Nude Paintings

Nude Figures by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back pencil drawing on artist paper, unframed measures: 10 high by 8.25 inches wide conditio...

Prokash Karmakar – Nude – 30 x 22 inches (unframed size) Acrylic on Paper, 2006 Inclusive of shipment in ready to hang form. Style : Legendary master artist Lt. Prokash ...

Painting by French artist Christian Zeimert (b.1934 – 2020). Signed in lower right corner and titled on reverse "Gentilly". Zeimert's painted slow and meticulously. It took him se...

"You can teach a girl femininity for a long time, but stockings will do it instantly."

Mythological I (Faun), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 23, in the catalogue 'Mythi...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Acrylic painting on paper Hand-signed lower right Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to w...

An impressionistic study of a young lady sunbathing on a summer lawn. The sitter looks relaxed in her position, with hat and sandals off, happily led in the grass. To the reverse of the painting is a second artwork by the same hand, depicting a nude female resting...

Woman with a glass.2019. Oil on canvas, 45x45 cm Normunds Braslinsh (1962) Born 1962 in Riga, Latvia 1980–1986 Latvian Academy of Art, Painting Department 1973–1980 Janis Rozentāls Riga Secondary School of Art Has participated in photo exhibitions since 2002 A professional photographer for art editions since 1989 Has participated in exhibitions since 1980 Pedagogical Experience Since 2004 Professor at the Latvian Academy of Art 1998 Associate Professor at the Latvian Academy of Art Since 1997 a teacher at the Master Studio of Figurative Painting, Latvian Academy of Art Since 1988 a teacher at the Drawing Department, Latvian Academy of Art Solo exhibitions 2008 Normunds Brasliņš...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Presented in a contemporary wood frame. Unsigned. On canvas board.

"BBL's and Imported Furs" Painting (FRAMED) 31" x 44" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood Comes in antique frame (wood & gold leaf) Size unframed: 23" ...

Golden Lady Comes framed (white) see image Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk fro...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

An original acrylic painting by American Primitive Artist Robert Sellers.

A sensitive oil study depicting ladies in the changing room. Unsigned. On board.

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

An original oil on un-stretched canvas which was featured in the artist's retrospective exhibition at The Burchfield Penney Art Center. Jackie Felix (1929-2009) earned her Bachelo...

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

This original drawing by artist Ellen Williams is one in a series of elegant minimal nude studies, using a singular line to interpret the curves of a body. ADDITIONAL INFORMATION: C...

Judith Brenner Sophie Seated 3 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Sophie Seated 3 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is to capture the essence of the pose using line and wash...

The Lobsterman NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fi...

Rosie Copeland Child’s Pose (after The Wave) Original Nude Painting Oil on Board Sold Unframed Image size: H38 x W76 cm Please note that in situ images are purely an indication of ho...

Nude drawing from Series 7 No.9D is an original drawing by David Jones. David Jones, artist, is pleased to present a series of nude drawings in the style of Matisse. David uses a tec...

Boris Akopian "Nude"

Singularity. Natalia Pustovit. Fhenomenal artwork concept Singularity is the point at which a mathematical function tends to infinity. A woman is that point, which is the conduc...

In this work I present a woman lying down as a study of the female body, the figure is cut on a brownish background, with a very marked texture intentionally based on glazes to highl...

Bruno was born in 1888 in Bruenn, then part of the Austro-Hungarian Empire. He was the youngest son of a well-to-do family of textile manufacturers. Bruno was a delicate child, but...

Steven H. Rehfeld (American, born 1954) "Young Woman and Vase", 2015 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Steven is now on...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

A striking and highly unusual 20th Century scene in oil showing a classical style woman, swathed in red fabric in the embrace of a majestic griffin. The painting is unsigned and pres...

Kartick Chandra Pyne - Untitled - 24 x 18 inches (unframed size) Watercolor on thick imported paper Inclusive of shipment in roll form. Style : After graduating from the Government ...

Watercolor, mixed media, using resists, meditation and yoga references. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sen...

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Ewart Johns (British, 1923 – 2013) Figures In Touch, 1992 Oil on board Signed with initials and dated ‘EJ 92’ (lower left) and further signed, titled and dated (on the reverse) 4.3/4...

Contemporary colorful abstract painting by Houston artist Emmanuel Araujo. The work features a pair of nude crouching women set against an orange sun and pink background. Signed, tit...

Contemporary colorful abstract painting by Houston artist Emmanuel Araujo. The work features a blue toned reclining female nude figure laying on a black and white chevron rug set on ...

We can see a couple of lovers, a naked man and woman, kissing about to have sex.

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work inclu...

Self-portrait 5 2009, canvas, acrylic, 140x98 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially a...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

"Listen" 24x36" watercolor painting. The painting comes with a certificate of authenticity. About the artist: Orielle Anaïs [Santa Barbara, CA] is a multimedia artist specializin...

In work/Four figures. Double-sided, cardboard, tempera, 56x47 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Figure with Serpent c. 1990s Ink and gouache on paper 29 x 22 inches

Japanese No. 2 Mikhail Turovsky, Russian (1933) Date: 1990 Oil Pastel on Paper, signed l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2 cm) Frame Size: 33 x 40 ...

This piece is not framed. Raluca Vulcan is a French-Romanian artist who likes to express the life and sensitivity of the human body, mostly through nudes and portraits.

Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

Judith Brenner Solfrid Dancing Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insi...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Self-portrait at the Beginning of History, 2019 Acrylic on canvas 88 31/32 H x 34 29/64 in. 226 H x 87.5 W cm Rădvan's multifaceted self-portraits are also a reference to Narcissus...

Self-portrait at the Beginning of Time, 2019 Acrylic on canvas 88 31/32 H x 34 29/64 in. 226 H x 87.5 W cm Rădvan's multifaceted self-portraits are also a reference to Narcissus, a ...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

Leon Kroll was a painter, lithographer, art critic and teacher who was born in 1884 in New York City. Living his professional life in New York City and Chicago, he summered in Rockpo...

Ashit Sarkar - Untitled - 20 x 15 inches (unframed) Acrylic on Canvas Inclusive of shipment in roll form. Style : Women have a special place in ...

Kristy Chettle (American, born 1968) "Envious" 2023 Oil Paint, Wood, Wire The artist signed the back of the painting. "Envious" by Kristy Chettle is a striking contemporary figurati...

Jacques van Rooten, is an artist born in Belgium. He was a painter of landscapes and portraits in a realistic style. Regularly exhibited in Belgium. He also made beautiful paintings ...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

By Gustav Likan 24" x 30" Oil on Canvas

nude portrait "Great old age" china ink 50x65cm on paper dignity and fragility, pathetic and admirable delivered in oak and glass frame