1920s Paintings

Lovers Painting on canvas / frame Charles Léandre Circa 1925 Signature lower right L 81 cms x h 115 cms

A lovely Santa Barbara, California Plein Air Landscape oil painting of the Santa Ynez Mountains. Estate signed verso. Pain...

Jacques Martin-Ferrières (French, 1893-1972) Le marché d'Assise, 1927 A warm gathering at the beginning of the last century at a mountain top courtyard in Assisi Italy built just af...

Oil on canvas by Pere Creixams Pico (1893-1965), School of Paris, ca.1920. Beautiful Spanish woman. Provenance: Charpentier Gallery, 76 rue du Faubourg Saint Honore, Paris (Sotheby's...

Will good ultimately triumph over evil? Or is it a perpetual tug of war? WPA Artist Leonard Lopez paints a complex figural work addressing the theme of "the fight between good and evil. It's reminiscent of the medieval paintings by Hieronymus Bosch, where demons evoke fear and confusion to portray the evil of man. In this painting, a closeup of a young female’s erotic buttock fills the horizontal space. Engulfing the sexy nude body is a dense array of Lilliputian-like figures. The top third of the composition is crammed with floating, sexy, nude female bodies. The bottom part of the painting features a cross-section of people engaged in their diverse jobs. Mounted on the nude cheek, Artist Leo Lopez paints a victorious Red Devil with a trident. He’s holding a wealthy man in a tuxedo upside down. The supernatural powers of the Devil's red forked tail extend beyond its normal length and, like a tentacle from a sea monster, entangles many of the characters that represent society. To the extreme center right Lopez paints a Winged Venus dressed...

This oil painting is signed by the artist "A.Lhote." in the upper left corner. The work was painted in 1928. Note; The village is perhaps La Laupie. Provenance: This work is ac...

​​​​William Lucas Lucas (British, early 20th century) 'Southdale Jock', thought to be a field or English springer spaniel signed and dated 'W LLucas 1926' (lower right) and inscribed...

Study for Satruday Evening Post Cover, Fabruary 16, 1929

William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...

Constantin Alexandrovitch Westchiloff (American/Russian, 1877-1945), untitled scene of a snowy far off meadow in the moon light. Oil on canvas, signed lower right Measures: Canvas: 20.85 x 27.75 inches Framed: 29 x 35.75 inches Condition: Excellent with no inpaint. Provenance: Christies Live...

“The Gun-Runners” by Edwin Cole, published in The Youth’s Companion, May 6, 1926, pg. 343. Western illustration Literature: Schoonover, Smith & Dean 1450 Artwork Dimensions: 17.5...

Title: Profile of a Woman in White Blouse Artist: Josep Puigdengolas Barella (Barcelona, 1906 – 1987) Technique: Oil on panel Dimensions: 13 x 10.6 in Framed dimensions: 16.5 x 1...

Provenance: Private collection, Orlando, Florida

Artist: Ben Benn, Polish/American (1884 - 1983) Title: 23rd and 2nd Ave, New York City Year: 1924 Medium: Oil on board, signed l.r. Size: 14 x 11.5 in. (35.56 x 29.21 cm) Frame Size:...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a period frame. Illustrated in "New Hope for American Art" by Jim Alterman and "The Philadelphia Impressionists" by Thomas C. Folk, pg, 102, plate 45 S. George Phillips (1890 - 1965) Regarded by some as “a poor man’s Garber” (“poor” needing to be redefined these days), S. George Phillips painted rich and colorful landscapes depicting views of the Delaware River and the environs surrounding New Hope. An extremely competent artist, Samuel George Phillips was born in Pennsylvania in 1890. He studied at the Pennsylvania Academy of the Fine Arts under William Merritt Chase, Cecilia Beaux, Hugh Breckenridge, and Daniel Garber. He then traveled to Europe to continue his studies. Phillips began his career as an illustrator and commercial artist. His work appeared in The Saturday Evening Post, The Ladies’ Home Journal, McCall’s, and The Liberty Magazine. His best known work as an illustrator was the Santa Claus logo he designed for the Whitman Candy Company. Around 1915, Phillips established a portrait studio in Philadelphia. Soon he was to become one of Philadelphia’s pre-eminent portraitists, painting many prominent socialites, politicians, and academicians. For fifty years, he commuted from his home in Atlantic City to his Philadelphia studio. Like many artists, painting was Phillips’s livelihood and although landscape painting was his passion, the bills were paid by money earned for commissioned portraits and illustration work. Phillips found portrait painting to be stressful and landscape painting to be relaxing, and as a result, he would frequently spend weekends in Bucks County, taking part-time residence at the Point Pleasant...

A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

Post cubist work with the perfect balance of component parts. The work is rendered with meticulous precision. It's quite simply a masterful piece of graphic design. Signed lower c...

Early Twentieth Century Victorian Style Oil Painting of English Black and White Village Scene with Timber Framed buildings and mothers with their children and even a little dog! A t...

Watercolor by Paul-Alex Deschmacker, France, 1920s. This watercolor is in the classical period populated by mythological characters of Paul-Alex Deschmacker, itself becoming part of ...

Nicely painted European cityscape painting. Framed. Oil on board. Image size, 20H by 16L.

Tent City, ca. 1920 Oil on board 16 x 20 inches Signed (lower right and verso): RENWICK TAYLOR

Joseph Stella creates a beautiful and colorful still life rendered in lush expressive bright colors and quick spontaneous bravura brushstrokes.. Signed Lower Right Joseph Stella Fra...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman, and "Blue Chips" published by Jim's of Lambertville. M. Elizabeth Price (1877 - 1965) Mary Elizabeth Price was born in West Virginia and raised on a farm in Solebury, Pennsylvania, on the outskirts of New Hope. She studied at the Pennsylvania School of Industrial Arts and the Pennsylvania Academy of the Fine Arts under Hugh Breckenridge. Additionally, she studied in New Hope with William Lathrop. Following her art studies, Price went to New York. While there, she conducted the “Baby Art...

Jim's of Lambertville Fine Art Gallery is proud to offer this work by Cora S. Brooks (1885 - 1930). Cora S. Brooks was born in New Brunswick, New Jersey in 1885. Her father, Edward F. Brooks, was the General Superintendent of the Pennsylvania Railroad. In 1902, her family moved to Lansdowne, PA. She attended the Philadelphia School of Design for Women (now the Moore College of Art & Design). Brooks specialized in flower still lives, but also was known to paint landscapes, and do an occasional portrait. She was one of the founding members of the Philadelphia Ten, a group of women artists who emerged out of the Philadelphia art...

Medium: Oil on Canvas Signature: Signed Middle Right Cover of The Saturday Evening Post, November 28, 1925 Literature: The Saturday Evening Post, November 28, 1925, cover illustra...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Delaware River, 1924 Oil on board 12 x 16 Signed (lower left): RENWICK TAYLOR Inscribed (verso): From Original Sketch Painted at Eddy Farm, Delaware Riv...

ROSENSTOCK Isidor (1880-1956) Still Life of Flowers with China Porcelain Vase Watercolor on card signed low right Old original frame gilded with leaves and Glass Dim card : 38 X 58 c...

Original oil on canvas painting of bucolic landscape with a mother and her child walking on a country path. Signed lower right by the artist “Bernard Viegers”. Great use of light an...

Jacques Martin Ferrieres (French, 1893-1972) A delightful landscape of mountains with agricultural fields with a river and colorful trees. The pallet and texture make this a special art piece as it is probably done with knives and tools other than brushes. Probably vineyards in the countryside of France. Executed in 1926 Oil on canvas Dimensions: 81 x 65 cm (32 x 25 in.) Framed: 37.5 x 31.25 Inches signed lower right “Jac Martin Ferrieres...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Rebecca Couchée by JULES PASCIN (1885-1930) Oil over pencil on canvas 73.1 x 91.8 cm (28 ¾ x 36 ⅛ inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011 Literature Luis Seoane...

Approximate date: 1924 Medium: Gouache on Board Signature: Signed Center Left Sight Size 20.75" x 29.88", Framed 49.00" x 39.00"

Serene depiction of Loch Na Keal, Iona, Scotland by William Mervyn Glass, Royal Scottish Academy and Scottish Academy of Artists (PSSA,SSA) (Scott...

Medium: Oil on Canvas Signature: Signed Lower Left Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in h...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 19.00" x 16.00", Framed 26.00" x 23.00" Good Housekeeping Magazine Cover, July 1928. Jessie Wilcox Smith...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

Signature: Signed Lower Left Medium: Oil on Canvas Saturday Evening Post Cover, September 18, 1920 - Leyendecker addressed the theme of American patriotism in several ways. His famous Fourth of July covers asserted the import of American independence through stock characters: George Washington, Uncle Sam, the Statue of Liberty, colonial Freedom Fighters, and modern-day soldiers. In addition, his World War I and World War II covers depicted soldiers proudly defending their country. Leyendecker also profiled U.S. presidents and historical figures - George Washington, Robert E. Lee, William Howard Taft...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Self-Portrait Year: circa 1920 Medium: Oil on Canvas, signed l.r. Size: 44 x 30 in. (111.76 x 76.2 cm) ...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "INTERIOR REALES ALCAZARES, SEVILLA" Signed & located "F. Liger Hidalgo, Sevilla " (lower right) ...

Signed Lower Left by Artist Original cover for St. Nicholas magazine, published June 1921. A summer sporting image featuring a baseball player, golfer, swimmer, tennis player, and...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 36.00" x 34.00; Framed 43.75" x 41.75" "The Great Things of Life—Travel, Edison Mazda Lamps/General Electric advertisement" Signed and dated lower left: Dean / Cornwell / 21 Dean Cornwell's advertisements for companies like Coca-Cola, Palmolive Soap, and Philadelphia Blended Whiskey are as chock full of atmosphere and narrative drama as his magazine story illustrations. The present work graced one of eleven advertisements in ""The Great Things of Life"" series, commissioned by General Electric, which ran in monthly 1921 editions of The Saturday Evening Post. Each of these ads, designed by a different artist - among them, Arthur I. Keller, Elizabeth Shippen Green, Clarence F. Underwood, and Sarah Stillwell Weber -- suggested that the warmth of the Edison Mazda Lamp, or incandescent light bulb, went hand in hand with middle-class virtues and opportunities, including ""Reverence,"" ""Contentment,"" ""Gratitude,"" and ""Chums."" For ""Travel,"" Cornwell imaged a honeymooning couple disembarking from a car, about to enter a brightly illuminated inn: ""The Honeymoon Trail is a trail of Light -- Soft lights, orange blossoms, and solemn vows - A handful of confetti, laughing goodbyes and a porch--light smiling its happy farewell -- Bright headlights throwing their radiance over the road; and the lights of welcome in an old-fashioned inn -- So another couple sets forth on the honeymoon trail -- a trail that lingers in memory as long as life lasts, indelibly etched by the magic of light. We speak of life as a journey; have you ever stopped to think how much Edison Mazda Lamps contribute to the pleasure of the journey?"" (General Electric advertisement, The Saturday Evening Post, 1921). The present work is accompanied by three copies of the advertisement as featured in The Saturday Evening Post. " Dean Cornwell, born in 1862, was an American artist who was best known as a muralist and for his famous illustrations in national magazines including Harper's Bazaar, Redbook, and Cosmopolitan. He was born in Louisville, Kentucky and as a child observed his civil engineer father do industrial drawings, which led to his interest in art. Cornwell studied at the Art Institute of Chicago and built his career as a cartoonist for the Lousiville Herald and the Chicago Tribune. Cornwell illustrated the works of some of the most famous names in the literary world, including Edna Ferber, Ernest Hemingway, Pearl S. Buck, and Somerset Maugham. He also created murals for the 1939 World's Fair, Bethlehem Steel, and the General Motors Building in New York City. Cornwell's spectacular murals grace buildings...

Estate signed verso. Painted between the years 1916 and 1926. In a genuine gold leaf, had carved frame. This painting is identified in the Francis Draper Jr. archives as #0-90........

Signed Lower Right by Artist Titled on the reverse: May I Have the Pleasure Good Housekeeping cover, November 1926 As Jessie Willcox Smith biographer S. Michael Schnessel has a...

Pastel Impressionist style painting by American landscape artist George Ames Aldrich. The work features a woman standing at the edge of a river in a quaint pastoral French town. Sign...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 38.25" x 29.25", Framed 45" x 35" Cover of The Saturday Evening Post Magazine, June 13, 1925 Edmund Davenport was a New Yorker and a successful illustrator in the 1920’s. He painted covers for Women’s Home Companion and The Saturday Evening Post, and at the same time, he worked in the art department of Paramount Studios. At the time of this publication, a young woman’s graduation from college was a rare accomplishment, and the opportunities for employment that required a college diploma, were even rarer. Nevertheless, it was a good reason for this pretty, young woman to be sitting on top of the world in the vicinity of “cloud nine.” “Top of the World” appeared on the cover of The Saturday Evening Post on June 13, 1925. Exhibited: Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014 A luminous and rare Golden Age of Illustration cover...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 22.00" x 16.00", Framed 31.00" x 25.00" Two Little Girls. It looks as though they are walking to school with their books in one hand and holding hands with the other. Good Housekeeping Magazine cover, September 1924 Smith, Jessie Willcox:Smith is known mostly for her whimsical illustrations of children. She illustrated "A Child's Garden of Verses" by Robert Louis Stevenson and numerous magazine covers.. American painter and illustrator, 1863-1935 Jessie Wilcox Smith...

Famed female illustrator Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The accompl...

Gorgeous early 19th Century Native American figurative landscape of women at well in Tucson, Arizona by William Constable Adams (American, 1846 - 1931),...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Vieux pont de Grez-sur-Loing by Henri Epstein (1892-1944) Oil on canvas 55 x 81 cm (21 ⁵/₈ x 31 ⁷/₈ inches) Signed lowe...

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Jacqueline Marval was close friends with Kees van Dongen and her work is of the same school as, Matisse and Marie Laurencin. Les Odalisques is quite contemporary looking with it's main figure having joyful life and vitality to her. Some refer to her as a Fauve and some as a post-impressionist. Clearly, she is an overlooked female artist. This work is over...

Work on canvas Burgundy wooden frame 75.5 x 65 x 4 cm

It’s such a “Great Gatsby” thing, owning the 100-foot-plus motor yacht, especially when proudly sporting on the bow a distinctive burgee representing membership in an exclusive yacht...

Story illustration for “The Flower of the Flock” by Jay Gelzer for Cosmopolitan, published August 1921, pages 74-75 The Post describes the tale as “The story of a Kentucky mountain...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Margery Ryerson paints a stunning portrait of a boy dressed in Scottish clothes. The paint application is quick and loose but based on a sound academic understanding of how to constr...

This superb British self portrait oil painting is by noted artist Sir Walter Westley Russell CVO, RA, RWS. He had a distinguished career: Russell became a member of the Royal Academy...

Jim’s of Lambertville is proud to offer this artwork by: Robert Spencer (1879 - 1931) One of the rarest and most important artists among the New Hope School, Robert Spencer was bor...

What a Life, c. 1930, mixed media on board, 18 x 24 inches, signed lower left; titled on label; exhibited at The San Francisco Art Association Fifty-Second Annual Exhibition at the P...