Landscape Paintings

Aerei ,rosso ,blu,carta di giornale -La Stampa - Siglato in basso a destra M. L'opera viene venduta con certificato di autenticità dell'archivio Michele Falanga - Messina - Italia M...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 43.25 x 47.25 in. 44.75 x 48.5 in. (framed...

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...

Amazing early American surrealist nude male portrait landscape. Painted by Charles W St Clair. Oil on board. Framed. Image size, 24L x 30H. Super detailed and rare!

Arthur G. Nebra (1880-1955) Swiss. 'Lake in the Mountains' circa 1930's. oiil on canvas 54cm x 73cm including the original frame. Romantic Realism iso...

Trees is a modern artwork realized by Jean Dreyfus-Stern in the 1930s. Oil on Wooden Panel. Good conditions.

Spanish school - Landscape - Oil on board Oil size 22x28 cm. Frame size 35x40 cm.

20th Century Post-War Painting of Mountain River Scene in the Mournes in Ireland, by Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 16 inc...

A fine 20th Century Modernist figurative oil painted by Christian Pedersen Bellinge (1897-1984) oil on canvas 60cm x 70cm painted wooden frame 68cmx 78cm A good late work by the well...

Study For Cole Porter Paintings (Oil Painting of City Skyline w/ Sailboat) by Bill Sullivan 12 x 20 inches oil on canvas, framed with thin blonde ...

Oil Painting of a Cottage on the Rugged Cliffs & Coastline of Northern Ireland Art measures 22 x 16 inches Frame measures 34 x 28 inches Presented in a large gold frame with cre...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 12 x 9 Frame Size: 26 x 23 1985 "My Garden" G. Harvey (Gerald Harvey Jones) (19...

Emile Gruppe Sunset, Gloucester Harbor, 1930s-40s Signed lower right Oil on canvas 30 x 36 inches Provenance Spanierman Gallery, New York Private Collection, New York (acquired from...

Françoise Juvin - Hilly landscape over the Rhône river near Lyon, France Reference number FJ170 Framed with a natural oak floated frame. 24 x 32 cm frame included (19 x 27 cm without...

Antique American modernist New York City dock scene. Oil on canvas. In excellent original condition. Handsomely framed in a period modern molding. Excellent condition, ready to...

Surf original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. ...

Paris by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, France Conditi...

Abstracted seascape of three boats near the shore with broad, painterly strokes of blue, turquoise, and neutrals by Robert Canete (American, b. 1948). Signed lower right. Image: 16"H...

Finely painted American impressionist coastal landscape painting. Oil on board. Framed. Signed verso. Image size, 13 by 16 inches.

Rafael Batallé Mallarach (1953) - Catalan farmhouse - Oil on canvas Oil measures 46x38 cm. Frame measures 61x53 cm. Frame with signs of rust.

Oil Painting of Glaramara and Combe Ghyll in the English Lake District by Modern British Landscape Artist Arthur Terry Blamires (b. 1930) Art measures 20 x 16 inches Frame measure 2...

Wonderful California landscape of foothills with stream, Birch and Oak trees. Unsigned. Unframed. Image size: 12"H x 18"W.

A fine impressionist oil of Chiswick Mall, by The Thames, London circa 1930's-40's by listed artist Josephine Matley Duddle later Matley-Duddle Ghilchik (1890-1981) oil on canvas la...

This beautiful large impressionist oil on canvas by French artist Charles Cermak was painted in the 1930's. The work depicts colourful sailing boats in a harbor on the Côte d'Azur, m...

Seascape Moonlight with Crashing Waves Vintage British Oil Painting Signed to lower left Art measures 20 x 16 inches Frame measures 24 x 20 inches This painting depicts a serene an...

'Plage de Menton', France, circa 1980, Cuca Romley (b. 1933) Image size: 15.5 x 23.5 in. on paper Signed, lower right, in pencil, 'Cuca Romley' , Titled lower center Inscribed, lower...

Antique American modernist abstract painting. Oil and encaustic on canvas, circa 1980. Signed on verso. Displayed in a period frame. Imag...

This is an amazing original oil painting on canvas of the famous Portuguese-American painter, Humberto da Silva Fernandes (1937-2005) depic...

Françoise Juvin - Hilly landscape in the South of France Reference number FJ88 Framed with a natural oak floated frame. 29 x 37 cm frame included (24 x 32 cm without frame) This work...

**TECHNICAL SHEET** - **Author:** Rafael Durán Benet (1931-2015) - **Title:** Robledo - **Technique:** Oil on canvas mounted on board - **Dimensions:** 13 x 16 in - **Framed:** No -...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique. Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture. Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...

Lush Green English Countryside with Cottage & River by British Landscape Artist, Lesley Hammett (Born 1955) Art measures 16 x 12 inches Frame measures 19 x 15 inches This paintin...

Juan Gil y Gil (1900-1984) - Landscape with Spanish village - Oil on canvas Oil measures 38x46 cm. Frameless. Painter. He began his artistic training ...

A small figure with a cart travels through a village down a tree lined road in this vintage figurative landscape done in the style of Utrillo, by Gu...

Piet Bekaert was a Flemish Artist born in 1939. He attended both the Royal Academy in Ghent and the Academy Julien in Paris. It was in his Parisian years that he spent long days cont...

Mediterranean Landscape II', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a ...

**Technical Sheet** **Title:** Cadaqués **Artist:** Rafael Durán Benet **Technique:** Oil on canvas board **Dimensions:** 13 x 16.1 inches **Support:** Canvas board **Fram...

A modern realist painting by American artist Will Barnet from the artist series of works created to accompany the poetry of Emily Dickinson. rom Bever...

Original Post-War Oil Painting of Island in Northern Ireland by 20th Century Modern Irish Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inche...

Frame size 38x44 cm. Josep Marfa Guarro (1928-2014) Josep Marfa Guarro was a Catalan painter specialized in landscape painting. Among Josep Marfa Guarro's work are numerous waterc...

Gorgeous mid century impressionist seascape of Southern California coastal rocks and waves by Georgia Crittenden Bemis (American, 1908-2008), 1939. Signed lower left corner and on verso. Presented in gilt-toned gesso frame of period. Image size: 30"H x 36"W. Framed size; 34"H x 40"W. Painting was exhibited at the San Diego Fine Arts Gallery, 1939. Georgia Crittenden Bemis was born in Delano, MN on Jan. 13, 1908. Bemis moved to San Diego, CA in 1928. She studied there at the Academy of Fine Arts and with Pauline DeVol, Charles Reiffel, Otto Schneider...

Oil on wood sold with original red framing Total size with the frame 115x136 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contempo...

Work on canvas with frame Total size with frame: 86x66x6 cm Jean-Louis GETAZ is an artist born in 1931 and died in 2002. His works have been sold at public auction 60 times, mainly...

"Trois Pêcheurs" Louis Pastour (France, 1876-1948) Oil on board Signed l.l. 7 7/8 x 4 7/8 (8 1/8 x 11 1/8 frame) inches Louis Pastour was called the “...

Antique American impressionist coastal seascape oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone.

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower right, “Guy Nochet. Dated in pencil on frame verso, 1983. Condition is ...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 9 x 7 Frame Size: 18 x 22.5 Medium: Oil Circa late 1930s early 40s "Texas Hills & Valleys" Porfirio Salinas was a self-tau...

Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1935. Additionally inscribed in Danish, verso, 'Malet af Storfyrstinde Olga, Rusland der senere bosatte sig i Ballerup. Emma Davidsen' (Painted by Grand Duchess Olga...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...

Oil on masonite plate sold with original framing Total size with the frame 102x122 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to co...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Figures in the Park by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.5 x 9.5 inches Provenance: private collection, Paris, ...

The River Bank by Claude Marin (French 1914-2001) signed and dated 89 oil on artist card stuck on board, unframed board: 9 x 10.75 inches Provenance: private collection, Paris, Franc...

An almost abstract scene of a landscape darkening in the fading light of sunset. Red prairie grasses bend in the wind as walls of clouds descend to cover the last strands of gold in ...

Oil measures 60x73 cm. Frameless. Cleaning and removing old varnish is recommended. A painter born in Baeza but living in Valencia, José Cózar joins his a...

**Artwork sold WITHOUT frame** Guy Pittet (1929–2010) was a Swiss painter and watercolorist celebrated for his evocative depictions of urban and natural scenes, particularly those c...

Antique American school modernist still life painting. Oil on board. Signed. Framed. In excellent original condition. Handsomely framed in a gold giltwood molding. Excellent c...