Road Landscape Paintings

A detailed view of Højbro Plads with the equestrian statue of Absalon dominant on the right. Well presented in a decorative gilt-effect frame. Signed in the lower right and dated 193...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Belgium. The Bell Tower in Bruges by Leonard Machin Rowe (1880-1968) signed and dated front lower right corner, inscribed, dated and signed again to the back ...

Vue des Grands Boulevards à Paris by H. CLAUDE PISSARRO (b. 1935) Pastel on card 37 x 50 cm (14 ⅝ x 19 ⅝ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a...

Quaint historical landscape of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by ...

An original oil on canvas painting by American female artist Enid Smiley. Enid Smiley (1924-2004) American New York. Born as Enid Ginsberg and later the family name changed to Gilb...

Clyde Steadman's "Going Round the Bend" is an original, handmade oil painting that depicts an impasto painting of a two lane road going around the bend with mountains in the backgrou...

Mid 20th Century Modern oil on canvas cityscape of Place du Tertre and the Basilica Sacré-Cœur in Montmartre, Paris by Augustin Francois Guille aka Archiguille a close friend and col...

Alex Tschernjawski was born in 1933 in Yugoslavia. He was represented by ACA galleries in New York. His work is part of the second generation of School of Paris artists. Tschernjawsk...

Signed lower right on border, 'Heather Foster' (American, 20th century), dated 1991 and titled, verso, 'Hamden #2'. Heather Foster was born in Philadelphia and attended art classes ...

Texas Storm is a striking large-scale oil painting by Christina Kent, measuring 60 x 48 inches. This richly textured work captures the cinematic drama of an approaching storm over a ...

Work on canvas Gray wooden frame 49.5 x 39 x 2.5 cm

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

A fine 20th Century landscape of impressive size, showing the Harlow Mill Lock on the river Stort. The artist has signed and dated to the lower right corner and the painting has been...

"View in Gent" Piet Lippens (Belgian, 1890-1981) Circa 1920s Oil on canvas, signed lower left 23 3/8 x 19 3/8 (24 x 28 frame) inches Piet Lippens was a...

New York City Street Scene - an Original Painting by British Urban Landscape Artist Angela Wakefield. At measures 12 x 12 inches Frame measures 16 x 16 inches The character of New...

Bring the Ooh-la la to your home! A charming 1950s representation of a Paris Street scene by artist Marcel Godin. Artwork size: 19 1/2" x 23 1/2". Framed size: 25" x 29". Frame...

Stephanie Hartshorn's beautiful original impressionist oil landscape "Open Road" (2023) depicts an American midwestern plains scene, focused on an empty road and the power lines with...

Artist: Ian Hornak (1944-2002) Title: Still Life with Baroque Cauliflower, Artichokes and Radishes Year: 2002 Medium: Oil on Panel with artist painted frame Size: 42 x 31.5 inches Co...

Spanish town shadows is an Original Painting by Eleanor Woolley. Inspired by trip to Malaga this painting is a vibrant study of its Historic town centre. ...

This work of art depicts a lively scene in a typical Naples alleyway. Time-worn stone staircases climb between ancient buildings with yellow facades. Colorful banners float above the...

Work on canvas Golden wooden frame 86 x 105 x 4 cm

Original acrylic on canvas painting by the well known Saint Tropez artist, Michel Guy Nochet. Signed lower right, “Guy Nochet. Dated in pencil on frame verso, 1983. Condition is e...

Tim Woolcock was born in Lancashire, though his family originates from St Just-in-Penwith in Cornwall, where the artist spent many summers. He now lives part of the year on his farm in County Carlow, Ireland, where his studio is located. Between 1963 and 1970 Tim attended Arnold School in Blackpool and regularly visited the Grundy Art Gallery in the town. In 1971, he began his studies in to study Philosophy and Art at the Roehampton Institute, University of London. After graduating, Tim stayed in London to teach for twelve years. Tim's painting clearly shows his inspiration from Modern British painters, particularly the traditions of the 1950s and St Ives Schools. As with landscape painters of the earlier twentieth century, such as Paul Nash and Evelyn Dunbar, Tim's landscapes have a somewhat mystical quality and at times approach abstraction. The simplicity and geometry found in work of the St Ives School - so important to the development of Modern British art - is a particular inspiration, with artists such as Patrick Heron, William Scott and Ben Nicholson being most key in his development, though Tim's paintings have a strength and clarity all their own. A knowledge of Zen and understanding of the natural world is reflected in his work, 'I have been greatly influenced by Zen writers, some who have said that the real aim of art is purposeless - not to be confused with a nihilistic approach - in 'Zen and The...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Early 20th Century oil on canvas view of Collioure in the south of France, home to the Fauvists. The painting is initial signed E.L.Y bottom right (as yet undeciphered). The location...

An original impressionist painting by widely exhibited American artist, Diane Monet. Alexanre Monet -- Diane Monet's grandfather -- moved to the United St...

Oil on board Board size: 19.5 x 29.5 inches Framed size: 30.5 x 40.25 inches Signed lower right Further signed and inscribed verso

Painted in a loose impressionistic style, this vibrant oil illustrates a perspective view down a venetian canal with moored boats in the narrow waterway. Unsigned. On canvas board.

Tranquil horizontal landscape of a tree-lined pathway near the coast leading to a quaint cabin by an unknown artist (American, 20th Century). Uns...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Painting of Idyllic River Scene On the Lagan in Ireland by Modern Irish Artist William Henry Burns (1924-1995) Art measures 24 x 18 inches Frame measures...

Work on canvas Golden wooden frame 69 x 80 x 6 cm

"Driving Into The Light" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively small oil on panel packs a lot of the modern energy of a dynamic ...

LOUIS ALEXANDRE BOUCHÉ Luzancy 1938-1911 French village, 1886 Oil on canvas 33 x 46 cm. Signed: lower right ‘Louis Bouché’. Provenance: Barbizon – realist and French landscape pai...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Oil on Canvas, 2007 12 x 14 in. Unframed Signed by Artist, comes with Certificate of Authenticity Good Condition

Important and exhibited American impressionist dock scene by Junius Allen (1898 - 1962). Oil on canvas. Framed. Signed. Image size, measuring 25 by 30 inches.

"East 42nd Street" is a dynamic oil that captures the energy and movement of a glistening street scene in downtown New York with the iconic Flatiron building in full view, and is an...

Linda Lillegraven's beautiful original oil landscape "Cows and Calves Near Antelope Creek" (2024) depicts a serene moment of a western plain in the afternoon, with a few cows crazing...

Islands in the Sea signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed dated 1997 canvas: 22 x 26 inches condition: very good provenance: from a large ...

Original painting of the beautiful medieval French village of Saint Cirq Lapopie, Midi-Pyrénées, France, by leading Contemporary British Artist, Angela...

Sophie Dumont is an artist of international acclaim, whose works are collected worldwide 2020 Paris is an evocative piece by the internationally renowned ar...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a view of Auray from the bridge con...

Title: Old Alley Series II Medium: Oil on canvas Size: 20 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

An atmospheric and serene study depicting a quiet city street in the early morning mist. Well presented in a silver-gilt effect frame. Signed and dated. On canvas on stretchers.

Long Island City Contemporary artist Frederick Mershimer created this oil painting on a wooden panel in 2005. The painting (wood panel) is 10.25 x 21.25 inches (26 x 54 cm). This ...

JERRY BERNECHE Small Town No. 20 Watercolor on Arches 21.5 x 29.25 inches

Late afternoon, the long shadows on a city street speak to a day left behind. Carole Garland discovers poetry in paint in this urban, gritty, dusky setting that is drifting into night. What mysteries lie ahead? “Five O’Clock Shadow” is part of Garland’s Urban LA series of paintings. Carole Garland has shown in many Southern California venues, most recently at TAG Gallery, Bergamot Station; realART Gallery, Agoura Hills; the Gallery at West Los Angeles College; Rose Café, Venice; the Santa Paula...

Kevin Weckbach's (US based) "Times Square" is an original, hand-made oil painting that depicts an average, busy day on Times Square. This piece is done in greyscale and measure 12 x ...

Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of Paris, France on a sunny spring day with trams travelling along the boulevards. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: Galerie Vildrac - Paris (labels verso) Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmark paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of eighteen, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

A bridge to nowhere has been taking no one there for almost 70 years. The Liesenbrücken bridge has been rusting with iron will and doing little else since it was abandoned in favor o...

British Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and rea...

British Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 15 x 11 inches condition: very good and read...

New York Sunshine Golden Glow Cityscape Painting by British Urban Landscape Artist Angela Wakefield. This original is part of the New York Series, a ...

Original painting by Richard Combes Quiet Manhattan puddles become networks of color and texture in the new oil paintings by Richard Combes. Timeworn streets make fertile subject ma...

Old Town Oil on canvas 50x60 cm

Antique American impressionist street scene oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed.

Old town . Oil on cardboard 47,x68 cm. Leonids Maurins (1934-2012) From 1954 to 1961 studied at J. Rozentāls Riga Art School From 1961 to 1969 studied at the Art Academy of Latvia, Pedagogical Department. 1969 - work as tutor at evening courses at the Chair of design, Latvian Academy of Arts. 1969 - first participation in an exhibition of Republican (7th Exhibition of Young Artists in Riga). From 1969 to 1970 - execution of the artist`s first monumental decorative painting for cafe "Allegro". 1975 - participation in the exhibition of young artists in Dzintari, Exhibition Hall (G. Liepina, L. Maurins, B. Vasilevskis, M. Tabaka). 1976 - the artist was accepted as member of the Latvian Artists...

From Goodrich is an Original Painting by Eleanor Woolley. This view is inspired by beautiful summers walks in the Wye Valley. The River Wye travels through the lovely patchwork field...