Medium Landscape Paintings

'Evening Bay' . Signed original painting by Andy Gradwell. circa 2005. Painted in Southern Italy. painting 39cmx 52cm glazed frame 63cm x77cm. Gradwell always paints plein air in ...

"In this oil painting, I endeavored to capture the ephemeral beauty of nature's awakening. With each stroke, I sought to embody the delicate dance of blossoms on a gentle breeze, inf...

A fine oil landscape by the British artist E. C. Clark (b. 1900) depicting the old Shepherd's Bridge at Coniston, below Cumbria's Ivy Crag. The painting has been well presented in a ...

Landscape in oil. Signed lower right and dated '49. Presented in a gilt-effect frame with a white internal window. On board.

Antique American abstract mixed media painting. Oil gouache and crayon on board. Signed. Framed. Measuring 24 by 29 inches overall and 15 by 20 painting alone.

Original watercolor LILIES IN SUMMER GARDEN painted on professional watercolor paper When I start a new watercolor, I go to my garden and try to find a new topic. Every day somethin...

Title: Lackview Medium: Oil on canvas Size: 23 x 29 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

From the heights of the cliffs on the coast by the sea, you can often watch people swimming in the summer. People swim and discover new horizons. Exhibition: 2012 “Visible Images”, p...

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

Impressionist Landscape" is an exquisitely peaceful late summer scene along the banks of a quiet river. The dappling yellow and green leaves and the spots of blue sky give the perfect impressionistic feel to the scene. Impressionism was a style or movement in painting originating in France in the 1860s, characterized by a concern with depicting the visual impression of the moment, especially in terms of the shifting effect of light and color. Methven captured this impression perfectly. It is as fresh today as when it was painted in 1902 so much so that you can almost hear the rustle of the leaves and see the shifting light. The gold gilt frame is original to the piece. Without the frame the piece measures 20 h x 16 w. It is signed by the artist. Methven was born in Philadelphia, Pennsylvania. In the 1930's he moved to Chicago, Illinois, where he painted with other area Chicago artists and showed at The Art Institute of Chicago. He spent his summers in Benton Harbor, Michigan, along Lake Michigan. He is known for his landscapes and water scenes. Michigan has numerous rivers, creeks and small lakes and Methven would have had a wealth of scenes to draw upon for his numerous oil paintings. He studied under Henry Fenton Spread who taught at the School of the Art Institute of Chicago and later founded Spread's Art Academy. In 1902, this academy became the Chicago Academy of Fine Arts. Spread was named the first president of the Chicago Society of Artists in 1889. Known primarily as a portraitist, Spread also painted landscape and genre scenes. Although a skilled artist, he did not exhibit widely; his primary legacy being fostering a love of art in Chicago. Fellow artist (and former student of Spread), Ralph Clarkson, the noted Chicago society portrait painter, stated that Spread' s "fine and advice formed the careers of the men who were not only to achieve prominence as artists, but to occupy leading places as art teachers". Harry Wallace Methven...

Nicely painted mid century impressionist painting of New York. Great color and composition. Framed. No signature found.

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

American painter and illustrator Amos Carter Brinton was born in Wilmington, Delaware in 1888. He went on to have a successful career in illustrations, mainly maritime themed. Fishi...

Floral Invention #7 - Abstract Painting - Modern Art By Marc Zimmerman This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings,...

This beautiful oil painting on canvas dates to circa 1840 and is by British Victorian artist William Edward Frost who was noted for his depiction of nudes and feminine beauty. The ov...

Signed oil on canvas landscape by Belgian post impressionist painter Modest Huys. This stunning piece depicts a view of The Great Park in Oudenaarde, Belgium. Couples can be seen enjoying the park through gaps in the tall trees. A wonderful piece in the artist's unique style. Signature: Signed lower right and inscribed verso Dimensions: Framed: 28.5"x35" Unframed: 21.5"x28" Provenance: Exhibited : The Royal Scottish Academy under the section for "Distinguished Foreigners" in 1914 (original acceptance letter verso) Modest Huys (25 October 1874, in Zulte – 30 January 1932, in Zulte) was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century. From a young age, Modest Huys worked in his father's painting and decorating business and later studied at the "Gentse Nijverheidschool" (Ghent Industrial School). In 1891 or 1892, he came into contact with Emile Claus, who encouraged his artistic inclinations. In 1900, he enrolled at the Royal Academy of Fine Arts where his teachers were Eugène Joors and Frans Van Leemputten but he never completed his studies. It was about this time that he became lifelong friends with the author Stijn Streuvels. In 1902, he debuted at the Sint-Lucasgilde in Kortrijk and began to exhibit more widely. He spent time in Meetjesland, painting landscapes. From 1905, he participated in the exhibitions of Vie et Lumière...

Artist/ School: French Post Impressionist, after the earlier work by Paul Cezanne Title: Winter Woodland with House Medium: oil painting on...

"In this oil painting, I've captured a tranquil riverside at dusk, evoking serenity. The brushstrokes blend expressionism with a touch of impressionism, creating a scene that's both vivid and dreamlike. The colors—a symphony of purples, pinks, and blues—evoke a peacefulness that invites contemplation. This piece embodies a moment of stillness...

"Appassionata" is a warm, earthy abstract landscape painting dedicated to the sensual crimson sky and terrestrial bounty below. It tells the story of movement and ascension, in a pal...

"Landscape BW" by Marilina Marchica (2022) Mineral Oxide on High-Quality Watercolor Paper – 75x55 cm – Unique Contemporary Art 📌 Title: Landscape BW 📌 Artist: Marilina Marchica �...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Summer View, Size: 21.5" x 31" ...

4087 Red coral seascape. Painted on artist board Set in a hand painted vintage wood frame Signed Rodat

"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite Expansive seascape by notable California artist Farren Jensen (American, 19...

Title: Looking The City From Distance Medium: Oil on canvas Size: 23 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Mingjun Wang...

A fine and characterful 20th Century oil woodland scene showing trees on Le Mont Esprit in the Loire Valley. The artist has signed and dated to the lower right...

Mu I is a unique painting by contemporary artist Lumi Mizutani. The painting is made with India ink on rice paper mounted on paper, dimensions are 38 × 70 cm (15 × 27.6 in). The artw...

French Landscape signed by Josine Vignon (French 1922-2022) ...

Initialed lower right, 'K.W.' for Katherine Westphal (American, 1919-2018) and painted circa 1965; additionally bearing label, verso, inscribed with artist's name and titled 'Venice'. Framed Dimensions: 33.25 x 2 x 29 Inches A large, Post-Impressionist oil showing a view of the Basilica of Santa Maria della Salute on the Punte della Dogana with half-a-dozen gondolas rocking on the gentle swell of the Guidecca. A vibrant modernist vedute by this well-listed California woman artist who shows the iconic Baroque church as if suspended in golden light, both reflecting the sunset and, itself, reflected in the shimmering waters. Born in Los Angeles, Katherine Westphal first attended Los Angeles City College and, subsequently, the University of California at Berkeley where she studied painting and art history and received both her Bachelor and Master of Arts degrees. In 1943, she was awarded the Phelan Travelling Scholarship which funded her travel to Mexico where she visited the studios of both David Siquieros and Diego Rivera, an experience that confirmed her lifelong preference for Modernist principles in her work. Over the course of a long and multi-faceted career, Westphal exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards. In addition to her career as a fine artist, Westphal wrote extensively on art theory and also became a beloved teacher at the University of California, Davis, becoming a tenured faculty member in 1968, a full professor in 1975. She retired in 1979 as Professor Emeritus. Katherine Westphal’s work is held in the permanent collections of prominent American museums including the Smithsonian Museum...

The painting was painted en plein air in the village of Bilshivtsi. The beauty of the panoramic landscape was painted from the window of the cathodic monastery.

Beautiful mid century California landscape of a creek running through the woods near an old barn by San Francisco artist Bonita Salvater Van Craeynest (American, 1907-1992). Signed "...

Quaint pastoral landscape of a figure and dog walking down a country lane amongst tall autumn trees with beautiful fall foliage by Cal Donna Zell (American, 20th Century). Signed "Ca...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Cherry Blossom Size: 19.5" x 27.5" x...

"Wheat Field" is a visualization of the boundless Ukrainian fertility, captured on canvas after the artist's trip to the south of Ukraine in 2021. Impressed by the greatness of the n...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

Fishing at Dawn English artist after an earlier work (see inscription verso) signed oil painting on canvas, framed inscribed verso framed: 23 x 31 inches canvas: 18 x 26inches proven...

Mark Harrison’s "On the Edge" is a masterfully painted oil on canvas work that captures the striking vastness and quiet solitude of the desert landscape. Created in 2024, this origin...

Original oil painting by Lelia Pissarro, "Steve, the Fisherman, On The River, Wallingford" Oil on canvas Signed and dated lower left and verso along with title and illustration "fig....

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Bellflowers Field, Size: 20" x 32...

William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

"Garden Series" - Abstract Expressionist Composition in Acrylic on Canvas Vibrant and expressive composition by California artist Charles "Dave" Francis (American, 1951-2018). This ...

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

Hippolyte Benjamin ADAM Paris, 1808 – 1853 Oil on canvas 54 x 73 cm (61 x 80 cm with frame) Signed lower left “h. Adam" 19th century black wooden frame Hippolyte Adam is a painter o...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

This is a woman impressionist artist who studied with John Twachtman. Ann Crane was educated in Europe and was a student of the French academic painter Luc-O...

"Pink Flower" by Akos Biro (Hungarian 1911-2002) signed & dated, gouache painting on card with black mount mount: 19.5 x 25.5 inches image: 15.5 x 22 inches provenance: the artist...

An impressionist painting of trees silhouetted against a bright sunset. The contrast between the subtle colors in the trees and the warm glowing colors of the sky. The trees in the d...

Te Kaha, Bay Of Plenty, New Zealand, early 20th Century by Ernest William BUCKMASTER (1897-1968) Large early 20th Century view of Te Kaha, New Zealand, oil on canvas by Ernest Buck...

Work on canvas

Andrzej Skorut's (US based) "Cherry Creek" is an oil painting that depicts clouds looming over the vast plains with distant mountains in the background....

ALONSO PEREZ (1881 - 1914) Lady and Napoleon Soldier in the Street Oil on canvas signed and dated 1906 low right Dedication : Au sympathique maître et...

Patrick Hughes b. 1939 British Cannaregio Oil on panel Signed, titled and dated “Cannaregio / Patrick Hughes / 2024” (en verso) This intricately detailed, three-dimensional illus...

Late 20th century surrealist gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and title...

A picturesque study of a swiss mountain range with both river and railway line meandering through the landscape. Unsigned. On canvas on stretchers.

Artist: Dong Moy Chu Kingman, Chinese/American (1911 - 2000) Title: Acapulco Beach Scene I Year: 1968 Medium: Watercolor, signed and dated l.r. Size: 10.5 x 18 on 13.5 x 20.5 inches ...

Giacomo Balla (Turin 1871 - Rome 1958), Knight at Campagnano (1935) Oil painting on pressed cardboard 46 x 64 cm signed Balla lower right, on the back are the following inscriptions...

Up for sale here is a really impressive early 1900's oil painting by William Clarke Rice, Jr. (1875 - 1928). A great nocturnal view housed in a period giltwood frame. Image size, 2...

José Salvaggio, pedal artist from France, at Galerie Bonnard! The French artist José Salvaggio finds his subject in the French world around him. You do...

Guillaume-François Colson (1785-1860) Sur la plage oil on canvas 35 x 65 cm signed 'Colson' (lower right) Price: £18,000 GBP Provenance: MacConnal-Mason Fine Paintings Private coll...

This painting is made by Flip Gaasendam. An important member of the 'Dutch Northern Figurative Painters' . His paintings are called 'Poems in paint' . The place where he painted t...

A Day Shooting in the Woods English artist, circa 1830's period signed with initials "S. E." lower right oil painting on canvas, framed in period antique gilt frame from the first h...