Landscape Paintings

The Harvest, Victorian Oil Painting English School, 19th Century Oil painting on canvas, framed Framed size: 18 x 26 inches Fine Victorian oi...

William George Meadows (1825 - 1901). A painter of colourful Venetian scenes, and some stable views. He was the son of James Meadows and brother to Arthur, Edwin and James, all artis...

Saint Moritz is an original modern artwork realized by Carlo Ferrari in 1907. Mixed colored oil painting on board. Hand signed, dated and place on the l...

Victorian style Landscape with ladies feeding Geese in the Swiss town of Novelle. Though painted in the very brief Edwardian era, this Oil on Canvas is the epitome of a bucolic Vi...

Conditions : Excellent, original frame. Louis Coignard, (September 4, 1812, Mayenne - November 20, 1880, Paris), French painter. He was the son of Élisabeth Sigoigne, youngest daugh...

Outstanding Late Victorian English river harvest landscape. John Horace Hooper lived in London. Landscape painter. English School. A prolific artist evidenced by the frequent appea...

Market in the Puszta is an original modern artwork realized by Artist of 19th Century. Mixed colored oil on board. Includes frame.

J. Lewis (fl. 1801-1808) Eton College from the River Oil on canvas 41 x 62 cm Signed lower left. While not a prolific artist, Lewis was noted for his vi...

MORISOT-PONTILLON Edma (1839-1921) Landscape from Ile de France Oil on canvas signed low right Old original frame gilded with leaves Dim canvas : 54 X 65 cm Dim frame : 86 X 75 cm...

W.W. Goddard 19th Century Painting of Castle Ruins Oil on canvas. A few past professional repairs seen from the back only. See images. 24" wide x 15.75"...

Rare, beautifully detailed oil painting on board of “Harrow o the Hill”, on a bright summer’s day. Though not signed on the front, it is signed twice verso “E.E. Bradley” and titled ...

This small watercolor by well known and listed artist Hartwell Leon Woodcock is most likely a scene in the Bahamas. Woodcock was born in Maine in 1853 and spent most of his life the...

Work on canvas mounted on panel View of Geneva from the 18th century painter late 19th or early 20th Golden wooden frame 40 x 47 x 3.5 cm

Oil Painting by Arthur Joseph Meadows "Rotterdam" 1843- 1907 Painter of townscapes and coastal marines, regular exhibitor at the Royal academy, society and British Institution Oil on...

A pair of oil on panel paintings featuring the "Farm in Autumn" and "A Fisherman in the Mountains". Autumn initialed 'D' lower right and The Fisherman s...

Conditions : Excellent overall Conditions. Free US CONTINENTAL Shipping, incl Europe and Asia. Admire the exquisite beauty of this rare French art piece by Francois Grenier, formed ...

Antique American autumn mountain lake with village oil painting. Framed. Oil on canvas.

English School Mid 19th Century Watercolour The Shooting Party unsigned but usefully inscribed verso, by the artist watercolour painting on stiff paper, unframed sheet: 7.2 x 10 i...

In the flyleaf of the catalog published on the occasion of his exhibition in the Gallery Pels-Leusden in Berlin in 1982, there is the following dedication: “For the very gifted Rolan...

Jean-Jacques CHAMPIN (Sceaux, 1796 – Paris, 1860) View of the Basilica of Saint-Denis from the Montmartre Cemetery Oil on paper mounted on canvas Signed lower right 15 x 27 cm Arou...

Antique French Impressionist Oil on Panel by Paul de Frick, "Banks on the River Seine," Circa 1900 Antique oil painting by French Impressionist artist Paul de Frick (1864-1935), sta...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

Dusk Dimensions: (h) 28 cm x 49 cm (w) (canvas) Narcisse-Virgil Diaz de la Pena (1807 - 1876): Biography Narcisse Diaz de la Peña was a French landscape ...

Antonio Reyna (Coin 1859 - Rome 1937), The Grand Canal Oil painting on canvas 18 x 30 cm signed and located Venice lower right.

Conditions : Immaculate, no prior retouching under UV, original canvas. No restoration needed. Antique Frame with an overall dimension of 59 cm x 76 cm Émile Renouf was a French p...

Karl Stuhlmuller (German, 1859-1930), "Market Scene", Oil on Panel, 19th century, signed lower right, and marked to verso. Image: 13.5" H x 22" W; frame: 27.25" H x 35.5" W. Provenan...

A fine late 19th century watercolour depicting fishermen bringing in the days catch on the Anglesea Coast by James Aitken. The artist specialised in coastal scenes around the British Isles and is very well regarded. Signed lower right. This is one of a pair that we currently have available - the other depicting the Mull of Galloway in Scotland. Artist: James Aitken (British, active 1880-1935) Title: On the Anglesea Coast Medium: Watercolour on paper laid on card Size: 15 x 21.5 in (38 x 55 cm) unframed Condition: Very good original condition Provenance: Private collection, Kent James Aitken was born at Newburgh in Fifeshire, Scotland, in 1853/54. He is known to have been active as an artist from 1880 and exhibited at the Royal Academy from 1894-1918. He painted mainly maritime scenes in England and Scotland, and also made several visits to the continent, to paint in France, Italy and Switzerland. From 1894 he visited the Isle of Man, and liked it so much that he moved there permanently with his family in 1911. They took up residence in Port St. Mary. James Aitken exhibited works at the Royal Academy, the Royal Institute, the Royal Watercolour Society and the Royal Cambrian Society as well as in the provinces. He was a member of the Liverpool Academy of Arts. Today, he has works in the Warrington Museum, Walker Art Gallery, Liverpool and the Merseyside Maritime Museum. James Aitken was the father of John Ernest...

Philippe BUDELOT 1770 - 1841 Oil on canvas 32 x 41 cm (47 x 56 cm with frame) Nice Empire period frame Beautiful landscape painting from the French neo-classical school. The finess...

Eugène-François Deshayes (1808–1875) was a French artist known for his landscape and marine paintings. He was born in Paris and initially trained as a lawyer, but his passion for art...

Work on canvas Gray wooden frame 64.5 x 114.5 x 4 cm

Conditions : Excellent overall Conditions. No restoration necessary. Dimensions with frame 44 cm x 36 cm. Born in Paris, the French painter Paul Lecomte, Paul Emile Lecomte's uncle,...

Continental painter (19th century) - Landscape with flock at sunset. 61 x 81 cm without frame, 78 x 97 cm with frame. Antique oil painting on canvas, in a wooden frame and gilded p...

Signed lower left, 'D. Guillot' for Donat Guillot (French, 19th Century) and painted circa 1870. Displayed in a period and antique, carved giltwood and gesso frame...

A Set of 3 Original Oils on Copper. English School, "The Palace of Westminster", "Westminster Abbey" and "Canterbury Cathedral" English School circa 1870. Finely painted depictions ...

Oil on canvas, 8 x 12 inches

Excellent example of the artist's work. Overall condition good. Early lining is also good. The sky was possibly repainted (probably by Champney 100+ years ago). Period frame 26 1/2in...

Charles Henry Miller (American, 1842-1922) Untitled (Cows and Trees), c, 1885 Oil on canvas 18 x 24 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Unknown (American, nineteenth century) Mount Vernon Estate Oil on canvas, 12 x 17 inches Framed: 20 x 25 inches (approx.) Mount Vernon Estate, located in Virginia, is the historic p...

Alfred S. Wall (American, 1825-1896) Untitled (Building the Railroad), 1859 Oil on canvas 14 1/2 x 18 1/2 inches Signed and dated lower left For Christmas, 2008, the Pittsburgh Post-Gazette featured Alfred Wall's painting, Old Saw Mill from the collection of the Westmoreland Museum of American Art in Greensburg, PA. It was painted in 1851 in the town of Lilly, Pennsylvania in the Allegheny Mountains. The newspaper description stated that "though the saw mill is long gone, it still conveys all the warmth and coziness of this time of year. The article, written by Patricia Lowry, continued: At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it. But as sentimental as it seems on the surface, Mr. Wall's painting has a deeper and unexpected context. This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains. For the third consecutive year, the Post-Gazette features a winter-scene painting on the cover of the Christmas Day newspaper. This year's painting, Old Saw Mill, was selected by co-publisher and editor-in-chief John Robinson Block and executive editor David Shribman during a visit to the Westmoreland Museum of American Art in Greensburg. Mr. Wall, listed as a portrait painter in the 1850 census, was about 26 when he painted Old Saw Mill in 1851. The self-taught artist was born in Mount Pleasant, Westmoreland County, to William and Lucy Wall, who'd emigrated from England around 1820. An artistic sensibility ran in the family: William was a sculptor who carved ornate tombstones here; Alfred's children, A. Bryan and Bessie, were landscape painters, as was Alfred's older brother, William Coventry Wall. For more than a century the Walls formed a prominent art dynasty in Pittsburgh, and Alfred, eventually a partner in the city's most prestigious art gallery, was well known as a painter, dealer and restorer. In Old Saw Mill, two wood cutters, each holding an axe, meet outside the mill; one points in the direction of the forest. On the other side of the stream, one child pulls another down the hillside on a sled. Just behind the hill's slope, the roof of a building appears, perhaps the home of the sawyer. The luminous, late afternoon light comes from the northwest, casting lengthening shadows on the snow under a darkening sky. The saw mill in "Old Saw Mill" likely would have been impossible to track down had Mr. Wall, presumably, not written on the back of the painting: "old saw mill near Jct. 4, Portage RR, Pa." "There was no Junction 4," said Mike Garcia, park ranger at the Allegheny Portage Railroad National Historic Site, about 90 miles east of Pittsburgh near Gallitzen, Cambria County. "But there was an Inclined Plane No. 4 at Lilly, and there was a saw mill there." In fact, there were at least six saw mills at Lilly over the years, said longtime resident Jim Salony, president of the Lilly-Washington Historical Society. But when he saw an image of the painting, Mr. Salony had no trouble coming up with a location. While there are no known photographs of the saw mill, he believes it stood near the intersection of Portage and Washington streets, next to Bear Rock Run. Mr. Salony, retired academic dean at Mount Aloysius College, didn't know exactly when the mill was torn down, but it's been gone since at least the late 1800s. He was pleased to learn of the painting, even though that knowledge came too late for inclusion in a new book about Lilly, The Spirit of a Community, for which he served as primary author and editor. It runs to more than 700 pages. For a little town -- population 869 last year -- Lilly has a lot of history. Nestled in a bowl on the western slope of the Allegheny Mountains about 3 miles south of Cresson, Lilly was first settled in 1806 by Joseph Meyer and his family, who named their 332-acre land patent Dundee. Although the Meyers had left by 1811, other settlers followed, but the community didn't flourish until the 1830s, when the Allegheny Portage Railroad began its 23-year-run through the town. For 200 years the Alleghenies had stood as an impediment to trade and travel between Pittsburgh and the east. A canal from Philadelphia to Pittsburgh would change that and compete with New York's Erie Canal. But a portage railroad would have to be built, on which teams of horses would lead the canal boats over the mountains. Engineer Sylvester Welch began his surveying from the small settlement at Lilly. The railroad would require 10 inclined planes, some quite steep, between Hollidaysburg and Johnstown. To build it, trees had to be cut along a 120-foot-wide right-of-way for 36 miles, along which track and engine houses had to be built. William Brown, who owned the saw mill on Bear Rock Run, built at least one of the engine houses at Inclined Plane No. 4; an 1834 contract also included fencing the dwelling lots at the head and foot of the plane. Lilly is located at what was the foot of Inclined Plane No. 4., giving the community one of its early informal names, Foot of Four. Named in 1883 for Richard Lilly, who'd completed the grist mill there, Lilly had another early name: Hemlock, so dubbed by a Portage Railroad traveler who smelled the bark stripped from the trees at the saw mill. Because there isn't another Allegheny Portage Railroad location like it, where a cut in the mountains opens into a bowl, Mr. Salony thinks it was Lilly that Charles Dickens wrote about following his trip from Harrisburg to Pittsburgh on the Pennsylvania Canal in late March 1842, describing what he saw after emerging from "the bottom of the cut": "It was very pretty while traveling, to look down into a valley full of light and softness, catching glimpses through the tree-tops of scattered cabins; children running to the doors; dogs bursting out to bark, who we could see without hearing; terrified pigs scampering homeward; families sitting out in their rude gardens; cows gazing upward with a stupid indifference; men in their shirt-sleeves looking on at their unfinished houses, planning out to-morrow's work; and we riding onward, high above them, like a whirlwind." To get to Lilly, Mr. Wall may have taken the Pennsylvania Canal from his home in Allegheny City, now the North Side. He'd married young, at 21, to Sarah Carr in 1846, the same year he began his career as an artist. By 1880 they were living in a brick townhouse at 104 (later 814) Arch St., now demolished. Across the river in Pittsburgh he shared a studio at 67 Fourth Ave. with his brother William; they later moved to Burke's Building, today the city's oldest office building at 209-211 Fourth. But often they worked outdoors, sometimes as part of the colony of artists that grew up around painter George Hetzel beginning in the late 1860s at Scalp Level...

Oil Painting by Charles Thomas Burt "Off to market" 1823-1902. Burt was a Wolverhampton landscape painter who studied under David Cox. Oil on canvas signed and dated 1895 in a fine o...

Conditions : Excellent overall Conditions, minor chips to original period frame. Paul Désire TROUILLEBERT Born in 1829 in Paris and died in 1900 in the same city, Paul-Désiré Troui...

Work on wood Plaster and wood frame in gilded empire style 44 x 50.7 x 6 cm

A very well painted classic English Folk art painting of figured playing by the pond with ducks and a rural cottage. This style of painting...

George Smith 1829 - 1901. A fashionable genre painter who painted in the Cranbrook Colony manner. He studied at the R.A. Schools and exhibited at the Royal Academy, British Instituti...

Huntsmen and Terriers & Ferrets Rabbiting, 19th Century by George Armfield (1808-1893) Large 19th century English landscape with Huntsmen rabbiting accompanied by their horses and...

Work monogrammed A.G. Work on canvas Golden wooden frame 40 x 49.5 x 5.5 cm

Pierre Emmanuel Dielman 1829 - 1902 A Belgian artist, the son and pupil of Pierre Emmanuel Dielman senior (1800 - 1858). he painted low country rural landscapes with farmyard animals...

Work on canvas Molded frame in plaster and gilded wood 49 x 39 x 6 cm

Oil on canvas Canvas size: 13 x 18.5 inches Framed size: 17.75 x 23.75 inches Signed lower left

Joseph Jacobus Heppener was a Dutch painter who lived and worked in the heart of the Victorian era, painting in a straight Academic style with a...

Pair of oil on canvas paintings by Filippo Palizzi. This beautiful pair was purchased by me to a well known Italian family from Buenos Aires. In very good condition, they were always...

Exquisite painting, very fine composition in very good condition. Minor restauration under UV light. No further restauration necessary. Dimensions with frame 39 x 47 cm. Paul Verno...

French School mid 19th Century Animated dune landscape, oil on cardboard panel 12.4 x 29.8 cm bears a small inscription "Escoublac" on the lower right, not visible under the actual ...

Conditions : Excellent overall Conditions. Free US CONTINENTAL shipping, incl Europe and Asia. René Lelong studied at the Académie Julian from 1879 to 18913. He was awarded a 3rd cl...

Unknown (American, nineteenth century) River Bank Oil on canvas, 9 x 13 1/2 inches Framed: 13 1/2 x 18 inches (approx.)

ine Mid 19th Century Tropical Landscapes by Thomas Clark c.1850s Superb original landscape oil paintings by listed artist Thomas Clark. Oil on panel. Each panel measures 8.5" x 10....

Paul Lecomte (1842-1920) Mother and daughter at a fountain Signed on the lower left Oil on canvas transfered on cardboard 25.5 x 34 cm In good condition In a modern frame : 44 x 52 ...

Illegible signature Work on canvas Black wooden frame 53.5 x 64.5 x 4 cm