2019 Finalist, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2018 Honorable Mention, American Impressionists Society, National Juried Show, Abend Gallery, Denver, CO, October 2014 Paint-out Winner, Oil Painters of America, 2012 Western Regional Show, Gallery 1261, Denver, CO, October 2012 Juror’s Top 60 Award, Salon International, 2010 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX April 2010 Best Figurative Narrative Award, Salon International, 2007 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX, June 2007 Zhiwei Tu...

A beautiful still life oil painting of a green teapot next to a pear and persimmon on a red table by American Impressionist artist Genevieve Rogers. S...

Title: Little God (La Petite Dieu). This painting was displayed March 27th - April 7th , 1928 artist exhibition at Grand Central Art Gallery, New York. Also published exhibition ca...

"E in Red Caffe " is an impressionist painting by Maestro Elena Georgieva. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STY...

Skillfully executed courtyard scene by H. von der Planitz (german, 19th-20th cent ). Several trees cast dramatic shadows on the dirt floor of a courtyard, next to a colonnade that fr...

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth...

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught paint...

An oil painting of a a hallway interior. "Hallway in Green" presents to us a sunlit interior from one large window on the left. Forms McGuire incorporates creates playful geometric c...

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 1895-1984). A working illustration pai...

Vivid and dynamic painting of leopard skin Dr. Scholls spa sandals by Marc Foster Grant (American, b. 1947). Signed, titled and dated "Leopard Skin D...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

An oil painting of figures inside The American Hotel, in Sag Harbor, on a busy Friday Night. Kelly Carmody stood outside on the front porch of the Hotel, and painted the indoor scene...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...